Scorpions group concert in the USSR. Lead singer of the Scorpions group Klaus Meine: biography, interesting facts. Scorpions: group composition
The legendary group Scorpions again says goodbye to Russia as part of an additional tour. The mini-tour will end in Moscow on the stage of Crocus City Hall, which, according to the band’s vocalist Klaus Meine, will be different from previous “farewells” and, apparently, will still be the last in the capital and in Russia.
In 1972, the group released their debut album, Lonesome Crow. From the very beginning, Scorpions aimed to reach the top of the world hard rock business, so Klaus Meine wrote all the lyrics in English.
Starting with the third album In Trance (1975), the group began collaborating with the famous international producer Dieter Dierks. The album Virgin Killer (1976) won the Album of the Year award in Germany, and received gold status in Japan - for the first time in the group's history.
In 1979, the Scorpions released the album Lovedrive, which became a huge triumph for the group.
That same year, the musicians began their first large-scale tour of America. During the recording of the album Blackout (1982), Klaus Meine lost his voice. After two ligament surgeries, Klaus resumed work in the group.
After three of the band's albums - Animal Magnetism (1980), Blackout (1982) and Love At First Sting (1984) - hit the American charts, the Scorpions spent two years touring around the world and participating in all the major rock festivals.
In 1985, the double album World Wide Live was released, which was the result of the tour, combining songs performed during the tour. In 1986 in the UK, the Scorpions headlined the famous Monsters Of Rock festival, which featured some of the biggest names in the hard rock/heavy metal scene.
In 1988, Savage Amusement was released, the last album produced by Dieter Dierks. It reached number three on the American charts and number one on the European charts. In anticipation of the Savage Amusement world tour in 1988, the Scorpions performed 10 sold-out concerts in Leningrad (now St. Petersburg), attended by a total of 350 thousand Soviet fans.
Scorpions became the first foreign rock band to play in the USSR. In 1989, Soviet authorities allowed the legendary Moscow Music Peace Festival to be held, which was organized in support of the fight against drugs in Russia.
Scorpions performed at the Moscow Stadium. Lenin along with Bon Jovi, Cinderella, Ozzy Osbourne, Skid Row, Motley Crew and the Russian group Gorky Park. Impressed by the festival, Klaus Meine created a hit Wind of change.
That same year, the Berlin Wall was destroyed. Wind Of Change has become a worldwide anthem to glasnost and perestroika, a kind of soundtrack to the fall of the Iron Curtain, communism and the end of the Cold War.
In 2012, the last tour of Russia was announced. On April 26 and 27 there will be concerts in Moscow at Crocus City Hall.
On the film, which began filming at the end of 2011. This is a documentary about the band and concerts. Filming took place in London, Berlin, Paris, and in different parts of the world. The last concerts in Moscow will also be filmed.
The current line-up of the group includes: Klaus Meine - vocals; Rudolf Schenker - rhythm guitar; Matthias Jabs - rhythm guitar, James Kottak - drums, Pawel Maciwoda - bass guitar.
The material was prepared based on information from open sources
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Like many teenagers of the 60s, inspired Elvis Presley, chewing gum, blue jeans, leather jackets and, most importantly, rock and roll, in 1965 Rudolf Schenker laid the foundation for the most successful German hard rock band of all time - SCORPIONS. Since their 1972 debut album "Lonesome Crow", the Scorpions have traveled an incredible path in their career, giving us with their creativity some of the brightest and most unforgettable moments in the history of world rock music.
In Japan, the 1975 album "In Trance" becomes the best-selling album of the year from the RCA catalog.
In the mid-70s, the newly formed Van Halen began to gain popularity through covers. Scorpions- "Speedy's Coming" (album "Fly To The Rainbow") and "Catch Your Train" (album "Virgin Killer").
In 1979, the album " Lovedrive"reaches gold status in the US.
In 1982, the album "Blackout" entered the American TOP 10, reached platinum status and was recognized as the best hard rock album of the year.
