Lydia Petrushevskaya. Lyudmila Petrushevskaya - biography. Biography, life story of Lyudmila Stefanovna Petrushevskaya

Lyudmila Petrushevskaya can confidently be called one of the outstanding Russian writers of the last century. She is the author of a significant number of stories and children's books; theater plays have been staged and films have been made based on her works. Her work has become a revelation for many: the author quite harshly, and sometimes simply mercilessly, without embellishment, describes all the difficulties of life.

Childhood

Petrushevskaya Lyudmila Stefanovna was born on May 26, 1938 in Moscow. Her parents were well educated people. Mom worked as an editor, dad was a linguist. Petrushevskaya’s grandfather is Nikolai Yakovlev, a Soviet scientist, professor of linguistics.

The writer's childhood passed through difficult war and post-war times, which undoubtedly left its mark on her fate. The girl, fleeing the war, was forced to live with distant relatives, and then was even brought up in one of the orphanages near Ufa.

Having matured, Lyudmila decided to connect her life with journalism. Therefore, after receiving a school certificate, the girl enters Moscow State University, the Faculty of Journalism. She completed her studies in 1961 and got a job as a journalist. After that, Petrushevskaya changed her place of work several times. In the early 70s, she got a job at the Central Television Studio as an editor.

Creative path

Lyudmila Petrushevskaya began writing her first poems in her youth. They were quite simple and light. The poetess herself at that time did not take her work seriously; she did not intend to become a writer. However, talent is not so easy to hide: while studying at the university, Petrushevskaya wrote scripts for various student events. In the mid-60s, the first plays appeared, but for a long time she did not dare to publish them.

Petrushevskaya’s first published work was the story “Across the Fields,” published in Aurora magazine in 1972. Despite the fact that the story was received with interest by readers, the next work was published only a few years later. But at the same time, Lyudmila continued to write actively.

Her plays were interesting, vital, and close to many. Therefore, it is not surprising that directors noticed them. Of course, famous theaters could not stage a work by a little-known author. But small theaters willingly worked with her works. So, in 1979, the play “Music Lessons” was staged at the R. Viktyuk Theater. And the Lviv Gaudeamus Theater presented the audience with the play “Cinzano”.

Only after 1980 did more famous theaters begin to pay attention to the work of Lyudmila Petrushevskaya. These were the performances:

• “Love” – Taganka Theater.
• “Columbine’s Apartment” – “Contemporary”.
• "Moscow Choir" - Moscow Art Theater.
• “One Actor Cabaret” – Theater named after. A. Raikin.

It is noteworthy that for a long time Lyudmila Petrushevskaya could not publish. Her stories and plays were not officially banned, but publishing editors did not want to accept works on rather difficult social topics for publication. And Petrushevskaya wrote exactly them. However, the refusal to publish did not stop the poetess.

Only in 1988 was the book by Lyudmila Stefanovna Petrushevskaya published. After this, she begins to write even more actively - works appear one after another. It was then that one of her most famous books was written, “Three Girls in Blue,” which tells about the difficult destinies of three relatives.

Despite the fact that Petrushevskaya wrote books on social topics, poems and verses very easily (just look at her cycle about the lives of women!), she gradually changed her field of activity. The writer became interested in creating children's books and also tried to write romance novels.

In 1984, her new cycle was published - linguistic fairy tales “Battered Pussy”. In 1990-2000, she wrote “The Treatment of Vasily”, “Tales about the ABC”, “Real Fairy Tales”. A little later, “The Book of Princesses” and “The Adventures of Peter the Pig” were published. Several animated films were created based on the tales of Peter the Pig.

The works of Lyudmila Petrushevskaya have been translated into more than 20 languages ​​and are published today in many countries. The latest book of the writer “In the first person. Conversations about the past and the present" was released in 2012. Afterwards, Lyudmila Stefanovna switched to other types of creativity, still continuing to write, but in smaller volumes.

