Essay “Analysis of I. Turgenev’s story “Asya.” “Asya” I.S. Turgenev. Systematic analysis of the story and analysis of some of its connections with German literature Features of compositional structure

A very touching, lyrical and beautiful story from the point of view of literary art, “Asya” was written in 1857 by Ivan Turgenev. Millions of readers were literally captivated by this work - people read, reread and devoured "Asey", it was translated into many foreign languages, and critics did not hide their delight. Turgenev wrote an attractive and simple love story, but how beautiful and unforgettable it turned out! Now we will do a short analysis of the story "Asya" by Ivan Turgenev, and in addition you can read a summary on our website. In the same article, the plot of “Asia” will be presented very briefly.

Writing history and prototypes

The story was published when Turgenev was almost forty years old. It is known that the author was not only well educated, but also possessed a rare talent. Once Ivan Turgenev went on a trip to Germany, and fleetingly saw the following picture: two women looked out of the windows from a two-story house - one was an elderly and decorous lady, and she was looking from the first floor, and the second was a young girl, and looked out she's on top. The writer wondered - who are these women, why do they live in the same house, what brought them together? Reflections on this glimpse of the picture prompted Turgenev to write the lyrical story “Asya,” which we are now analyzing.

Let's discuss who could become the prototype for the main character. Turgenev, as you know, had a daughter, Polina Brewer, who was born illegitimate. She is very reminiscent of the timid and sensual main character Asya. At the same time, the writer had a sister, so it is quite possible that Turgenev could have considered Varvara Zhitova as a prototype for Asi. Both girls could not come to terms with their dubious position in society, which worried Asya herself.

The plot of the story "Asya" is very short

A short retelling of the plot will help you better understand the analysis of the story “Asya” by Turgenev. The story is narrated by the main character on his own behalf. We see the anonymous Mr. N.N., who traveled abroad and met his compatriots there. The young people made acquaintances and even became friends. So, N.N. meets the Gagins. This is a brother and his half-sister Asya, who also went on a trip to Europe.

Gagin and N.N. like each other, they have a lot in common, so they communicate, relax together and have fun. In the end, N.N. falls in love with Asya, and the main character experiences reciprocal feelings. They declare their love, but misunderstandings in the relationship lead to mixed feelings and awkward conversation. Asya and Gagin abruptly leave, leaving a note, at the very moment when N.N. decided to ask for her hand. He rushes around in search of the Gagins, looks for them everywhere, but does not find them. And the feelings that he had for Asa will never be repeated in his life.

Be sure to read Gagin’s characterization, and it is important that we examined the plot of the story “Asya” very briefly, because this makes it easier to carry out further analysis.

Asya's image

Asya seems to us to be a special and unusual girl. She reads a lot, draws beautifully and takes what is happening to heart. She has a keen sense of justice, but as for her character, she is changeable and even somewhat extravagant. Sometimes she is drawn to reckless and desperate actions, as can be seen from her decision to leave her relationship with N.N., with whom she fell deeply in love.

However, an analysis of the story “Asya” shows that the girl’s soul is easy to hurt; she is very impressionable, kind and affectionate. Of course, this nature attracted Mr. N.N., who began to spend a lot of time with his new friends. He looks for the reasons for her actions and is sometimes perplexed: should he condemn Asya or admire her.

Important details of the analysis of the story "Asya"

When Asya begins to communicate with the main character N.N., incomprehensible and previously unknown feelings awaken in her soul. The girl is still very young and inexperienced, and does not know how to cope with her emotions. She is afraid of this state, this explains her strange and changeable actions, which can hardly be called ordinary whims. She wants to arouse sympathy from N.N., to be attractive and charming in his eyes, and in the end she opens up to both him and Gagin.

Yes, this is a childish and naive act, but here she is - a sweet, kind girl Asya. Unfortunately, neither Gagin nor N.N. appreciate Asya’s frank and temperamental behavior. Her brother thinks she is reckless, and the main character reflects on her character, thinking that it is madness to marry a seventeen-year-old girl with such a character. In addition, he found out that Asya was illegitimate, and such a wedding would have caused misunderstanding in secular circles! Even a short analysis of the story “Asya” showed that this ruined their relationship, and when N.N. came to his senses, it was already too late.

