Children's vocal repertoire with explanations. Musical repertoire of a cover band. List of songs. Types of repertoire for weddings, corporate events, anniversaries. One of the main mistakes of the repertoire when choosing songs

Are you here: Respiratory protection

This page contains a list of songs that people like most at holidays, events, celebrations - anniversaries, weddings, wedding anniversaries, corporate parties, birthdays. It is basically on this principle that I teach them. If very often they ask me to perform a song, but I don’t know it, I immediately learn it.

Popular, VIA, funny, for dancing, romances, gypsy and others.

Not indicated, which I perform into a microphone using electronic text (not by heart). There are tens of times more of these than in the list below.

You can listen to songs performed by me by going to the pages Yuri Kuznetsov Sings.

I have a very good memory by nature. I will be happy to learn and sing at your celebration any song that you or your guests like.

ROMANCES

Fireplace sparks

Your eyes are green

Under the caress of a plush blanket

Don't go, stay with me

Burn, burn, my star

A pair of bays

White acacia fragrant clusters

Meetings only happen once in a lifetime

Enchanted, bewitched

Moscow golden-domed

Furry bumblebee

Black eyes

Two guitars behind the wall

Don't wake her up at dawn

The chrysanthemums in the garden have long since faded

And I thought you were happy

I will never forget you

Foggy morning

Move away, don't look

The Long Road

I met you

Coachman, drive to Yar

And in the end I will tell

Gray hair (And you and I haven’t aged at all...)

Bells (You can hear the ringing of bells from afar...)

There was a carriage at the church

The reeds rustled, the trees bent

Don't leave, my darling

My fire shines in the fog. (Ancient gypsy romance)

Vain words (Malinin)

Good night gentlemen (Leps)

Romance of the General of Blackness (Alone again in bed, half asleep) Alexander Rosenbaum

Capricious, stubborn (Ancient Russian romance)
Don’t keep saying (And why and why I fell in love with you)

Fireplace sparks

Happy

List of songs for anniversary, birthday.

I celebrate a variety of anniversaries: 60, 50, 65, 70, 55, 80, 45, 30 years and others. For men and women. In order to make it easier for me to understand what to sing at your celebration, please send me by email a list of the musical compositions that you and your loved ones like best. And they will definitely be performed at your holiday by me.

At the celebration, I ask the guests “what do you want to listen to?”, “What should we sing together?” But any impromptu is good when it is prepared in advance.

You can record any song or even a whole disc for the hero of the day in the studio. At the beginning of this album, say that you wish the hero of the occasion and are thinking about him. Such a gift will be very valuable and unforgettable.

Anniversary ditties.
The magnificent singer Zarina and I sing.

Dedicated to my beloved woman.
This woman.

List of songs dedicated to anniversary, birthday:

Happy birthday. (Everything today is just for you.) Irina Allegrova.
Happy birthday. (My friend, all your friends congratulate you.) Nadezhda Kadysheva.
Wish. (I want songs to sound and a glass to be filled with wine.) Vakhtang Kikabidze.
My years are my wealth. Vakhtang Kikabidze.
Wish. (So that they live to be a hundred years old, so that they do not know grief.) Elena Vaenga.
Song of the crocodile Gena. (Let run clumsily.)
And the years fly. (Our years fly like birds.)
There is only a moment. (This is what is called life.) Oleg Anofriev.
Evening feast. (For the strength that the waves carry to the fullest.) Alexander Rosenbaum.
Duck hunting. (My father and mother taught me.) Alexander Rosenbaum.
Shores. (Between them is the river of my life.) Alexander Malinin.
I’m 50 today. (And this is not evening.)
How young we were. (How sincerely they loved, how they believed in themselves.) Alexander Gradsky.
How amazing. (That we are all gathered here today.) Oleg Mityaev.
Lonely man over 50. (Life goes by quietly, but gnaws lightly, but does not bite.) Dmitry Vasilevsky.

Dedicated to the woman.

My woman for you. (I raise my glass. Today is your birthday.) Mikhail Sheleg.
Birthday girl. (We are going to celebrate your birthday.) White day.
Aw. (I would like to give you a song. Everything is insignificant in comparison with you.) Alexander Rosenbaum.
I can't do it for you on your birthday. (Give expensive gifts.)
The bewitched woman is enchanted. (You are my precious woman.) Mikhail Zvezdinsky.
You are the only one I have. (There is no other one like this.) Yuri Vizbor.
The Volga River flows. (Among the ripe bread, among the white snow.) Lyudmila Zykina.
I wish you. (Out of 1000 stars, one is the brightest.) Igor Surukhanov.

RUSSIAN FOLK SONGS

Through the wild steppes of Transbaikalia

Because of the Island on the rod

You are my darling

Oh, frost, frost

A young Cossack walks along the Don

Oh, yes, pour it

I'll go outside

A rogue merchant was going to the fair

Lady, Gypsy, Yeletskaya (ditties)

Once upon a time I was sailing by sea

Am I to blame

In the moonlight (Ding-ding-ding...)

Peddlers

The bell rings loudly

Oh, by the meadow, by the meadow

How did a soldier serve?

As if the Volga is mother

When I served as a coachman at the post office

My joy lives on

Steppe and steppe all around

It was a long time ago, seventeen years ago

Who needs it (In the middle, Grandma, in the middle, Lyubka, in the middle, you are mine, blue dove)

Charming eyes

We walk through the village (We hand out gifts. Some have sons, some have daughters)
My little charm

Nadezhda Kadysheva. "Gold ring".
A stream flows. (A stream runs.)
I got drunk and drunk.
They picked a rose. (I met a rose, it was blooming.)
There was a carriage at the church.
Collective farmer. (There is a collective farm on the mountain, a state farm under the mountain.)
There are so many golden lights. (On the streets of Saratov.)
The bird cherry tree is swaying under the window. (Showering her petals.)
Someone came down the hill. (My darling is probably coming.)
Old maple. (Knocks on the glass.)
How my mother wanted me. (Yes, I’ll give it for the first one.)
The river is wide. (Cursed love.)
Charming eyes. (You charmed me.)
The month turned crimson. (Let's go for a ride, beauty.)
The postal troika is rushing. (Along the Volga to Mother in winter.)
Evening call, evening Bell. (He brings up so many thoughts.)
Thin rowan. (Why are you standing there swaying.)
There is no better color. (When the apple tree blooms.)
Khasbulat is daring. (Your hut is poor.)
It’s not the wind that bends the branch. (It’s not Dubravushka who is making noise.)
Felt boots. (Old ones are not hemmed)
Light. (The girl accompanied the fighter to the position.)
Along the Murom path. (There were three pine trees.)
Lilies of the valley. (You brought it to me today.)
Oh snow snowball. (White blizzard.)
Across the clear field. (Why are you hot, why are you beautiful.)
It's raining outside. (Waters from a bucket.)
Katyusha. (The apple and pear trees were blooming.)
Oh Samara is a small town. (Worry me.)

In the moonlight

Uhar merchant

SONGS TO THE POEMS OF SERGEY YESENIN

There is a month above the window

I do not regret, do not call, do not cry

The golden grove dissuaded

Maple you are my fallen one

Letter to mother (You are still alive, my old lady...)

There's only one thing left for me to do

Woven on the lake

I'm a Moscow naughty reveler

I've never been to the Bosphorus

Moscow (Mongol Shuudan)

Letter to Mother

SONGS ABOUT THE MOTHERLAND

I will pray for Holy Rus' (Hierodeacon Theophilos)

I'll go out into the field with my horse at night.
Corner of Russia, father's house. (Pesnyary) Music by V Shainsky.

Russian Field. (Jan Frenkel) From the movie "New Adventures of the Elusive."

I drank birch sap in the spring forest. (Mikhail Nozhkin).From the film "Resident's Mistake"

Call me quietly by name. (Lyube).

A song about a distant homeland. (I ask, at least for a little while). From the film Seventeen Moments of Spring.

Where does the Motherland begin. (Mark Bernes) Words by Matusovsky.

Birch sap (Only under the snowfield to bloom on time). Pesnyary.

I love you Russia! My dear Rus'! (Mikhail Nozhkin. David Tukhmanov.)

March - "Farewell of the Slav" Written in 1912.

Song about the Motherland. (The sun is shining in a clear sky.)

Why do birch trees make so much noise in Russia? (Nikolai Rastorguev and Sergei Bezrukov.) From the series "Plot"

I'll go out into the field with my horse at night.

Migratory birds are flying. (I don’t need the Turkish coast and I don’t need Africa.)

Oh, you wide steppe.

Chistye Prudy (Igor Talkov).

Our toast. (Let's drink to the Motherland, let's drink to Stalin, drink and pour again.) Song of the war years.

Little Crane. (Even though the land is warmer there, the homeland is miles away.) Mark Bernes.

Russian anthem.

SONGS ABOUT MOSCOW

Moscow golden-domed

Moscow windows

Moscow Nights

My dear capital, my golden Moscow

Alexandra (film "Moscow Doesn't Believe in Tears")

Moscow. The bells are ringing

I'm walking around Moscow
Moscow (I love this elm city). Sergey Yesenin.
The best city on Earth (These words are about you Moscow). Magomaev Muslim.
Song of an old cab driver (As soon as the spring morning breaks over Moscow). Leonid Utesov.
Oh Arbat, my Arbat (Bulat Okudzhava)

SONGS ABOUT PARENTS

Parents' house. (Lev Leshchenko) “The parental home has begun.”

Let us pray for our parents. (Soso Pavliashvili).

Letter to mother (You are still alive, my old lady). But the words of Sergei Yesenin.

Talk to me, mom.

Dear mother. (Mom, dear mother, how I love you).

My dear old people. Igor Sarukhanov.

House with windows to the garden. Radchenko brothers.

SONGS ABOUT FRIENDSHIP

A song about a friend. (When you fell from the rocks, he groaned, but held on.) Vladimir Vysotsky.

