The moral character and life ideals of Famus society. Chatsky’s life ideals in the comedy “Woe from Wit” by Griboyedov Family values ​​of Chatsky and Famusov

The comedy "Woe from Wit" reflects the brewing split in noble society. The change from one century to another, the end of the War of 1812, required landowners to reassess values ​​and change their outlook on public life. In this regard, nobles appear who want to improve the position of Russia by increasing the value of the human personality and civic consciousness. The struggle between two groups of nobles is designated in the play as a clash of the “present century” with the “past century.” In the comedy "Woe from Wit" Chatsky and Famusov are the main opponents.

The Problem of the Mind in Comedy

A.S. Griboedov wrote about his work: “In my comedy there are 25 fools for one sane person.” By “sensible person” Griboyedov means the main character of the comedy - Alexander Andreevich Chatsky. But in the process of analyzing the work, it becomes clear that Famusov cannot be called a fool. Since Griboedov put his own thoughts and ideals into the image of Chatsky, the author finds himself completely on the side of the protagonist. However, both Chatsky and Famusov have their own truth, which each of the heroes defends. And each of them has their own mind, it’s just that Chatsky’s mind and Famusov’s mind differ in quality.

The mind of a nobleman, adhering to conservative views and ideals, is aimed at protecting his comfort, his warm place from everything new. The new is hostile to the old way of life of the feudal landowners, because it threatens its existence. Famusov adheres to these views.

Chatsky, on the other hand, is the owner of an effective, flexible mind, aimed at building a new world in which the main values ​​will be the honor and dignity of a person, his personality, and not money and position in society.

Values ​​and ideals of Chatsky and Famusov

The views of Chatsky and Famusov differ sharply on all issues related to the nobleman’s way of life. Chatsky is a supporter of education, enlightenment, he himself is “sharp, smart, eloquent,” “writes and translates well.” Famusov and his society, on the contrary, consider excessive “learning” harmful to society and are very afraid of the appearance of people like Chatsky in their midst. The Chatskys threaten Famusov’s Moscow with the loss of its usual comfort and the opportunity to spend life “in feasts and in extravagance.”

The dispute between Chatsky and Famusov also flares up around the attitude of the nobles to the service. Chatsky “does not serve, that is, he does not find any benefit in that.” The main character of the comedy explains it this way: “I would be glad to serve, but being served is sickening.” But conservative noble society is structured in such a way that without “serving” it is impossible to achieve anything. Chatsky wants to serve “the cause, not individuals.”

But Famusov and his supporters have a completely different view on the issue of service.

Famusov’s ideal is his late uncle Maxim Petrovich. He earned the respect of the empress herself because he once behaved like a buffoon at a reception. Having stumbled and fallen, he decided to turn this awkward situation to his advantage: he fell several more times on purpose to make the audience and Empress Catherine laugh. This ability to “curse the favor” brought Maxim Petrovich enormous wealth and weight in society.

Chatsky does not accept such ideals; for him this is humiliation. He calls this time an age of “submission and fear” that clamps down on human freedom. The hero’s comparison of the “present century” and the “past century” does not turn out to be in favor of the latter, because now “everyone breathes more freely and is in no hurry to fit into the regiment of jesters.”

Family values ​​of Chatsky and Famusov

The clash between Famusov and Chatsky also occurs over the divergence of their views on family values. Famusov believes that when creating a family, the presence of love is not at all important. “Whoever is poor is not a match for you,” he tells his daughter. Both in society and in the family, money is at the forefront. Wealth for Famus society is the same as happiness. Personal qualities do not matter either in the world or in the family: “Be bad, but if there are two thousand family souls, that’s the groom.”

Chatsky is a supporter of living feelings, which is why he is terrible for Famusov’s Moscow. This hero puts love above money, education above position in society. Therefore, the conflict between Chatsky and Famusov flares up.

conclusions

A comparative description of Chatsky and Famusov reveals all the meanness and immorality of Famusov and his supporters. But Chatsky’s time in the society described in the comedy “Woe from Wit” has not yet come. The main character is expelled from this environment, declaring him crazy. Chatsky is forced to retreat due to the numerical superiority of the “past century.” But he leaves Moscow not a loser, but a winner. Secular Moscow was frightened by his speeches. His truth is scary for them, it threatens their personal comfort. His truth will prevail, so the replacement of the old with the new is historically natural.

