Playbill of the State Academic Capella. State Academic Capella named after Glinka. From the founding to the October Revolution

The State Academic Chapel of St. Petersburg traces its history back to 1479, when by the decree of Grand Duke Ivan III, the Sovereign's Choir Clerks were established in Moscow, which became the first professional choir in Russia and the cradle of Russian choral art. The last decades have been marked by a new upsurge in the performing and concert life of the Singing Capella. In 1974, the outstanding Russian musician Vladislav Chernushenko became the artistic director and chief conductor of the Capella. Since that time, the revival of the historical traditions of the oldest choir in Russia begins.

In 1974 Vladislav Chernushenko was appointed artistic director and chief conductor of the oldest musical and professional institution in Russia - the Leningrad State Academic Capella named after I. M.I. Glinka. In a short time, Vladislav Chernushenko revives this famous Russian singing ensemble, which was in a deep creative crisis, returning it to the ranks of the best choirs in the world.

The complex of buildings of the State Academic Capella of St. Petersburg is one of the best creations of Russian architecture, an integral part of the Palace Square ensemble. In the architectural ensemble of the Capella, the central place is occupied by the concert hall. It was built by L.N. Benoit in 1889. Undoubtedly, the hall became one of the architect's main successes, not only in terms of external decoration. The Capella Hall has a reputation for being excellent and, according to some reviews, ideal acoustically. In 2005, a major overhaul and comprehensive restoration of the Capella Concert Hall was completed. Stucco and gilding, lighting fixtures and chairs have been carefully restored. All that was missing was recreated in full accordance with the surviving samples. All historical groups of the Capella - Choir, Symphony Orchestra and Boys Choir took part in the grand opening of the hall on October 1, 2005.

The Capella organ is not only the most valuable musical and architectural monument of Russia. Together with the entire historical complex, it allows the formation of the largest international center of organ music, where festivals, concerts, symposia are held. The reconstruction of the Capella organ was a powerful stimulus for the development of Russian organ culture. The Chapel Organ is a historical monument instrument. It is priceless, as are the instruments of the great Italian violin makers - Amati, Stradivari, Guarneri. The elegant, noble sounding organ of the Capella is in perfect harmony with the interior and acoustics of the concert hall. The instrument came to the Capella in 1927, and it was made in 1891 for the Dutch Reformed Church in St. Petersburg. Designing the Capella hall, the architect L.N. Benoit simultaneously planned the installation of an organ in it, but for a number of reasons the idea of ​​installing an organ in the Chapel was not destined to come true.

The chamber hall of the Capella of St. Petersburg was renovated and reconstructed in 2011 with the support of the Committee for Culture. The Chamber Hall hosts evenings of ancient and modern chamber music, performances by the leading soloists of the Choir and the Capella Symphony Orchestra, the Capella Chamber Orchestra, subscription concerts for children, recitals of young St. Petersburg musicians, thematic, musical, literary, anniversary evenings, experimental concerts, creative meetings, solo performances, scientific conferences, press conferences. With each season, concerts in the Chamber Hall of the Capella are becoming more and more popular.

In the 1970s, a gallery was added to the Capella Concert Hall on the second floor level, allowing artists and administration to enter the auditorium and foyer outside the stage. The gallery serves not only as a place for listeners to relax during intermissions, but also for exhibitions of painting, graphics, photography and sculpture. The exposure is changed every two weeks.

In 2010, during a major renovation, an elevator for people with disabilities was installed in the Capella. Now, thanks to special equipment, the concert hall has become accessible for disabled people. The elevator allows them to move almost without hindrance in the space of the Capella and easily get from the ground floor directly to the gallery adjacent to the concert hall.

State Academic Capella in St. Petersburg - oldest musical institution, which by its activities largely determined the growth and development of musical culture. It includes a professional choir, which was established in Moscow in the 15th century, Symphony Orchestra and concert hall... Exactly different musical directions appeared and developed here.

