The image and characteristics of Raskolnikov in Dostoevsky’s novel “Crime and Punishment. Essay by Raskolnikov in the novel Crime and Punishment (Image and Characteristics) Dostoevsky Crime and Punishment Rodion Raskolnikov

(392 words)

The main character of the novel F.M. Dostoevsky's student is Rodion Raskolnikov. It is through the narration of the fate of this character that the writer tries to convey his thoughts to the reader.

The entire work is, in fact, an exposure of the first Nietzschean ideas that gained some popularity at the end of the 19th century. It is no coincidence that the hero comes from a student environment, which is most exposed to a wide variety of trends and worries.

Rodion is an attractive, intelligent, but extremely poor young man; he lives in a squalid apartment and cannot continue his studies. The idea of ​​the superiority of some people over others takes root in the hero’s head. He, of course, places himself in the highest category, and considers the rest to be a useless gray mass. Following his own logic, the Nietzschean theorist decides to kill the vile old woman in order to use her money for good causes.

However, Dostoevsky immediately shows the hero’s struggle with himself. Raskolnikov constantly doubts, then abandoning this idea, then returning to it again. He sees a dream in which he, as a child, cries over a slaughtered horse, and understands that he cannot kill a person, but having accidentally heard that the old woman will be home alone, he nevertheless decides to commit a crime. Our hero has developed an impeccable plan, but it all ends in a real massacre: he kills not only Alena Ivanovna, but also her pregnant sister, and runs away in panic, taking with him only a handful of jewelry. Raskolnikov is not a villain or a madman, but lack of money, illness and hopelessness drive him to despair.

Having committed a crime, Rodion loses peace. His illness worsens, he is bedridden and suffers from nightmares in which he relives what happened again and again. The ever-increasing fear of exposure torments him, and the hero’s conscience torments him from within, although he himself does not admit it. Another feeling that became an integral part of Raskolnikov was loneliness. Having crossed the law and morality, he separated himself from other people, even his best friend Razumikhin, his sister Dunya and mother Pulcheria become strangers and incomprehensible to him. He sees his last hope in the prostitute Sonya Marmeladova, who, in his opinion, also transgressed the law and morality, and therefore can understand the killer. Perhaps he was hoping for an acquittal, but Sonya calls on him to repent and accept punishment.

In the end, Raskolnikov becomes disillusioned with himself and surrenders to the police. However, Rodion still continues to believe in his theory about “those with the right” and “trembling creatures.” Only in the epilogue does he come to realize the meaninglessness and cruelty of this idea, and, having renounced it, the hero embarks on the path of spiritual rebirth.

It is through the image of Raskolnikov that Dostoevsky overthrows egocentrism and Bonapartism, and elevates Christianity and philanthropy.

Schoolchildren meet the proud romantic Rodion Raskolnikov, who imagines himself the “arbiter of destinies,” in the 10th grade. The story of the murder of an old pawnbroker, which happened in St. Petersburg in the mid-60s of the 19th century, leaves no one indifferent. gave world literature the most prominent representative of the personality in which “the devil fights with God.”

History of creation

Fyodor Mikhailovich conceived his most famous work, which is respected in every corner of the world, in hard labor, where he ended up for participating in Petrashevsky’s circle. In 1859, the author of the imperishable novel wrote to his brother from Tver exile:

“I’ll start a novel in December. (...) I told you about one confessional novel that I wanted to write after everyone else, saying that I still had to experience it myself. My whole heart and blood will pour into this novel. I conceived it while lying on my bunk, in a difficult moment of sadness and self-destruction.”

The convict experience radically changed the writer's beliefs. Here he met with personalities who conquered Dostoevsky with the power of spirit - this spiritual experience was to form the basis of the new novel. However, his birth was delayed for six years, and only when faced with complete lack of money did the “parent” take up his pen.