The clash between Famusov and Chatsky is a dispute between two generations, two different worlds. The arguments and causes of the conflict described in this article can be used by 9th grade students when writing an essay on the topic “Characterization of Chatsky and Famusov in the comedy “Woe from Wit””

Work test

Ideals and views of Chatsky (Griboyedov)

The action of A. S. Griboyedov’s comedy “Woe from Wit” takes place in those years when the split in the noble environment became more and more obvious. It was the beginning of the 20s of the XIX century.

The influence of the ideas of French enlighteners, the growth of Russian national consciousness after the War of 1812 and foreign campaigns united many young nobles in their desire to change society.

But most of the Russian nobility remained deaf or hostile to new trends. It was this situation, this conflict that Griboyedov captured in his work.

note

The main conflict of comedy is the conflict of two worldviews, the clash of the “present century” with the “past century.”

There is also a second conflict in the comedy - love (there is even a classic love triangle: Chatsky - Sophia - Molcha-lin), but it is not the main one, although both conflicts are closely intertwined and complement each other, both of them find their resolution at the end of the play.

The bearer of new, progressive ideas is Alexander Chatsky, his ideological opponent in comedy is the entire Famus society. Why was their collision inevitable? Because Chatsky's ideals and views did not and could not coincide with the views and ideals of Famusov.

First of all, they have different views on service. If for Famusov service is only a source of rank and wealth, then for Chatsky it is the civic duty of every young nobleman. Chatsky is ready to serve, but “to a cause, not to persons,” to the Fatherland, and not to a higher official.

He tried to serve, he even knew the ministers, but then he retired and broke off his previous acquaintances, as he was convinced that it was impossible to serve honestly without being served at that time. Chatsky responds to Famusov’s advice to “go serve”: “I would be glad to serve, it’s sickening to be served.”

In the monologue “And indeed, the world has begun to grow stupid,” he speaks indignantly about those officials who “not in war, but in peace, took it head on, hit the floor without regret!” Chatsky calls the past century very precisely: “The century of obedience and fear was direct.”

But for Famusov it was a “golden” age; It’s not for nothing that he sets Chatsky’s uncle Maxim Petrovich as an example, who, having stumbled at the reception, managed to make the queen laugh and win her favor.

For Skalozub and Molchalin, career is the most important thing in life, and they are ready to achieve ranks by any means, even humiliation and flattery. Skalozub’s dream is “if only I could become a general.”

Alexander Andreevich appears in the comedy as a fierce opponent of serfdom. And this is understandable: he expresses the views on the social structure of Russia not only of the author himself, but also of many of his Decembrist friends, who believed that an educated, enlightened person should not rule over other people.

Chatsky speaks with anger about a certain serf owner, “Nestor of the noble scoundrels,” who exchanged his faithful servants, who more than once saved his life and honor “in hours of wine and fights,” for “three greyhounds.”

Chatsky in the monologue “Who are the judges?” denounces those “fatherland of fathers” who, “rich in robbery,” “found protection from court in friends, in kinship, built magnificent chambers where they indulge in feasts and extravagance,” exposes “the meanest traits of their past lives.” Myself
Chatsky treats the people with great respect, he calls them “our smart, cheerful people.”

It is impossible to imagine Chatsky in the role of a serf owner; it is not for nothing that Famusov advises him not to manage the “estate by mistake.” Chatsky values ​​a person by his intelligence, education, and not by the number of serf souls or rank. Therefore, for him, a certain Foma Fomich, a famous and important official, is just “the most empty person, the most stupid.”

Chatsky stands up for personal freedom, for the right of a person to decide his own destiny: to serve or not to serve, to engage in science or art, to live in a village or in a city. Chatsky is a supporter of enlightenment, education, and all these Chatsky's views cause horror of rejection among his ideological opponents.

