The Moscow State Dance Ensemble “Russian Seasons” presents a large concert program “The Celebration of Dance” at the “Russian Song” theater. Dance ensemble "Russian Seasons Russian Seasons dance group

Anniversary of the Moscow State Dance Ensemble "Russian Seasons".

The legendary group, winner of the "National Treasure of Russia" award, the Moscow State Dance Ensemble "Russian Seasons" is 25 years old! The ceremonial celebration of the dance group's anniversary will take place on the stage of the Russian Song Theater on October 7.

The founder and artistic director of the Russian Seasons dance ensemble, Honored Artist of Russia Nikolai Androsov, announced the details of the anniversary celebration. In the anniversary program, the artists of the Russian Seasons ensemble will present to the audience the brightest numbers from their best programs, and will also present several premieres at once. The celebration of the 25th anniversary of the dance group will take place on the stage of the Russian Song Theater on October 7.

The program of the anniversary evening will include for the first time the specially staged concert numbers "Gig" performed by Nikolai Androsov himself, "Lilac" performed by Ilze Liepa, Natalya Krapivina, Maria Mysheva, Dmitry Ekaterinin and Igor Lagutin, based on the story by Yu. Nagibin, specially staged for the band's anniversary. Bohemian Rhapsody" to the music of Queen (a fragment from the ballet "Dancing Angels") performed by artists of the Bolshoi Theater of Russia Evgeni Truposkiadi, Sergei Kuzmin, Georgy Gusev and artist of the Moscow Operetta Theater Alexander Babenko, "Bolero" performed by the legendary Farukh Ruzimatov, "The Night is Bright "performed by artists of the legendary very first composition of the Dance Ensemble "Russian Seasons" in 1991 and many other interesting productions.

“For the audience, the ensemble “Russian Seasons” has prepared another gift - the program will feature soloists of the ensemble from the very first composition of the ensemble and perform the choreographic number “Trinity”. In May 1992, it was from this number, to the soundtrack recorded by Nadezhda Babkina and the ensemble “Russian song,” the very first concert in the history of the ensemble “Russian Seasons” began at the Tchaikovsky Concert Hall in Moscow,” said the artistic director of the group, Nikolai Androsov.

According to Androsov, it was Nadezhda Babkina who was at the origins of organizing the Russian Seasons ensemble. In 1991, she was one of the first to pay attention to the young group and invited them to perform with her in a group concert with the number “Dedication to Maurice Bejart” set to Greek music. Then the audience of the Rossiya Concert Hall heard the name of the ensemble for the first time. The first tour also took place at the suggestion of Nadezhda Babkina - in 1992 the team took part in the very first Slavic Bazaar Arts Festival in Vitebsk. Already in 2006, the ensemble joined the troupe of the Russian Song Theater.

"Russian Seasons" is a unique choreographic ensemble that is equally capable of working in such different theatrical genres as folk dance, classical ballet, opera and musical, dramatic play and children's fairy tale. More than 400 productions, numerous concert programs, two-act and one-act ballets - all this is in the ensemble’s repertoire.

Such a variety of genres has become a feature of the group since the first concert program “From folklore to modern choreography”, presented at the Concert Hall. P.I. Tchaikovsky May 17, 1992. It was a real "bomb"! The range of possibilities of the group turned out to be enormous - from the Russian “Kamarinskaya” to “Polyphony” by I.S. Bach, from Negro Spirituals to eccentric skiing. Some numbers from that first program are still “hits” of the ensemble.
In 2000, the ensemble "Russian Seasons" was nominated for the Golden Mask award in the category "Best joint production" for the ballet I.F. Stravinsky's "The Rite of Spring", staged by Japanese choreographer Min Tanaka.