In 1983 at a festival in California in San Bemadino Valley Scorpions performing in front of 325 thousand fans.
In 1984, the album "Love At First Sting" was released with the famous ballad " Still Loving You". “Scorpio mania” is beginning on both sides of the Atlantic.
In 1985, at the famous Rock In Rio festival in Brazil, the group gathered 350 thousand people.
In 1988, visiting the USSR for the first time, Scorpions They sell out their concerts. Thus, in Leningrad, the “scorpions” completely sold out 10 concerts, which were attended by more than 300 thousand fans.
In 1990, the "scorpions" take part in a grandiose theatrical performance Roger Waters "The Wall"at Potsdamer Platz in Berlin.
In 1991 Scorpions were invited to the Kremlin for an honorary meeting with Mikhail Gorbachev. This meeting is still considered a unique event both in the history of rock music and in the history of the USSR. The same year the single " Wind Of Change"took first place in the charts in 11 countries.
In 1992 Scorpions received the World Music Award and were recognized as the best German group.
In 1994, they again received a World Music Award and received an invitation from their daughter Elvis Presley to play at the prestigious Elvis Presley memorial concert in Memphis.
In 1996, to mark the end of the war in Libya Scorpions played a concert in Beirut, thus becoming the first Western hard rock band to perform there.
On November 11, 1999, on the eve of the 10th anniversary of the reunification of Germany, at the invitation of the German government, Scorpions performing in front of the Brandenburg Gate in Berlin.
In 2000 at a rock festival in Poland Scorpions gather the largest audience - 750 thousand people.
In 2003 Scorpions perform in Moscow on Red Square during the City Day celebration.
The Scorpions were one of the first Western groups to perform about the USSR. Does Russia hold any special place in your hearts now?
Interviews with musicians"SCORPIONS"
Klaus: Russia has always held a special place in my heart, primarily because we had many interesting and impressive moments there related to our creativity and music. They simply cannot be forgotten. I have a lot of memories associated with concerts and meetings in Moscow and other cities. Even using the example of our last big tour in 2002, when we were asked if we would be interested in giving concerts in more than ten cities, including Novosibirsk, Yekaterinburg, Irkutsk, Vladivostok, Samara, Rostov-on-Don, etc., we We had no doubt at all, and these six weeks of tour became for us the most unforgettable adventure that simply cannot be forgotten. Every time I remember and share my impressions of Russia with my friends, I do not hide that Russia will always remain a special place for Scorpions, be it our very first concert in Leningrad, the Moscow “Music Peace Festival” or the last September performance on Red Square at the bottom of the city, when I, standing with my eyes closed in front of tens of thousands, thought: this is the most beautiful dream that you can have any musician. I even wrote a ballad called "Siberia" ("Siberia"), but time will tell whether it will see the light of day or not. Maybe we'll include it on one of our albums as a bonus track.
Matthias: Yes, of course, at one time it was a rather bold, even a little historical act, when we first came to the USSR with a concert. I remember that it was virtually impossible to perform in the former Eastern European bloc. In the year 1985-86, when one promoter organized our first concert in Hungary, he was the only person who later tried to find a contact for us to come to the USSR. East Germans then could freely come to our concert in Hungary, but the Russians could not afford this. Then about 45 thousand people gathered in Budapest, of which ten thousand came from eastern Germany. In the spring of 1988, when we were finally able to come to Leningrad, it was an inexplicable feeling, we had done something impossible, and it would stay with us for the rest of our lives.
Rudolf: Before, we knew nothing about Russia. Only from someone's stories, or thanks to TV. It was a natural desire to come to this country and see everything with my own eyes. Since then we have been frequent guests, and, of course, Russia has taken a special place in my heart. Moreover, during our last Russian tour I met Tatyana, with whom we have been together for more than a year. Having traveled around the country and talked with ordinary people, it seemed to me that the Russian soul is in many ways very similar to the German one. Oh my God, I remember we arrived in Volgograd, and a folk women’s choir greeted us with songs, and our grandmothers treated us to vodka. It's unforgettable.