The image of the key character was suggested by life itself. At the beginning of 1865, the newspapers were full of the terrifying news that a young Muscovite named Gerasim Chistov had killed with an ax a washerwoman and a cook who were working for a common woman. Gold and silver items, as well as all the money, disappeared from the women's chests.

The list of prototypes was supplemented by the French killer. From Pierre-François Lacenaire, Dostoevsky borrowed the “high ideals” that underlie crimes. The man did not see anything reprehensible in his murders; moreover, he justified them, calling himself a “victim of society.”

And the main core of the novel appeared after the publication of the book “The Life of Julius Caesar,” in which the emperor expresses the idea that the powers that be, unlike the “gray mass of ordinary people,” are endowed with the right to trample moral values ​​and even kill if they consider it necessary . This is where Raskolnikov's theory of the “superman” came from.

At first, “Crime and Punishment” was conceived in the form of a confession of the main character, which did not exceed five or six printed pages in volume. The author mercilessly burned the completed initial version and began to work on an expanded version, the first chapter of which appeared in January 1866 in the Russian Messenger magazine. After 12 months, Dostoevsky put an end to his next work, consisting of six parts and an epilogue.

Biography and plot

Raskolnikov's life is unenviable, like that of all young people from poor families of the 19th century. Rodion Romanovich studied to become a lawyer at St. Petersburg University, but due to extreme need he had to quit his studies. The young man lived in a cramped attic closet in the Sennaya Square area. One day he pawned the old pawnbroker Alena Ivanovna's last valuable thing - his father's silver watch, and that same evening in a tavern he met an unemployed drunkard, former titular councilor Marmeladov. He spoke about the terrible tragedy of the family: due to lack of money, his wife sent her daughter Sonya to the panel.

The next day, Raskolnikov received a letter from his mother, which outlined the troubles of his family. In order to make ends meet, sister Dunya is going to be married off to the calculating and already middle-aged court councilor Luzhin. In other words, the girl will be sold, and with the proceeds Rodion will have the opportunity to continue his studies at the university.

The goal of killing and robbing the pawnbroker, born even before meeting Marmeladov and the news from home, became stronger. In his soul, Rodion experiences a struggle between disgust for the bloody act and the high idea of ​​​​saving innocent girls who, by the will of fate, play the role of victims.

Raskolnikov nevertheless killed the old woman, and at the same time her meek younger sister Lizaveta, who came to the apartment at the wrong time. The young man hid the stolen goods in a hole under the wallpaper, without even finding out how rich he was now. Later, he prudently hid money and things in one of the St. Petersburg courtyards.

After the murder, Raskolnikov is overtaken by deep spiritual experiences. The young man was going to drown himself, but changed his mind. He feels an insurmountable gap between himself and people, falls into a fever and even almost confesses to the murder to the clerk of the police station.

Exhausted from fear and at the same time from a thirst for exposure, Rodion Raskolnikov confessed to the murder. The compassionate girl failed to persuade the young man to come to the police and confess, because he intended to “fight some more.” But soon he could not stand it, paying for the double murder with hard labor in Siberia. Sonya followed Raskolnikov, settling next to his place of imprisonment.

Image and main idea

Dostoevsky gives an accurate description of Raskolnikov's appearance: he is a handsome young man with delicate features and dark eyes, above average height, slender. The impression is spoiled by the poor clothes and the malicious contempt that flashes every now and then on the hero’s face.

The psychological portrait of Rodion Romanovich changes throughout the narrative. At first a proud personality appears, but with the collapse of the theory of the “superman”, pride is pacified. Deep down, he is a kind and sensitive person, he devotedly loves his mother and sister, once saved children from a fire, and gave his last money for Marmeladov’s funeral. The thought of violence is alien and even disgusting to him.

The hero painfully thinks about the Napoleonic idea that humanity is divided into two parts - ordinary people and arbiters of destinies. Raskolnikov is worried about two questions: “Am I a trembling creature or do I have the right?” and “is it possible to commit a small evil for the sake of a great good?”, which became the motives for his crime.