Over 25 years of creative activity, the ensemble has won fans all over the world - in Spain and Argentina, Israel and Egypt, Greece and Hong Kong, Kenya, Japan and Finland, in Latin America and Taiwan, in the USA, France, Italy, Germany, and many other countries. The ensemble artists have many joint projects with outstanding stage masters: “The Return of the Firebird” with Andris Liepa, “The Gospel for the Evil One” with Vladimir Vasiliev, “Bolero” with Farukh Ruzimatov, “Mystery of Ballet” staged by Nikolai Androsov with the legend of world ballet Carla Fracci, "Homage to the Century" in the USA and many other interesting works. In March 2017, the ensemble goes on a large anniversary tour of the ensemble to cities in the United States of America.

Among the guests of the evening are world ballet stars Ilze Liepa and Farukh Ruzimatov, People's Artist of Russia Nadezhda Babkina and artists of the Russian Song Theater led by her, stars of the ballet troupes of the Bolshoi Theater of Russia Dmitry Ekaterinin, Evgeniy Truposkiadi and Sergei Kuzmin, the Moscow Academic Musical Theater named after K. WITH. Stanislavsky and Vl. I. Nemirovich Danchenko People's Artist of Russia Natalya Krapivina and Maria Mysheva, star of the Moscow Operetta Theater Alexander Babenko, star of the Moscow Theater of Satire Honored Artist of Russia Igor Lagutin, stars of Russian opera houses "Tenors of the 21st Century" led by Dmitry Sibirtsev, Anastasia Volochkova and her show ballet, as well as artists from other Russian theaters.

Partners and guests from France, the USA, Italy and Armenia, as well as cultural and artistic figures from different cities of Russia, will congratulate the heroes of the day. Among the guests of honor of the evening are Kim Breitburg, Sergei Senin, Evgeny Mironov, Efim Alexandrov, Tatyana Ovsienko, Lyubov Grechishnikova, Nina Chusova, Larisa Udovichenko.

Anniversary of the Moscow State Dance Ensemble “Russian Seasons”
The legendary group, winner of the “National Treasure of Russia” award, the Moscow State Dance Ensemble “Russian Seasons” is 25 years old! The ceremonial celebration of the dance group’s anniversary will take place on the stage of the Russian Song Theater on October 7.