Family

Lyudmila Petrushevskaya was married several times. Little is known about the writer’s first husband - he died, leaving his wife with their little son Kirill. Afterwards, Petrushevskaya married art critic Boris Pavlov. In this marriage two more children were born - son Fedor and daughter Natalya.

A talented person is talented in everything

Petrushevskaya’s biography contains quite a lot of interesting facts. So, for example, few people know that Lyudmila Stefanovna is not only a writer. She loves to sing, and once even studied in an opera studio. Moreover, Petrushevskaya’s solo albums were recorded in 2010 and 2012. True, they never went on sale, but were sold together with the Snob magazine.

Petrushevskaya created cartoons based on her own fairy tales. She founded the animation “Handmade Studio”, where she spent a lot of time drawing cartoons using modern computer technology.

The writer has another talent - she is interested in painting and even completed professional courses. Petrushevskaya paints paintings and sells them, and donates the proceeds to a charitable foundation that cares for orphans.

In 1991, Lyudmila Petrushevskaya was under investigation, and was even forced to hide for some time, living abroad. She was accused of insulting President Gorbachev.

It happened like this: the writer sent a letter to the Lithuanian government, her message was translated and published in one of the newspapers. This letter contained statements quite unpleasant for the authorities, in particular for Gorbachev. However, the case was closed after Gorbachev was removed from power. Author: Natalya Nevmyvakova

Petrushevskaya Lyudmila Stefanovna - prose writer, playwright, poet, screenwriter, author of watercolors and monotypes, artist and director of eight of her own animated films (“Manual Labor Studio”), composer and singer, creator of the traveling theater “Lyudmila Petrushevskaya Cabaret”.
She was born on May 26, 1938 in Moscow into a family of IFLI (Institute of Philosophy, Literature, History) students. Granddaughter of the linguist, professor of oriental studies N. F. Yakovlev. Mother, Valentina Nikolaevna Yakovleva, later worked as an editor, father, Stefan Antonovich Petrushevsky, whom L.S. I almost didn’t know, I became a Doctor of Philosophy.
L.S., whose family was subjected to repression (three were shot), experienced severe famine during the war, lived with relatives who were not given work (as family members of enemies of the people), and also, after the war, in an orphanage for disabled children and tuberculosis survivors of famine near Ufa. She graduated from school in Moscow with a silver medal and received a diploma from the Faculty of Journalism of Moscow State University.

She started writing early, published notes in newspapers (Moskovsky Komsomolets, 1957, Mosk. Pravda, 1958, Krokodil magazine 1960, Nedelya newspaper, 1961), worked as a correspondent All-Union Radio and Krugozor magazine. She wrote her first story in 1968 (“Such a Girl,” published 20 years later in the magazine “Ogonyok”), and from that moment on she wrote mostly prose. I sent stories to various magazines, they were returned, only the Leningrad Aurora responded. The first works published there were the stories “The Story of Clarissa” and “The Storyteller,” which appeared in 1972 in the Aurora magazine and caused sharp criticism in the Literary Gazette. In 1974, the story “Nets and Traps” was published there, then “Across the Fields”. In total, by 1988, only seven stories, one children's play ("Two Windows") and several fairy tales had been published. Having joined the Writers' Union in 1977, L.P. earned money by translating from Polish and articles in magazines. In 1988, she sent a letter to Gorbachev, the letter was sent to the Writers' Union for a response. And the secretary of the Writers' Union, Ilyin, helped with the publication of the first book (Immortal Love, 1988, Moskovsky Rabochiy publishing house, circulation thirty thousand).
The play “Music Lessons” was staged by Roman Viktyuk in 1979 at the Moscow State University Student Theater, after 6 performances it was banned, then the theater moved to the Moskvorechye House of Culture, and “Lessons” was banned again in the spring of 1980 (the play was published in 1983 in the periodical publication, in the brochure “To help amateur artists”, with a circulation of 60 thousand copies).
Lyudmila Petrushevskaya is the author of many prose works and plays, books for children. She also wrote scripts for the animated films “Lyamzi-Tyri-Bondi, the Evil Wizard” (1976), “All the Dumb” (1976), “The Stolen Sun” (1978), “Tale of Tales” (1979, jointly with Yu. Norshtein ), “The Cat Who Could Sing” (1988), “Bunny Tail”, “You Make Only Tears”, “Peter the Pig” and the first part of the film “The Overcoat” (co-authored with Yu. Norshtein).
Petrushevskaya's stories and plays have been translated into many languages ​​of the world, her dramatic works are staged in Russia and abroad.
Laureate of the International Prize "Alexandr Puschkin" (1991, Hamburg), State Prize of the Russian Federation in the field of literature and art (2002), Independent Prize "Triumph" (2002), Bunin Prize, Stanislavsky Theater Prize, World Fantasy Award for the collection “Once upon a time there was a woman who tried to kill her neighbor’s child”, the humorous award “Small Golden Ostap” for the collection “Wild Animal Tales”, etc.
Academician of the Bavarian Academy of Arts.