However, the “ideological killer” soon realizes that it is impossible to break moral laws without consequences; he will have to go through the path of spiritual suffering and come to repentance. Raskolnikov can safely be called a marginalized man who failed to defend his own convictions. His teaching and rebellion were a fiasco, the drawn theory did not stand the test of reality. By the end of the novel, the characteristics of the main character change: Rodion admits that he turned out to be a “trembling creature,” an ordinary person with weaknesses and vices, and the truth is revealed to him - only humility of heart leads to the fullness of life, to love, to God.

Film adaptations

The main characters of the novel “Crime and Punishment” appeared in many films of Russian and foreign cinema. The work debuted in its homeland in 1910, but modern lovers of Dostoevsky’s work lost the opportunity to watch the work of director Vasily Goncharov - the picture was lost. Three years later, Raskolnikov again “called” the audience to the cinemas, introducing himself in the person of the artist Pavel Orlenev.

But these were insignificant films. The chronicle of glorious film works based on the imperishable novel was opened by the film by Pierre Chenal with Pierre Blanchard in the title role. The French managed to convincingly convey the image of Raskolnikov and the tragedy of the Russian work; the actor was even awarded the Volpi Cup. Slovakian Peter Lorre and Frenchman starred in two more foreign films “Crime and Punishment”.

Soviet cinema became famous for the two-part film by Lev Kulidzhanov: he committed a crime, who worked on the set together with (Porfiry Petrovich), Tatyana Bedova (Sonechka Marmeladova), (Luzhin), (Marmeladov) and other famous actors. This role gave Taratorkin popularity - before it, the young actor worked modestly at the Leningrad Youth Theater and managed to act in films only once. The picture from all the scattering of productions on the theme of the work of Fyodor Mikhailovich was recognized as the most successful.

The beginning of the 2000s was marked by a boom in the creation of films based on classic works. The directors did not ignore Dostoevsky. “Crime and Punishment” was filmed in eight episodes by Dmitry Svetozarov. In the 2007 film, the role of Rodion Raskolnikov went to, Sonya Marmeladova played, and Porfiry Petrovich. The film was received coldly by critics, calling it controversial. In particular, the song accompanying the credits was confusing:

“Whoever dares a lot is right, he is the ruler over them.”

• The magazine "Russian Messenger" owes Dostoevsky's novel its rise in popularity. After the publication of Crime and Punishment, the publication acquired 500 new subscribers - an impressive number for those times.
• According to the author's original idea, the novel had a different ending. Raskolnikov was supposed to commit suicide, but Fyodor Mikhailovich decided that such an outcome was too simple.

• In St. Petersburg at the address st. Grazhdanskaya, 19 – Stolyarny lane, 5 there is a house called Raskolnikov’s house. It is believed that the main character of the novel lived there. There are exactly 13 steps leading to the attic, as it is written in the book. Dostoevsky also describes in detail the yard where his character hid the loot. According to the writer’s memoirs, the courtyard is also real - Fyodor Mikhailovich noticed this place when he relieved himself there during a walk.

• Georgy Taratorkin was approved for the role based on a photograph. The actor was in the hospital with a serious illness, the diagnosis was disappointing - according to doctors' forecasts, his legs would have to be amputated. In the photo, Taratorkin impressed the director with his sickly, haggard face, which is how Raskolnikov appeared to him. When the young actor received the good news that his candidacy had been approved, he immediately rose to his feet. So the role saved the man’s limbs.
• In Kulidzhanov's film, the episode of Raskolnikov's destruction of evidence after the murder is accompanied by a muffled rhythmic knock. This sound is the heartbeat of Georgy Taratorkin recorded on a tape recorder.

Quotes

“I only believe in my main idea. It consists precisely in the fact that people, according to the law of nature, are generally divided into two categories: into the lower (ordinary), that is, so to speak, into material that serves solely for the generation of their own kind, and into people proper, that is, those who have the gift or the talent to say a new word among oneself... The first category is always the master of the present, the second category is the master of the future. The first preserve the world and increase it numerically; the latter move the world and lead it to the goal.”