The founder and artistic director of the Russian Seasons dance ensemble, Honored Artist of Russia Nikolai Androsov, announced the details of the anniversary celebration. In the anniversary program, the artists of the Russian Seasons ensemble will present to the audience the brightest numbers from their best programs, and will also present several premieres at once. The celebration of the 25th anniversary of the dance group will take place on the stage of the Russian Song Theater on October 7.
“The 25th anniversary of “Russian Seasons” is a 25-year journey, this is the brightest part of my life! – admits the artistic director of the group Nikolai Androsov. – It’s even difficult for me to say how many wonderful and significant creative events have happened in my life during this period! A huge number of tours, performances, interesting creative meetings with outstanding cultural figures of our planet, filming, productions in various genres, cities and theaters, absolutely happy years!”
According to Androsov, over the entire history of the dance group’s existence, a large number of dancers have been trained. “We are now raising the 4th generation of ensemble artists,” admits the artistic director. “They all come to the team from different cities and educational institutions, but with us they become part of our friendly family, part of our history and traditions, and become performers of more and more new projects and programs.”
The program of the anniversary evening will include for the first time the specially staged concert numbers “Gig” performed by Nikolai Androsov himself, “Lilac” performed by Ilze Liepa, Natalya Krapivina, Maria Mysheva, Dmitry Ekaterinin and Igor Lagutin, based on the story by Yu. Nagibin, specially staged for the band’s anniversary. Bohemian Rhapsody" to the music of Queen (a fragment from the ballet "Dancing Angels") performed by artists of the Bolshoi Theater of Russia Evgeni Truposkiadi, Sergei Kuzmin, Georgy Gusev and artist of the Moscow Operetta Theater Alexander Babenko, "Bolero" performed by the legendary Farukh Ruzimatov, "The Night is Bright "performed by artists of the legendary very first composition of the Dance Ensemble "Russian Seasons" in 1991 and many other interesting productions.
“For the audience, the ensemble “Russian Seasons” has prepared another gift - the program will feature ensemble soloists from the very first composition of the ensemble and perform the choreographic number “Trinity”. In May 1992, it was with this number, to the soundtrack recorded by Nadezhda Babkina and the Russian Song ensemble, that the very first concert in the history of the Russian Seasons ensemble began at the Tchaikovsky Concert Hall in Moscow,” said the artistic director of the group Nikolai Androsov .
According to Androsov, it was Nadezhda Babkina who was at the origins of organizing the Russian Seasons ensemble. In 1991, she was one of the first to pay attention to the young group and invited them to perform with her in a group concert with the number “Dedication to Maurice Bejart” set to Greek music. Then the audience of the Rossiya Concert Hall heard the name of the ensemble for the first time. The first tour also took place at the suggestion of Nadezhda Babkina - in 1992, the team took part in the very first Slavic Bazaar Arts Festival in Vitebsk. Already in 2006, the ensemble joined the troupe of the Russian Song Theater.
“Russian Seasons” is a unique choreographic ensemble that is equally capable of working in such different theatrical genres as folk dance, classical ballet, opera and musical, dramatic play and children's fairy tale. More than 400 productions, numerous concert programs, two-act and one-act ballets - all this is in the ensemble’s repertoire. Such a variety of genres has become a feature of the group since the first concert program “From folklore to modern choreography”, presented at the Concert Hall. P.I. Tchaikovsky May 17, 1992. It was a real “bomb”! The range of possibilities of the group turned out to be enormous - from the Russian “Kamarinskaya” to “Polyphony” by I.S. Bach, from Negro Spirituals to eccentric skiing. Some numbers from that first program are still “hits” of the ensemble.
In 2000, the ensemble “Russian Seasons” was nominated for the Golden Mask award in the category “Best joint production” for the ballet I.F. Stravinsky's "The Rite of Spring", staged by Japanese choreographer Min Tanaka.
Over 25 years of creative activity, the ensemble has won fans all over the world - in Spain and Argentina, Israel and Egypt, Greece and Hong Kong, Kenya, Japan and Finland, in Latin America and Taiwan, in the USA, France, Italy, Germany, and many other countries. The ensemble artists have many joint projects with outstanding stage masters: “The Return of the Firebird” with Andris Liepa, “The Gospel for the Evil One” with Vladimir Vasiliev, “Bolero” with Farukh Ruzimatov, “Mystery of Ballet” staged by Nikolai Androsov with the legend of world ballet Carla Fracci, “Homage to the Century” in the USA and many other interesting works. In March 2017, the ensemble goes on a large anniversary tour of the ensemble to cities in the United States of America.
Among the guests of the evening are world ballet stars Ilze Liepa and Farukh Ruzimatov, People's Artist of Russia Nadezhda Babkina and artists of the Russian Song Theater led by her, stars of the ballet troupes of the Bolshoi Theater of Russia Dmitry Ekaterinin, Evgeny Truposkiadi and Sergey Kuzmin, the Moscow Academic Musical Theater named after K. WITH. Stanislavsky and Vl. and her show ballet, as well as artists from other Russian theaters.
Partners and guests from France, the USA, Italy and Armenia, as well as cultural and artistic figures from different cities of Russia, will congratulate the heroes of the day. Among the guests of honor of the evening are Kim Breitburg, Sergei Senin, Evgeny Mironov, Efim Alexandrov, Tatyana Ovsienko, Lyubov Grechishnikova, Nina Chusova, Larisa Udovichenko.

Geography: Moscow

"Needed where was born"

- Nikolai Nikolaevich, how did fate bring you to choreography?

I don’t remember what I dreamed of as a child and who I wanted to become, but all my life, no matter what, I have been close to the theater and stage. My parents were completely far from art; they worked at one of the research institutes. However, at the time when I was born, it was very fashionable to send children to artistic clubs. My older brother, for example, became a vocalist and sang in the choir of the theater. Stanislavsky in Moscow, and I was sent to choreography.