In 1989 Scorpions released a 25-minute video from the 1988 concert in Leningrad "From Russia With Love". Are you planning to release any new video material from your trips and concerts around Russia in the near future?
Klaus: Yes, we are currently working on a new DVD, which will include material from our September Moscow performance, fragments from German TV, we will also definitely include documentary photographs and episodes about our journey across Russia by train through the Ural Mountains, and will highlight our arrival in Volgograd etc. I think the new video should be out before the end of 2004.
Matthias: In addition to the video, we recorded quite a lot of concert material from performances in Moscow and Siberia. This material is quite enough for a live album. Time will tell, maybe something special will happen, some interesting event that will push us to release a live album from Russian shows.
When you perform simply as a rock band, everything is clear and understandable, but when you are on stage with the Berlin Philharmonic Orchestra or the Russian Presidential Orchestra, then everything probably turns out differently. Even the audience can be different. Do you have any comments on these types of performances?
Klaus: Yes, sure. When we play a rock show as a band, everything comes naturally to us. This is what we have always done and continue to do to this day. When we perform with an orchestra, everything, of course, turns out a little differently. First of all, there are many technical and organizational issues. Standing on stage, in addition to your monitors, you should hear another eighty people with violins, trumpets, etc. You have to be very sensitive and find a certain balance between the group and the orchestra. Remember that it’s not just us, not five people, but all eighty-five on stage. Everyone must be extremely concentrated. The second point is, of course, the arrangement and construction, the structure of the songs. Playing with orchestras is not as easy as it seems.
History of the Group
Like many teenagers in post-war Germany,
Klaus Meine and Rudolf Schenker were influenced by music and other tempting delights
modern life, brought to their homeland by American soldiers: Elvis Presley,
chewing gum, jeans, leather vests and, above all, rock and roll. WITH
In their early years, Klaus and Rudolf felt an irresistible desire to pick up
guitar and step out into the spotlight. In the early 60s, the Beatles made a beat revolution. A
in the mid-60s Klaus Meine and Rudolf Schenker, blessed with understanding
parents also began performing with their own rock bands.
Guitarist and songwriter Rudolf Schenker's inspiration was the raw riffs of bands like the Yardbirds, Pretty Things and Spooky Tooth,
who were considered true hard rockers in those days.
Rudolf's younger brother Michael (Michael Schenker) was
fascinated by rock music and the emerging rock culture.
With the advent of the New Year 1970, the younger Schenker, who despite his youth had already established himself as an outstanding guitarist, left
together with the singer and composer Klaus Meine, the Hanoverian group Copernicus,
to join the SCORPIONS. Klaus and Rudolf teamed up to create
excellent creative duo Meine/Schenker, thereby laying the foundation
impressive success story.
combinations of two electric guitars: with unusually powerful riffs and dazzling
florid solos. Add to this the instantly recognizable voice of the singer and frontman
Klaus Meine with his expressive, brilliant presentation.
In some ways, the SCORPIONS were unique in the German rock scene of that period. The group set its sights on reaching the top from the very beginning
world hard rock business, so Klaus Meine wrote all the lyrics in English. IN
creative union of Maine and Schenker, Germany finally found a worthy answer
famous beat and rock bands from the English-speaking world.
The first album "Lonesome Crow" set the band on the path
to international success. SCORPIONS opened for Rory Gallagher
(Rory Gallagher), UFO and Uriah Heep.
Throughout the history of the Scorpions group, its unshakable
the driving force was Rudolf Schenker. He followed his father's philosophy of life:
“Nothing is impossible, you just have to believe.” From the first days of creation
SCORPIONS Rudolf Schenker said without undue modesty: "Once upon a time SCORPIONS
will become one of the best rock bands in the world!" The rest of the group also
were committed to this idea.
SCORPIONS never rested on their laurels and were constantly looking for something new. They took every opportunity to
improve your professional level and get closer to success.
