Tickets for the ballet “XIII International Competition of Ballet Artists and Choreographers. International ballet competitions Jury in different years

The International Ballet Competition in Moscow has become a strong and fruitful tradition, an integral and important part of the life of world ballet. Born in 1969, it quickly acquired high professional authority, a serious creative reputation, and the status of a responsible and brilliant forum for young performers. The irresistible magic of the Bolshoi Theater of the USSR (and now Russia) has always attracted young dancers from around the world, and a successful performance on its famous stage opened the way for them to the future.

Each Moscow competition gives the world a new galaxy of bright performers. It becomes an invaluable creative experience for young artists, and most of the winners of the competition will have a brilliant career in the art of ballet.

Jury over the years

At the origins of the creation of the Moscow ballet competition were such legends of Russian art as Galina Ulanova, the chairman of the jury, Igor Moiseev, who headed the Organizing Committee of the first competition, Olga Lepeshinskaya, the chairman of the Organizing Committee of many subsequent competitions. And from the second competition in 1973 to the present, the permanent chairman of the jury and its Artistic Director is the great choreographer of our time - Yuri Grigorovich.

The jury of the competition over the years included: Marina Semenova, Galina Ulanova, Sofia Golovkina, Maya Plisetskaya, Irina Kolpakova, Natalya Kasatkina, Mikhail Lavrovsky, Vladimir Vasiliev and other famous Russian ballet figures, as well as Yvette Chauvire and Claude Besy, Cyril Atanasov, Charles Jude (France), Alicia Alonso (Cuba), Arnold Haskell (UK), Alan Friederichia and Kirsten Ralow (Denmark), Brigitte Kullberg (Sweden), Rudi van Dantzig (Netherlands), Robert Joffrey and Natalia Makarova (USA), Konstanz Vernon and Dietmar Seifert (Germany), Doris Laine (Finland), Julio Boca (Argentina) and other representatives of the world's ballet elite. In the entire history of the Moscow competition, only four artists were awarded the Grand Prix: Nadezhda Pavlova (USSR) at the II Ballet Competition in 1973, Irek Mukhamedov (USSR) at the IV Ballet Competition in 1981, Andrei Batalov (Russia) at the VIII Ballet Competition in 1997 and Denis Matvienko (Ukraine) at the X Competition of Ballet Artists and Choreographers in 2005.

Discoveries

The Moscow competition revealed to the world, in addition to the above-mentioned Grand Prix winners, such names as Francesca Zumbo and Patrice Barthes, Mikhail Baryshnikov and Eva Evdokimova, Lyudmila Semenyaka and Vyacheslav Gordeev, Alexander Godunov, Loipa Araujo and Vladimir Derevyanko, Nina Ananiashvili and Andris Liepa, Vadim Pisarev, Julio Bocca and Vladimir Malakhov, Maria Alexandrova, Alina Cojocaru, Nikolai Tsiskaridze, Natalya Osipova, Ivan Vasiliev and many others.

Choreographers Competition

Since 2001, a choreographers' competition has also been added to the ballet competition. The Moscow competition paid tribute to outstanding figures of Russian and world ballet art three times: the VII Moscow Ballet Competition in 1993 was dedicated to the choreography of Marius Petipa, the IX International Competition of Ballet Artists and Choreographers in 2001 was held in honor of the great Galina Ulanova, the XI International Competition of Artists ballet and choreographers in 2009 - in honor of the outstanding Russian ballerina Marina Semenova.

As part of the competition, there is a press center, creative meetings, seminars, master classes and exhibitions are held.

Meaning

The Moscow competition is important not only as an arena for professional communication between creative youth, but also as a serious platform for the exchange of experience between teachers and choreographers, a territory for discussion and development of ballet studies and critical thought, and a basis for bringing together cultures of different peoples.

An international competition of ballet dancers and choreographers in Moscow is held every four years. It has state status and plays a significant role in the development of world culture.

Every year, prestigious ballet competitions, choreographic competitions and professional shows are held around the world. And the competition of ballet dancers and choreographers, held in Moscow for the 13th time, is rightfully considered one of the most significant. The opening of the international competition will take place on June 11, and to see the gala concert, order tickets to the Competition of Ballet Dancers and Choreographers on our website at attractive prices. In 2017, the tournament comes under the auspices of the “Year of Russian Ballet and the 200th anniversary of Marius Petipa”.

