Arkhip Ivanovich Kuindzhi. "Birch Grove". The painting "Birch Grove", Arkhip Ivanovich Kuindzhi - description Compose a birch grove by Arkhip Kuindzhi

Russian artist A.I. Kuindzhi became known to the public for his landscapes in the style of romanticism. But none of his works gave him as much fame as brought her painting "Birch Grove", created in 1879. This work fell in love with the audience so much that for a long time after its first appearance at the exhibition, all critics spoke only about this canvas, and the stream of those who wanted to look at the “pure beauty”, as this work was called, did not dry up. The artist was touched by such an attitude of strangers towards his work, at first he was embarrassed by the national fame that suddenly came to him, but after that he was especially proud of this picture. So much so that I decided to write several of its options so that everyone could see the canvas. He also wrote many similar paintings on this subject. Birch has become an integral part of most of his paintings.

The author does not go into detail, he does not try to highlight every leaf on a tree or a flower on the ground. The main thing for the artist is the transfer of the contrast of light and shadow, a certain struggle between light and dark. It is the contrast that creates the mood.

Most researchers just note the mood conveyed by the canvas. In art, this task is much more important than just the transfer of features - a clear image of tree branches, branches, grass and every flower. The main thing is to be able to express the feeling that arises when examining the canvas.

In fact, Kuindzhi depicted only a small fragment of a birch grove, which he could see with one glance, without looking around, without raising his head. These are some birch trunks. Even their crowns did not fit into the picture. For Kuindzhi, they are not needed at all - he believes that the audience's imagination will present them. Here it is important for the artist to be able to convey the victory of light, to depict how the rays of the bright sun change everything around.

In the foreground, dense vegetation is depicted, on which a shadow falls. The grass literally becomes one with water of the same shade from a swampy stream. The reservoir divides the canvas into two even parts.

The middle plan of the picture is created by thin and light birch trunks. Behind them is a meadow heated by the rays of the heavenly body.

In the background - directly a grove of birches, which gave the name to the work. A piece of clear sky is visible above the trees.

Birches are not one by one, as is usually the case, but in small groups. It seems as if these girlfriends have scattered in pairs to gossip about the innermost: they leaned towards each other to hear better, and whisper secrets.
Thanks to the lines clearly expressed in the picture, a certain geometric pattern is obtained. Indeed, decorativeness is one of the features of Kuindzhi's creativity.

In addition, sometimes it seems that the author went too far with the number of colors - this picture is so juicy and colorful. In fact, the author used only shades of green and blue, as well as contrasting white and black colors. But the play of light and shadow allows our gaze to finish in our minds other shades that may arise before the gaze of a person who finds himself in a birch grove on a sunny summer day.

Looking at this picture, a person will certainly want to smile and begin to enjoy a bright sunny day, even if in reality a blizzard is blowing outside the window and a blizzard is howling.

Plan

1. What do I see in the painting "Birch Grove".

2. Why do I like the painting "Birch Grove".

In the painting "Birch Grove" the artist depicted a clear summer day. I see a green meadow illuminated by the sun and slender white-trunked birch trees.

The leaves on the birch trees are of a delicate emerald color. A cool swampy stream flows between the trees. Not a cloud in the pale blue sky. And in the distance you can see a dense green forest.

I really like the picture "Birch Grove". She creates a joyful mood. I would like to sit in the shade under a tree and listen to the murmur of a stream and the singing of birds.

Composition based on the painting by A.I. Kuindzhi Birch Grove Grade 5

Plan

2. A masterpiece of painting "Birch Grove".

3. Why do I like "Birch Grove".

From early childhood, Arkhip Kuindzhi showed a great talent for drawing. During his life, the master created a huge number of paintings, most of which are devoted to nature. Kuindzhi is a recognized master of landscape. One of his most famous works is "Birch Grove".

Arkhip Ivanovich was very fond of the Russian birch and painted "Birch Grove" in several versions. In the foreground of the picture are white-barreled beauties illuminated by the sun. They seem to have escaped from a dark forest, visible in the distance, to an emerald meadow and now dance around a cool stream. Under the crowns of birches - a shadow, it's nice to hide from the scorching summer heat.