In 1973, after a joint tour with UFO, Michael Schenker
joined this British rock band. In place of Skorpovsky's lead guitarist
he was replaced by Ulrich Roht. He was also an exceptional guitarist,
possessed an almost mystical talent. With Ulrich, SCORPIONS continued exploring
hard rock genre.
In the 70s they undertook several tours of Western Europe, playing in numerous venues and conquering country after country. They
appeared wherever they could connect their instruments. In 1973
The same year they opened for The Sweet on their first European tour. In it
At the same time, the SCORPIONS continued to work on studio albums, of which
the next four were recorded with Ulrich. "Fly To The Rainbow"
(1974) features hard, energetic rock like never before heard from
German group. The title track "Speedy's Coming" epitomizes the style
SCORPIONS: Ultra-hard rock harmoniously combined with exciting melodies.
Since the third album "In Trance" (1975)
The SCORPIONS are working with renowned international producer Dieter Dierks. They
decided to make a career in hard rock. "In Trance" became
bestseller in Japan, where real Scorpio mania broke out.
In 1975, the SCORPIONS toured Europe, where they were the highlight of the show along with KISS. In the same year they were recognized
the best live band in Germany. SCORPIONS Touring UK
found themselves in the very “lion’s den”: they had the honor of performing in the legendary
Cavern Club in Liverpool. In this cradle of hard rock
they managed to gain recognition from even the most die-hard British fans.
Further successes of the Scorps in the mid-70s were concerts in the famous
London club The Marquee.
Japan 1978
SCORPIONS dream to become the best German rock band
came to fruition when their fourth album "Virgin
Killer" (1976) won the Album of the Year award in Germany.
Japan's "Virgin Killer" received gold status for the first time
in the history of the group.
The next album "Taken By Force" (1977) also
went gold in Japan.
In 1978, the SCORPIONS toured Japan, the world's second largest music market, where they first experienced
means to be superstars. Upon arrival at Tokyo airport, our five
The rockers were surrounded by a crowd of enthusiastic fans.
After the Japanese tour, Ulrich Roth left the group. Double
the album "Tokyo Tapes" (1978) seemed to sum up the period of collaboration
SCORPIONS and Ulrich. This recording is even now highly valued by collectors throughout the world.
all over the world.
Michael Schenker returned to the “prodigal son” group for a short time (he recorded parts in some songs from Lovedrive), and then the vacant
The guitarist's place was finally taken by Matthias Jabs. This was preceded by a huge
Job. In 1978, an advertisement appeared in Melody Maker magazine:
The SCORPIONS are looking for a new lead guitarist. In London they had to listen to more
140 applicants until they decided on a fellow Hanoverian
Matthias Jabs. Having joined the work at the very end, Matthias immediately
joined the recording of "Lovedrive". The album was a huge triumph
group and still remains one of the best SCORPIONS albums. Cover
won the award of the year for best artistic direction.
As already mentioned, Michael Schenker joined briefly
joined the group in 1978, but left again mid-tour.
Matthias Jabs, one might say, jumped on the bandwagon of the outgoing
trains, having accomplished a real feat: literally the night before he had learned all
program for the upcoming tour. His baptism of fire took place when SCORPIONS
played to a crowd of 55,000 as the opening act for Genesis. In the person of Matthias
The SCORPIONS have finally found a lead guitarist whose enthusiasm, virtuosity and
creativity made a decisive contribution to the group's success. Thanks to him
Scorpov's sound has become even richer and more expressive. Like a missing piece
mosaics, his guitar perfectly complemented the dynamics of the group, creating what we call
unique SCORPIONS sound.
Klaus Meine, Rudolf Schenker and Matthias Jabs still form the core of the group. With bassist Francis Buhholz (he
joined the group in 1973 at the same time as Ulrich Roth) and drummer
Herman Rarebell (he made his debut during the recording of the album
"Taken By Force") they finally confirmed the "star
composition", which was destined to continue its victorious march right up to Wind
Of Change.
Which told about the group's visit "Scorpions" to Leningrad and the concert they gave at the Rock Club.
And recently I dug up a more detailed story on YouTube. There were also memories of one of the spectators of that concert.