Chatsky's ideals and views- This Ideals and views true patriot; he speaks sarcastically about a certain Frenchman from Bordeaux, who, at an evening in Famusov’s house, told the assembled guests “how he prepared for the journey to Russia, to the barbarians, with fear and tears,” but when he arrived, “he found that there was no end to the caresses, no I didn’t meet a Russian sound or a Russian face...” This Frenchman felt like a “little king,” and Chatsky yearns with all his soul,

So that the unclean Lord destroys this spirit
Empty, slavish, blind imitation...

In the comedy, Chatsky is tragically alone, he has no supporters among the main characters, but there are two off-stage characters whom we can classify as supporters of the protagonist.

This is, first of all, Skalozub’s cousin, who unexpectedly retired and “began reading books in the village,” and Princess Tugoukhovskaya’s nephew, about whom she indignantly says: “The official doesn’t want to know! He is a chemist, he is a botanist, Prince Fyodor, my nephew.”

In a clash with Famus society, Chatsky is defeated. This defeat was inevitable, since there were still too few Chatskys in society. As I. A. Goncharov wrote in the critical sketch “A Million Torments”: “Chatsky was broken by the amount of old strength, having dealt it in turn a fatal blow with the quality of fresh strength.”

But Goncharov called people like Chatsky “advanced warriors, skirmishers” who are the first to enter battle and almost always die.

But thoughts, ideas, Chatsky's ideals and views did not go to waste, such Chatskys will come out to Senate Square on December 14, 1825, where they will collide with the world of the Famusovs, silent-liners and rock-toothed people.

Griboedov, Woe from Wit. What are the moral and life ideals of Famus society?

Woe from Wit is the famous work of Griboyedov, which depicts the life of the country after the Patriotic War of 1812. This is life where two camps collide.

The first camp is an advanced, Decembrist view, a new look at life, at its foundations. The second camp is the nobility, or the past century, they are Famus society.

It is precisely about the ideals of Famus society that we will talk about in the essay, considering both their moral and life ideals.

To understand what the ideals are in Famusov’s society, to highlight their ideals and values, it is enough to get acquainted with Griboyedov’s work. In it, the author, depicting the past century, creates images of noble nobles of Moscow who call themselves aces, they are also representatives of Famus society.

Life ideals of Famus society

Who is the person from this circle and what are their life ideals? Here we see only the rich, noble nobles, so to speak, the elite of the capital. They all come from noble families, and the ideals of these people are simple and clear.

For these people, only money is important, with the help of which they can get ranks and orders. These are people who are not famous for their services to the Fatherland, for them civic duty means nothing, the main thing is that the groom has a fatter wallet and then he will be a respected person.

Famusov, talking about the ideals of a person, says this: be inferior, but if there are two thousand family souls, he is the groom. So, Skalozub was a good candidate for a groom, because he aims to be a general, and besides, he also has a gold bag.

note

But if there is no money, if a person is poor, then Famus society will treat him with contempt. There is no need to talk about serfs at all, because they are not considered people at all, calling them blockheads and crowbars. Again, for the elite to respect you, you need wealth.

For example, Tatyana Yuryevna is respected because she throws rich balls.

Moral ideals of Famus society

If we talk about moral ideals and views in Famusov’s society, then for Famusov his uncle is the ideal, whom he sets as an example to everyone. His uncle served under Catherine, but he received his place at court not with the help of any talents or merits.

He simply sacrificed the back of his head, his neck simply bent often in bows. What’s worst is that many representatives of this environment also receive honor and wealth. The same Skolozub is no better.

According to his story, in 1813 he simply sat in hiding, and after such an outstanding feat he received a medal, and now he is awaiting the rank of general.

The ideal of Famus society is definitely not enlightenment, because enlightenment and teaching are like a plague for them. People who are engaged in science and creativity are useless people for society. Famusov believes that education only harms, so he would simply burn all the books. And they themselves don’t even read newspapers.