Over the years, the competition has acquired serious authority and an unshakable creative reputation. It has become part of the world ballet, an event where new names are discovered, promising artists shine and future stars demonstrate their talents. Without much hesitation, we can say that all participants in this event will have a brilliant career and conquer creative heights. More than 200 participants from 15 countries are already ready for intense competition.
Since 1973, Yuri Grigorovich has been a permanent member of the jury. He heads the jury and is also the artistic director of the competition.

There is no doubt that all 10 days of the competition will turn into a holiday for fans of choreography and ballet art. A memorable duel between beginning dancers will be bright and full of unexpected moments. There are 10 busy days ahead, and they need to start with the opening gala concert. You can order tickets for the XIII International Competition of Ballet Dancers and Choreographers on our website right now.

Like any other, this competition is a mixture of explosive emotions. Even sports, with its obvious electronic scoreboards, gives rise to discrepancies, and the art of dance, with its ephemeral nature and rigid connection of technique and artistry, is even more a field for disagreement. But it’s too late to wave our fists: yesterday on the Historical Stage of the Bolshoi Theater, an international jury headed by the Russian ballet icon Yuri Grigorovich announced the list of winners. They say they are not on trial. And discussing the trends of the competition is necessary and even useful - the next one, in a favorable situation, will happen in four years, during which time a lot can be improved in the kingdom.

The festival, which has been running since 1969, is almost ten years younger than its fellow Moscow International Film Festival and the Tchaikovsky Competition, and although the motives for their creation were similar, the owners have always had many reasons to be proud of the ballet. The ballet competition was cutting-edge: in 1969 the jury recognized the luxurious couple from the Grand Opera Francesca Zumbo-Patrice Barthes as the best, and the great Plisetskaya publicly said that there is sex in ballet. In recent times, the competition has lost much of its prestige, and the organizers of the current one have restored it in a radical way, leading to two Grand Prix prizes of 200 thousand dollars. And the dates helped: the chairman of the jury, Yuri Grigorovich, reached the milestone of 90 years, and the competition itself became the beginning of the official “Year of Russian Ballet and the 200th anniversary of Marius Petipa.”

What is usual about the competition: young and not so young artists dance either dashingly or precisely. There are, to put it mildly, problems with musicality (I don’t know which of the contestants will cope with Stravinsky in the near future) and with long breathing, which allows the number to be carried out smoothly from beginning to end. About the cantilena dance, when the participant dances and does not glue the gap between profitable steps, everything is also sad. But there is good news: at the end of this year, the younger group turned out to be much more interesting than the older group, which means that with the “Generation of Young People,” ballet theater will be interesting, and the digital revolution is not an obstacle to this.

The main trend is not new, it has only been gaining momentum for thirty years now - most of the applicants are dancers from Asia - China, Japan, South Korea and Kazakhstan and Kyrgyzstan, which have joined them. Despite the lamentation about the lack of men in ballet, there are many soloists at the current competition; the podium in the men's solo dance was taken by Marat Sydykov (Kyrgyzstan, 3rd place), Ma Miaoyuan (China, 2nd place), Baktiyar Adamzhan (Kazakhstan, 1st place). The ladies have the same solo hierarchy Liliya Zainigabdinova (Russia, 3rd place) and Evelina Godunova (1st place, Latvia), they decided not to award the second prize. The duet for men, generally not very gallant, was a success for Wang Janfeng (China, 3rd place), Okawa Koya (Japan, 1st place) and Mariinsky Theater artist Ernest Latypov (2nd place), his partner from the same Mariinsky, neat Ekaterina Chebykina, received only a diploma - like the American Joy Womack from the Kremlin Ballet, famous for her revelations of behind-the-scenes life. For women in duets, the third prize was shared by a Japanese and a Chinese woman, the first was not awarded, and the second will be taken to Kazan by the explosive Brazilian Amanda Morales Gomez, dancing in the theater there. At the choreography competition, the landscape is monotonous: second place was shared by the Russians Nina Madan and the tireless Andrey Merkuriev, the third and one of the first authors from China, another first place went to the only memorable choreographer, the Chilean with the endless name Zuniga Jimenez Eduardo Andres.