“I have long wanted to write about this wonderful event, which I myself witnessed. After all, in fact, the Scorps were the first who managed to break through the Iron Curtain and perform in the USSR (except for the incomprehensibly permitted Elton John concert in Leningrad in 1979) .
My then friends - the group "Mitra" (there is practically no information about which on the Internet, although some famous personalities came from there) tried to join the Leningrad rock club, but were rejected by the commission with the wording "we don't need a second Aquarium" (I must say, quite fair, since the group had many songs reminiscent of the work of Aquarium). At the same time, the NEP group was auditioning, but they were luckier - they managed to get through to the next round. My classmate and I really liked the group, and we decided to go see them in the second round.
Taking with us my older brother (also a big music lover), we came the next weekend to 13 Rubinshteina Street. What immediately caught my eye was the unusually large number of party-goers in the courtyard of the rock club, mostly hairy metalheads in riveted leather jackets. The NEP audition took place in a small hall, but we were not allowed in (it turns out that the second round was held behind closed doors). We had already decided to go home, when suddenly a whisper swept through the party: “Now the Scorps are coming!” We ask individuals and they say: “yes, there was such a rumor.” Let's wait.
Suddenly, indeed, a limousine (or maybe just some kind of foreign car, we didn’t see them in large numbers yet) drives into the yard and Scorps come out, accompanied by two huge security guards, who help them squeeze through the crowd of fans into the rock club building. Another rumor sweeps through the crowd: “there will be a session.” We are left waiting again.
After some time, everyone is allowed into a small hall, there is simply nowhere for an apple to fall. Among the audience are many famous rock club musicians. First, the Pig performs, singing his simple songs, something like “I hate all bourgeois.” He himself, as usual, in a tattered raincoat, waving a half-empty bottle of beer, periodically watering the first rows. Then the girl punk group “Situation”, probably no one remembers it anymore (at least, I never saw or heard anything about them again). The sound of the equipment is disgusting, everything wheezes, whistles, you can’t make out the words, the instruments too.
Then a short break, and then the moment of truth: the Scorpions take the stage! They pick up the instruments that our punks had just played, spend about five minutes tuning them and start playing. To say it was a shock is an understatement! Using the same equipment, the Germans produce a sound comparable to their own sound on the record. They performed Blackout and some other killer song (I don’t remember now). The audience is even slightly stunned, but gets excited from the first chords. Security guards push particularly zealous fans away from the stage, but one of them is allowed to exchange jackets with Rudolf Schenker. Schenker becomes the proud owner of a leather jacket with an artisanally riveted inscription, and the St. Petersburg metalhead gets an elegant brown cowboy leather jacket.
Well, that's all. After this, the Scorps apparently went to drink with the club administration, and the stunned public went home. And the St. Petersburg musicians received a good lesson in professionalism and the correct attitude to sound."
You can immediately start watching the video from the 4th minute, when Scorpions are starting. Against their background, all ours "AU", "Situations" and others who took part then seem, of course, to be simply an anti-musical breed. And this despite the fact that I don’t like Scorpions.
By the way, the so-called Red Corner Rock Club- this is the room in which Panker and Pinochet organized a rock store in the 90s. There was also a bar there, and some concerts were periodically held on that same stage. I then worked in the Rybinsk (ex-Kino) newspaper "Nowhere" and wrote reports about these concerts. Somewhere around 97-98.
Then the Rock Club finally died.
After watching this video, for some reason it began to seem to me that the visit of the German group was the main event of the entire life of the Leningrad Rock Club.
- The tour schedule forced the musicians from Hannover to return to their homeland. In 1987, Scorpions, with the support of their producer Dieter Dierks, began work on a new album. This record was the last for the creative union of Scorpions and Dieter Dierks.
- They initially wanted to call the album Don’t Stop At the Top, but settled on the name Savage Amusement in order to cast a shadow on the content of the album.
- Basically all the lyrics and music for the album were written by Rudolf Schenker and Klaus Meine.