Famus' circle is also false patriots. They only talk about patriotism, but they themselves do nothing for the country. Although there are ranks, they are not earned in the performance of military or civil duty. Foreign words are constantly heard in their conversation, they listen to French romances, they follow French fashion.

So what characterizes Famus society? And here we can summarize. Famus society is characterized by fear of the new, fear of progress, and the ideal is ignorance and conservatism. So they live by the principle: take rewards and have fun.

Ideals of Chatsky (based on the comedy “Woe from Wit”)

Works › Griboyedov A.S. › Woe from mind

Ready Homework

In my comedy there are 25 fools for every sane person. And this man, of course, is in contradiction with the society around him, no one understands, no one wants to forgive, why he is a little higher than others.

A. S. Griboyedov

A.S. Griboyedov brought onto the stage two camps opposing each other - the camp of young Russia and the camp of the serf-owners. Their struggle was a phenomenon of Russian life in the tenths and twenties of the 19th century.

At this time, noble revolutionaries stood out from the general mass of the nobility - supporters of the fight against everything that had become obsolete in the social and political system, supporters of the fight for the new to move the country forward.

Which depicts the life of the country after the Patriotic War of 1812. This is life where two camps collide. The first camp is an advanced, Decembrist view, a new look at life and its foundations. The second camp is the nobility, or the past century, they are Famus society. It is precisely about the ideals of Famus society that we will talk about, having examined both their moral and life ideals.

To understand what the ideals are in Famusov’s society, to highlight their ideals and values, it is enough to get acquainted with Griboyedov’s work. In it, the author, depicting the past century, creates images of noble nobles of Moscow who call themselves aces, they are also representatives of Famus society.

Life ideals of Famus society

Who is the person from this circle and what are their life ideals? Here we see only the rich, noble nobles, so to speak, the elite of the capital. They all come from noble families, and the ideals of these people are simple and clear.

For these people, only money is important, with the help of which they can get ranks and orders. These are people who are not famous for their services to the Fatherland, for them civic duty means nothing, the main thing is that the groom has a fatter wallet and then he will be a respected person. Famusov, talking about the ideals of a person, says this: be inferior, but if there are two thousand family souls, he is the groom. So, Skalozub was a good candidate for a groom, because he aims to be a general, and besides, he also has a gold bag. But if there is no money, if a person is poor, then Famus society will treat him with contempt. There is no need to talk about serfs at all, because they are not considered people at all, calling them blockheads and crowbars. Again, for the elite to respect you, you need wealth. For example, Tatyana Yuryevna is respected because she throws rich balls.

Moral ideals of Famus society

If we talk about moral ideals and views in Famusov’s society, then for Famusov his uncle is the ideal, whom he sets as an example to everyone. His uncle served under Catherine, but he received his place at court not with the help of any talents or merits. He simply sacrificed the back of his head, his neck simply bent often in bows. What’s worst is that many representatives of this environment also receive honor and wealth. The same Skolozub is no better. According to his story, in 1813 he simply sat in hiding, and after such an outstanding feat he received a medal, and now he is awaiting the rank of general.

The ideal of Famus society is definitely not enlightenment, because enlightenment and teaching are like a plague for them. People who are engaged in science and creativity are useless people for society. Famusov believes that education only harms, so he would simply burn all the books. And they themselves don’t even read newspapers.

Famus’ circle is also false patriots. They only talk about patriotism, but they themselves do nothing for the country. Although there are ranks, they are not earned in the performance of military or civil duty. Foreign words are constantly heard in their conversation, they listen to French romances, they follow French fashion.

Life ideals of Famus society

A. S. Griboedov wrote his famous comedy “Woe from Wit” in the first half of the 19th century, in the midst of preparations for the December Uprising. Revolutionary sentiments already prevailed in society. It seemed to be invisibly divided into the nobility that had formed by that time and new people bringing advanced ideas to the masses. Griboyedov himself belonged to the second camp, so the main character of the work was A. A. Chatsky.