At the end of this year, the younger group turned out to be more interesting than the older group

The younger age group, the reverent ballet people from 14 to 18 years old, was more pleasing. A common favorite was Ivan Sorokin, a native of the city of Syktyvkar and a student at the inconspicuous gymnasium there, for whom, according to rumors, a battle is already going on behind the scenes at prestigious ballet schools - everyone wants to finish his training and bring him to the theater under their own brand. Another favorite, on the contrary, maintains the honor of the Moscow school - this is the handsome young Denis Zakharov, trained with all care (first prize in a duet). Russian Liza Kokoreva and Korean Park Sunmi shared first place; the jury did not award a second prize. Ekaterina Klyavlina took third place. . Their peers in the solo - the American Elizabeth Beyer, who won first place, the Chinese Syi Li and the embodiment of precision and tenderness Subin Lee from South Korea, make one think that with all the competitive imbalances in the podiums, there is both logic and justice.

Winners of different years

The Moscow competition glorified such stars as Francesca Zumbo and Patrice Barthes, Mikhail Baryshnikov and Eva Evdokimova, Lyudmila Semenyaka and Alexander Godunov, Loipa Araujo and Vladimir Derevyanko, Nina Ananiashvili, Vladimir Malakhov, Maria Alexandrova, Alina Cojocaru, Natalia Osipova, Ivan Vasiliev and others . The change of generations in ballet is fast, and several winners of the competition managed to become members of the jury: Vadim Pisarev, Nikolai Tsiskaridze, Julio Bocca.

Origins

The origins of the Moscow ballet competition were the legends of Russian ballet Galina Ulanova, Igor Moiseev, Olga Lepeshinskaya. In 1973, the competition was headed by Yuri Grigorovich, who to this day, at 90 years old, remains the chairman of the jury. The jury over the years included Marina Semenova, Galina Ulanova, Maya Plisetskaya, Vladimir Vasiliev. As well as representatives of the world's ballet elite - legends of the French school Yvette Chauvire, Claude Bessy, Charles Jude, Alicia Alonso (Cuba), Birgit Kullberg (Sweden), authoritative critics Arnold Haskell (Great Britain) and Allan Friederichia (Denmark).

About an important event in the world of culture: the names of the winners of the International Competition of Ballet Dancers and Choreographers are about to become known. This is one of the most prestigious shows, which over the years of its existence has lit up many stars, so the attention to it is enormous. The announcement of the winners takes place on the stage of the Bolshoi Theater.

Neither prizes, nor places, nor opponents matter seconds before going on stage. Only dance! And there is one answer to any questions before the performance.

Moscow these days is a center of attraction for young ballet dancers and choreographers from all over the world. The international competition for the title of the best is held every four years, like the Olympics.

And the preparation is appropriate - thousands of repetitions under the strict guidance of the teacher. And here the language of international communication is Russian.

“You can immediately feel where there is a “Russian trace”, where Russians taught, even if it is Brazil, or Argentina, or the USA. I joked about this a long time ago. At a press conference in the USA, I was asked why I think our ballet is the best. I just said: ballet has been taught in Russia longer than the United States has existed as a state. I was joking, but it’s true,” says jury member, People’s Artist of Russia Nikolai Tsiskaridze.

New names are opening on the new stage of the Bolshoi. It was here that rehearsals, classes and stages of the competition took place all these days. But each participant strives for the historical stage. The final of the ballet competition will take place here. What these “higher, lighter, more accurate” ones are worth can be seen behind the scenes. Someone can't stand on their feet, and someone cries after a seemingly perfect performance.

“I rehearsed this number for 12 hours every day for six months, so I prepared for the competition. I danced with injuries. And not everything worked out. But the fact that I still perform on the Bolshoi stage in the finals is a dream come true, to which I walked through pain, and I am happy regardless of the result,” admitted contestant Ao Dingfeng from China.

The result, in addition to the first three places, is the Grand Prix, almost the holy grail of the competition - in its half-century history it was awarded only four times. And this year the prize also gives an unprecedented prize for the ballet world - 100 thousand dollars for the best choreographer and the same amount for the ballet dancer. But this will happen only if the jury, led by the head of the show, Yuri Grigorovich, votes unanimously.

“Everything here must be perfect, from pointe shoes to ribbons to ribbons. The way she smiles is the same with the dancers, the way they carry themselves on stage. Yes, they fell, yes, they slipped, yes, they didn’t finish something, but when an artist is on stage, these small errors disappear,” says jury member, People’s Artist of Russia Svetlana Zakharova.

Three rounds of competition are behind us. The names of the winners will be announced very soon. However, regardless of the opinion of the judges, many dancers admit that they have already received their award.

“This applause that hugs you is magical! For this you have to live, for this you have to dance, work, cry, gnaw the concrete of ballet with your teeth, just to go out and enjoy these unique moments,” said contestant from Latvia Evelina Godunova.