Friendship. (That our tenderness and our friendship are stronger than passion, more than love.)

Song of friends. (There is nothing better in the world than having friends wander around the world.) Bremen Town Musicians.

A song about a friend. (A friend is always ready to give up his place in the boat and circle.)

If you go on a journey with a friend. (What do I care about snow, what do I care about heat when my friends are with me.)

For friends. (I raise my glass.) Vladimir Chernyakov.

LOVE SONGS

Enchanted, bewitched

You are the only one for me (Yu. Vizbor)
My love is alive like the scarlet color of rowan trees. Sergey Drozdov.

For me there is no one more beautiful than you

Ah, what a woman

These eyes are opposite. Obodzinsky.

To please. (I want to make you happy today). Anatoly Dneprov.

Scarlet dawn. (Lips are scarlet. You are my long-awaited love). Radchenko brothers.

Eastern song. (Is it raining warmly). Valery Obodzinsky.

Singarella. (The anvil groans loudly, since there is a girl in my hands).

Lyrical (Here are the paws of the fir trees...) V. Vysotsky

White swan on the pond

For lovely ladies

And I thought you were happy

I raise my glass

Honey, can you hear me

My clear star ("Flowers")

Bullfinches outside the window (Trofim)

My wealth (Yu. Antonov)

Esmeralda (Notre Dame de Paris)

Bouquet (A. Barykin)

Mole (I met a girl, a crescent eyebrow...)

Darling, sleep

I wish you from a thousand stars (I. Sarukhanov)

Mirror (Yu. Antonov)

Because you can’t be beautiful like that (“White Eagle”)

My only one (F. Kirkorov)

I love you to tears. (I will cover our bed with white rose petals). Alexander Serov.

I miss you (Trofim)

Natalie
Without you (S. Mikhailov)
Everything for you (S. Mikhailov)
Queen of inspiration (S. Mikhailov)
Three wishes
At the bridge
Lastly I will say
I would only like to know that you live somewhere (O. Mityaev)
Guitar
I want to get married to you
Bells
I dreamed about you in the spring (“Pesnyary”)
Nichya yaka misyachna
I asked ash
Wait, I'll turn on the light for a minute
Young
Furry bumblebee
First love
This woman
Oriole
City of Sochi (Trofim)
For you my woman
Au (Rosenbaum)
Pigeons kissing on the roof
Don't go stay with me
I met you
Ivushki
Let's get high
Smoke from menthol cigarettes
My joy lives on
White birch
Let's go for a beautiful ride
There by the cherry orchard
Black eyes
Black eyebrows, brown eyes
Turquoise and gold rings
Uhar merchant
The scarlet light of dawn was woven on the lake
My dear forest sun
Kalina (Rada Rai)
Marjanja (M. Shufutinsky)
Two extinguished candles
Candles
When I met you the bird cherry was blooming
That evening I did not drink, did not sing (Vysotsky)
Trouble (Pugacheva)
Two roses
Vain words
Do not put salt on my wound
I'll take you to the tundra
Where the maple makes noise
White motor ship
On that highway
Purple Haze
Lanfren lanfra
Your eyes are green
Under the caress of a plush blanket
Sailor
Once upon a time I was sailing by sea
Let's drink to love
Thank you for your son and daughter
Tenderness
You'll wake me up at dawn
Poplars
Fireplace sparks
Once a year the gardens bloom
Dress
Swan fidelity
Indian summer has died down
Knives not sharpened
Magician
Let's get high
I'm ready to kiss the sand
Gate
Only time
Foggy morning
Move away don't look
You are my darling
I got drunk and drunk
I'll go outside
Am I to blame
Peddlers
A boat sailed on the sea
Black eyes
Who created you like this
The snow is spinning
Free duck
Cornflowers in the field
Seagulls astern
The fires are burning distant
White mists are floating
There lived a couple in the same city
I want to live my whole life with you at least once (Vizbor)
Thank you for the day, thank you for the night (M. Boyarsky)
Lonely lilac branch
Beloved woman

Sweetheart (Nepara)

For love (Lyubavin)

Darling

Sunny days have disappeared

You tell me cherry

Good morning, beloved (Mityaev)

You and I are two banks of the same river (Rada Rai)
My beloved woman (Timur Temirov)
A sweet dream - on the white blanket of January. (Here comes the long-awaited summer, in spite of fate).
You are my tenderness. Nargiz Zakirova. (You are my heart, you are my miracle).

Pigeons kissing on the roof

WEDDING, WEDDING ANNIVERSARY

Wedding. (Give love to each other). White Eagle.
Wedding. (This wedding sang and danced). Magomaev.

Wedding ring

We wish you happiness

Listen mother-in-law, dear friend, help...

Be healthy, live richly

Why are brides crying?

I want to get married to you

First love

Wedding (V. Korolev)

Invite your father to a white dance (I. Demarin)

Daughter (Kobzon)
I love you to tears. Alexander Serov.
Silver weddings. (And 25 silver Aprils surround you like sons). Valentina Tolkunova.
Golden wedding. (Grandmother next to grandfather).

I want to get married to you

WAR SONGS

Officers (O. Gazmanov)

From the heroes of bygone times (film "Officers")

Dark night

Eh, roads

The company goes to heaven

In the dugout

Let's wave without looking (film "Shield and Sword")

Where does the Motherland begin?

The last battle, it is the most difficult (film "Liberation")

Dark-skinned girl

Three tankers

The armor is strong and our tanks are fast

Tanks rumbled across the field

Artillerymen, Stalin gave the order

Let's get... ("Lyube")

Far away across the river

How did a soldier serve?

Don't think down on seconds (film "17 Moments of Spring")

I ask, at least not for long (film "17 Moments of Spring")

Battalion Commander ("Lube")

Victory Day

Song of the 10th Airborne Battalion (film "Belorussky Station")

Farewell of a Slav

Cranes (Sometimes it seems to me that soldiers...)

Sineva (Song of the Paratroopers)

Alyosha (Does the powder turn white in the field...)

I'll get up before dawn today

The girl accompanied the fighter to the position

The division marched forward through the valleys and hills

No need to be sad, gentlemen officers

Cuckoo (Blue Berets)

Gentlemen officers blue princes

There lived a couple in the same city

Battalion Reconnaissance (Blue Berets)
Officers' wives
He did not return from the battle. V. Vysotsky.
Hobble along slowly. (She saw off on an early sunny morning). Adrenalin.
A couple lived in the same city. (Oh, you women are unfaithful to your husbands, your husband is at the front, and you are here for a walk). Songs of the war years.

Farewell of a Slav

SONGS FOR PILOTS

It's time to hit the road. (On a rainy evening.) From the film Heavenly Slow Walker.
Because we are pilots. (We are migratory bird friends. Well, then the girls.)
The main thing, guys, is not to grow old in your heart. (Under the wing of an airplane.) Soviet song.
The plane is my cross on my body. (The sky is blue.) And Dolsky.
Phantom. (My phantom, like a white arrow on an outstretched wing, gains altitude with a roar.)

SEA SONGS. FOR SAILORS.

There behind the fogs. (Blue sea, only the sea astern.)
Goodbye beloved city. (We're leaving for the sea tomorrow.)
Goodbye rocky mountains. (And the waves moan and cry.) War years.
Treasured stone. (Cold waves rise like an avalanche,) Sevastopol. Black Sea Fleet.
Tired submarine. (The boat is compressed under wild pressure.
The sea spreads wide. (And the waves are raging in the distance.)
Varangian. (Our proud Varangian does not surrender to the enemy.)
Sea. (The sea is a bottomless world.) Yu Antonov.
Blue eternity. (Oh sea, sea, take me to distant places.) Muslim Magomayev.
By the sea, by the blue sea. (Vacation of love.)

AFGHAN SONGS

In a black tulip (A. Rosenbaum)

Orders are not for sale

COSSACK SONGS

Love, brothers, love

Are you waiting, Lizaveta

Black Raven

Oh, it's not evening, it's not evening

A young Cossack walks along the Don

Only a Cossack bullet (A. Rosenbaum)

And there are platbands on the window (A. Rosenbaum)

On the Don, on the Don horses roamed (A. Rosenbaum)

Old Man Ataman (Chizh)

The brave centurion

Oh, by the meadow, by the meadow

Unharness your horses, boys.

Oh, Galya, young Galya

Not for me
Oh, oh, oh, don't be afraid of me.

Love, brothers, love

UKRAINIAN SONGS

You fooled me

Bird power

No one's month

Ridna my mother

Chervona rue

Nese Galya water

Black eyebrows, brown eyes

There by the cherry tree, by the garden

Black eyebrows, brown eyes

At the cherry orchard

SONGS

Belarus. (My youth is Belarus).

I dreamed about you in the spring

Belovezhskaya Pushcha

You make noise, you make noise over me, biarosas
Vologda.
Father's house. (A corner of Russia - father's house).
Our favorites. (Do not offend your loved ones with reproaches).
Birch juice. (Only the snowdrop will bloom on time).
Blackbirds. (Have you heard the blackbirds sing).
I can't do otherwise.
Half an hour before spring.
Listen mother-in-law.

SYABRY

And I'll go to bed.
Olesya. (Lives in Belarusian Polesie).

JEWISH SONGS

Hava Nagila

Tum-balalaika

Jewish tailor. (Quiet as in heaven)
Buy cigarettes. (Come up infantry and sailors)
Couplets about Jews. (There are only Jews around)

GEORGIAN SONGS

ARMENIAN SONGS

Sirun, Sirun

GYpsy SONGS

Furry bumblebee

Black eyes

Two guitars behind the wall

Tell me your fortune, gypsy

Nane tsokha (from the film "The Camp Goes to the Sky")

Prihayape

Kayo Berge

Shatritsa (Ay, yes, yes, yes, yes, yes)

Turquoise gold rings

I love Gypsy Ian

Song of Yashka the Gypsy (film "The Elusive Avengers")

Not evening

Honey, can you hear me

Oh, the young boy has been on a spree

Coachman, drive to Yar

Mama

Sokolovsky Choir near Yar

Oh, I got chills

Velichalnaya (He came to us, he came to us)

Gray hair (And no matter how much you and I have not aged...)