- The album sounded very fresh for the late 80s. The group experimented with sound, but all the material was kept in a strict style. The sound of the record remains the standard of heavy rock to this day. If we talk about themes, we need to mention songs like Media Overkill, which talks about the influence of the media on society. Passion Rules the Game is about gambling. We Let It Rock... You Let It Roll is the rock 'n' roll anthem of a band going all out. The theme of love dominates the album - the songs Rhythm of Love, Walking On the Edge, Every Minute Every Day, Love On the Run and Believe In Love tell about wonderful feelings.
- In the summer of 1988, Savage Amusement went platinum in the United States. Sales reached the million mark.
- In April 1988, Scorpions began a tour in support of their disc. The first stop of the German musicians was the city of Leningrad. The group released a special video called To Russia with Love and Other Savage Amusements, where the musicians talked about their adventures in the Northern capital.
- It was rumored that M.S. Gorbachev personally forbade the group from performing in Moscow. It was planned to hold 5 concerts in Moscow and 5 concerts in Leningrad, but in the end it was decided to play 10 concerts in Leningrad at the SKK im. Lenin. The concert performances of the legends were opened by the Moscow group Gorky Park.
- Klaus Meine about the events of those days: “As an artist and musician, I was lucky, I was at the center of these historical events in 1988-89 - the end of the Cold War, the fall of the Berlin Wall. Our group and me personally, as immigrants from Germany, could not help but worry about all this. Speaking in Leningrad, we said: “Our parents came to you with tanks, we came with guitars.”
- While exploring the city, the Scorpions visited the Leningrad rock club. The band played several songs on the legendary stage.
- Vladimir Rekshan (musician): “The appearance of the Scorpions group was very funny: everything was kept in the strictest confidence, but people still packed in. The stadium band played on the five square meters of the red corner, and a crowd of metalheads reached out to them. Their guards didn't know what to do. One tearfully asked me to help, suggesting that, due to my height, I was a local security guard.”
- The concert tour in support of Savage Amusement ended with two concerts at the Luzhniki Ballpark on August 12-13, 1989 as part of the Moscow Peace Festival. Klaus Meine said this: “For us it was the biggest festival we ever played at. And if you look at it after so many years, it was truly a legendary festival. As for the role of the Scorpions, having given ten concerts in Leningrad in 1988, we then opened the doors to the Soviet Union. And a year later, after Doc McGee became our manager, we returned - this time to Moscow. Doc was behind the organization of this festival, called the “Moscow Peace Festival”. And for us personally, this was also a chance to perform in Moscow for the first time - after all, in 1988, our concerts here were canceled, which made us very upset. And now, a year later, we still managed to do it, so from our position it looked like this: “Yes! Finally we got to Moscow!” Whatever the auspices of the festival, we just wanted to play for our Moscow fans. Well, if the festival eventually became the “Festival of Peace,” then it’s generally wonderful. And all these gossip and stories that began to emerge later were not yet known to anyone. It was a large-scale undertaking, no one had done anything like this before, and, apparently, only an American who was well versed in such issues could cope with such a task at that time.”
- Rudolf Schenker about the festival in Moscow: “As far as I remember, he arranged everything together with Stas Namin, who had weight here in Russia. Personally, I was very impressed that in a difficult time for himself, Doc McGee was able to find a way out and even benefit. Namely, he dealt with troubles, opened up new opportunities for everyone, and also came out of it all in a very favorable light. Which was very smart. As for us, he also used us in some way - after all, the Scorpions were already very well known in the USSR. And we were supposed to be the headliners, but because of the American MTV, which wanted to present everything as “Bon Jovi conquering Russia,” he put Bon Jovi after us. And it was only at this moment that he made a big mistake: as Bon Jovi ended up looking very pale. After us, about half of the people simply left, and Jon Bon Jovi himself was left extremely upset. He even said: “I will never play again after Scorpions!” The mistake was that, having performed in front of us, Bon Jovi would have appeared in an excellent perspective - they would have been shown triumphantly on MTV, and everything would have been great ... "
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