Story

Capella history lasts for more than one century, and began during the reign of Ivan III... Since then, the Capella has developed and a lot has changed. But first things first.

From the founding to the October Revolution

The chapel appeared in XV century in Moscow, when Grand Duke Ivan III created the choir of the Tsar's singing clerks.

On August 12, 1479, they were directly involved in the consecration of the Assumption Cathedral, and since then this day has been considered the date of the foundation of the Chapel.

From the very beginning, the singers were constantly with the tsar. They not only participated in divine services, sacraments, but also sang at dinners, and also accompanied the sovereigns on all trips, including during military activities. A little later, not only adult men, but also boys began to take on the service of singers.... Being a singer in those days was very appreciated, and one of the reasons for this was literacy training.

The first Russian singing school was founded by the singers Fyodor Krestyanin and Ivan Nos brought by Ivan the Terrible... The singers not only performed themselves, but also created musical works.

The history of the St. Petersburg Singing Choir begins in 1703. Soon after Peter I came to power, he ordered to rename the choir of the Tsar's singing clerks into the Court Choir

Now the singers accompanied the king all the time in all his movements and military campaigns. Peter I took good care of his singers, and also periodically performed something with them himself. And when in 1703 there were mass celebrations on the occasion of the emergence of the new capital, the singers took a direct part in them.

The next stage in the development of the Court Choir was already under Empress Anna Ioannovna. It was she who opened the first special school in 1738, and after 2 years the singers began to learn to play orchestral instruments.

Since then, the Court Choir has become the main musical choir of the city., who took part in all events held in the capital. And since the 30s of the 18th century, they also began to attract him for performances at the Court Theater. Exactly thanks to the choir, the best singers and soloists of that time appeared.

In 1763, Catherine II renamed the Court Choir into the Imperial Court Choir, the director of which was Mark Poltoratsky. It was the Capella that was the basis of the musical life of Russia.

She has brought up many of the most famous musicians. The names of such famous musical figures as Rimsky-Korsakov, Glinka, Lomakin and many others are associated with it.

For a rather long period of time, the Italian Baltazar Galuppi was the head of the Capella., and with him his compatriot Domenico Cimarosa. It was they who once taught D.S.Bortyansky, Giuseppe Sarti, Tommaso Traetta and Giovanni Paisiello. Thanks to their efforts and endeavors, Russian musicians have mastered real international skill.

In 1796, its former pupil D.S.Bortnyansky became the director of the Capella.... He was very sincerely worried about the Imperial Chapel and its students. Dmitry Stepanovich tried to achieve perfect performance, even composed works for the choir himself, and, as a result, the performers became famous even outside the country. It was at the behest of Dmitry Stepanovich in 1808 that a plot was purchased with two houses located on it, a garden and a courtyard, where the modern Chapel is located. Thanks to the existence of the Imperial Chapel in Russia, they were able to get acquainted with foreign classics, known all over the world: Mozart, Beethoven, Berlioz, Haydn and others.

The next head of the Capella was F.P. Lvov, who continued the traditions laid down by D.S.Bortyansky. After him, the position of director went to his son Alexei Fedorovich - the author of the anthem God Save the Tsar, Major General and Privy Councilor, who turned out to be an excellent leader of the musical choir.

In 1837 Glinka was appointed Kapellmeister. He was personally asked about this by Emperor Nicholas I. Glinka approached his position very responsibly and personally chose new singers and supervised their training

In 1846, the chapel began to train leaders of church choirs, and 12 years later, the work of the orchestral classes was finally fully established. This had a positive effect on the development of the choir and the training of its pupils. When young people entered the age of voice change, they were simply transferred to classes where vocal ability was not required.

In 1861, N.I.Bakhmetov took over as head of the Court Singing Chapel.