And he condemns the established worldview of rich officials.

One of these Moscow noble landowners was Pavel Afanasyevich Famusov, in whose house the entire elite of the city gathered. Thanks to this hero, the expression “Famus society” has existed for more than two centuries. Who are the people from Famusov’s circle? All of them, without exception, come from noble families, and therefore treat people who are poorer with contempt.

They have a very prejudiced attitude towards serfs. For them they are “parsleys”, “blocks”, “crowbars”, etc. Famusov himself, addressing his employees, says: “You’re welcome! You’re welcome!”

These so-called Moscow nobles boast of their patriotism, while doing nothing for the sake of the country. They didn’t even earn their ranks through gallant military service. They distort Russian names into the French style, wear dresses based on designs from foreign fashionistas, read French books, and sing French romances.

This is precisely what Chatsky condemns in them, who is unpleasant to see such false patriotism in his environment. The life ideals of Famus society can also include indifference to service and a negative attitude towards teaching. For them, people involved in science or creativity are useless subjects for society.

As Famusov says in relation to Chatsky’s “madness”: “Learning is the plague, learning is the reason that now, more than ever, there are more crazy people, and deeds, and opinions.” And everyone readily agrees with him.

To be precise, the “past” century in Griboedov’s work is represented by the families of the Tugoukhovskys, Gorichs, Khryumins, the elderly Madame Khlestova, Skalozub, Zagoretsky and Repetilov. The Tugoukhovskys come to the Famusovs’ ball to find “worthy” husbands for their daughters. The Goriches are Chatsky’s old friends, but he perceives this couple with slight irony, because Natalya Dmitrievna skillfully subjugated her husband and made him a weak-willed man.

Countesses Khryumina: grandmother and granddaughter. Chatsky especially does not like the latter for her caustic manner of remarks and imitation of French milliners. Madame Khlestova is an imperious and capricious old woman, who took with her a dog and a blackamoor girl.

A special place in comedy is occupied by Skalozub, Repetilov and Zagoretsky. The first was chosen by Famusov as a husband for his daughter Sophia, since he is rude, uneducated, uncouth, but has a good financial condition and occupies an “important” post. Zagoretsky is a former gambler, swindler and thief, and Repetilov is a thoughtless talker, who, however, was lucky to marry the daughter of a rich official. With the tacit consent of these characters, the fates of other people in the comedy are decided.

Thus, all representatives of Famus society are united by a commonality of ideals, which include inertia, lack of education, fear of progress, fear of everything that is new.