Of course, we have something to think about: could Gagin reason with his sister, whom he loved so much, and whose whims he always fulfilled, and convince her not to rush things? Or maybe Gagin should have talked more openly with N.N.? Should Asya have made such a hasty decision and left the relationship? Wasn't this cruel to the main character? And Mr. N.N. himself - was he ready to fight for his love, go against secular rules, put his feelings above? Well, there are a lot of questions, but can anyone give clear answers to them? Hardly. Let everyone find the answer for themselves...

You have read the analysis of the story “Asya” by Turgenev, also in this article the plot of the story was presented very briefly, a description of the image of Asya and characteristics of all the characters.

I.S. Turgenev entered Russian literature, first of all, as a subtle researcher of human inner experiences, who embodied them in an unusually lyrical form. He also proved himself a master of psychological analysis in the story “Asya” (1858). Already contemporaries were amazed in this work by the depth, accuracy, dynamism in the depiction of nascent love, and the spontaneity of the narrative. It is no coincidence that Nekrasov noted that this story “breathes with poetry,” light, and joy.

Externally, the work tells about a deep feeling that opened in the heart of young Asya and the young Russian traveler, who did not reciprocate this feeling, remembering those distant days of youth already alone. Internally, this love story reveals the spiritual, psychological appearance of each character, whose essence is tested by love. Hence the subtlety in conveying the emotional experiences of the characters. Before the reader's eyes, they are transformed by love, but this love never brings them happiness.

The sincerity and believability of the events described is conveyed through the form of first-person narration. The reader sees the image of an already middle-aged nobleman, remembering himself twenty years ago during his trip along the Rhine. Hence the harmonious combination in the story of the emotionality, fervor of the young man’s perception and the wise thoughts of a man who has lived his life. The narrator simultaneously describes his immediate experiences here, now and looks at himself from the outside.

This technique allows the reader to set up a confidential dialogue, to reflect together on the reasons for an unfulfilled feeling, a life lived aimlessly. In his youth, Mr. N is an observant young man who has a keen sense of nature and strives to communicate with people. He admires the beauty of nature: the town seems to him to be directed upward, he enjoys the joyful play of light, the “radiant transparency of the air.”

It would seem that psychologically he is open to great feelings. But the author subtly makes it clear that selfish thoughts were quietly awakening in his character: he was used to living without a goal, without looking back, he took youth for granted, he just wanted to enjoy life. Such were the beginnings of his weakness, cowardice, and obvious lack of understanding that Asya loved him with all her soul, openly, freely, completely.

Psychologically, a sad collision of relations between Asya and Mr. N arises in the story. A subtle psychological game begins due to the fact that this gentleman does not notice the obvious, does not have the courage to open his heart to true feelings, and take responsibility. In terms of the strength of psychological experiences and the depth of the spiritual world, he cannot compare with the girl who, in her sincere desire for love, turned out to be wiser and more perspicacious than him. The secret psychologism of the story is revealed not only through the internal monologues-reasonings of the protagonist; the behavior of Asya, who met her true love, is psychologically accurately described.

Initially, this amazing girl represents a mystery for the main character. He cannot and does not want to grasp her inner experiences, her cherished thoughts, although they were so transparent and natural. Outwardly, Asya appeared to him each time as new, unknown: sometimes she seemed to him too active and risky, sometimes extremely sincere and sincere. She could also appear as a well-bred young lady, reminiscent of the homely Dorothea, a truly Russian girl, humming “Mother, darling” and being wild.

Such a rapid change in behavior was explained by Asya’s spiritual impulses for love and understanding of the main character. She was extremely open to her feelings and at the same time did not know how to express it, how to behave with her loved one. In the story, Asya goes through her evolution from a graceful, dreamy girl to a rejected girl, deceived in her hopes.

At the same time, her feeling becomes more complicated and filled with new content. At first, Asya appears before the reader as open to the world, not afraid to stand over the abyss on an old tower, figuratively perceiving the world. She could trust nature, people, and was internally free. This state was inaccessible to the main character, who closed himself around his own Ego. Therefore, he was annoyed when looking at Asya.