The final formation of the Court Choir was completed on July 16, 1882, when Emperor Alexander III approved its staff. Now the composition of the Court Singing Capella included a symphony orchestra, a choir, music and theater schools, regency and instrumental classes

The next important period in the development of the Court Chapel falls on the time when it was headed by M. A. Balakirev and N. A. Rimsky-Korsakov. It was Nikolai Andreevich who taught in music classes, and he did it so well and selflessly that only the best students graduated from him, who later became the main musicians of the orchestra. Soon, graduates of the Capella school began to issue documents confirming their musical education.

Everyone who participated in the formation of the Court Singing Chapel, starting from its very foundation, made a huge contribution to the development of the musical art of Russia. A music center that has no analogues in the whole world was created, where the upbringing of future artists was perfectly combined with concert and performing activities. It was from here that the best pupils were graduated, who became famous musicians..

Chapel from the 20th century to the present day

The 20th century was a difficult time for the Capella. After the revolution, it was partially disbanded.: the regency classes and the gentry corps were closed, and then the choir school and the symphony orchestra were disbanded. However, the choir and orchestra continued their performances, but in simple places: at work, student and club sites.

In 1918 the Capella became the Petrograd People's Choir Academy, and 3 years later, from the choir and orchestra of the former Court Chapel, they made the Petrograd State Philharmonic. In the spring of 1920, a new transformation awaited the former Capella: if earlier there were only boys and men in the choir, then now there are also added female voices... In 1922, the choir was singled out as a separate group, calling it the Academic Chapel. It consisted of a choral college and a school, as well as the choir itself. Soon, girls began to be accepted for training there..

The greatest rise of the Capella in the first half of the twentieth century is associated with the leadership of two outstanding people - P. A. Bogdanov and M. G. Klimov. Palladiy Andreevich was able to keep the school even during the Great Patriotic War, and Mikhail Georgievich - to raise the best choir

In 1928, under the leadership of Klimov, the Capella embarked on its first tour of Western Europe. Everything went more than well - success awaited the Russian musicians.

During the war, the Capella was evacuated to the Kirov region, and some of its artists went to the front. At that time the chief conductor was E.P. Kudryavtseva, and it was with her musicians performed in hospitals, military units and various concert halls, maintaining the patriotic spirit.

In the second half of 1943, G. A. Dmitrevsky came to the leadership, who was able to revive the Capella after the war, making a huge contribution to the development and formation of musical and educational activities. At the end of 1944, the Capella returned to native Leningrad, and already in 1945, its operation was resumed in doubled volume.

In 1954 the Capella and the school attached to it were named in honor of M.I. Glinka... This event was timed to coincide with the 150th birthday of the composer. Unfortunately, for the next 20 years, the activity of the Capella has decreased, if not - has completely stopped... Frequent changes in leadership and singers, problems and misunderstandings in the collective, the lack of new compositions - all this affected the overall sound of the choir.

But in 1974, a former pupil of V.A.Chernushenko came to the leadership of the Capella and with incredible efforts he revives past traditions

It was thanks to Vladislav Alexandrovich that the music that had been banned in the country for a long time was returned: Tchaikovsky, Chesnokov, Berezovsky and many others.

Under V.A.Chernushenko, the repertoire of works performed is expanding again... Not only the classics are taken, but also the works of modern authors.

On November 1, 1991, the Symphony Orchestra was re-established and gained worldwide recognition.

Exactly the choir and the Symphony Orchestra are currently touring different countries and are rightfully recognized as one of the best musical groups in the world.

Activity

Today the State Academic Capella is the oldest Russian professional musical institution engaged in the formation and development of Russian musical culture. Studying the history of the Capella, one can trace how classical music developed in the country and not only.

For a long time, it was the Capella that was the most important source of musical education in Russia. Through her activities, she influenced the formation of Russian singing and musical art, a huge number of famous musical figures emerged from its walls.

The Capella repertoire is mainly represented by international symphonic classics... During its existence, a huge number of famous musical groups performed on its stage with works of world classics, as well as with completely new, but really chic works of modern authors.