Singarella

My fire is shining in the fog

I'll tell you how I lived with the gypsies

Marjanja

Gypsy love

Blue poppies

Yes-Luda-La

I'll bring you flowers

Zakhachkirna
Dai liu dai la (Gypsy ditties)

Nane tsokha

Marjanja (gypsy)

SONGS ABOUT ODESSA

Scows full of mullet. (Brought Kostya to Odessa.)
Smells like the sea. (And the moon hangs just above the spar.) Mikhail Shufutinsky.
Ah, Odessa. (Pearl by the sea.)
By the Black Sea. (There is a city that I see in a dream.) Leonid Utesov.

SPANISH SONGS

Besame mucho

Ma guitar (film "Desperado") Banderas

ITALIAN SONGS

About salt mio

SONGS FROM THE REPERTOIRE

M. Shufutinsky

Left bank of the Don

Khreshchatyk

Knives not sharpened

Jewish tailor

Zoya wrote me a letter

Two extinguished candles

Singarella

My Soul Hurts

Tanya is a teenager

A bottle of wine

Once upon a time there lived a violinist (Cry, my violin, cry...)

Candles (Burning, the candles cry...)

Muscovite

I'll tell you how I lived with the gypsies

Marinochka, Marina

For lovely ladies

Marjanja

And for the last one, yes, a five

Palma de Mallorca

Yu. Antonov

Mirror (I look at you like in a mirror)

Ah, the white ship

My wealth (Again the month has ascended the throne)

For me there is no one more beautiful than you

Dreams come true

Flying gait

20 years later

Anastasia

The roof of your house (We are all in a hurry for miracles)

At birch and pine trees. (Autumn is quietly wandering. Has everything really passed?)
Why (I was recently loved and sweet)

Alexander Rosenbaum

Evening table (Let's raise this cup)
Duck hunting (Walk like that, shoot like that.)
Capercaillie (On the current)
Come visit us for a visit.
Prophetic fate (Field, field.)
Esaul is young. (He dozed off under the alder tree.)
Sleep in hand. (Dappled gray horse.)
Cossack (Under the evening dawn.)
Waltz Boston.
Violinist Monya. (Hello guests.)
Cab. (It's such a nice day.)
On the Don on the Don. (The horses were walking.)

Song of the Jewish Tailor. (Quiet as in heaven.)
Black Tulip. (In Afghanistan, in a black tulip.)
Aw. (I would like to give you a song).
GOP stop. (We came around the corner.)
Ninka. (Like the picture.)
Bunny. (Zoika wrote me a letter.)
Classmates. (My classmates, schoolmates.)
In Odessa, on the Maidan. (Noise of commotion.)
Pintail. (Free duck.)
From call to call. (I served my time.)
My Odessa. (Smells like the sea.)
Conversation at the hotel. (Wait, I’ll turn on the light in the room for a minute).

Oleg Mityaev

Summer is a small life. (Look at what a beautiful house you live in.)
Good morning darling.
(You are my darling.)
Frenchwoman. (She is the same Muscovite as she was.)
Neighbor. (The knives are not sharpened.)

Vladimir Vysotsky

Vertex. (This is not a plain for you.)
A song about a friend. (If a friend suddenly turned up.)
Wolf Hunt. (I'm straining with all my strength.)
Lyrical. (At least agree to heaven in a hut.)
Horses are picky. (Horses a little slower.)
Road story. (I came out in height and face.)
Bathhouse. (Heat a bathhouse for me, hostess.)
Police protocol. (In our opinion, we drank a little.)
He did not return from the battle. (Why is everything wrong?)
Dialogue at the TV. (Oh Van, look at the clowns.)
The one who was with her before. (I didn’t drink or sing that evening.)
The song is a fairy tale among evil spirits. (In the protected and dense Russian Murom forests.)
Indian summer. (Maple trees painted the city.)
At the cemetery. (And everything is calm in the cemetery.)
The house is crystal. (If I am rich like the king of the sea.)
I carried my misfortune. (Spring style on the ice.)
My gray-haired love. (In Kolyma where there is tundra and taiga all around.)
Oh where was I yesterday. (I just remember that the walls have wallpaper.)
The Royal Shooter is about a wild boar. (In a kingdom where everything is quiet and orderly.)

When we met. (The bird cherry blossomed.)
My gypsy. I dream of yellow lights. (Oh once again.)
Paradise apples. (I will die someday.)
The bride will weep honestly for me. (Others will sing all the songs for me.)
Soldiers of the group center. (Across the scorched plain.)
I do not like. (I don’t like any time of year when they don’t sing merry songs.)
I'm standing on guard. (I'm holding on to my pocket.)

Lyrical

Yuri Vizbor

You are the only one I have. (There is no other one like this.)
My darling. (Forest sun.)
Guitar bend. (It’s great that we are all here today.)
Seryoga Sanin. (First takeoff, then landing.)
They keep telling me. (I want to live my whole life with you at least once.)
Dombai Waltz. (The skis are standing by the stove.)
If I get sick. (Bed the steppe for me.)
Alexandra. (Moscow was not built in a day.)

Bulat Okudzhava

Georgian song. (I will bury a grape seed in the warm ground.)
Your Honor, Lady Luck. (Nine grams per heart.)
Song of the 10th Airborne Battalion. (We won’t stand behind the price.)
Cavalry guards. (The century is short.)
Take your overcoat and let's go home. (And you and I, brother, are from the infantry.)
Prayer. (Lord, give everyone what he doesn’t have.)

Sergey Trofimov (Trofim)

Bullfinches. (There are bullfinches outside the window.)
Sochi city. (Shashlik with cognac.)
I miss you. (Like an apostle in holy torment.)
Pigeons. (My barefoot childhood.)

Stas Mikhailov
Everything for you. (There is only you in my destiny.)
Without you. (Forgive me, dear.)
Queen of inspiration. (All my poems are about you.)
White birch. (I love you.)
Heaven. (Give strength to the tramp.)

Muslim Magomaev
Heart in the snow. (Roads are a distant arrow.)
Wedding. (Sang and danced.)
The best city on earth. (These words are about you Moscow.)
Queen of beauty. (You are happiness in life, my love.)
Nocturne. (Thank you.)

Alexander Malinin

Lieutenant Golitsyn. (Don’t lose heart.)
Shores. (Between them is the river of my life.)
Fun. (I have one more fun left.)
Romance of General Blackness. (Alone again in bed, half asleep.)
Gulba. (There is gold on the icons.)
Vain words. (Splash some witchcraft.)
In the port of Cape Town. (The crew was released ashore.)
Prayer. (Where can I get the strength to stop loving.)

Yu. Loza

Igor Talkov

Chistye Prudy. (Each of us has places in the world.)
Former podesaul. (He left to fight.)
Summer rain. (Started early today.)

Vyacheslav Dobrynin

Do not put salt on my wound. (Don't talk out loud.)
Who told you. (No, I will never be able to stop loving you.)
Farewell from all train stations. (They go to distant lands.)
You will see. (How unlucky am I)
Everything I have in life. (The world is not simple.)
I don't dream about you. (I'm too.)

Vakhtang Kikabidze

My years are my wealth. (Let my head be gray.)
Wish. (I want the songs to sound.)
Bottoms Up. (If the toastmaster asks you.)
I'm fermenting drunk. (But it’s not the wine that’s to blame.)
Farewell to love. (Half an hour before the flight.)

Grigory Leps

Natalie. (I can’t escape you and fate.)
A glass of vodka on the table.
Good night gentlemen. (And angels will fly over your house.)
The best day. (It’s very cool to be alive after all.)

Alla Pugacheva

Million Scarlet roses. (Whoever is seriously in love will turn your life into flowers.)
This world was not invented by us.
Not renounce loving. (You can give anything for this.)
Bolshak. (Well, how can you live in the world without love.)
Trouble. (Searching around the world for me.)
Bye, summer. (The birds gather in flocks again.)
I want summer not to end. (The whole earth is warmed with warmth.)

LESOPOVAL

I'll buy you a house. (White swan on the pond.)
Bird Market. (The birds are in a cage, but there are crows in the wild.)
10 commandments. (I was resurrected from boredom.)

Ivan Kuchin

In the tavern. (Let's drink to our friends and our faithful ones.)
A man in a padded jacket. (And he walked away from the chase through the white snow.)

M. Gulko

Enemies burned down my home

Schoolgirl

I haven't seen my mom for so long

Blue skies of Russia

One victory (song of the tenth airborne battalion)

Odessa Mishka

Why are you married

If I get sick

Behind the fog

Gentlemen officers

SONGS FROM VIA'S REPERTOIRE

"Gems", "Jolly Guys", "Blue Guitars"

For me there is no one more beautiful than you

This will never happen again

I'll take you to the tundra

I won't come near you

Clear light eyes

When we are silent together

Aleshkin's love

Time Machine. (Andrey Makarevich.)

Turn. (We promised ourselves.)
Blue bird. (We walked into such distances.)
Puppets. (Faces have faded colors.)
Bonfire. (Everything will hurt.)
While the candle is burning. (There are days when you give up.)
Three windows. (I forgot about storms and thunderstorms.)

"DDT"

"Flowers"

My clear star

We wish you happiness

"Blue bird"

Where the maple makes noise
My love is alive like the scarlet color of rowan trees (Sergey Drozdov)

"LUBE"

There, behind the fogs

Call my name softly

Why do birch trees make so much noise in Russia?

I'll go out into the field at night with my horse

All over again

Through the tall grass

Sunday. (Konstantin Nikolsky.)

Musician. (The violinist hung his coat. The musician hung it on the back of the chair.)
Night bird. (What one sings about in the autumn silence.)
A forgotten song is carried by the breeze. (God, how long ago it was.)
When you understand with your mind. (That you are alone in the world.)