The picture looks so real that when you look at it, it seems that a light breeze is about to touch your face. You want to look and look at the "Birch Grove", it attracts the eye. The sad mood immediately improves. I don't think there is anyone who doesn't like this work.

painting by A. Kuindzhi Birch Grove photo

Composition based on the painting by A.I. Kuindzhi Birch Grove Grade 6

Plan

1. A word about the artist.

2. Kuindzhevskaya "Birch Grove".

3. Feelings caused by "Birch Grove".

The famous Russian landscape painter Arkhip Ivanovich Kuindzhi was born in Russia in the city of Mariupol, but he is Greek by nationality. Kuindzhi had a memorable appearance: he was a tall, muscular, very strong man with dark skin, and magnificent curly hair. Since childhood, Arkhip Ivanovich was very fond of drawing and did it wherever possible. Almost all of Kuindzhi's works are devoted to the description of nature. He is considered a master of landscape painting.

A masterpiece of landscape painting is the canvas "Birch Grove". In the center of it is a large forest glade, on which the main characters of the picture, birches, are located. The clearing looks so real that it seems you can jump in there, hug a birch tree and smell its bark. Birches, like girlfriends, gathered in groups of two, three, and as if they were secret about something.

The artist painted each branch of the trees with great love. At the same time, the forest in the background of the picture looks like a big green silhouette without drawing details. It seems to me that the picture depicts the beginning of summer, because the greenery of the grass and leaves is still a delicate emerald hue, which occurs only in June. Above the forest is very clear, almost transparent, with a bluish tinge, the sky. There is no wind in the forest. The glade seems to be brightly lit by the sun, the sun is everywhere, although it is not in the picture. And this magical effect is present on many of his canvases. The picture gives me a feeling of joy, happiness and peace. It must be very pleasant to look at her when it is winter and frost outside.

(1841/1842-1910) is a great Russian artist of Greek origin. He became known for his unique style of landscape painting. One of the most remarkable works of Kuindzhi is the painting "Birch Grove".

Painting " Birch Grove"was painted in 1879, Oil on canvas. 97 × 181 cm. Currently in the State Tretyakov Gallery in Moscow. After the work was completed, the landscape was presented at the 7th exhibition of the Wanderers or the Association of Traveling Art Exhibitions. The picture shows a birch grove on a bright sunny day. Even then, at the first exhibition where the painting was presented, many viewers immediately drew attention to the unusual nature of the landscape painting. Kuindzhi not only created a very sharp contrast between light and shadow, thereby emphasizing the dazzle of sunlight, but also depicted unusual colors and shades that made the picture both very realistic and fabulous.

The picture is visually divided into two parts by a stream flowing through the center. The stream not only divides the picture into two parts, making it more harmonious, but also carries the viewer's eye away, almost to the very horizon. Another quality that the stream has is freshness and coolness. It is, in a way, shading the general appearance of a hot day with a scorching sun.

The trees in the background act as a backdrop. Arkhip Kuindzhi deliberately does not give them drawing and detail, as if showing the viewer that the most important thing is in the foreground. Arkhip Ivanovich Kuindzhi has always been in awe of Russian nature and Russian landscapes, and this picture, in particular, perfectly shows all the love of man for nature and the crazy inspiration that he drew in the forests, meadows and fields of the Russian hinterland.

Painting "Birch Grove". Kuindzhi

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Arkhip Ivanovich Kuindzhi is one of the recognized Russian landscape masters. Each of his paintings amazes the viewer with the depth of color reproduction and the play of color. Talented placement of accents, the artist has ensured that his paintings literally exude light. Kuindzhi's canvases combine naive romanticism and realism, deep philosophical meaning and rustic natural motifs. But each of his paintings is a breakthrough, a new word in the art of landscape.

Among the paintings of the master, one of his early works stands out: “Birch Grove”. Now the picture is being exhibited at the Tretyakov Gallery, and viewers and critics still note its unusual liveliness and alluring appeal.