Today the State Academic Capella conducts an active concert activity. Its representatives tour the country with great success, as well as abroad, perform at international festivals

Foreign media enthusiastically respond to the talent and technique of the artists of the Russian Capella. And in 2001, His Holiness Patriarch Alexy III of Moscow and All Russia invited the Choir Choir to take part in a charity concert at the Bolshoi Theater called the Holy Places of Russia.

Artists

Now as part of the Singing Capella 70 artists, of which 34 are female voices and 36 are male.

• Sopranos - 17 people... Including Gordeeva Galina and Yaskunova Elena - Honored Artist of Russia and Zavatskaya Ekaterina - laureate of the international competition
• Mezzo-soprano - 17 people... Including Leibova Daria - Honored Artist of Russia and laureates of international competitions Bashkatova Larisa and Sidenko Lyudmila
• Tenors - 15 people... Including the laureate of the international competition Trofimov Oleg
• Bass - 21 people... Including honored artists of Russia Migunov Peter and Miller Vladimir

The choir inspector is Nikita Andreyev... For a complete list of artists you can find on the official website in the appropriate section

The Symphony Orchestra consists of 54 artists.

• First violins - 16 people... Including laureates of international competitions Nikolay Andreyev, Ilya Zavatsky, Evgenia Klevtsova and Evgenia Norkina. The concertmaster of the orchestra is Vladimir Pogoretsky
• Second violins - 14 people... Including laureates of international competitions Avgustinovich Anna and Kashina Alexandra. The concertmaster of the orchestra is Anna Avgustinovich
• Violas - 12 people... Including laureates of international competitions Andreeva Milana and Slabikova Ekaterina. The concertmaster of the orchestra is Andreeva Milana.
• Cello - 12 people... Including Honored Artist of Russia Messerman Vadim. He is also the concertmaster of the orchestra

Halls

The State Academic Capella has 2 concert halls.

Concert hall

The main building of the Capella is the Concert Hall..

It was designed by the architect Benoit in 1889 during the redevelopment of the building.

In the central part of the stage, a place was prepared for the organ, which was brought and installed only in the 30s of the twentieth century from a church in Holland. It is he who is now the real pride of the Capella.

The decor of the hall in the form of stucco molding was made by I.P. Dylev

In 2005, the restoration of the Concert Hall was carried out... The masters did their best: absolutely everything was restored - stucco, gilding, decor and furniture... And so The grand opening took place on October 1, which was attended by the Choir of the Capella, the Orchestra and the Boys' Choir.

Chamber hall

Another hall of the State Academic Capella is the Chamber Hall. It is much smaller than the Concert Hall - only 80 seats, while playing an equally important role in the life of the Capella. It was first opened in 2008. In 2011, it underwent a major overhaul, and in November it was opened with a festive concert.

Thanks to his appearance, there was an excellent opportunity to expand the Capella's repertoire.... Leading soloists of the Choir, Symphony and Chamber Orchestras, experimental concerts and performances by young and talented musicians perform here.

It is in the Chamber Hall that you can listen to jazz and folk, as well as attend literary evenings and various events, including all kinds of conferences

It also hosts educational concerts of classical music for children.

Festivals

Festivals are held in the Capella on a regular basis.

One of the most popular is called Musical Olympus.

Typically, he held in May or June at the best venues in the city... Only the very best - laureates of the largest international competitions are allowed to participate, therefore it is so valuable for lovers of classical music to get there. Same way the Capella collective takes part in various festivals, including international ones.

Concerts

Concerts are held in the State Academic Capella, where they perform:

• soloists
• Choir and Symphony Orchestra of the Capella itself
• invited musicians from different cities and countries of world renown

Performing at this venue is a real honor for everyone. Reporting concerts of pupils of musical educational institutions can also be held here.

The repertoire of the Capella is mainly composed of works of classical music, known all over the world. But there are also concerts based on contemporary works or specially timed to coincide with any date.