You know, there was great respect for artists back then. It seemed that those who took the stage were some special people. Now everything has naturally adjusted itself a little towards commerce.

- It turns out that the parents’ decision is a tribute to fashion?

Not only. Judging by their memories, as a child I danced almost around the clock! In the end, they decided to send me to a place where they would look after me and teach me the basics of what I love. So at the age of 6 I got into the choreographic Song and Dance Ensemble named after V.S. Loktev. Since then, theatre, stage, performances, concerts... Since early childhood I have been traveling to different countries and have traveled all over the world.

I know that you still travel a lot and even bring small dolls in national clothes to your already huge collection. What is the most dear place in the world to your heart?

Russia. This is my land, Motherland, no matter how pretentious it may sound. I had enough opportunities, for example, to live in America, where I was offered excellent opportunities creatively. I didn't want to. I'm just a different person. Some people dreamed of going there, and when the “curtain” opened, they did so. Many of my friends have lived in the USA for a long time. But I am always drawn home, wherever I am. Although there are a lot of beautiful places in the world, sometimes you even want to live in one of them for a while.

“Choreographic language is a score”

- What is the language of dance for you?

You correctly noted that this is a language. If you pay attention, choreography is a special and very powerful means of expression, and classical ballet is the pinnacle of this art. He creates a feeling of unreality on stage.

Dancing on her fingers, the ballerina turns from an ordinary girl into a magical fairy, or, conversely, into an evil fury. A vivid metamorphosis occurs through the language of choreography.

It happens that choreographers overuse this language a little, and then the dance overwhelms the music, the vocals, and everything else. It is important to feel in moderation. If this language is used correctly, it can have a very powerful impact. Especially if there is a gifted performer on stage. The movement synchronizes with the music and makes an incredible impression! You begin to understand that the male and female body is a divine and beautiful work...

- Do you allow the artists of your troupe or actors to improvise when you stage plays?

No, because our choreographic language implies exactly the same score as in an orchestra or for a vocalist. In a choreographic ensemble of classical ballet or folk stage genre, “notes” are the movement of the leg, arm, turn of the head, bending, lifting. If a person starts to improvise, he breaks this score to all his colleagues who are on stage with him. The dancer must be in the context of the ensemble.

The only exception is the solo number. In this case, the scheme that is offered to the artist for work, he can decorate with his talent. For example, do more pirouettes, make some jump or stretch stronger, introduce an element that the choreographer does great, but for some reason did not suggest. If you work in a team, you need to interact very precisely with other participants in the action.

I often say that for me, my partner is sometimes more important than myself. I must create a working situation for him so that he is as comfortable as possible. If he does the same in my direction, then it will be comfortable for both of us to dance.Improvisation is more of a musical term than a choreographic one, and it's not always a good idea.

“My troupe is almost a quarter of a century old!”

Why did you once decide to leave the troupe of the folk dance ensemble under the direction of Igor Moiseev and become a freelance choreographer?

I then graduated from GITIS and received other professions - stage director and choreographer. By this time, I had accumulated a significant amount of knowledge that I wanted to somehow implement. And in an ensemble you need to work a lot and constantly, perform daily duties that are not compatible with flights of fancy or some other goals. Working in a team and fully staging performances is almost impossible. Therefore, the decision was made to leave the troupe and engage in production activities.

After receiving your diploma, you created the Russian Seasons dance ensemble, which today is considered one of the leading groups in Russia. What were the difficulties of the path from obscurity to fame?

There were so many difficulties that it is impossible to list them. Sometimes I think: if I were now offered to form a new team, I would not be able to repeat what I did then. I was 27 years old, my energy was overflowing, and besides, a large group of like-minded people helped me. Everything worked out.

I bow deeply to all those artists who, with frantic enthusiasm, made the first concert program with me... We did not have premises then. Yes, we had nothing!