In 1991, from February to August, she was under investigation for insulting President M.S. Gorbachev. The reason was a letter to Lithuania after the entry of Soviet tanks into Vilnius, reprinted in Vilnius and translated in the Yaroslavl newspaper “Northern Bee”. The case was closed due to the resignation of the president.
In recent years, her books have been published - prose, poetry, drama, fairy tales, journalism, more than 10 children's books have been published, performances have been staged - “He is in Argentina” at the Moscow Art Theater. Chekhov, the plays “Love”, “Cinzano” and “Smirnova’s Birthday” in Moscow and in different cities of Russia, graphic exhibitions are held (at the Pushkin State Museum of Fine Arts, at the Literary Museum, at the Akhmatova Museum in St. Petersburg, in private galleries in Moscow and Yekaterinburg ). L. Petrushevskaya performs concert programs called “Cabaret of Lyudmila Petrushevskaya” in Moscow, throughout Russia, abroad - in London, Paris, New York, Budapest, Pula, Rio de Janeiro, where she performs hits of the twentieth century in her own translation, as well as songs of his own composition.
She began selling her watercolors and monotypes - via the Internet - in favor of an orphanage for disabled teenagers in Porkhov near Pskov. Sick children live there, whom the PROBO Rostock Charitable Society saved from staying in an old age home for mentally disabled people, where they are sent at the age of 15 after orphanages - for life. The children are taught by teachers, they get used to independence, grow vegetables, do handicrafts, housework, etc. Now is a difficult time, they need help.

Lyudmila Petrushevskaya cannot be called an ordinary writer; her works touch secret strings in both children's and adult souls. This is a man with an amazing destiny, who lived his whole life in spite of himself, without giving up or giving in to the next turn of fate. For a long time, Lyudmila Stefanovna wrote her works on the table, since they did not pass Soviet censorship. And at the peak of her career, the woman discovered her talent as an animator and musician.

Childhood and youth

Lyudmila Stefanovna Petrushevskaya was born in 1938 under the zodiac sign of Gemini in Moscow into a young student family. Stefan Petrushevsky became a doctor of philosophy, and his wife worked as an editor. During the war, Lyudmila ended up in an orphanage in Ufa, and was later raised by her grandfather.

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Writer Lyudmila Petrushevskaya

Nikolai Feofanovich Yakovlev, a Caucasian linguist and participant in the fight against illiteracy, insisted that his little granddaughter should not be taught to read. An ardent supporter of Marrism had a hard time with the defeat of this theory by Joseph Stalin and, according to unofficial information, suffered from mental illness due to nervousness.

At the beginning of the twentieth century, the tradition of home theater productions arose in the Petrushevsky family. As a child, Lyudmila herself did not dream of a career as a writer, but dreamed of the stage and wanted to perform in the opera. The writer studied in a vocal studio, but was not destined to become an opera diva.