At the same time, she displayed a cheeky grin, explained by Asya’s wounded pride and dual position in society. By origin, she is the illegitimate daughter of a wealthy landowner, Gagaev’s father. By upbringing and outlook on life, she was a noble noblewoman who was capable of difficult feats and sacrifices. The dual position developed distrust and pride in the heroine. She was ashamed of her painful feelings about her origins. Asya's whole being strived for the truth. She is used to making high spiritual demands on herself and the people around her. It is no coincidence that the story says that Asya resembles Raphael’s Galatea. This is not a “chameleon” girl, as Mr. N thought of her. She is a strong personality who demands truth and frankness in everything. She is an outwardly fragile, graceful girl with enormous spiritual potential.

The strength of Asya’s experiences is difficult to compare with the cowardice of the protagonist, who oversteps his feelings for the sake of ridiculous prejudices. What Asya despises most in people is flattery and cowardice. That is why, during the final explanation with the main character, seeing his indecision and weakness of will, she immediately leaves him, leaves forever. Turgenev shows what strength and spiritual take-off Asya’s feeling reached when she admits that she is ready to fly up like free birds. Asya opened up to her love so much that she was ready to entrust her fate to Mr. N. How much sincerity and gratitude is contained in just one word that she uttered during their last meeting - “yours”! Asya suffers, worries, does not want to be considered frivolous, even gets sick because of the uncertainty of the main character’s attitude towards her. And he, in turn, began to reproach her for being too open and sincere.

Only many years later, after gaining experience, the narrator understands the price of what he deprived himself of. He did not see, did not feel his happiness, which itself was revealed to him. It's all due to the Ego, which causes cowardice, fear, and prejudice. The mastery of secret psychologism I.S. Turgenev in this story finds its expression in the revelation of the inner world of two characters so distant from each other, one of whom could embrace the whole world with his love, fly to heaven, while the other remained on earth, sadly looking at the sky.

The story “Asya” was published in 1858 in the Sovremennik magazine. Turgenev wrote the story in the fall of 1857, while he was in Germany and lived in the city of Sinzig. This fact is reflected in the text: “... twenty years ago I lived in a small German town 3., on the left bank of the Rhine.” Thus, the description of the hero’s thoughts and feelings, the creation of portraits, landscapes, and everyday details were based on fresh impressions, modern characters and settings. And although the story represents the memories of the hero-narrator, the events in it are shown both as distant in time and as modern, happening now. This literary device allows, on the one hand, to directly convey the story of the meeting of the hero and heroine and, on the other hand, to look at it from the perspective of another time, to comprehend it.

Of particular importance is the fact that the basis of the plot of “Asia” was the fact of the writer’s biography: Turgenev was worried about the fate of his illegitimate daughter Polina. She was to a large extent the prototype of the main character of the story. However, the writer’s personal story received a generalization, that is, Asya, on the one hand, is an individual image, representing a specific person, and on the other, a typical image, representing a girl of a certain fate and psychology.

The hero of the story is a young Russian nobleman traveling around Europe without any particular purpose. He is smart, educated, handsome, rich and carefree. His meeting with his brother and sister Gagin takes place at that time in the hero’s life when he is still choosing the business he will do. However, the hero does not yet know himself: he must commit an act, make an important choice in order for his will and character to manifest. Therefore, the meeting with Asya was a test of the hero’s vitality and mental maturity. This reflected the social issues of the story, since the hero of the story is a hero of the time, and his ability to take decisive action is especially important in the era of change in Russia.

The story was enthusiastically received by readers, critics and writers. So, N.A. Nekrasov wrote that “Asya” is “the pure gold of poetry,” critics spoke of it as Turgenev’s most perfect work. Writer and critic N.G. Chernyshevsky dedicated an article to the story “Russian man on rendez-vous ”, in which, noting the artistic merits of the work, the main attention was paid to the social characteristics of the hero’s personality. But, despite different interpretations, the story “Asya” is a wonderful story about an amazing girl and about love.

Plot, love conflict, author's idea

The story “Asya” can be called a love story, since it consistently reflects all the stages of the emergence of this feeling. This story is told by the hero himself, who has aged twenty years, but is still deeply worried about his meeting with the most romantic and extraordinary girl. For a complete and subtle description of love, Turgenev resorts to the artistic experience of Shakespeare, Goethe, and Pushkin. For example, at the beginning of the story, before meeting Asya, the hero is in love with a young woman and is sad because of her inconstancy. Remember that in the tragedy “Romeo and Juliet” Romeo was also in love before meeting Juliet, but when he saw her, he instantly forgot about his previous feeling. So the hero-narrator in “Ace” stops thinking about his lady love as soon as he meets Asya: “... suddenly it occurred to me that during the evening I never once remembered my cruel beauty...” Turgenev, following Shakespeare, shows how real feeling displaces shallow love.