For example, on May 10 at 19:00 there was a concert organized by the House of Folk Art and Leisure entitled Let us bow to those great years.

Information on the date and time of a particular concert can be clarified on the website in the appropriate section

Exhibitions

Besides musical events, art exhibitions are held in the gallery of the Capella... The viewer can be presented works in the field of painting, graphics, sculpture and photography united by any one theme.

The poster of such events is also posted on the Capella website. in a special section

Excursions

Some travel companies offer to visit the State Academic Capella as part of an excursion group.

Below are some of the options currently on offer

Poster

You can find the poster of the State Academic Capella on the website on the Capella website

Tickets and season tickets in 2019

Tickets to the State Academic Capella can be purchased:

Also, the Capella annually offers a subscription for the next season.

2019-2020 - anniversary season - 540 years from the date of foundation of the Chapel

Viewers are offered 14 different subscriptions... There are classic options including visiting concerts of the Singing Capella and Symphony Orchestra... You can also choose a subscription, where Choir and Symphony Orchestra performing together... For lovers of musical and literary compositions there is special subscription Music and word.

The address

Moika River Embankment, 20

Metro

Nearest stations:

• "Admiralteyskaya"
• "Nevsky Prospect"
• "Gostiny Dvor"

How to get there

The nearest station is Admiralteyskaya - less than 1 kilometer:

• go to Nevsky Prospekt, cross the road, turn right and walk to Bolshaya Morskaya Street
• turn left there and go straight to Palace Square
• go around it from the right side to the nearest branch to the right
• turn there and go to the Moika river
• cross it along the Pevchesky Bridge - there is the Capella

From the metro station Nevsky Prospekt to Capella about 1 kilometer:

• get off the subway, cross the Griboyedov Canal
• walk along the avenue to the Moika river
• turn right there and move along the water to the Pevchesky Bridge - the Capella will be on the right

Walk a little longer from the Gostiny Dvor metro station. You also need to go to Nevsky Prospect, cross the road and walk along the avenue towards the Kazan Cathedral. Further, the path will be exactly the same as from the Nevsky Prospekt metro station.

Philharmonic Hall rules

There are no special rules for visiting the Capella. Everything is pretty standard:

• come in advance
• have a ticket with you
• do not enter the hall in outerwear
• during the concert it is forbidden to speak loudly
• mobile phones cannot be used

Everything else is at the discretion of the audience. There is no dress code here and many visitors come in casual casual clothes.

The Belcanto Foundation organizes concerts in Moscow, in which the Vadim Sudakov Moscow State Chapel takes part. On this page you can see the poster of upcoming concerts in 2020 with the participation of the Vadim Sudakov State Capella of Moscow and buy a ticket for a date convenient for you.

Artistic Director and Chief Conductor Honored Artist of Russia Winner of the Moscow Government Prize Anatoly Sudakov.