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Lyudmila Petrushevskaya in childhood

In 1941, Lyudmila and her grandparents were urgently evacuated from Moscow to Kuibyshev; the family took with them only 4 books, among which were poems by Mayakovsky and a history textbook of the All-Union Communist Party (Bolsheviks).

The girl looked at the newspapers with curiosity, from which she learned the letters. Then I secretly read, learned by heart, and even quoted books. Grandmother Valentina often told her granddaughter that in her youth Vladimir Mayakovsky himself showed signs of attention to her and wanted to marry her, but she chose the linguist Yakovlev.

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Lyudmila Petrushevskaya

When the war ended, Lyudmila returned to Moscow and entered Lomonosov Moscow State University to study journalism. After graduating from university, she got a job as a correspondent at a publishing house, and then moved to All-Union Radio, where she hosted the “Last News” program.

At 34, Petrushevskaya took the position of editor at Central Television, writing reviews of serious economic and political programs like “Steps of the Five-Year Plan.” But soon they began to write complaints about Lyudmila, a year later she quit and no longer attempted to get a job.

Literature

While still at the journalism department of Moscow State University, Petrushevskaya wrote comic poems and scripts for student creative evenings, but she did not think about a literary career even then. Only in 1972, the short lyrical story “Across the Fields” was first published in the St. Petersburg literary, artistic and socio-political magazine “Aurora”. Lyudmila’s next publication dates only from the second half of the 1980s.

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Book by Lyudmila Petrushevskaya “Wanderings about Death”

But Petrushevskaya’s work was appreciated by small theaters. In 1979, Roman Viktyuk staged the play “Music Lessons”, written back in 1973, on the stage of the Moskvorechye House of Culture. After the premiere, director Anatoly Efros praised the work, but noted that this play would never pass Soviet censorship, so radical and truthful were the thoughts expressed by the author. And Efros turned out to be right: “Lessons” was banned and the theater troupe was even dispersed.

Later, in Lviv, a theater created by students of the local polytechnic stage staged “Cinzano”. Lyudmila Stefanovna’s works appeared on the professional stage only in the 1980s: first, the Moscow Taganka Drama Theater staged the play “Love,” then they played “Colombina’s Apartment” at Sovremennik.

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Book by Lyudmila Petrushevskaya “Gift to the Princess. Christmas stories"

Petrushevskaya continued to write stories, plays and poems, but they were still not published, since they reflected aspects of the life of the people of the Soviet Union that were undesirable for the government of the country.

This is not to say that she adheres to one single genre. For example, “Battered Pussy” is an imitation of unintelligible baby babble, “Stories from My Own Life” is an autobiographical novel.

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Book by Lyudmila Petrushevskaya “We were stolen”

“Time is Night” is harsh and unsightly realism, “We were Stolen” is by no means a detective story about child switching, as it seems at first glance, but a kind of observation of how someone “at the top” comes up with ridiculous rules by which they are forced to live “ the lower classes." The book was shortlisted for the NOS literary award in 2018. “Goddess of the Park” is a collection of short stories about love, funny and mystical stories and even thrillers.

In the 1990s, fairy tales for different age groups appeared in Lyudmila’s bibliography. “The Tale of the Clock,” “Magic Glasses,” “Mother Cabbage,” “Anna and Maria” is a mixture of legend, anecdote, references to the works of other authors, folklore and parody. But no matter what she wrote, the source of inspiration, as Petrushevskaya said in an interview with Vladimir Pozner, was always real life.

“Posner” - Guest Lyudmila Petrushevskaya

In 2007, the collection “Moscow Choir” was published in St. Petersburg, which included such plays as “Raw Leg, or Meeting of Friends,” “Beefem” and others. A year later, the premiere of a series of cartoons for children took place, the main character of which was Petya the pig.

An interesting fact in Petrushevskaya’s biography was the dispute about whether her profile was used in the image of the famous hedgehog from the cartoon “Hedgehog in the Fog.” And indeed, if you look closely at the writer’s photo, common features are revealed. And Lyudmila Stefanovna herself mentioned this in her works, although the animator Yuri Borisovich Norshtein voiced a different version of the creation of the hero.