“A scoundrel of a man gets used to everything!”

“Science says: love yourself first, first of all, for everything in the world is based on personal interest.”

“Become the sun, everyone will see you.”

“There is nothing in the world more difficult than straightforwardness and nothing easier than flattery.”

“If you fail, everything seems stupid!”

“Who in Rus' doesn’t consider himself Napoleon now?”

“Everything is in the hands of man, and yet he blows it all away, purely out of cowardice. Curious what people fear most? They are most afraid of a new step, a new word of their own.”

Rodion Raskolnikov is one of the central characters in Fyodor Mikhailovich Dostoevsky's novel Crime and Punishment. The character of Raskolnikov is taken from life. In the second half of the nineteenth century there was a robbery of a rich house. During this robbery, the criminal killed two maids with an ax. It was this robber who became the prototype of Rodion Raskolnikov.

Raskolnikov in the work “Crime and Punishment” is a controversial character. While reading the book, the reader will ask an important question: How could a person from a decent family commit a crime?

The answer is not as simple as it seems. Rodion was an adherent of the theory of Napoleon III. The theory was that there are ordinary people and those who make history. There are no laws written for those who make history. They solemnly move towards their goal.

Rodion wanted to check what kind of person he was. “An ordinary trembling creature” or a person with the right. Rodion thought that he was a man who was making history.

By killing the old woman, Rodion tries to prove to himself not only that he is an unusual person, but also that, by committing murder, he is ridding the world of a tyrant who profits from the misfortune of others.

After the murder, Rodion feels remorse. Rodion thinks about whether he can continue to live with the stigma of a murderer. He realizes that he is not like his heroes, who sleep peacefully while sending thousands of innocent people to their deaths. He's only killed two women, but he's already looking for redemption.

Losing himself in his thoughts, Rodion begins to move away from people. He needs to find someone who can understand him. This person is Sonya Marmeladova.

Rodion's misconceptions are well revealed when the reader sees another character in front of him - Svidrigailov. His ideas are very similar to those of Rodion. Svidrigailov believes that you can do evil if the goal is good. What distinguishes him from Rodion is that Svidrigailov committed crimes more than once. He was a murderer and a swindler.

Unlike Svidrigailov, Rodion understands that all his theories and truths are lies. Sonechka Marmeladova helps him in repentance. Rodion understands that there is no greater truth than faith in God. He goes to execution, having fallen in love with Sonya.

Thus, Raskolnikov is a man who foolishly believed in the theory of the separation of people. This is a man who has a conscience, who questions his dogmas when true love appears in his life.

Option 2

In the novel “Crime and Punishment” by Fyodor Mikhailovich Dostoevsky, the central character is Rodion Romanovich Raskolnikov.

Rodion grew up in a loving but poor family. He is 23 years old, a law student, but he had to give up his studies because the young man lives on the brink of poverty.

The young man is scantily dressed, but handsome: he has a slender figure, tall stature, dark eyes and light brown hair.

At the beginning of the novel, the author describes Raskolnikov as a kind, sympathetic, intelligent, but proud person. He is no stranger to compassion for others. Due to the difficult financial situation, which left much to be desired, Rodion is withdrawn and gloomy. He finds it humiliating to accept help from his friend or elderly mother.

Despair and helplessness lead to the destruction of Raskolnikov's moral principles. He develops his own theory concerning modern society: he divides people into “trembling creatures” and “those with the right.” The former, in his opinion, are useless and “secondary,” while the latter are allowed everything, even ignoring moral principles in order to achieve a “higher goal.” Of course, Rodion considers himself to be in the second category.