Mikhail Krug
Come to my house. (My doors are open.)
Vladimir Central. (Northern wind.)
Kate. (The matchmakers came to the father.)
Kolshchik. (Prick me with domes.)
Silence. (Oh, how I long for unfamiliar hands and damnably pleasant and moist lips, feminine tenderness.)
Good girl. (How warm it was. What brought you and me together?)

BEST SONGS OF ALL TIME

Moscow Nights

Russian field

There are so many good girls

Friendship (When with a simple and tender gaze...)

By the bluest sea

There is only a moment

Hope (An unfamiliar star is shining...)

Why is my heart so disturbed?

And the years fly by

I love you life

There is nothing better in the world

Song of the old cab driver (L. Utesov)

Black cat

Wonderful neighbor

We wish you happiness

Under the wing of an airplane

Purple Haze

Here under a strange sky

Raspberry ringing

Far away across the river

Queen of beauty

Candles (On an autumn night outside the window...)

White snow

Lonely accordion

Rowanushka (Evening with a quiet song...)

Someone came down the hill

Bloomed under the window...

There are so many golden lights on the streets of Saratov...

The daisies hid

My little village

The Volga River flows from afar for a long time

Suddenly, like in a fairy tale, the door creaked

For you, my woman

I met a girl with a crescent eyebrow

Lanfren-lanfra

Bouquet (A. Barykin)

green-eyed taxi

Sailor (And when the sea is rough...)

The dark mounds are sleeping

I raise my glass

I'll take you to the Tundra

From Vagants (On the French side...)

Zorka scarlet

You can't hide from people in the village

Trouble has green eyes

Parents' house

People meet, people fall in love

How delightful evening in Russia

Organ organ (N. Baskov)

The city that does not exist (I. Kornelyuk)

Moscow, the bells are ringing

Mirror (Yu. Antonov)

Call me quietly by name ("LUBE")

Coward does not play hockey

Song about Shchors

Talk to me mom

Tenderness

The river runs in the fog and melts

Have you heard the blackbirds sing?

If you go on a journey with a friend

All will pass

At the edge of the forest

Blue frost

You'll wake me up at dawn

Thank you for your son, thank you for your daughter

Ural mountain ash

God save the king

Once a year the gardens bloom

Bear, Bear, where is your smile

Village (Now I consider myself urban...) (S. Belikov)

This is what happens when you fall in love...

Dress (Nothing to wear, no matter what you say...)

Galina lives in this house

Swan fidelity

Bells

Indian summer

The bird cherry tree is swaying under the window

The bears got lost

Former podesaul (Talkov)

New Year's (Serduchka)

There is no better color

Good mood

From dawn to dawn (Dan Spataru)

Tell me, cherry (Kirkorov)

Good mood

Siberian frosts (Kuzmin)

The Wanderer (V. Presnyakov)

The bird cherry blossomed

Ranunculus flowers

Blue poppies

I remember the blue stars

Traveling artists

Goldfish

The bears got lost. Yard songs with guitar.

Nichyako misyachna "Only old men go into battle"

Tanks rumbled across the field "In war as in war"

From the heroes of old times "Officers"

Cavalry guards, the age is not long "Star of captivating happiness"

Your Honor "White Sun of the Desert"

Damned Thoughts "Five Evenings"

Horses walk over the Bumbarash river

Scows full of mullet "Two Fighters"

Dark Night "Two Fighters"

Friendship "Summer evening in Gagra"

Three tankmen "Tractor Drivers"

Migratory birds are flying "Cold Summer of '53"

Song about a friend "Vertical"

This is not a plain "Vertical"

The dark mounds are sleeping "Big Life"

It's time to hit the road, hit the road "Heavenly Slug"

From people in the village... “It happened in Penkovo”

Don't think down on the seconds of "17 Moments of Spring"

I ask, at least for a short time, "17 moments of spring"

Trouble has green eyes "Dangerous Friends"

Lanfren-lanfra "Midshipmen, forward"

The city that does not exist "Gangster Petersburg"

Furry bumblebee "Cruel romance"

And finally I will say... "Cruel Romance"

Not an evening "Dowry"

Honey, can you hear me "Dowry"

Wait, locomotive "Operation Y"

Oh, by the meadow, by the meadow "Wedding in Malinovka"

Are you waiting, Lizaveta... "Alexander Parkhomenko"

Love, brothers, love "Alexander Parkhomenko"

I'm in the spring forest... "Resident's error"

From dawn to dawn "Songs of the Sea"

About hares "The Diamond Arm"

Birch sap "Real guy"

Our service is both dangerous and difficult "The investigation is being conducted by Experts"

Once again the month has ascended to the throne "Take care of women"

Ma guitar (Banderas) "Desperado"

Artillery march "6 o'clock in the evening after the war"

Suddenly, like in a fairy tale... "Ivan Vasilyevich changes his profession"

Island of bad luck "Diamond Arm"

Kurochkin's couplets "Wedding with a dowry"

Song about a friend (If everyone has the same joy) "The Path to the Pier"

Why didn't I meet you "Different Fates"

RUSSIAN CHANSON

Murka. (You are my little murka.)
The cherries are ripe. (In Uncle Vanya's garden.)
Taganka. (Why did you ruin me.)
Wait, locomotive. (Conductor press the brakes.)
Vanino port. (I remember that Vanino port.)
Take me, cab driver. (Pour her a drink, dear, so that the whim will go away.) Alexander Novikov.
In Kolyma. (Where tundra and taiga are all around.)
Ushanochka. (And I’ll pull my earflaps deeper.) Gennady Zharov.
Pigeons are flying over our area. (How I would like to fly away with the pigeons to my native land.)
A thieves' share. (This is the thieves' share.)
My grandmother smokes a pipe. Garik Sukachev.
On the tundra, by rail. (Where the Vorkuta – Leningrad train rushes.)
Testimony of an innocent person. (I leaned back, what kind of bazaar is a station.)
The night is not moving. (The lanterns sway and the eagle owl hits with its wing.)
Suitcase. (Come on, put your suitcase away.)
A trilogy about an old grandmother. (Grandmother is healthy and dreams of surviving the raid.) Arkady Severny and Grisha Berbe.
Privokzalnaya. (I’ll go to the station today.)Garik Krichevsky.

Woman's anniversary - songs about female beauty, about love, songs for women.

Man's anniversary. Songs for men, about friendship, favorite works.

Company anniversary, corporate holiday, enterprise anniversary - songs about the profession, professional songs.

City holiday - city day, songs about Moscow, cities.

Special repertoire for Victory Day, May 9, Defender of the Fatherland Day February 23, international holiday March 8, Valentine's Day, Maslenitsa, Christian holidays, Russian Independence Day, Christmas.

Retro parties. Hits of the 60s, 70s, 80s, 90s Popular songs of Soviet performers and VIA, Disco of the 80s.

Evenings for those over 30, over 40 – dance hits.

Concert performances in restaurants, clubs, boarding houses, holiday homes.

You can continue listening to songs on the pages Yuri Kuznetsov sings.

Modern teachers in music schools are often faced with the fact that a teenager does not want to sing this or that song or romance, and all attempts to convince him to change his mind lead to complications and conflicts. Often, a teenager not only refuses to perform a romance that he does not like, but may even stop going to music school altogether. To properly understand this issue, you need to take into account all the age characteristics of adolescents. You will learn about them in this article.

Age characteristics of a teenager

This age is characterized not only by increased vulnerability, but also by the desire to impress. He wants to appear bright, spectacular and beautiful, to be appreciated and approved, and the less love he receives in his environment, the more acute this feeling. He also becomes sensitive to ridicule, so it is important for him that the romance he will sing from the stage favorably emphasizes his strengths as a vocalist and as a person. Therefore, in order to choose the right repertoire for him, you need to take into account such age-related characteristics of the teenager as:

Striving for efficiency. When performing a romance, a teenager wants to feel not just a performer, but a star. To do this, his repertoire must be interesting, conveying feelings familiar to the teenager himself and corresponding to his perception.
Fear that he will be judged or laughed at. It is also characteristic of adolescence, therefore, if there are places in a vocal work that are incomprehensible to him and cause embarrassment, he can simply refuse to perform it and decide that “he doesn’t need classical vocals, since the works there are uninteresting.” And here you also need to be careful when selecting the repertoire.
Having new interests. In adolescence, a boy or girl may decide that no one needs classical music and it would be better for him to study pop vocals or even choose dancing. You can maintain interest only with a bright and understandable repertoire, the content of which will help the teenager open up. Beautiful arrangements will also have a significant effect, allowing the teenager to feel like a popular star on stage.
When choosing works about love, you need to consider age characteristics of a teenager, or more precisely, his perception. Much depends on your specific character and temperament. There are boys and girls who perceive light works, without strong drama. And some, on the contrary, can perfectly convey the character of the heroine Carmen at an early age. So a vocal teacher should pay attention to a particular teenager’s ideas about love in order to choose a repertoire that will be understandable to him and will help him open up.
A clear manifestation of character. It is when a teenager begins to be stubborn, show character and show himself that one can see what his temperament and perception of the world around him is. Usually at this time an already formed character with its own characteristics begins to appear. Some become bright and flirty, an imp in a skirt, while others turn into a dreamy, glamorous girl, tender and easily vulnerable. Based on these features, it is worth selecting works. You shouldn't make Carmen out of a prude and vice versa. It is better that the character traits of a teenager are manifested in the work, then it will be easy for him to perform it.

How does a teenager’s perception influence the choice of repertoire?