The development of relationships between the characters can be traced through phrases marking the stages of these relationships. So, at the end of the first day of meeting Asya, the hero remarks: “I felt happy... But why was I happy? I didn’t want anything, I didn’t think about anything... I was happy.” Already on the second day, thoughts about the girl do not allow him to fall asleep: “... I thought again about this capricious girl with a forced laugh...” On the third evening, he becomes angry with Asya and begins to be jealous of her, suspecting that she is not Gagina’s sister: “What a chameleon this girl is! - and, after thinking a little, he added: “Still, she is not his sister.” Further in the story, the resentment towards the Gagins’ brother and sister is described, and leaving them for three days, and returning, after which everything became clear and the hero experienced a surge of feelings and hope: “... a thirst for happiness was kindled in me.” This was the culmination of the relationship between Asya and Mr. N., followed by doubts, indecision of the hero, a mistake and, finally, a sad ending - separation.

The story has a circular composition: the story of failed love is framed by the aimless, sluggish life of the hero-narrator. He says this about himself before meeting Asya: “...I lived without looking back, did what I wanted, flourished, in a word. It never even occurred to me then that a person is not a plant...” After the loss of Asya, the hero, it would seem, is not sad for long at first, but then admits: “... the feeling that Asya aroused in me, that burning, tender, deep feeling , has not happened again.<...>Condemned to the loneliness of a familyless bastard, I live out boring years.” The main content of the story is a brief moment in the hero’s life, a vivid feeling that promises a full, rich life, an opportunity that flashes by and is weakly lost by the hero.

Thus, the author wants to convey to the reader the idea that the most important thing for a person is to be sincere and courageous. A person draws vitality from love for nature, for another person. The hero realized too late that love is life and it exists now and always: “Tomorrow I will be happy! Happiness has no tomorrow; he doesn’t even have yesterday; it does not remember the past, does not think about the future; he has a present - and that’s not a day, but a moment.”

Images of the main characters

The main character of the story, after whom she is named, is the illegitimate daughter of a stalwart nobleman-landowner and a peasant maid. Asya's origin - the main social characteristic of her image - influenced the girl's character, her behavior, inner world, dreams, thoughts, fears, that is, everything that makes up her personality. However, it cannot be said that origin determined Asya’s character. The qualities that underlie this character - honesty, gullibility, the ability to love, impetuosity - only appear more clearly against this background. That is why Asya is first depicted as a mysterious girl, and then from Gagin’s story we learn her story.

In the first chapters of the story, the hero, having met his brother and sister Gagin, is perplexed when he sees how changeable Asya is: now she marches with a long branch on her shoulder along the road, now she sews decorously, now she is playful and cheerful, now she is thoughtful and sad. The girl doesn’t seem to know who or what she is, as if she wants to understand herself. She needs her place in the world, and she strives to love and trust the person she chooses. The unusual nature and fate of Asya is emphasized by comparison with Goethe’s heroines - Gretchen and Dorothea, with Tatyana from Pushkin’s novel “Eugene Onegin”, with the legendary Lorelei.

The portrait of Asya is expressive: light, thin, but flexible and dexterous, with mysterious light black eyes, with black curls, cut like a boy - she fully corresponds to the image of a lively and restless girl created by the author. Asya’s words are also remarkable, expressing the essence of her character: “Flattery and cowardice are the worst vices.” These words reflect Asya’s personal conflict, which is based on a feeling of inferiority of her personality in the noble world around her. This situation becomes especially acute in the changing Russian society of the 1850s.

Asya's older brother is a kind, smart, noble man. This is a type of idle Russian gentleman, living without any special purpose, without passion. Gagin is an amateur artist, he has a good and subtle sense of nature and beauty, but he lacks patience, he cannot work, completely devote himself to painting, and therefore, as the narrator noted, not a single one of his paintings was finished, but “the drawing appeared careless and unfaithful." This detail characterizes Gagin as a person who begins to do everything with enthusiasm, but then quickly gets tired and his will weakens. Perhaps that is why he cannot help the passionate, overwhelmed by doubts Asya.