Raskolnikov comes up with a way to test the boundaries of what is permitted and makes a deal with his conscience - he decides to kill. For a long time, the young man is tormented by doubts, he experiences a strong internal struggle and even thinks of abandoning the terrible undertaking, but poverty, entailing oppressive despair, drives him to madness from hopelessness. He crosses the line of morality and humanity by killing an old pawnbroker and stealing her money. Rodion takes the life of not only the elderly Alena Ivanovna, but also her pregnant sister Lizaveta.

Raskolnikov was never able to use the stolen money, although he really needed it. After committing a crime, he experiences a breakdown in his personality: he is tormented by painful remorse, and incessant nightmares force him to relive what happened again and again.

After the murder, Rodion becomes even more unsociable, he is sick of himself. Loneliness brings him to the brink of madness. He is afraid of exposure and tries to find out whether he is suspected of committing a crime. The young man trusts his secret to Sonya Marmeladova, a girl living on a “yellow ticket”. She convinces Raskolnikov to confess everything, because, in her opinion, only in this way can the path to correction and healing of the soul begin.

Rodion surrenders to the police. He repents of his actions. Now his theory seems senseless, cruel and immoral to the young man, and Raskolnikov renounces it. He is sent to hard labor, where Rodion takes the path of spiritual rebirth and atonement.

Essay Image and characteristics of Rodion Raskolnikov

Raskolnikov is a handsome young man with aristocratic features. He rented a tiny closet in the attic of a five-story building.

Raskolnikov was mired in poverty, the misery of his situation, eternal debts, led the young man to the idea of ​​crime. He wants to help his family financially, but cannot find a way. The idea of ​​instant enrichment is born and strengthened in Raskolnikov, he creates a theory in which murder will be justified. The student thinks that if he kills the old pawnbroker, he will benefit society. Possessing a calculating, inquisitive mind and a cold heart, Raskolnikov is trying to prove to himself that he is a brave and decisive person, and not a “trembling creature.”

Rodion has been nurturing the idea of ​​murder for a whole month, thinking through every step, paying attention to the smallest details of the crime. Sometimes true reason awakens in him, and he renounces his theory, realizing the illegality of his actions. And yet, the desire to feel like the arbiter of destinies prevails over reason, and Raskolnikov commits a crime.

There is also a cowardly element in him, having created his own theory, he goes to kill not some strong and rich man, but a helpless old woman, whom perhaps no one will remember. Still, he is consumed by the thought that he must be held accountable for what he has done. Putting doubts aside, thinking only about easy and quick money, the young man goes to the old woman.

When committing a murder, he is attacked by fear and panic. Raskolnikov acts without taking precautions, which leads to a second murder.

Raskolnikov did not repent of the murder; he admitted his crime only in that he could not stand it and turned himself in. Only his feelings for Sonya began to break his soul, which means that Rodion is not yet a completely finished person, and has the right to spiritual and moral resurrection. Raskolnikov’s love for Sonechka touched some new strings in the young man’s soul. He felt Sonya as one with himself, and from that moment the rebirth of man began, Raskolnikov realized all the cruelty and senselessness of his crazy theory.

Option 4

In the 60s of the 19th century, reforms made huge changes in the country. A sharp social stratification began. This was especially noticeable in large cities. Some became rich, rapidly rising, while others found themselves in dire straits. The time of permissiveness and monetary relations has begun. For Dostoevsky, it was necessary to understand what result moral nihilism could lead a person to. It was to this topic that the writer devoted his work “Crime and Punishment.”

The protagonist theory had personal and social motives for committing murder. Raskolnikov was a proud, ambitious person, and at the same time he was sensitive to the suffering of others. The poor student began to look for a way that would help him get rid of this poverty. However, he wants to find a way out of this situation not only in his own favor, but also to help other people. Why did such a wild theory suddenly appear in the thoughts of a well-mannered and intelligent student? Is it because of the poverty in which he can no longer live? No. Raskolnikov, committing a criminal act, goes against the law, gaining freedom for himself. It is not without reason that the image of Napoleon appears in the novel. After all, he was indifferent to the fate of individuals, but his path helped an educated person find a way out of the current situation. Raskolnikov, unlike the emperor, wants to make not only himself happy, but also other people. He thinks that having committed a crime, he will atone for this sin with many good deeds, because the life of a simple pawnbroker is not worth a penny compared to many happy lives.