The picture was painted in the spirit of romanticism, so beloved by Arkhip Ivanovich. On the canvas you can see a rather ordinary Russian landscape: a clearing illuminated by the bright sun, in the center of a birch grove. A pastoral, bright picture filled with love for life, nature and the Motherland. With the help of oil and canvas, Arkhip Ivanovich masterfully conveys the atmosphere of a hot summer day, when sunlight floods the forest glade, giving life-giving warmth.

But thanks to the sharp contrast of rich greens of all colors and shades, rich light tones and light strokes, the picture creates the impression of a huge space inside it. It is as if a whole world is hidden in the frame, with a real forest and living trees. Kuindzhi's special manner creates the illusion of soft, flowing light emitted by the painting.

In the background, the dark crowns of trees turn green, standing out brightly against the light blue sky. As he approached the viewer, the artist highlighted individual trees. Crowns are not visible in the picture, only light birch trunks and small branches. The author depicted both very young, thin birch trees, and mature trees, bent from the winds. The soft green grass at the bottom contrasts with the dark green of the grove.

The canvas is divided into two parts by a muddy stream. To the left of it there are more shadows, this part of the grove is not so brightly lit, therefore it contrasts with the right half, sunny and bright. A brook covered with duckweed, which seems to be a continuation of the sky, resting against its blueness on the horizon, divides the forest into two halves.

The painting did not acquire its true form immediately, before that the artist made several sketches, where the birches are either half-hidden by a thick shadow, or, on the contrary, illuminated by the sun without any hint of shadows. Only bright sparkling light.

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In Arkhip Ivanovich Kuindzhi. "Birch Grove"

The illusion of light was his god, and there was no artist equal to him in achieving this miracle of painting.
— Ilya Efimovich Repin

"Birch Grove" Kuindzhi, dated 1879, made a huge impression on contemporaries and to this day is perhaps the most famous work of the artist. Of course, in line with the traditions of the Wanderers, the painting became innovative, breaking the canons of harsh realism in painting with its social background of plots and tragic colors.

Birch Grove 1879

"Birch Grove" is called the bright picture of Kuindzhi, permeated with light, luminous.
I think that it is as dramatic as the other things of the painter. Behind the birches of the foreground illuminated by the sun's rays, a mysterious forest rises with gloomy interweaving of trunks with massive dark crowns, while the tops of the "front" birches, probably transparent, trembling, are not visible, only guessed. In the very foreground of the picture are thick shadows. In general, there are a lot of condensed saturated colors in the picture, perhaps, however, less than in many other works by Kuindzhi. The jubilant noon, enveloping the warmth of the sun, concentrated in the center of the composition, attract attention and give the "Birch Grove" some kind of melancholy - sadness that the day will soon change into evening and the grove will plunge into darkness.
The painting clearly traces the Art Nouveau style with its conditional decorativeness - in a clear, somewhat magical appearance of birch trunks. However, from the edge painted with slightly blurred colors with its flowering plants, the pond, covered with delicate duckweed, breathes with the spirit of impressionism.

Another "Birch Grove", created in 1901, seems even more impressionistic. It is a grove of smoky air and light mother-of-pearl light, at the same time dreamy and majestic in its quiet peace. Charmingly soft, brooding, magnificent landscape, also received fame and recognition.

Birch Grove 1901

The artist painted several more paintings and sketches under the name "Birch Grove".
I like "Birch Grove" - ​​an autumn landscape and "Birch Grove. Spots of Sunlight" - sad, completely impressionistic works with an amazing harmony of golden light and ocher colors of the grove, with radiant midday greenery and play of sun glare in a summer grove with "Patches of Sunlight" ".
A talented contrast with the whimsical dense coloring - ultramarine, purple and malachite - of a birch grove at night ("Forest"), written in a manner typical of Kuindzhi, in the spirit of old fairy tales and legends.

Birch Grove 1898-1908

Birch Grove 1880s

Birch Grove 1880s

Birch Grove 1879

Birch Grove Variant-sketch of the painting of the same name, 1879

Birch Grove (Forest) 1880s

Birch Grove. Spots of Sunlight 1890-1895