Mr. N., the hero-narrator of the story, is a man with many positive qualities: he is delicate, friendly, sensitive. He has a poetic nature, he is very observant, talks a lot and gives accurate assessments to others. It was no coincidence that Asya fell in love with him, mistaking him for a person who could understand and protect her in life. But in the hero there is some kind of uncertainty, uncertainty, timidity. This is how Turgenev describes the incomprehensible fear that seized the hero at the moment of the highest rise of feelings - the beginning of love: “... I suddenly felt a secret uneasiness in my heart... I raised my eyes to the sky - but there was no peace in the sky either... and anxiety grew within me." And of course, his reproaches to Asya at the time of their first and last love date are inappropriate and inexplicable. The author in this scene shows how weakness and indecision destroy trust and love, dooming a person to a dreary existence.

Almost every famous Russian classic in his work turned to such a literary genre as a story; its main characteristics are an average volume between a novel and a short story, one developed plot line, a small number of characters. The famous prose writer of the 19th century, Ivan Sergeevich Turgenev, turned to this genre more than once throughout his literary career.

One of his most famous works, written in the genre of love lyrics, is the story “Asya”, which is also often classified as an elegiac genre of literature. Here readers find not only beautiful landscape sketches and a subtle, poetic description of feelings, but also some lyrical motifs that smoothly turn into plot ones. Even during the writer’s lifetime, the story was translated and published in many European countries and enjoyed great popularity among readers both in Russia and abroad.

History of writing

Turgenev began writing the story “Asya” in July 1857 in Germany, in the city of Sinzeg on the Rhine, where the events described in the book take place. Having finished the book in November of the same year (the writing of the story was a little delayed due to the author’s illness and overwork), Turgenev sent the work to the editors of the Russian magazine Sovremennik, in which it had long been awaited and published at the beginning of 1858.

According to Turgenev himself, he was inspired to write the story by a fleeting picture he saw in Germany: an elderly woman looks out from the window of a house on the first floor, and the silhouette of a young girl can be seen in the window of the second floor. The writer, thinking about what he saw, comes up with a possible fate for these people and thus creates the story “Asya”.

According to many literary critics, this story was of a personal nature for the author, since it was based on some events that took place in Turgenev’s real life, and the images of the main characters have a clear connection both with the author himself and with his immediate environment (prototype for Asya could be the fate of his illegitimate daughter Polina Brewer or his half-sister V.N. Zhitova, also born out of wedlock, Mr. N.N., on whose behalf the story is told in “Asa”, has character traits and a similar fate with the author himself) .

Analysis of the work

Plot development

The description of the events that took place in the story is written on behalf of a certain N.N., whose name the author leaves unknown. The narrator recalls his youth and his stay in Germany, where on the banks of the Rhine he meets his compatriot from Russia Gagin and his sister Anna, whom he takes care of and calls Asya. The young girl, with her eccentric actions, constantly changing disposition and amazing attractive appearance, impresses N.N. is very impressed and he wants to know as much as possible about her.

Gagin tells him the difficult fate of Asya: she is his illegitimate half-sister, born from his father’s relationship with the maid. After the death of her mother, her father took thirteen-year-old Asya to his place and raised her as befits a young lady from a good society. After the death of her father, Gagin becomes her guardian, first sends her to a boarding house, then they go to live abroad. Now N.N., knowing the unclear social status of the girl who was born to a serf mother and a landowner father, understands what caused Asya’s nervous tension and her slightly eccentric behavior. He feels deeply sorry for the unfortunate Asya, and he begins to experience tender feelings for the girl.

Asya, like Pushkin’s Tatyana, writes a letter to Mr. N.N. asking for a date, he, unsure of his feelings, hesitates and makes a promise to Gagin not to accept his sister’s love, because he is afraid to marry her. The meeting between Asya and the narrator is chaotic, Mr. N.N. reproaches her for confessing her feelings for him to her brother and now they cannot be together. Asya runs away in confusion, N.N. realizes that he really loves the girl and wants to return her, but cannot find her. The next day, having come to the Gagins' house with the firm intention of asking for the girl's hand in marriage, he learns that Gagin and Asya have left the city, he tries to find them, but all his efforts are in vain. Never again in his life N.N. does not meet Asya and her brother, and at the end of his life's journey he realizes that although he had other hobbies, he truly loved only Asya and he still keeps the dried flower that she once gave him.