But we held an amazing debut program at the Tchaikovsky Concert Hall. There were sponsors and organizers who supported us. Now I remember it as something unreal.

- What important meetings, acquaintances, accidents, non-coincidences were there on the way to success?

There was a lot of all this. After all, my troupe is already 24 years old! I almost never did anything that wasn’t interesting. Over the years, we have created so many amazing things - real events in the culture of our country. For example, I am very grateful to Andris Liepe - in 1993 he invited us to restore the ballets of Mikhail Fokine and made the amazing film “The Return of the Firebird,” which is still popular and is sold on disc in all ballet stores in the world. And in the Washington Library it is presented as an example of Russian choreography for all times! For this, of course, it was worth working for. And it's not about money at all.

I always try to educate my artists in this spirit. When you try to make money, the money doesn't come. You need to become a high-level specialist, always think about art, understand what you are doing, and devote all your strength, capabilities and talents to it. Everything to do well. In this case, the financial issue will be resolved by itself.

“In Alan’s play, Simone was a fat old pirate.”

-Have you stopped dancing?

No, I still dance in the group that I lead when we do special performances. Sorry, I'm not 5 or 17 years old now. The time has already come to think that it’s time not to go on stage. And I try not to come out as a dancer. This is a matter for the young. But when there is an opportunity to do something feasible, I dance. For example, the famous French composer Alain Simon asked me to be one of the pirates in a charity performance for children in December 2014, and I gladly agreed. He was an old fat pirate.

- If you once stand at the ballet barre, is it possible to move away from it?

For me - no. I work out every day. Because if you don’t do this, the muscles will become unusable and will not allow you to dance. Working out periodically is not an option. You need to do this all the time or quit altogether. You can't fool physics. The body requires constant work.

Dossier

Nikolai Androsov is an Honored Artist of Russia, stage director, choreographer.

Education and career. 1978 to 1982 - studied at the Choreographic School - Studio at the State Academic Folk Dance Ensemble of the USSR under the direction of I.A. Moiseev.

From 1981 to 1991 - soloist of the ballet of the State Academic Theater of the USSR under the direction of I.A. Moiseev.

In 1990, he graduated with honors from the Russian Academy of Theater Arts (GITIS), majoring in choreography.

In 1991, he became one of the initiators of the creation, and then the artistic director and chief choreographer (he still holds this position) of the Moscow State Dance Ensemble “Russian Seasons”, which constantly tours in many countries around the world.

In 2000, the team was nominated for the Golden Mask Award in the category “Best Collaborative Production” for the ballet “The Rite of Spring” by I. Stravinsky, staged by Japanese choreographer Mina Tanaka. The ensemble’s works are also known such as the project “The Return of the Firebird” together with Andris Liepa, “The Gospel of the Evil One” with Vladimir Vasiliev, “Bolero”, “Slavic Dances”, “Judas”, “Arimoya” staged by Nikolai Androsov, “ Dedication to the century" and others.

Notable works: Nikolay Androsov acted as a choreographer-director of large-scale events at the state level - Russia Day, International Arts Festival "Slavic Bazaar", gala concert "Russia-European Union" in St. Petersburg, Opening Ceremonies of City Day celebrations in Moscow, government concerts in the State Kremlin Palace . Significant foreign productions: the ballets “Petrushka” and “Firebird” together with Andris Liepa at the Rome Opera House, the gala concert “Tenors of the 21st Century” in Vienna, the production of the ballet “The Red Poppy” at the Rome Opera House, the ballet “Carmen” in Geneva, Alan Simon's musicals “Tristan and Isolde” in Nantes and “Little Arthur. Captain Kid" in Plemora, the musical performance "The Peacock Tree", dedicated to the 95th anniversary of the birth of Tonino Guerra, in Urbino.