When choosing a romance, it is worth analyzing its content and thinking about whether it will fit into the perception of a teenager. There are romances that sound good sung by a mature man. They contain words about deep dramatic love, about years that flew by unnoticed. They should not be given to a teenager, as they will not be able to convey his mood, emotions and character. But songs and romances about first love, falling in love, tenderness or, on the contrary, betrayal, a teenager will be able to convey if they correspond to his perception. Also, the romance should effectively show the teenager himself. For example, the romance “I loved you” will sound beautiful when performed by a teenager who takes failures lightly and is not inclined to dramatize the situation. For a vulnerable and withdrawn teenager, this romance will evoke melancholy both for himself and for the listeners. Therefore, when choosing a repertoire, it is worth taking into account the teenager’s perception and his formed character.

How to create the image of a teenage vocalist

The main secret of how to create the image of a teenage vocalist is to advantageously present his features to the public. Anything can be played beautifully. Is your teenager short-tempered and impatient? He should choose a repertoire where he can beautifully present his unbridledness. Is he reserved? Lyrical romances that are not too emotional in nature are what you need. Does your teenager have a cheerful disposition? Moving romances or, on the contrary, dramatic works will sound light and beautiful from him. After this, it is worth thinking about his image, costume and message that he will have to convey to the audience during the performance. Acting lessons will help you create a complete image. It’s these little things that make up the image of a teenage vocalist.

How to choose a repertoire for a teenager

Be sure to let the future performer listen to the recorded romance or song. Although composers did not write works for this age, romances and songs for boys and girls should be in the arsenal of any teacher.
Look and analyze the text. Think about how it might be of interest to a teenager. It is always easier for a teenager to perform an interesting repertoire than to sing something that is not to their liking.
How does he show a teenager? Is he really like that? Girls should not sing male romances and vice versa. They don't need to look funny on stage.
Romances and songs for girls and boys shouldn't be tragic. Interesting repertoire for teenagers should be positive and, if possible, optimistic.

Examples

“Autumn Leaves” by Makrousov;

"Return to Sorrento"

Caccini "Ave Maria"

Preparation for a performance, in addition to the actual constant and regular training of the vocal apparatus, consists of the competent selection of a repertoire that corresponds to the singer’s vocal level. At the initial stage, as a rule, a repertoire that is not difficult to perform is selected - folk songs, romances of the middle register, which do not require much strain on the ligaments, so that the singer can think not about HOW to sing, but about WHAT to sing, that is, he thinks in images of the work, and did not get distracted by the technical side of the issue. The singer grows as a musician-performer and as a vocalist primarily on a properly selected repertoire.

The piece chosen for the student must always correspond to the level of his musical development, vocal and performing training. Artistic pedagogical material requires special attention to the gradualness and consistency of increasing the difficulties of works. This applies equally to musical difficulties, as well as to vocal and performing difficulties. A repertoire that is vocally and technically overwhelming is especially detrimental to a student’s voice. Irrationally selected works can retard a student’s vocal growth and even cause direct harm.

The use of a repertoire convenient for the voice helps to coordinate the work of sound-producing elements, including those that are not subject to consciousness. Folk songs are especially useful at the first stage of learning. They have many advantages and are primarily comfortable for the voice.

Folk song is the basis in music and singing. Folklore was appreciated by the greatest musicians. Passed on orally from generation to generation, folk melodies are, as it were, filtered by voices and concentrate elements of convenience for singing. They filter out that which contradicts the mass nature of the votes and exceeds their average capabilities. Folk songs are varied in character and, as a rule, are built on a small range, which is very convenient for beginning performers. Their tessitura is very moderate. The intelligibility of words, the verse form of the structure, the ease of memorizing the musical texture allow the student to easily combine the vocal-technical and performing aspects of performing a piece. They are both simple and extremely expressive.

The style of performing Russian songs requires simplicity, naturalness, sincerity, and good delivery of the text. The verse form forces the beginning singer to find his own nuance in each verse, which diversifies the performance.

The great Russian opera singer Maria Petrovna Maksakova found “her own intonation, drawn-out, sometimes perky, but always ennobled by feminine softness... Maksakova conveyed a simple verse song about a sweetheart who brings a gift as a woman’s story about her life, about her personal feelings, coloring everything This is a subtle humor, alien to any pressure. The singer colored each verse with such a unique expression and said “Eh!” with such a unique expression that each time it sounded different, depending on the shades of the story, but always with the heroine’s attitude towards her lover.”

Lemeshev says about Russian song: “Russian song is full of lyrical depth and poetry. The people polished it for centuries, and therefore there was nothing random, superficial, or cheap left in its melodic and poetic images. The beauty of her melodies crystallizes pure, high human feelings, and she demands from the singer the same purity, scale and sincerity of performance.”

Romances by such authors of the pre-Glinka period as Bulakhov, Varlamov and others, as well as later ones, including the Soviet period, based on poems by famous poets in the performing sense require a very attentive attitude to the verbal text, a well-developed sense of style. They are simple, melodious, and mostly have a verse form, which makes them similar to Russian folk songs, but at the same time they have a more developed musical side. They are written in a convenient tessitura, do not cover a large range of sounds, are easily accessible in their musical language and in the requirements that they place on the vocals of beginning singers. They are simple, they must be performed sincerely, without going beyond the boundaries of naturalness and spontaneity.

According to Sergei Lemeshev, “Beautiful singing presupposes a natural, sincere expression of feelings. The singer should feel as if his whole being is singing. But don’t force the sound, don’t try to show it as greater than what nature gave you.”

Lemeshev wrote that in his work on the image of a particular work, and Stanislavsky worked a lot with the singers of his opera studio on romances, “Stanislavsky proceeded from the principle of internal justification of this or that mise-en-scène, and not the visual effect. He understood that the singer’s correct well-being, his correct psychological attunement, would always lead him on the right path to his stage image, and would help him expressively sing important and vocally difficult parts of the part.” . Thus, we come to the conclusion that when selecting a repertoire for a beginning singer, it is necessary to take into account his temperament and individuality, not only his vocal apparatus and the degree of its development, but also the psychological aspects of his character. For example, a slow person, phlegmatic by nature, will find it difficult at the beginning of his training to correctly perform a perky, clownish song that requires dashing prowess in its performance. For such a student to perform at a concert, it is better to choose a piece that is calm, lyrical, measured in form and content.

When choosing works for a concert, it is better to think through their sequence in the concert program in advance. First, a piece that is easier in vocal terms is staged for development, and then a more difficult one in vocal and performance terms.

Preparing the selected piece of music

“It is recommended to conduct classes on a piece of music in two ways: on the one hand, working on the artistic performance of the work, and on the other hand, working on it purely technically, that is, as if reconstructing this work into a vocalise.”

Based on the topic of our research, we would like to focus on the musical and artistic side of the preparation of works and omit the purely technical side of voice production. We want to focus on working on the artistic and performing means of expression of the work. These means include:

Clear diction and correct articulation, and as a result, delivering a legible vocal word to the viewer;

Intonation and phrasing of the work.

Working on diction

Our word, addressed to the audience either in speech or in singing, must be clear in pronunciation, expressive and loud enough to be heard in the last row of the auditorium.

A good singing word, i.e. the ability to naturally pronounce the verbal text of a work, combining this with good vocality of all vowels, is an indispensable condition for professional singing, and for most singers it is a consequence of a lot of work. A good delivery of the word, its correct emotional coloring, and naturalness are necessary for a professional singer.

In order for the text of a vocal phrase in a work to be natural and well heard by the public, every singer must know the patterns that determine the basic qualities of good vocal speech.

Vocal speech must be: intelligible, i.e. have good diction clarity; natural, to the extent that vocality allows; expressive, i.e. contain elements that make up the expressiveness of speech; vocal, i.e. built on equal vocal vowels.

Professional singing requires clear delivery of words. An extremely unpleasant impression is created when words are pronounced unclearly. No matter how talented and musical the performer is, no matter how wonderfully beautiful his voice is, his singing will not make the proper impression if it is not clear in diction. If the listener strains his ears in order to understand the meaning of the words that the singer is singing about, then he no longer fully perceives the beauty of the voice and expression, but concentrates on catching the word. The inability to understand a word irritates the listener, and the impression of the performer decreases sharply. Unclear diction is a big drawback of a singer, a technical flaw in voice training, which can always be eliminated.

“Vocal diction, just like the art of singing, contains two elements: creative and technical. The creative element is the artistic distribution of the semantic content (weight) of a word depending on the artistic tasks assigned to it, on the idea and meaning of the work being performed. The technical element of diction is the ability to sing vowels clearly and fully and clearly pronounce consonants. The flow of vowels should not be disrupted by consonants interjecting into it. All vowels in singing should sound clean, clear, and their “vocal core” should not undergo noticeable changes when they are changed.”

Diction – i.e. The intelligibility of words depends, as in speech, on the clarity and intensity of the pronunciation of consonants. The speed and clarity of pronunciation of consonants must be carefully monitored from the very first lessons, when works with text are given, paying special attention to the consonants that come at the end of words. A very common mistake of inexperienced singers is eating consonants at the end of the word that concludes the phrase. If a consonant sound is at the end of a phrase, then along with the end of the sound the singer weakens the articulation of the consonant, as a result of which it is pronounced sluggishly and does not reach the listener. It is necessary to immediately teach the singer to actively and clearly pronounce the consonants at the end of words.

Lemeshev about diction: “I’ll start with the elementary – with diction. How often do singers, especially opera singers, suffer from unclear, weak diction? It is not uncommon to find artists with voices that are expressive in sound color and convey mood well. But what they sing remains known only to them and the prompter... Sometimes you can justify yourself by saying that the orchestra is drowning out; but some manage to pronounce words so well that they cannot be understood, even when the orchestra is silent... The fact is that by nature not everyone is equally endowed with the ability to pronounce words clearly and clearly. And you need to work specifically on your diction.”

K.S. Stanislavsky perceived the art of speech as an art no less complex than the art of singing. He often said: “A well spoken word is already singing, and a well sung phrase is already speech.”

To achieve good results, you need to work on improving the articulatory apparatus and developing its technical capabilities. The appendix contains several exercises to improve the quality of vocal diction based on the book by E.M. Pekerskaya "Vocal primer".