However, cold calculation and a noble soul cannot be combined at once in Rodion. His kindness and compassion for the grief of others conflict with pride and vanity, which leads our hero to such moral experiences that prevent him from turning into Napoleon. After Raskolnikov killed the old woman, he is gnawing at the feeling that he has moved away from his family. For their sake, the young man committed this crime and now they have become strangers. And the young man, instead of being proud of what he has done, finds himself completely alone. He seems to be full of dreams of repeating the fate of Napoleon, and at the same time doubts his choice. He cannot make a certain choice.

It was this doubt and indecision that brought him to the police station. Dostoevsky clearly showed here that the character’s punishment consists of his moral suffering and being alone. Only the attention and care of Sonechka Marmeladova helped bring him back to life. While he suffers, he also torments the girl. However, after some time, Raskolnikov will understand that only love will help atone for all his mental torment. Ultimately, the young man is drawn to the eternal power of good through biblical teachings.

Sample 5

Roman F.M. Dostoevsky's "Crime and Punishment" caused many controversial opinions in society because of the main character.

Rodion Raskolnikov is the central character of the novel. He is very handsome, dark brown hair, deep dark eyes, tall and slender. At the same time, he is smart, educated, proud. Loves independence. But his environment made him very withdrawn and irritable.

A young student who dreamed of becoming a great lawyer was a beggar. Due to lack of money, he is forced to quit his studies and live in a small room with minimal furnishings. His clothes are pretty worn out, but he can’t afford new ones. At first glance, it is noticeable that he is constantly thoughtful and withdrawn. His mood is always bad. Raskolnikov stopped communicating with people. He was humiliated by help from strangers.

The main character divides all people into two groups and cannot understand in any way which one he belongs to: “Am I a trembling creature or do I have the right?” These thoughts haunt him. To test his concept, Raskolnikov decides to kill his grandmother, a pawnbroker. Rodion thinks that by taking away the valuables, he will make not only himself, but all of humanity happy.

The reality turned out to be completely different. Together with his grandmother, Raskolnikov had to kill her sister Lizoveta, who had never offended anyone in her life. He was never able to use the loot, having hidden it. He is scared and ill. The conscience of the main character haunts him and leads to madness. His friends try to help him, but it turns out to be unsuccessful.

By the end of the novel, Raskolnikov has no strength left at all. He understands that he can’t fix anything and he won’t be able to live with such a burden. Rodion confesses and is sentenced to 8 years of hard labor. But he accepts the sentence with enthusiasm and serves his time with pride. After all, a completely different life awaits him in freedom, with new and pure thoughts, as well as with Sonya Marmeladova, who was able to believe that human qualities remained in Raskolnikov.

Fyodor Mikhailovich Dostoevsky, in the image of Rodion Raskolnikov, wanted to show that every person is capable of repenting of their actions and becoming a full-fledged member of society.

Essay 6

In the image of this hero of a psychological novel, the author raised problems of morality and gave his analysis of the idea of ​​a superman, popular in his time, from a Christian point of view.

Rodion Raskolnikov is a typical poor student, immersed in the then fashionable philosophical and political ideas of a radical nature. He only takes care of food and the necessities of life out of necessity. In his person, the writer, who was himself at one time sentenced to death, replaced by hard labor and conscription as a soldier, for participating in the activities of a secret society, showed a reliable image of a fighter for the reorganization of the world.

Like many Narodnaya Volya members and other political radicals, Raskolnikov is to some extent a pure and ideological person. He kills the old pawnbroker to check whether he can change the world, whether he is one of those capable of ruling and transforming, or whether he is simply a representative of the controlled masses. It is significant that, despite his extreme poverty, Raskolnikov, having embezzled a large sum of money after committing a murder, not only does not spend it, but, in general, seems to forget about its existence. He remains immersed in his ideas and thoughts. For him, as for representatives of the radical youth of that time, only this has value.