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26. Chatsky and the Famus Society The satirical comedy of Alexander Sergeevich Griboedov describes the noble society of the 10-20s of the 19th century. The main character of the work, Alexander Andreevich Chatsky, is a young, noble, honest and free-thinking person. In the comedy, he is contrasted not only with individual characters, but also with the entire Famus society, which lived according to the traditions of the “past century.” Famusov, in whose house the events unfolded, [...]
27. In the play “Woe from Wit” there are several conflicts, whereas a necessary condition for a classic play was the presence of only one conflict. “Woe from Wit” is a comedy with two storylines, and at first glance it seems that there are two conflicts in the play: love (between Chatsky and Sophia) and social (between Chatsky and Famus’s society). The play begins with the beginning of a love conflict […]...
28. The entire action of the drama takes place in Moscow in Famusov’s house, where our character actually lives. The author does not give a complete description of his appearance, but from small phrases we can understand that Famusov is an elderly man, corpulent, loud-voiced, with ash-gray hair “...Look at me: I don’t boast about my build, but I’m vigorous and fresh, and lived to see […]...
29. Chatsky Alexander Andreevich is the main character of Griboyedov’s comedy “Woe from Wit”. Returning to his homeland, to Famusov’s house, where he once met his first love, he hopefully tries to return the feelings of Sophia, who by that time no longer loved him. Having encountered lies, deceit, hypocrisy, and lack of education on his way, he furiously begins to express his opinion about […]...
30. 1. Moscow “society” values ​​​​its nobility and reliably protects serfdom ideals. Griboyedov emphasizes the cruelty of landowners towards serfs. “Strangers” - Molchalin, Zagoretsky - must be hypocritical, please, pretend. 2. Representatives of Famusovskaya Moscow view service as a means of “getting rank,” “winning awards and having fun.” 3. The main human value in the Moscow world is the “golden bag”, and […]...
31. The main characters of the comedy “Woe from Wit” are Chatsky and Famusov. A. S. Griboyedov shows the clash between Chatsky’s mind and the stupidity of Famus society. Famus society is characterized by deceit, stupidity, ignorance and unwillingness to overcome its shortcomings. This is proven by many comedy episodes. The main ideologist Famusov says: Tell me that it’s not good for her to spoil her eyes And reading is of little use: She […]...
32. The heroine of Griboyedov’s play “Woe from Wit” Sophia is presented in the work quite ambiguously. Her image is indeed contradictory. What is this contradiction? On the one hand, she was greatly influenced by the environment in which her ideals were formed. She was raised by the Famus society and largely learned the rules of life and behavior of this world. One of these ideals is “a husband-boy, [...]
33. The main theme of the play “Woe from Wit” is the conflict of a strong personality with the philistine views of the surrounding society. This is most clearly shown in the example of Famusov’s house. Chatsky came into the silence of this house with his stormy and sincere feelings. He found himself an uninvited guest in a society where everything is built on pretense and lies. Sophia hides her love for Molchalin, father […]...
34. In what ways do the views on life of Chatsky and the “Famus society” differ? Describe the social and moral ideals of various heroes. The outright immorality of the opportunistic bureaucrat Molchalin, the lack of spirituality of the “silovik” Skalozub - all this is a Russian reality that the official, military man and thinker Griboyedov knew from the inside. He also knew the “imported” romantic ideas with which Chatsky, who returned from abroad, was filled with them. The writer gives them their due, shows [...]
35. In his monologue, Chatsky touches on many issues of 19th century society. At the beginning of the monologue, Chatsky talks about old judgments, that people’s worldview has still not changed “since the time of the Ochakovskys and the conquest of the Crimea.” Further, he points out the incorrect moral values ​​of “Famus society”, saying that the rich gain wealth by stealing and silence all those […]...
36. It is no coincidence that A. S. Griboedov chooses Famusov’s last name. In Latin, “fama” sounds like “rumor,” and “famosus” means “famous” in Latin. Knowing this, every reader understands from the first lines of the work that we are talking about an important person occupying a high position in society. A titled landowner, a rich gentleman, related to the eminent nobleman Maxim Petrovich, Pavel […]...
37. The characters of Chatsky and Molchalin are opposed to each other. Chatsky is undoubtedly the main character of the comedy, because it was with his appearance that events in Famusov’s house begin to develop. Chatsky is not a rich man by origin, but this is not the main thing for him. Others speak well of him: “Who is so sensitive and cheerful and sharp...” He used to serve as an official, but left the service […]...
38. Chatsky comes to Moscow, hoping for big changes in society, and for Sophia to remain the same. But he finds himself in a completely different situation. Sophia turned everything that happened into laughter, but in the city everything remained unchanged. Chatsky does not immediately notice the change that has happened to Sophia. For her sake, after so many years, he came to Moscow, which never attracted him, [...]
39. The comedy “Woe from Wit” by Griboedov initially had a frivolous, comedic character. But at the end of the work it becomes clear that it is dramatic and carries a deep meaning. The expression “woe from wit” sounds somewhat paradoxical, because what grief can there be from the fact that a person is smart and educated? But it turns out that it can! And Alexander Sergeevich Griboyedov is excellent [...]
40. Griboyedov wrote his comedy over several years. The author carried out tireless monitoring of the development trends of society and its aspirations. The result of these observations was the writing of the brilliant work “Woe from Wit,” reflecting the interaction and contradiction of representatives of such worlds as the minions of feudalism and the progressive nobility. Defenders of serfdom cannot come to terms with the fact that the time of slavery has passed […]...