The State Chapel of Moscow was organized in 1991 by the outstanding Russian choral conductor V.A. Sudakov, who created more than one choir during his creative career (the Moscow Boys' Choir (1957), the Abkhazian Choir (1973), etc.)
The collective revives the meaning of the concept of a chapel (which had developed by the 18th century) as an ensemble uniting singers and instrumentalists. Hence the peculiarities of the artistic composition: two equal ensembles - vocal, consisting of high-class soloists and chamber instrumental composition, which expands the repertoire possibilities of the collective.
The Capella collaborates with such well-known performers as N. Babkina, I. Kobzon, S. Trofimov, A. Litvinenko, soloists of the Moscow Opera Theaters A. Naumenko, V. Pochapsky, V. Ladyuk and well-known Russian ensembles such as the Chorus Chapel named after. A.A. Yurlova, State Academic Russian Choir named after A. V. Sveshnikov, Academic Bolshoi Choir “Masters of Choral Singing”, Chamber Orchestra “Moscow Soloists” conducted by Yuri Bashmet and National Philharmonic Orchestra of Russia directed by V. Spivakov.
The staff of the Moscow State Capella takes part on an ongoing basis in significant performances of the Moscow Musical Theater named after K. Stanislavsky and V. Nemirovich-Danchenko (S. Prokofiev "War and Peace", M. Mussorgsky "Khovanshchina" - directed by A. Titel; G. Verdi's "Aida" - directed by P. Stein). The choir collective has joint literary and musical projects with V. Barinov, V. Lanov at the concert venues of the galleries of Z. Tsereteli and I. Glazunov. The chapel performed a reference audio recording of the Anthem of Moscow, which is now kept in the Museum of the Capital.
Concerts of the Vadim Sudakov State Capella of Moscow, its participation in opera performances outside the Russian Federation, always have success with the audience. Over the past five years, the orchestra has performed at leading concert venues in China, Qatar, and the Republic of Abkhazia. The State Chapel of Moscow under the leadership of Anatoly Sudakov takes part in a number of major projects in the city of Moscow: the Moscow Autumn cycle of international contemporary music festivals, the annual Moscow Easter festival under the direction of Valery Gergiev, the Moscow music festival Svetozvony, the Music Festival of the Meyerhold “How wonderful this world is!”, Folklore multimedia show “Trinity. Revived history "in the Cathedral of Christ the Savior.
A special place in the activities of the Vadim Sudakov Moscow State Chapel is occupied by charitable concerts for orphans, pensioners, and disabled people. One of the striking examples is the participation of the chapel in the festival for disabled people "The world has become more tempting and wider." The team of the chapel under the direction of Anatoly Vadimovich Sudakov regularly takes an active part in city events on a gratuitous basis, such as "Night of the Arts", "Night at the Museum", in events to celebrate the City Day, Victory Day, and Cultural Workers Day. The State Chapel of Moscow under the leadership of A.V. Sudakova has repeatedly participated in festive and ceremonial events in the city of Moscow on the stage of the Moscow International House of Music, the Concert Hall. P.I. Tchaikovsky, the Great Hall of the Conservatory, the State Museum of A.S. Pushkin, Cathedral of Saints Peter and Paul, Concert Hall "Russia", Moscow Musical Theater. Stanislavsky and Nemirovich-Danchenko, the Theater of the Russian Army, the Great Concert Hall of the State Kremlin Palace, the State Academic Bolshoi Theater of Russia.

State Academic Symphony Capella of Russia- a unique team of over 200 artists. It unites the choir, orchestra and vocal soloists who, existing in an organic unity, maintain at the same time a certain creative independence.

The State Capella was formed in 1991 with the merger of the USSR State Chamber Choir under the direction of Valery Polyansky and the State Symphony Orchestra of the USSR Ministry of Culture, led by Gennady Rozhdestvensky.

Both collectives have passed a glorious creative path. The orchestra was founded in 1957 and until 1982 was the orchestra of the All-Union Radio and Television, since 1982 - the State Symphony Orchestra of the USSR Ministry of Culture. At various times it was led by S. Samosud, Y. Aranovich and M. Shostakovich. The chamber choir was founded by V. Polyansky in 1971. Since 1980, the collective received a new status and became known as the State Chamber Choir of the Ministry of Culture of the USSR.

With the choir Valery Polyansky toured all the republics of the USSR, became the initiator of the festival in Polotsk, in which Irina Arkhipova, Oleg Yanchenko, the Ensemble of soloists of the USSR Bolshoi Theater took part ... In 1986, at the invitation of Svyatoslav Richter, Valery Polyansky and his choir presented a program of works by P. I. Tchaikovsky at the festival "December Evenings", and in 1994 - "All-night vigil" by S. V. Rachmaninov. At the same time, the State Chamber Choir made itself known abroad, having triumphantly performed with Valery Polyansky at the Singing Wroclaw (Poland), Merano and Spoleto (Italy), Izmir (Turkey), Narden (Holland) festivals; memorable participation in the famous "Promenade Concerts" at the Albert Hall (Great Britain), performances in the historical cathedrals of France - in Bordeaux, Amiens, Albi.