Awards and achievements:

• Received the award for best contemporary choreography at the International Competition of Ballet Dancers and Choreographers “Maya” (1996)
• By decree of the President of Russia V.V. Putin, he was awarded the title “Honored Artist of Russia” (2001)
• Became a laureate of the “National Treasure of Russia” award (2006)
• Awarded a diploma and gratitude from the Moscow Government (2006 - 2007)
• Became the founder and artistic director of the Choreographic School at the Moscow State Theater "Russian Seasons" (2006)

Family status: married.

Interviewed by Marina Chaika.

Photo: provided by the Novosibirsk Musical Comedy Theater.

Current productions of the theater, in the preparation of which Nikolai Androsov took part: " 12 chairs", "Dubroffsky", "Cyrano de Bergerac", "Tristan and Isolde".

Starts at 19:00

For almost 24 years now, the Moscow State Dance Ensemble "Russian Seasons" has been led by one of the best choreographers in Russia - Honored Artist of Russia, laureate of international competitions Nikolai Androsov, known for his productions at the Bolshoi Theater of Russia and the Roman Opera, the Geneva Leman Theater and the "Le Zenith" (Nantes, France), at the Galina Vishnevskaya Opera Center, Vs.E. Meyerhold and the Sovremennik Theater, as well as in musical theaters in many cities of our country. Nikolai Androsov, who collaborated with many great masters of our time - Valery Fokin and Andrei Konchalovsky, Roman Kozak and Peter Stein, Vladimir Vasiliev and Galina Vishnevskaya, is himself a famous director of performances both in Russia and abroad.

During its existence, the ensemble “Russian Seasons” led by him has become one of the leading choreographic groups in Russia. He is known both for his magnificent solo programs and for joint projects with many stars of Russian ballet, theater and cinema, including Vladimir Vasiliev and Maya Plisetskaya, Andris Liepa and Farukh Ruzimatov, Gediminas Taranda and Ilze Liepa, Lyudmila Gurchenko and Evgeny Mironov , Inna Churikova and Lyubov Kazarnovskaya and many other cultural figures of Russia.

The ensemble “Russian Seasons” is a welcome guest in many countries around the world. Having once performed somewhere, “Russian Seasons” return there more than once with concerts, each time causing delight and admiration of the public. Over the 24 years of its existence, the ensemble has performed more than 2,000 concerts in Russian cities, visited the USA 16 times, Latin America and France - 8, Israel - 6, toured three times in Germany, Italy, Finland, Morocco, Japan, Vietnam, Hong Kong, and gave concerts in Spain, Greece, Jordan, Kenya, Mongolia, Turkey, Armenia and many other countries of the world.

The ensemble became a multiple winner of international art festivals in Russia and Belarus (Vitebsk), Spain (Palma de Mallorca), France (Fort de France, Carcassonne) and Jordan (Jarash). In 2006, the dance ensemble “Russian Seasons” was awarded the “National Treasure of Russia” award.

Nikolay ANDROSOV

In the past, he was a soloist of the Folk Dance Ensemble under the direction of Igor Moiseev, now he is a choreographer, laureate of international competitions, and Honored Artist of Russia. Founder and director of the Russian Seasons ensemble.

Nikolai Androsov was born on October 30, 1963 in Moscow (Russia). From the age of seven he became interested in dancing.

In 1982, N. Androsov graduated from the choreographic school at the State Academic Folk Dance Ensemble of the USSR under the direction of I. A. Moiseev. Even before his graduation, in 1981, Nikolai was enrolled in the troupe of Igor Moiseev, where he spent the next ten years of his professional activity. As one of the leading dancers of the I. Moiseev Ensemble, he traveled to many countries of the world. In 1990, N. Androsov graduated with honors from the Russian Academy of Theater Arts named after N.V. Lunacharsky (GITIS) with a degree in director and choreographer.