However, unlike another novel, “Demons,” in this work the author set as his main goal not to show the terrible face of a populist, ready to step over blood and morality, such as Nechaev. In the image of Raskolnikov, the writer, who himself went through a passion for radical ideas, sought to show a way out for many young people. To do this, Dostoevsky describes in detail the collapse of Raskolnikov’s views, who failed to become a superman.

It is not known for certain whether the writer himself killed anyone, but, in any case, the image of Raskolnikov contains a lot of what the author of the novel himself experienced.

Dostoevsky reliably portrayed the moment of repentance to which his hero then comes, calling on readers to feel what Raskolnikov experienced and, rejecting fashionable ideas of reorganizing society, to follow Christ.

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Rodion Raskolnikov is an erudite young man of 23 years old, whose soul is in constant search. He is not sure exactly who he is in the structure of his own invented theory about the division of the human mass into two main types: "lower people" And "actually people".

In the first category, Raskolnikov includes “trembling creatures” or “material” - law-abiding, conservative, ordinary people. Secondly, outstanding, worthy people who move the world, who have the right to even violate the laws of ethics and morality.

The hero hopes that it is destined for him to be among the “chosen ones.” But he is worried about his own indecisiveness in making decisions that violate moral standards. In fact, behind the gloomy, arrogant and proud melancholic, Raskolnikov’s second “I” is hidden - a sensitive, generous, kind person who loves his family and does not want anyone to suffer. By committing a bloody crime, Raskolnikov sought to prove to himself that he himself belongs to the second type of people, and special achievements await him ahead. However, the result disappointed the killer-theorist; remorse led him to the conclusion that he was deeply mistaken.

Role in the plot of the novel

Three years ago, Rodion Romanovich Raskolnikov, born into a poor but proud family, arrived from the deep provinces in St. Petersburg to study at the law university. A dark-eyed, brown-haired man above average height, slender in figure and pleasant in appearance, went out onto the streets of St. Petersburg in terrible rags and in a very worn hat, with stains and holes. The hero was on the verge of poverty and could no longer pay for his studies and living in a big city.

This unpleasant fact pushed him to commit a monstrous crime. Several times Rodion applied for loans to Alena Ivanovna, a stingy and unpleasant grandmother who profited from hopeless situations of people in serious need. The student killed with an ax the old woman who was lending money on interest and collateral, and her quiet sister Lisa, who accidentally witnessed the incident. An innocent person was detained for the crime he committed.

The investigator guesses about Raskolnikov’s involvement, but there is no evidence - unless you take into account the “Raskolnikov theory” and his ambiguous, nervous, depressive behavior. Rodion meets the Marmeladov family and unexpectedly finds sympathy in Sonechka, who, sacrificing her honor, earns money from the panel to feed her half-brothers and sisters. He is oppressed by the global difference in the motives of his crime and the crime of the poor girl. The state of mental split is growing every day.

Unable to reconcile with himself, Raskolnikov quarrels with his mother and sister, with his only friend, refuses Sonechka’s sympathy and, in the end, turns himself in to the police. After the trial, hard labor and exile await the hero. Sonya Marmeladova, who sympathizes with him, is going with him of her own free will to serve her sentence. Next to her, Raskolnikov will find happiness and truly repent of his sins.

Quotes from Raskolnikov

Suffering and pain are always necessary for a broad consciousness and a deep heart. Truly great people, it seems to me, must feel great sadness in the world.

He is a smart man, but to act smartly, intelligence alone is not enough.

Will I be able to cross or not! Do I dare to bend down and take it or not? Am I a trembling creature or do I have the right!

The scoundrel-man gets used to everything!