Popular, VIA, funny, for dancing, romances, gypsy and others.

Not indicated, which I perform into a microphone using electronic text (not by heart). There are tens of times more of these than in the list below.

You can listen to songs performed by me by going to the pages Yuri Kuznetsov Sings.

I have a very good memory by nature. I will be happy to learn and sing at your celebration any song that you or your guests like.

ROMANCES

Fireplace sparks

Your eyes are green

Under the caress of a plush blanket

Don't go, stay with me

Burn, burn, my star

A pair of bays

White acacia fragrant clusters

Meetings only happen once in a lifetime

Enchanted, bewitched

Moscow golden-domed

Furry bumblebee

Black eyes

Two guitars behind the wall

Don't wake her up at dawn

The chrysanthemums in the garden have long since faded

And I thought you were happy

I will never forget you

Foggy morning

Move away, don't look

The Long Road

I met you

Coachman, drive to Yar

And in the end I will tell

Gray hair (And you and I haven’t aged at all...)

Bells (You can hear the ringing of bells from afar...)

There was a carriage at the church

The reeds rustled, the trees bent

Don't leave, my darling

My fire shines in the fog. (Ancient gypsy romance)

Vain words (Malinin)

Good night gentlemen (Leps)

Romance of the General of Blackness (Alone again in bed, half asleep) Alexander Rosenbaum

Capricious, stubborn (Ancient Russian romance)
Don’t keep saying (And why and why I fell in love with you)

Fireplace sparks

Happy

List of songs for anniversary, birthday.

At the celebration, I ask the guests “what do you want to listen to?”, “What should we sing together?” But any impromptu is good when it is prepared in advance.

Anniversary ditties.
The magnificent singer Zarina and I sing.

Dedicated to my beloved woman.
This woman.

List of songs dedicated to anniversary, birthday:

Dedicated to the woman.

RUSSIAN FOLK SONGS

Through the wild steppes of Transbaikalia

Because of the Island on the rod

You are my darling

Oh, frost, frost

A young Cossack walks along the Don

Oh, yes, pour it

I'll go outside

A rogue merchant was going to the fair

Lady, Gypsy, Yeletskaya (ditties)

Once upon a time I was sailing by sea

Am I to blame

In the moonlight (Ding-ding-ding...)

Peddlers

The bell rings loudly

Oh, by the meadow, by the meadow

How did a soldier serve?

As if the Volga is mother

When I served as a coachman at the post office

My joy lives on

Steppe and steppe all around

It was a long time ago, seventeen years ago

Who needs it (In the middle, Grandma, in the middle, Lyubka, in the middle, you are mine, blue dove)

Charming eyes

We walk through the village (We hand out gifts. Some have sons, some have daughters)
My little charm

In the moonlight

Uhar merchant

SONGS TO THE POEMS OF SERGEY YESENIN

There is a month above the window

I do not regret, do not call, do not cry

The golden grove dissuaded

Maple you are my fallen one

Letter to mother (You are still alive, my old lady...)

There's only one thing left for me to do

Woven on the lake

I'm a Moscow naughty reveler

I've never been to the Bosphorus

Moscow (Mongol Shuudan)

Letter to Mother

SONGS ABOUT THE MOTHERLAND

I will pray for Holy Rus' (Hierodeacon Theophilos)

I'll go out into the field with my horse at night.
Corner of Russia, father's house. (Pesnyary) Music by V Shainsky.

Russian Field. (Jan Frenkel) From the movie "New Adventures of the Elusive."

I drank birch sap in the spring forest. (Mikhail Nozhkin).From the film "Resident's Mistake"

Call me quietly by name. (Lyube).

A song about a distant homeland. (I ask, at least for a little while). From the film Seventeen Moments of Spring.

Where does the Motherland begin. (Mark Bernes) Words by Matusovsky.

Birch sap (Only under the snowfield to bloom on time). Pesnyary.

I love you Russia! My dear Rus'! (Mikhail Nozhkin. David Tukhmanov.)

March - "Farewell of the Slav" Written in 1912.

Song about the Motherland. (The sun is shining in a clear sky.)

Why do birch trees make so much noise in Russia? (Nikolai Rastorguev and Sergei Bezrukov.) From the series "Plot"

I'll go out into the field with my horse at night.

Migratory birds are flying. (I don’t need the Turkish coast and I don’t need Africa.)

Oh, you wide steppe.

Chistye Prudy (Igor Talkov).

Our toast. (Let's drink to the Motherland, let's drink to Stalin, drink and pour again.) Song of the war years.

Little Crane. (Even though the land is warmer there, the homeland is miles away.) Mark Bernes.

Russian anthem.

SONGS ABOUT MOSCOW

Moscow golden-domed

Moscow windows

Moscow Nights

My dear capital, my golden Moscow

Alexandra (film "Moscow Doesn't Believe in Tears")

Moscow. The bells are ringing

SONGS ABOUT PARENTS

Parents' house. (Lev Leshchenko) “The parental home has begun.”

Let us pray for our parents. (Soso Pavliashvili).

Letter to mother (You are still alive, my old lady). But the words of Sergei Yesenin.

Talk to me, mom.

Dear mother. (Mom, dear mother, how I love you).

My dear old people. Igor Sarukhanov.

House with windows to the garden. Radchenko brothers.

SONGS ABOUT FRIENDSHIP

A song about a friend. (When you fell from the rocks, he groaned, but held on.) Vladimir Vysotsky.

Friendship. (That our tenderness and our friendship are stronger than passion, more than love.)

Song of friends. (There is nothing better in the world than having friends wander around the world.) Bremen Town Musicians.

A song about a friend. (A friend is always ready to give up his place in the boat and circle.)

If you go on a journey with a friend. (What do I care about snow, what do I care about heat when my friends are with me.)

For friends. (I raise my glass.) Vladimir Chernyakov.

LOVE SONGS

Enchanted, bewitched

You are the only one for me (Yu. Vizbor)
My love is alive like the scarlet color of rowan trees. Sergey Drozdov.

For me there is no one more beautiful than you

Ah, what a woman

These eyes are opposite. Obodzinsky.

To please. (I want to make you happy today). Anatoly Dneprov.

Scarlet dawn. (Lips are scarlet. You are my long-awaited love). Radchenko brothers.

Eastern song. (Is it raining warmly). Valery Obodzinsky.

Singarella. (The anvil groans loudly, since there is a girl in my hands).

Lyrical (Here are the paws of the fir trees...) V. Vysotsky

White swan on the pond

For lovely ladies

And I thought you were happy

I raise my glass

Honey, can you hear me

My clear star ("Flowers")

Bullfinches outside the window (Trofim)

My wealth (Yu. Antonov)

Esmeralda (Notre Dame de Paris)

Bouquet (A. Barykin)

Mole (I met a girl, a crescent eyebrow...)

Darling, sleep

I wish you from a thousand stars (I. Sarukhanov)

Mirror (Yu. Antonov)

Because you can’t be beautiful like that (“White Eagle”)

My only one (F. Kirkorov)

I love you to tears. (I will cover our bed with white rose petals). Alexander Serov.

I miss you (Trofim)

Sweetheart (Nepara)

For love (Lyubavin)

Darling

Sunny days have disappeared

You tell me cherry

Good morning, beloved (Mityaev)

Pigeons kissing on the roof

WEDDING, WEDDING ANNIVERSARY

Wedding. (Give love to each other). White Eagle.
Wedding. (This wedding sang and danced). Magomaev.

Wedding ring

We wish you happiness

Listen mother-in-law, dear friend, help...

Be healthy, live richly

Why are brides crying?

I want to get married to you

First love

Wedding (V. Korolev)

Invite your father to a white dance (I. Demarin)

Daughter (Kobzon)
I love you to tears. Alexander Serov.
Silver weddings. (And 25 silver Aprils surround you like sons). Valentina Tolkunova.
Golden wedding. (Grandmother next to grandfather).

I want to get married to you

WAR SONGS

Officers (O. Gazmanov)

From the heroes of bygone times (film "Officers")

Dark night

Eh, roads

The company goes to heaven

In the dugout

Let's wave without looking (film "Shield and Sword")

Where does the Motherland begin?

The last battle, it is the most difficult (film "Liberation")

Dark-skinned girl

Three tankers

The armor is strong and our tanks are fast

Tanks rumbled across the field

Artillerymen, Stalin gave the order

Let's get... ("Lyube")

Far away across the river

How did a soldier serve?

Don't think down on seconds (film "17 Moments of Spring")

I ask, at least not for long (film "17 Moments of Spring")

Battalion Commander ("Lube")

Victory Day

Song of the 10th Airborne Battalion (film "Belorussky Station")

Farewell of a Slav

Cranes (Sometimes it seems to me that soldiers...)

Sineva (Song of the Paratroopers)

Alyosha (Does the powder turn white in the field...)

I'll get up before dawn today

The girl accompanied the fighter to the position

The division marched forward through the valleys and hills

No need to be sad, gentlemen officers

Cuckoo (Blue Berets)

Gentlemen officers blue princes

There lived a couple in the same city

Farewell of a Slav

SONGS FOR PILOTS

SEA SONGS. FOR SAILORS.

AFGHAN SONGS

In a black tulip (A. Rosenbaum)

Orders are not for sale

COSSACK SONGS

Love, brothers, love

Are you waiting, Lizaveta

Black Raven

Oh, it's not evening, it's not evening

A young Cossack walks along the Don

Only a Cossack bullet (A. Rosenbaum)

And there are platbands on the window (A. Rosenbaum)

On the Don, on the Don horses roamed (A. Rosenbaum)

Old Man Ataman (Chizh)

The brave centurion

Oh, by the meadow, by the meadow

Unharness your horses, boys.

Oh, Galya, young Galya

Not for me
Oh, oh, oh, don't be afraid of me.