As a choreographer, he worked with such outstanding figures of the world theater as Maya Plisetskaya, Andris Liepa, Galina Shlyapina, Tatyana Chernobrovkina, Ilya Kuznetsov, Khasan Usmanov, Vera Timosheeva, Farukh Ruzimatov, Ulyana Lopatkina, Vladimir Vasiliev, Vadim Bondar (Germany), Consuelo D'Avilland (France), Marihiro Iwato (Japan) and many others.

In September 1991, Nikolai Androsov and a group of other dancers left I. Moiseev’s team and became one of the founders and initiators of the creation of a new dance troupe, which later became known as “Russian Seasons”. N. Androsov became the artistic director and chief choreographer of the dance ensemble and holds this position to this day.

In addition, Nikolai Androsov works as a choreographer on the dramatic stage, in musicals, in films, and also with figure skating stars. I tried myself as a director of an opera performance (“Faust” at the Galina Vishnevskaya Opera Singing Center). The experience turned out to be successful. However, choreographer and director Androsov probably succeeds in everything. It is not for nothing that today he is one of the most sought-after choreographers both in Russia and abroad. It’s rare to see a representative of this profession accomplish so much: more than 100 productions for the Russian Seasons ensemble, more than 50 as a guest choreographer. The most famous works: the ballet “The Little Humpbacked Horse” (Bolshoi Theater of Russia), choreography for performances by Valery Fokin (Moscow Theater Center named after V. E. Meyerhold), Roman Kozak, Roman Viktyuk, Nina Chusova, Peter Stein, Mikhail Kozakov.

The dance ensemble “Russian Seasons” was organized in 1991 by a group of enthusiasts with the goal of further developing the deepest traditions of the Russian dance school. Today the dance ensemble “Russian Seasons” is one of the leading groups in Russia.

The artistic director and chief choreographer of the ensemble is one of the best choreographers in the country, Honored Artist of Russia, laureate of international competitions Nikolai Nikolaevich Androsov. He learned the art of choreography from the age of 6, starting with the Song and Dance Ensemble named after V.S. Loktev, then at the Choreographic School-Studio at the State Academic Folk Dance Ensemble of the USSR under the direction of I.A. Moiseev, after which he became the leading soloist of the GAANT of the USSR under the direction of I.A. Moiseeva. In 1990 he graduated with honors from the Russian Academy of Theater Arts (GITIS) with a degree in director and choreographer (course of Professor A.A. Borzov).

“Russian Seasons” brilliantly passed the difficult path of formation of a young team, with which N.N. Androsov performed more than 400 productions on the best stages of the world (Bolshoi Theater of Russia, Mariinsky Theater, Vienna Opera, Rome Opera, etc.). Among them are one-act and two-act ballets, musical and dramatic performances, musicals, concert programs, etc. In 2000, the ensemble was nominated to receive the Golden Mask Award in the category “Best Collaborative Production” for its performance of the ballet “The Rite of Spring” by I. Stravinsky, staged by Japanese choreographer Mina Tanaka. The ensemble's artists have behind them such works as the project “The Return of the Firebird” together with Andris Liepa, “The Gospel of the Evil One” together with Vladimir Vasiliev, “Bolero”, “Slavic Dances”, “Judas”, “Arimoya”, ballet by P. AND. Tchaikovsky "The Nutcracker".

In the first 10 years, the band successfully performed on long tours of the United States three times, and since 2002 has been invited to tour the United States many times. The art of “Russian Seasons” was enthusiastically received by viewers in Spain, Argentina, Israel, Turkey, Egypt, Greece, Chile, Hong Kong, Finland, Taiwan, Kenya, Japan, France, Germany and other countries.

The creative successes of the Honored Artist of the Russian Federation, the founder and artistic director of the Choreographic School at the Moscow State Theater "Russian Seasons" Nikolai Nikolaevich ANDROSOV, were awarded the Prize for the best modern choreography of the International Competition of Ballet Artists and Choreographers "Maya", the "National Treasure of Russia" Prize, the Order of S. Diaghilev, Order “For Service to Art” (“Silver Star”), diploma from the Moscow Government.