Date of Birth: 26.05.1938

Playwright, prose writer, children's writer, screenwriter, animator, artist. Petrushevskaya's drama and prose are one of the most analyzed phenomena in Russian literature. Her work, which is a mixture of realism and absurdity, physiology and spirituality, sometimes evokes conflicting responses from critics and readers.

Born in Moscow into the family of an employee. She lived through a difficult, half-starved childhood during the war, wandered among relatives, and lived in an orphanage near Ufa. By her own admission, she “stole herring heads from a neighbor’s garbage can,” and saw her mother for the first time at the age of 9.

After the war, she returned to Moscow and graduated from the Faculty of Journalism of Moscow State University (1961). She worked as a correspondent for Moscow newspapers, as an employee of publishing houses, and since 1972 as an editor at the Central Television Studio. She began writing stories in the mid-1960s. The author's first published work was the story “Across the Fields,” which appeared in 1972 in Aurora magazine. Although Petrushevskaya was accepted into the Writers' Union (1977), her works were not published for a very long time. The writer did not even mention any political topics, but the unsightly description of Soviet life contradicted the official ideology. Petrushevskaya’s first book was published in 1988, when the writer was already 50 years old.

The very first plays were noticed by amateur theaters: the play “Music Lessons” (1973) was staged by R. Viktyuk, the first production on the professional stage was the play Love (1974) at the Taganka Theater (directed by Yu. Lyubimov). And immediately Petrushevskaya’s plays were banned and were not staged on the professional stage until the second half of the 80s. Despite the ban, Petrushevskaya was the informal leader of the post-Vampilov new wave in dramaturgy of the 70s and 80s. Also in the 70-80s, several animated films were shot based on Petrushevskaya’s scripts. Including the famous “Tale of Tales” by Yu. Norshtein.

The attitude towards the writer's secondary role changed with the beginning of perestroika. Her plays began to be actively staged and her prose published. Petrushevskaya became known to a wide range of readers and viewers. However, despite the well-deserved fame, the writer continued literary experiments, creating works in the genre of the absurd, actively mastering the “profession” of a storyteller. The writer paints watercolors and takes part in rather extravagant musical projects. At the age of 70, Petrushevskaya became interested in animation and even created her own “studio”: the Manual Labor Studio. Petrushevskaya is a member of the Russian PEN Center and Academician of the Bavarian Academy of Fine Arts.

Lyudmila Petrushevskaya lives and works in Moscow. Widow, husband, director of the Solyanka Gallery Boris Pavlov (died September 19, 2009).

Children's Torah. Two sons (Kirill Kharatyan and Fyodor Pavlov-Andreevich) are famous journalists. Daughter (Natalia Pavlova) studies music.

Military childhood left a deep mark on Petrushevskaya’s personality. “The German language is always scary for me. I have studied many languages, I speak several, but not German,” says the writer.

The animated film "Tale of Tales" based on a joint script by L. Petrushevskaya and Yu. Norshtein was recognized as "the best animated film of all time" according to the results of an international survey conducted by the Academy of Motion Picture Arts in collaboration with ASIFA-Hollywood, Los Angeles (USA), 1984.

Petrushevskaya claims that it was her profile that served as a “source of inspiration” for Yu. Norshtein when creating the main character of “Fairy Tales”, Hedgehog.

In 2003, Petrushevskaya, together with the Moscow free-jazz-rock ensemble "Inquisitorium", released the album "No. 5. The Middle of Big Julius", where she read and sang her poems to the accompaniment of whistling, the roar of the ocean or the barking of dogs.