Love, brothers, love

UKRAINIAN SONGS

You fooled me

Bird power

No one's month

Ridna my mother

Chervona rue

Nese Galya water

Black eyebrows, brown eyes

There by the cherry tree, by the garden

Black eyebrows, brown eyes

At the cherry orchard

SONGS

Belarus. (My youth is Belarus).

I dreamed about you in the spring

Belovezhskaya Pushcha

SYABRY

And I'll go to bed.
Olesya. (Lives in Belarusian Polesie).

JEWISH SONGS

Hava Nagila

Tum-balalaika

Jewish tailor. (Quiet as in heaven)
Buy cigarettes. (Come up infantry and sailors)
Couplets about Jews. (There are only Jews around)

GEORGIAN SONGS

ARMENIAN SONGS

Sirun, Sirun

GYpsy SONGS

Furry bumblebee

Black eyes

Two guitars behind the wall

Tell me your fortune, gypsy

Nane tsokha (from the film "The Camp Goes to the Sky")

Prihayape

Kayo Berge

Shatritsa (Ay, yes, yes, yes, yes, yes)

Turquoise gold rings

I love Gypsy Ian

Song of Yashka the Gypsy (film "The Elusive Avengers")

Not evening

Honey, can you hear me

Oh, the young boy has been on a spree

Coachman, drive to Yar

Mama

Sokolovsky Choir near Yar

Oh, I got chills

Velichalnaya (He came to us, he came to us)

Gray hair (And no matter how much you and I have not aged...)

Singarella

My fire is shining in the fog

I'll tell you how I lived with the gypsies

Marjanja

Gypsy love

Blue poppies

Yes-Luda-La

I'll bring you flowers

Zakhachkirna
Dai liu dai la (Gypsy ditties)

Nane tsokha

Marjanja (gypsy)

SONGS ABOUT ODESSA

SPANISH SONGS

Besame mucho

Ma guitar (film "Desperado") Banderas

ITALIAN SONGS

About salt mio

SONGS FROM THE REPERTOIRE

M. Shufutinsky

Left bank of the Don

Khreshchatyk

Knives not sharpened

Jewish tailor

Zoya wrote me a letter

Two extinguished candles

Singarella

My Soul Hurts

Tanya is a teenager

A bottle of wine

Once upon a time there lived a violinist (Cry, my violin, cry...)

Candles (Burning, the candles cry...)

Muscovite

I'll tell you how I lived with the gypsies

Marinochka, Marina

For lovely ladies

Marjanja

And for the last one, yes, a five

Palma de Mallorca

Yu. Antonov

Mirror (I look at you like in a mirror)

Ah, the white ship

My wealth (Again the month has ascended the throne)

For me there is no one more beautiful than you

Dreams come true

Flying gait

20 years later

Anastasia

The roof of your house (We are all in a hurry for miracles)

At birch and pine trees. (Autumn is quietly wandering. Has everything really passed?)
Why (I was recently loved and sweet)

Alexander Rosenbaum

Oleg Mityaev

Vladimir Vysotsky

Lyrical

Yuri Vizbor

Bulat Okudzhava

Sergey Trofimov (Trofim)

Bullfinches. (There are bullfinches outside the window.)
Sochi city. (Shashlik with cognac.)
I miss you. (Like an apostle in holy torment.)
Pigeons. (My barefoot childhood.)

Alexander Malinin

Yu. Loza

Igor Talkov

Chistye Prudy. (Each of us has places in the world.)
Former podesaul. (He left to fight.)
Summer rain. (Started early today.)

Vyacheslav Dobrynin

Vakhtang Kikabidze

Grigory Leps

Natalie. (I can’t escape you and fate.)
A glass of vodka on the table.
Good night gentlemen. (And angels will fly over your house.)
The best day. (It’s very cool to be alive after all.)

Alla Pugacheva

LESOPOVAL

I'll buy you a house. (White swan on the pond.)
Bird Market. (The birds are in a cage, but there are crows in the wild.)
10 commandments. (I was resurrected from boredom.)

Ivan Kuchin

In the tavern. (Let's drink to our friends and our faithful ones.)
A man in a padded jacket. (And he walked away from the chase through the white snow.)

M. Gulko

Enemies burned down my home

Schoolgirl

I haven't seen my mom for so long

Blue skies of Russia

One victory (song of the tenth airborne battalion)

Odessa Mishka

Why are you married

If I get sick

Behind the fog

Gentlemen officers

SONGS FROM VIA'S REPERTOIRE

"Gems", "Jolly Guys", "Blue Guitars"

For me there is no one more beautiful than you

This will never happen again

I'll take you to the tundra

I won't come near you

Clear light eyes

When we are silent together

Aleshkin's love

Time Machine. (Andrey Makarevich.)

"DDT"

"Flowers"

My clear star

We wish you happiness

"Blue bird"

Where the maple makes noise
My love is alive like the scarlet color of rowan trees (Sergey Drozdov)

"LUBE"

There, behind the fogs

Call my name softly

Why do birch trees make so much noise in Russia?

I'll go out into the field at night with my horse

All over again

Through the tall grass

Sunday. (Konstantin Nikolsky.)

BEST SONGS OF ALL TIME

Moscow Nights

Russian field

There are so many good girls

Friendship (When with a simple and tender gaze...)

By the bluest sea

There is only a moment

Hope (An unfamiliar star is shining...)

Why is my heart so disturbed?

And the years fly by

I love you life

There is nothing better in the world

Song of the old cab driver (L. Utesov)

Black cat

Wonderful neighbor

We wish you happiness

Under the wing of an airplane

Purple Haze

Here under a strange sky

Raspberry ringing

Far away across the river

Queen of beauty

Candles (On an autumn night outside the window...)

White snow

Lonely accordion

Rowanushka (Evening with a quiet song...)

Someone came down the hill

Bloomed under the window...

There are so many golden lights on the streets of Saratov...

The daisies hid

My little village

The Volga River flows from afar for a long time

Suddenly, like in a fairy tale, the door creaked

For you, my woman

I met a girl with a crescent eyebrow

Lanfren-lanfra

Bouquet (A. Barykin)

green-eyed taxi

Sailor (And when the sea is rough...)

The dark mounds are sleeping

I raise my glass

I'll take you to the Tundra

From Vagants (On the French side...)

Zorka scarlet

You can't hide from people in the village

Trouble has green eyes

Parents' house

People meet, people fall in love

How delightful evening in Russia

Organ organ (N. Baskov)

The city that does not exist (I. Kornelyuk)

Moscow, the bells are ringing

Mirror (Yu. Antonov)

Call me quietly by name ("LUBE")

Coward does not play hockey

Song about Shchors

Talk to me mom

Tenderness

The river runs in the fog and melts

Have you heard the blackbirds sing?

If you go on a journey with a friend

All will pass

At the edge of the forest

Blue frost

You'll wake me up at dawn

Thank you for your son, thank you for your daughter

Ural mountain ash

God save the king

Once a year the gardens bloom

Bear, Bear, where is your smile

Village (Now I consider myself urban...) (S. Belikov)

This is what happens when you fall in love...

Dress (Nothing to wear, no matter what you say...)

Galina lives in this house

Swan fidelity

Bells

Indian summer

The bird cherry tree is swaying under the window

The bears got lost

Former podesaul (Talkov)

New Year's (Serduchka)

There is no better color

Good mood

From dawn to dawn (Dan Spataru)

Tell me, cherry (Kirkorov)

Good mood

Siberian frosts (Kuzmin)

The Wanderer (V. Presnyakov)

The bird cherry blossomed

Ranunculus flowers

Blue poppies

I remember the blue stars

Traveling artists

Goldfish

The bears got lost. Yard songs with guitar.

Nichyako misyachna "Only old men go into battle"

Tanks rumbled across the field "In war as in war"

From the heroes of old times "Officers"

Cavalry guards, the age is not long "Star of captivating happiness"

Your Honor "White Sun of the Desert"

Damned Thoughts "Five Evenings"

Horses walk over the Bumbarash river

Scows full of mullet "Two Fighters"

Dark Night "Two Fighters"

Friendship "Summer evening in Gagra"

Three tankmen "Tractor Drivers"

Migratory birds are flying "Cold Summer of '53"

Song about a friend "Vertical"

This is not a plain "Vertical"

The dark mounds are sleeping "Big Life"

It's time to hit the road, hit the road "Heavenly Slug"

From people in the village... “It happened in Penkovo”

Don't think down on the seconds of "17 Moments of Spring"

I ask, at least for a short time, "17 moments of spring"

Trouble has green eyes "Dangerous Friends"

Lanfren-lanfra "Midshipmen, forward"

The city that does not exist "Gangster Petersburg"

Furry bumblebee "Cruel romance"

And finally I will say... "Cruel Romance"

Not an evening "Dowry"

Honey, can you hear me "Dowry"

Wait, locomotive "Operation Y"

Oh, by the meadow, by the meadow "Wedding in Malinovka"

Are you waiting, Lizaveta... "Alexander Parkhomenko"

Love, brothers, love "Alexander Parkhomenko"

I'm in the spring forest... "Resident's error"

From dawn to dawn "Songs of the Sea"

About hares "The Diamond Arm"

Birch sap "Real guy"

Our service is both dangerous and difficult "The investigation is being conducted by Experts"

Once again the month has ascended to the throne "Take care of women"

Ma guitar (Banderas) "Desperado"

Artillery march "6 o'clock in the evening after the war"

Suddenly, like in a fairy tale... "Ivan Vasilyevich changes his profession"

Island of bad luck "Diamond Arm"

Kurochkin's couplets "Wedding with a dowry"

Song about a friend (If everyone has the same joy) "The Path to the Pier"

Why didn't I meet you "Different Fates"

RUSSIAN CHANSON

Woman's anniversary - songs about female beauty, about love, songs for women.

Man's anniversary. Songs for men, about friendship, favorite works.

Company anniversary, corporate holiday, enterprise anniversary - songs about the profession, professional songs.

City holiday - city day, songs about Moscow, cities.