The birthday of the State Capella is December 27, 1991: then Antonin Dvořák's cantata "Wedding Shirts" directed by Gennady Rozhdestvensky was performed in the Great Hall of the Conservatory. In 1992, Valery Polyansky became the artistic director and chief conductor of GASK Russia. The activities of the choir and orchestra of the Capella are carried out both in joint performances and in parallel. The ensemble and its chief conductor are welcome guests at the best venues in Moscow, regular members of the subscriptions of the Moscow Philharmonic Society, the Moscow Conservatory and the Moscow International House of Music, performed with the finalists of the international Tchaikovsky and Rachmaninov competitions. The Capella has toured with triumph in the USA, England, Italy, Germany, the Netherlands, in the countries of Southeast Asia.

The collective's repertoire is based on cantata and oratorio genres: masses, oratorios, requiems of all eras and styles - Bach, Handel, Haydn, Mozart, Schubert, Berlioz, Liszt, Verdi, Dvorak, Rachmaninov, Reger, Stravinsky, Britten, Shostakovich, Schnittke ... Valery Polyansky constantly conducts monographic symphonic cycles dedicated to Beethoven, Brahms, Rachmaninov, Maler and other great composers.

Many Russian and foreign performers collaborate with the Capella. A particularly close and long-term creative friendship ties the collective with Gennady Nikolaevich Rozhdestvensky, who annually presents his personal philharmonic subscription with the State Capella of Russia.

In recent years, the team has developed its own scheme for building the season. Its extremes are dedicated to performances in small towns. Since 2009, the Capella has been holding the September Evenings festival in Tarusa (together with the Svyatoslav Richter Foundation), introducing the masterpieces of symphonic and choral music to the residents of Torzhok, Tver and Kaluga. In 2011, Yelets was added, where the world premiere of Alexander Tchaikovsky's opera The Legend of the City of Yelets, the Virgin Mary and Tamerlane, directed by Georgy Isahakyan, took place. “There is no need for a lot of words about patriotism,” V. Polyansky formulated his position, “young people just need to hear this music that inspires love for the homeland. It is a crime that there are cities where people have never heard a live symphony orchestra, have not seen opera performances. We are trying to correct this injustice. "

The most important dates of world history are also reflected in the repertoire policy of the State Capella. A concert performance of the opera War and Peace by Prokofiev (in Torzhok and Kaluga) took place on the 200th anniversary of the victory in the Patriotic War of 1812; Moscow), and on the New Stage of the Bolshoi Theater of Russia M. Glinka's Life for the Tsar was performed.

A landmark event in 2014 was the concert performance by the State Capella of the rarely played opera "Semyon Kotko" by Prokofiev, which took place on the New Stage of the Bolshoi Theater and at the Central Academic Theater of the Russian Army and was timed to coincide with the 100th anniversary of the outbreak of the First World War. At the same venues, the collective celebrated the 70th anniversary of the Great Victory with a performance of K. Molchanov's opera “The Dawns Here Are Quiet”.

The touring activity of the State Capella is intensive. The orchestra's superior performing skills were applauded by the British audience during the fall 2014 tour. “There are conductors who think Tchaikovsky's Fifth Symphony is too famous and perform it as if on autopilot, but Polyansky and his orchestra were just great. Tchaikovsky's music, of course, entered the flesh and blood of this collective; Polyansky played this immortal masterpiece the way I am sure Tchaikovsky himself would like to hear it, ”noted British critic and composer Robert Matthew-Walker.

In 2015, the group's concerts were held with triumph in the USA, Belarus (the festival of sacred music "Mighty God") and Japan, where the audience appreciated V. Polyansky's interpretations of the last three Tchaikovsky symphonies.