-...I talk too much. That's why I don't do anything, because I chat. Perhaps, however, it’s like this: that’s why I’m chatting because I’m not doing anything.

Everything is in the hands of a person, and yet he blows it by the nose, solely out of cowardice... this is an axiom... I wonder what people are more afraid of? They are most afraid of a new step, a new word of their own...

Power is given only to those who dare to bend down and take it. There is only one thing, one thing: you just have to dare!

The more cunning a person is, the less he suspects that he will be knocked down in a simple way. The cunning man must be brought down with the simplest things.

Little things, little things that matter!.. It’s these little things that always ruin everything...

And now I know, Sonya, that whoever is strong and strong in mind and spirit is the ruler over them! Whoever dares a lot is right. Whoever can spit on the most is their legislator, and whoever can dare the most is rightest! This is how it has been done until now and this is how it will always be!

I didn’t kill the old lady, I killed myself!

If you fail, everything seems stupid!

The point is clear: for himself, for his own comfort, even to save himself from death, he will not sell himself, but for someone else he sells it! For a dear, for an adored person will sell!

Bread and salt together, but tobacco apart.

In a word, I conclude that everyone, not just great people, but also people who are a little out of the rut, that is, even a little bit capable of saying something new, must, by nature, certainly be criminals - more or less, of course.

(408 words) In his novel “Crime and Punishment” F.M. Dostoevsky talks about the fate of a simple St. Petersburg student Rodion Raskolnikov. Through this hero, the author reflected the destructive state of the intelligentsia and youth of his time.

Rodion is young, attractive, smart, but limited in funds: he is forced to live in a squalid room and cannot continue his studies. At some point, due to the despair generated by the horrors happening around the main character, the idea of ​​dividing people into higher and lower is born in Raskolnikov’s head. Rodion’s pride forces him to consider himself one of those “who have the right.” Wanting to bring his theory to life, first of all, for the sake of self-affirmation, he decides to kill a greedy old woman who is profiting from the misfortunes of others. Raskolnikov wants to help many people who are dependent on Alena Ivanovna, and use the money received for the benefit of others. The hero enters into a battle with himself, he constantly doubts, experiencing horror at the need to kill a person, but cannot discard this thought. A series of dreams filled with symbolism either strengthens or weakens his confidence in his own great destiny. And only an accidentally heard phrase that the old woman will be at home pushes Rodion to a fatal act. From the very beginning, Raskolnikov's plan fails, and the main character flees the crime scene in horror, taking only a few jewelry. So Dostoevsky showed that the character’s idea was doomed from the very beginning. The criminal is not an evil genius, but just an unfortunate man driven to despair.

After committing a crime, the hero’s internal struggle not only does not weaken, but even intensifies, chaining him to bed. Raskolnikov's life turns into a cycle of fear and torment. Paranoia and pangs of conscience gradually drive the main character crazy. But even more than the horror of retribution, he is oppressed by loneliness. Rodion realizes that, having stepped over the law and morality, he separated from society and family. At this moment, Raskolnikov begins to become interested in the prostitute Sonya Marmeladova, who, in his opinion, also transgressed the law and morality. Hoping for an acquittal on her part and wanting to get rid of the feeling of guilt, Rodion confesses to his interlocutor of his crime. However, the exemplary Christian Sonya, pitying Raskolnikov, at the same time calls on him to repent and accept punishment. Under her influence, he breaks down and surrenders to justice.

However, disappointed in himself, Rodion does not give up on his theory. In Siberia, he falls into embitterment, despising not only other convicts, but also Sophia, who loves him. However, through a dream, he realizes all the delusions, and, renouncing his past views, the hero is reborn and takes a new path.

It is with the help of the image of Raskolnikov that Dostoevsky exposes the problems of Russian society. But at the same time, it shows how they can be solved, overthrowing egocentrism and elitism and elevating Christianity and philanthropy.

The short essay from the Many-Wise Litrekon is written according to all school canons, but perhaps you know how to improve it. If so, write about it in the comments.