Retro parties. Hits of the 60s, 70s, 80s, 90s Popular songs of Soviet performers and VIA, Disco of the 80s.

Evenings for those over 30, over 40 – dance hits.

Concert performances in restaurants, clubs, boarding houses, holiday homes.

You can continue listening to songs on the pages Yuri Kuznetsov sings.

Selecting a repertoire for a beginning singer is a difficult but very important task that faces the teacher. The success of individual lessons, the dynamics of identifying and developing the student’s creative potential, and his development of singing skills largely depend on how methodically competent and creatively expedient it is implemented.

The main vocal and pedagogical repertoire for a beginning singer can be vocalises, ancient arias (arioso, arietta, etc.), simple romances, folk songs and works of songwriters (songs from films, musical theater productions, etc.). ).

Work on the repertoire should help identify:

- creative individuality of the student,
- to reveal the originality of his unique “I”,
- to cultivate aesthetic taste and develop a sense of artistic proportion during performance,
- to form the foundations of vocal and technical skills in a beginning singer.

Classical vocalises by F. Abt, N. Vaccai, G. Seidler, J. Concone, W. Lutgen can provide significant assistance at the first stage of a singer’s training. During their performance, the main attention can be directed to sound formation and sound management, the formation of basic technical elements, without which further work on the work is impossible - the development of singing breathing, sound support, a sense of resonance, singing, cantilena or fluency, etc. When working on vocalizations, control over muscle tension and purity of intonation is of great importance.

Vocalises are a good transition material from exercises to works of art with text for all students. They are written with a specific pedagogical task that must be solved in each individual case (sing a certain interval, grace note, gruppetto, syncopation, etc.). A teacher, when choosing a vocalise for his student, must analyze it from the point of view of the difficulties it contains, and first of all pay attention to the tempo at which it must be sung, the rhythmic difficulties and trace the melodic line.

Performing vocalises will finally help the young singer more easily understand and analyze the musical phrase and musical form, which are the basis for the performance of any work.

Works of art, wisely selected, are the main means of educating a singer. However, such performing genres as aria, romance, folk song, which have their own specific characteristics, contribute in different ways to the formation of a singer in the process of his training. Let's look at them in a little more detail to create a more complete description.

Aria-- this is the most complex solo vocal form. As a rule, it is part of a large vocal-symphonic work and is a complete solo episode that can be performed completely independently. Less common are arias written by composers specifically, in the form of a musical piece for an instrument or the voice of a singer. The aria requires the singer to be especially attentive to the work in which it is included.

The singer-performer of the aria must be able to create the image of the hero, while maintaining all the details, strokes and maintaining a certain dramatic situation of the work. These requirements also apply to other solo genres of operatic literature that perform the functions of an aria, such as arietta, arioso, cavatina (other names for solo operatic aria genres are often found, such as rondo, solo, couplets, romance, monologue, song, letter, dreams, tears, legend, etc.).

Aria, to a greater extent than other vocal genres, contributes to the mastery of the vocal-performing side of learning, as well as vocal-technical techniques of singing.

At the beginning of a singer’s training, as a rule, one should, if possible, avoid including vocal-pedagogical ariatic material in his educational repertoire, with the exception of those works of this genre that are not difficult. Most works of an ariotic nature are difficult to perform and require a certain vocal and performing maturity. In any case, in the vocal pedagogical literature it is almost impossible to find the ariot material for basses, baritones, contraltos and mezzo-sopranos necessary for the initial period of a singer’s training. And only such educational and pedagogical repertoire is available in very limited quantities for soprano and less for tenor.

Romance- This is the most developed vocal-song form. Romance plays a big role in the development and formation of a singer; it contributes mainly to the artistic and expressive side of learning, instilling in the singer specific techniques of chamber style performance.

Romance should be considered as a synthesis of three types of arts: poetry, singing and instrumental music, organically fused with each other. Romance requires the singer to have sufficient musical, artistic, vocal and technical training. This is especially true of the romances of Tchaikovsky, Rachmaninov and Rimsky-Korsakov, which are very difficult in vocal and technical terms, since they contain complex intonation and melodic turns and subtle touches of artistic and expressive singing, requiring high skill from the performer. Therefore, the teacher should not start training the singer to include in the repertoire overwhelming and complex works of this genre. During this period of training, it is most advisable to use the romances of Varlamov, Titov, Gurilev, Dargomyzhsky, Alyabyev, Bulakhov, Dubuk. The main thing is that their tessitura, vocal-rhythmic pattern, and dynamic range do not cause difficulties from an aspiring singer.

Song represents the most democratic, widespread and mass genre of vocal literature. It, like the romance and aria, contributes to the development of the singer’s musical performance skills. But the song requires simpler means of expression, accessible to many performers, while preserving all its artistic values. Thanks to this, the song is a very useful genre of vocal and pedagogical repertoire, especially at the beginning of a singer’s training.

There are many songs - classical, ancient, modern - of a heroic, dramatic and lyrical nature, which represent excellent pedagogical material for the education of a novice singer and the development of his voice.

Among the repertoire of this genre, works such as Budashkin’s “Nastenka’s Song” (from the film “The Scarlet Flower”) or Dunaevsky’s “On the Meadows and Glades” can be considered appropriate.

Particularly useful artistic material for training a singer is - folk song. It contains invaluable riches of content, feelings, moods and images. Its value lies in the fact that, firstly, it carries within itself the characteristic features of the musical culture of the people to which it belongs, and, thus, makes the performer imbued with these features. And secondly, being for the most part a simple work accessible to many performers, a folk song is built on natural melodic intonations and turns of music, which in vocal and pedagogical practice contributes to the proper development of the singer’s voice.

Folk songs are of great importance in the process of educating a singer-musician, as they have a highly ideological, wise content, diversity and diversity of melodic structures based on the national characteristics of folk art.

Thus, all genres of vocal pedagogical literature, which have their own specific characteristics, serve one common goal - the goal of educating and training the singer.

The task of selecting repertoire in music schools and universities is made easier to a certain extent by the presence of developed programs for solo singing, including repertoire lists. These lists are compiled for all types of voices by course. It is very important that students do not sing an inflated repertoire, as is often the case in practice. This leads to the fact that young, immature voices lose the freshness of timbre, and a hoarseness and pitching appear in the voice. If a piece is too difficult, the student, as a rule, tries to perform it and begins to force the sound, which is completely unacceptable.

It is useful for a teacher to use a reader of the vocal pedagogical repertoire in his work. Such works, time-tested in practice, exist. For example, anthologies compiled by E. Milkovich, S. Fuki and K. Fortunatova, G. Aden; “Children's Album” by P. Tchaikovsky, “Album for Youth” by Schumann; collections for beginners edited by M. Agin (“Repertoire of a beginning singer”, “Vocal music of old masters” in three volumes).

The situation with the performance of music by contemporary composers is very difficult. Unfortunately, they do not understand that the ear of a beginning singer, or even a university student, is not prepared for new harmonic turns, for the complex language of new music. Being offended that their works are rarely performed is not a way out of the situation. You need to carefully think through the tessitura of a new work, its rhythmic features, and not write, for example, a work where the range is for the baritone at the bottom, and the tenor at the top, etc. Works written without taking into account the characteristics of the singing voice can cause undoubted harm, or, at best, will lie “on the shelf” for a long time.

Once again, I would like to remind you that the pieces that make up a student’s individual plan should be accessible to him from both a vocal-technical and artistic-performing point of view. At the same time, the repertoire performed by the student should contribute to the professional development and creative growth of the student, ensure the disclosure of his creative individuality in the process of developing singing skills. When performing an artistic and didactic analysis of works, it is necessary to evaluate:

- range of composition;
- dramaturgy and image of musical intonation, artistic meaning of creative tasks;
- predominant level of musical tessitura;
- the degree of dramatic saturation of the musically intoned image
- the opportunity for the student to implement musically intoned dramaturgy of the composition;
- interaction of musical and poetic texts;
- features of the ensemble of instrumental and vocal parts

In the middle of the century before last, at the dawn of domestic conservatory education, A.G. Rubinstein published lists of works recommended for solo singing classes, which served as a guide for choosing a pedagogical repertoire. By providing the student with vocal and technical equipment, these works contributed to the identification and disclosure of his vocal texture and performing talent in the process of developing singing skills. Unfortunately, today a beginning singer can sometimes perform the aria of the Snow Maiden, Carmen, Lensky or even Herman.

Editor's Choice

Crab salad with cheese - five best recipes

Light tasty salads with crab sticks and eggs can be prepared in a hurry. I like crab stick salads because...

Cutlets in foil in the oven

Let's try to list the main dishes made from minced meat in the oven. There are many of them, suffice it to say that depending on what it is made of...

Salad of crab sticks with corn, cheese and egg Crab salad with hard cheese

There is nothing tastier and simpler than salads with crab sticks. Whichever option you take, each perfectly combines the original, easy...

Potatoes with minced meat in the oven in foil

Let's try to list the main dishes made from minced meat in the oven. There are many of them, suffice it to say that depending on what it is made of...

Cutlets in foil in the oven

Half a kilo of minced meat, evenly distributed on a baking sheet, bake at 180 degrees; 1 kilogram of minced meat - . How to bake minced meat...

Minced meat in foil in the oven with filling

Want to cook a great dinner? But don't have the energy or time to cook? I offer a step-by-step recipe with a photo of portioned potatoes with minced meat...

Pearl barley porridge with beef

As my husband said, trying the resulting second dish, it’s a real and very correct army porridge. I even wondered where in...

Recipes for baked apples with cottage cheese, raisins, honey, nuts and cinnamon

A healthy dessert sounds boring, but oven-baked apples with cottage cheese are a delight! Good day to you, my dear guests! 5 rules...

You can get better from potatoes

Do potatoes make you fat? What makes potatoes high in calories and dangerous for your figure? Cooking method: frying, heating boiled potatoes...

New

Popular