Main characters

The main character of the story, Anna, whom her brother calls Asya, is a young girl with an unusual attractive appearance (a thin boyish figure, short curly hair, wide-open eyes bordered by long and fluffy eyelashes), a spontaneous and noble character, distinguished by an ardent temperament and a difficult, tragic fate. Born from an extramarital affair between a maid and a landowner, and raised by her mother in severity and obedience, after her death she cannot get used to her new role as a lady for a long time. She perfectly understands her false position, therefore she does not know how to behave in society, she is shy and shy of everyone, and at the same time she proudly wants no one to pay attention to her origin. Left early alone without parental attention and left to her own devices, Asya begins to think about the contradictions in life that surround her.

The main character of the story, like other female characters in Turgenev’s works, is distinguished by amazing purity of soul, morality, sincerity and openness of feelings, a craving for strong feelings and experiences, a desire to perform feats and great deeds for the benefit of people. It is on the pages of this story that the concept of Turgenev’s young lady and Turgenev’s feeling of love, common to all heroines, appears, which for the author is akin to a revolution invading the lives of the heroes, testing their feelings for perseverance and ability to survive in difficult living conditions.

Mr. N.N.

The main male character and narrator of the story, Mr. N.N., has the features of a new literary type, which in Turgenev replaced the “extra people” type. This hero completely lacks the typical “superfluous person” conflict with the outside world. He is an absolutely calm and prosperous person with a balanced and harmonious self-organization, easily susceptible to vivid impressions and feelings, all his experiences are simple and natural, without falsehood or pretense. In his love experiences, this hero strives for mental balance, which would be intertwined with their aesthetic completeness.

After meeting Asya, his love becomes more intense and contradictory; at the last moment, the hero cannot fully surrender to his feelings, because they are overshadowed by the disclosure of the secrets of his feelings. Later, he cannot immediately tell Asya’s brother that he is ready to marry her, because he does not want to disturb his overwhelming feeling of happiness, and also fearing future changes and the responsibility that he will have to take for someone else’s life. All this leads to a tragic outcome: after his betrayal, he loses Asya forever and it is too late to correct the mistakes he made. He has lost his love, rejected the future and the very life he could have had, and pays for it throughout his entire joyless and loveless existence.

Features of compositional construction

The genre of this work refers to an elegiac story, the basis of which is a description of love experiences and melancholic reflections on the meaning of life, regret about unfulfilled dreams and sadness about the future. The work is based on a beautiful love story that ended in tragic separation. The composition of the story is built according to the classical model: the beginning of the plot is a meeting with the Gagin family, the development of the plot is the rapprochement of the main characters, the emergence of love, the climax is a conversation between Gagin and N.N. about Asya’s feelings, denouement - a date with Asya, explanation of the main characters, the Gagin family leaves Germany, epilogue - Mr. N.N. reflects on the past, regrets unfulfilled love. The highlight of this work is Turgenev’s use of the ancient literary device of plot framing, when a narrator is introduced into the narrative and the motivation for his actions is given. Thus, the reader receives a “story within a story” designed to enhance the meaning of the story being told.

In his critical article “Russian Man at a Rendezvous,” Chernyshevsky sharply condemns the indecision and petty timid egoism of Mr. N.N., whose image is slightly softened by the author in the epilogue of the work. Chernyshevsky, on the contrary, without choosing expressions, sharply condemns the act of Mr. N.N. and pronounces his verdict on those who are the same as him. The story “Asya”, thanks to the depth of its content, has become a real pearl in the literary heritage of the great Russian writer Ivan Turgenev. The great writer, like no one else, was able to convey his philosophical reflections and thoughts about the destinies of people, about that time in the life of every person when his actions and words can forever change it for the better or for the worse.

In terms of genre, this work can be classified as a story. It is based on a beautiful love story, which unfortunately ended in separation.

The beginning is an introduction to the Gagins. Development of action - relationships between young people. The climax is N.N.’s explanation with Gagin. The denouement is an explanation with Asya. Conclusion - N.N.’s reflections on the past and present.

Travel N.N.
Acquaintance of N.N. with Gagin and his sister.
N.N. draws attention to the girl’s unusual behavior and comes to the conclusion that Gagin is not her brother.
Explanation of Gagin and Asya. N.N. is an involuntary witness.
Asya's secret is revealed.
Dating between N.N. and Asya.
Gagin and Asya are leaving. N.N. tries to find them, but is unsuccessful.

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