Writer's Awards

(Hamburg, 1991)
Twice nominated for "" (1992 and 2004)
Awards from the magazine "October" (1993, 1996, 2000)
New World Magazine Award (1995)
Znamya magazine award (1996)
Moscow-Penne Prize (Italy, 1996)
Prize named after S. Dovlatov of the magazine “Star” (1999) (2002)
(2002)
New Drama Festival Award (2003)
Stanislavsky Theater Prize (2004)
Nominated for (2008)
in the category "Collection" (2010)

Bibliography

L. Petrushevskaya is the author of a large number of plays, short stories, tales, fairy tales, etc. The writer’s works are collected in the following collections:
Immortal Love (1988)
Songs of the 20th Century (1988)
Three Girls in Blue (1989)
Your Circle (1990)
Treatment of Vasily and other tales (1991)
On the road of the god Eros (1993)
Mystery at Home (1995)

A Tale of the ABC (1997)

Girls' House (1998)
Karamzin: Village Diary (2000)
Find me, dream (2000)
Queen Lear (2000)
Requiems (2001)
Time is Night (2001)
Waterloo Bridge (2001)
Suitcase of Nonsense (2001)
Happy Cats (2001)
Where Have I Been: Tales from Another Reality (2002)
Such a Girl (2002)
Black Coat: Tales from Another Reality (2002)
Incident in Sokolniki: Tales from another reality (2002)
...like a flower at dawn (2002)
The Testament of an Old Monk: Tales from Another Reality (2003)
House with a Fountain (2003)
Innocent Eyes (2003)
Unripe gooseberries (2003)
Sweet Lady (2003)
Volume Nine (2003)
Wild animal tales. Sea trash stories. Pusski Batye (2003)

Goddess of the Park (2004)
Altered Time (2005)
City of Light: Magic Stories (2005)

The biography of Lyudmila Petrushevskaya is given in this article. This is a famous Russian poetess, writer, screenwriter and playwright.

Childhood and youth

You can find out the biography of Lyudmila Petrushevskaya from this article. The Russian writer was born in Moscow in 1938. Her father was an employee. Grandfather was widely known in scientific circles. Nikolai Feofanovich Yakovlev was a famous linguist and specialist in Caucasus. Currently, he is considered one of the founders of writing for a number of peoples of the USSR.

During the Great Patriotic War, Lyudmila Stefanovna Petrushevskaya lived for some time with relatives and even in an orphanage located near Ufa.

When the war ended, she entered the Faculty of Journalism of Moscow State University. At the same time, she began working as a correspondent for metropolitan newspapers and collaborating with publishing houses. In 1972, she took up the post of editor at the Central Television Studio.

Creative career

Lyudmila Stefanovna Petrushevskaya began writing scripts for student parties, poetry and short stories at an early age. But at the same time, at that time I had not yet thought about a career as a writer.

In 1972, her first work was published in Aurora magazine. It was a story called “Across the Fields.” After this, Petrushevskaya continued to write, but her stories were no longer published. I had to work at the table for at least ten years. Her works began to be published only after perestroika.

In addition, the heroine of our article worked as a playwright. Her productions were performed in amateur theaters. For example, in 1979, Roman Viktyuk staged her play “Music Lessons” at the theater-judge of the Moskvorechye cultural center. Theater director Vadim Golikov - at the studio theater of Leningrad State University. True, almost immediately after the premiere the production was banned. The play was published only in 1983.

Another famous production based on her text, called “Cinzano,” was staged in Lviv, at the Gaudeamus Theater. Professional theaters began staging Petrushevskaya en masse starting in the 80s. Thus, the audience saw the one-act work “Love” at the Taganka Theater, “Colombina’s Apartment” was released at Sovremennik, and “Moscow Choir” was released at the Moscow Art Theater.

Dissident writer

The biography of Lyudmila Petrushevskaya contains many sad pages. So, for many years she actually had to pee on the table. The editors of thick literary magazines had an unspoken ban on not publishing the writer’s works. The reason for this was that most of her novels and stories were devoted to the so-called shadow sides of the life of Soviet society.

At the same time, Petrushevskaya did not give up. She continued to work, hoping that someday these texts would see the light of day and find their reader. During that period, she created the joke play “Andante,” the dialogue plays “Insulated Box” and “Glass of Water,” and the monologue play “Songs of the 20th Century” (it was this that gave the name to her later collection of dramatic works).

Prose of Petrushevskaya

The prose work of Lyudmila Petrushevskaya, in fact, continues her dramaturgy in many thematic plans. It also uses almost the same artistic techniques.

In fact, her works represent a real encyclopedia of women's lives, from youth to old age.

These include the following novels and stories - “The Adventures of Vera”, “The Story of Clarissa”, “Xenia’s Daughter”, “Country”, “Who Will Answer?”, “Mysticism”, “Hygiene”, and many others.

In 1992, she wrote one of her most famous works - the collection “Time is Night”; shortly before that, another collection “Songs of the Eastern Slavs” was published.

Interestingly, her work contains many fairy tales for children and adults. Among them it is worth noting “Once upon a time there was an alarm clock”, “Little sorceress”, “A Puppet Novel”, and the collection “Fairy Tales Told to Children”.

Throughout her creative career, Petrushevskaya lives and works in the Russian capital.

Personal life of Lyudmila Petrushevskaya

Petrushevskaya was married to the head of the Solyanka gallery, Boris Pavlov. He passed away in 2009.

In total, the heroine of our article has three children. The eldest - Kirill Kharatyan was born in 1964. He's a journalist. At one time he worked as deputy editor-in-chief of the Kommersant publishing house, then was one of the leaders of the Moscow News newspaper. Currently works as deputy editor-in-chief of the Vedomosti newspaper.

Petrushevskaya’s second son’s name is He was born in 1976. He is also a journalist, producer, television presenter and artist. The writer's daughter is a famous musician, one of the founders of the capital's funk band.

Peter the Pig

Not everyone knows, but it was Lyudmila Petrushevskaya who is the author of the meme about Peter the Pig, who is fleeing the country on a red tractor.

It all started when in 2002 the writer published three books at once entitled “Peter the Pig and the Machine,” “Peter the Pig is Coming to Visit,” and “Peter the Pig and the Shop.” 6 years later, an animated film of the same name was shot. It was after its publication that this character turned into a meme.

He gained fame throughout the country after in 2010, one of the Internet users nicknamed Lein recorded the musical composition “Peter the Pig Eats...”. Soon after this, another user Artem Chizhikov superimposed a bright video sequence from the cartoon of the same name onto the text.

There is another interesting fact about the writer. According to some versions, Lyudmila Petrushevskaya’s profile served as a prototype for the creation of the title character in Yuri Norshtein’s cartoon “Hedgehog in the Fog.”

This is confirmed by the fact that Petrushevskaya herself, in one of her works, directly describes this episode in exactly this way. At the same time, he describes the appearance of this character differently.

At the same time, it is reliably known that Petrushevskaya became the prototype for the director when creating another cartoon - “The Crane and the Heron”.

"Time is night"

The key work in the biography of Lyudmila Petrushevskaya is the collection of short stories “Time is Night.” It included her various novels and stories, not only new works, but also those already known for a long time.

It is noteworthy that Petrushevskaya’s heroes are ordinary, average people, most of whom each of us can meet every day. They are our work colleagues, they meet every day in the subway, they live next door in the same entrance.

At the same time, it is necessary to think that each of these people is a separate world, an entire Universe, which the author manages to fit into one small work. Lyudmila Petrushevskaya's stories have always been distinguished by their drama, by the fact that they contained a strong emotional charge that some novels could envy.

Most critics today note that Petrushevskaya remains one of the most unusual phenomena in modern Russian literature. It skillfully combines archaic and modern, momentary and eternal.

The story "Chopin and Mendelssohn"

The story "Chopin and Mendelssohn" by Lyudmila Petrushevskaya serves as a vivid example of her bright and unique creativity. Based on it, one can judge her as a unique Russian prose writer.

It surprisingly compares these two composers, and the main character of the story is a woman who constantly complains that the same annoying music plays behind her wall every evening.