The image of Tatyana Larina. Characteristics of Tatyana Larina Portrait of Tatyana Larina in the novel Eugene Onegin

Tatyana in the novel in verse by A.S. Pushkin's "Eugene Onegin" is truly the ideal of a woman in the eyes of the author himself. She is honest and wise, capable of an ardent feeling and nobility and devotion. This is one of the highest and most poetic female images in Russian literature.

At the beginning of the novel, Tatyana Larina is a romantic and sincere girl who loves solitude and seems like a stranger in her family:

Dika, sad, silent,
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl.

Of course, in the Larin family, where serious and deep feelings are not honored, no one understood Tanya. Her father is unable to understand her enthusiasm for reading, and her mother herself did not read anything, but heard about books from her cousin and loved them in absentia, at a distance.

Tatyana grew up and, in fact, like a stranger to Larin. No wonder she writes to Onegin: "No one understands me." She is thoughtful, reads a lot, partly romance novels and shaped her idea of ​​love. But real love is far from always similar to love stories from books, and men from novels are extremely rare in life. Tatyana seems to live in her own imaginary world, talking about fashion is alien to her, playing with her sister and friends is completely uninteresting to her:

She was bored and sonorous laughter,
And the noise of their windy pleasures ...

Tatyana has her own idea of ​​an ideal world, of a beloved man, who, of course, should look like a hero from her favorite novels. Therefore, she imagines herself to be like the heroine of Rousseau or Richardson:

Now with what attention is she
Reading a sweet novel
With what lively charm
Drinking seductive deception!

Having met Onegin, the naive girl saw in him her hero, whom she had been waiting for so long:

And waited ... Eyes opened;
She said it's him!

Tatyana falls in love with Onegin from the first minutes and cannot think of anything but him:

Everything is full of them; all the maiden is cute
Incessantly magical power
Says about him.

Onegin in Tatyana's thoughts has little in common with a real man: he appears to a girl in love as either an angel, or a demon, or Grandison. Tatyana is fascinated by Eugene, but she herself “painted” his image for herself, in many ways anticipating events and idealizing her lover:

Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.

Tatyana is a romantic and naive girl with no experience in love affairs. She is not one of those women who know how to flirt and flirt with men, and she takes the object of her love with all seriousness. In her letter to Onegin, she honestly admits her feelings for him, which speaks not only of her sincerity, but also of her inexperience. She did not know how to hypocrite and hide her feelings, did not want to intrigue and deceive, in the lines of this letter she bared her soul, confessing to Onegin her deep and true love:

Another! .. No, no one in the world
I wouldn't give my heart!
That is the predestined council in the highest ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you;
I know you were sent to me by God
Until the grave you are my keeper ...

Tatyana "entrusts" her fate into the hands of Onegin, not realizing what kind of person he is. She expects too much from him, her love is too romantic, too sublime, the image of Onegin, which she created in her imagination, does not correspond much to reality.

Nevertheless, Tatyana adequately accepts Onegin's refusal, she silently and attentively listens to him, without appealing to his pity and not begging for reciprocal feelings. Tatyana speaks about her love only to the nanny, none of her family knows about her feelings for Onegin anymore. By her behavior, Tatyana evokes respect from readers, she behaves with restraint and decentness, does not hold a grudge against Onegin, does not accuse him of unrequited feelings.

The murder of Lensky and the departure of Onegin deeply wound the girl's heart, but she does not lose herself. During long walks, she reaches the Onegin estate, visits the library of the deserted house and finally reads those books that Eugene read - of course, not romance novels. Tatyana begins to understand the one who forever settled in her heart: “Isn’t he a parody?”

At the request of the family, Tatyana marries an "important general", because without Onegin "everyone was equal to her." But her conscience does not allow her to become a bad wife, and she tries to match the status of her husband, especially since her beloved man gave her fair advice: "Learn to rule yourself." It is precisely such a famous socialite, impregnable princess, that Onegin sees her upon returning from her voluntary exile.

However, even now her image in the work remains the image of a beautiful and worthy girl who knows how to be faithful to her man. In the finale of the novel, Tatyana opens up to Onegin from the other side: as a strong and majestic woman who knows how to "rule herself", which he himself taught her at one time. Now Tatyana does not follow her feelings, she restrains her ardor, remaining faithful to her husband.

In Alexander Pushkin's novel "Eugene Onegin", of course, Tatyana Larina is the main female character. The love story of this girl was later sung by playwrights and composers. In our article, the characterization of Tatyana Larina is built from the point of view of her assessment by the author and in comparison with her sister Olga. Both of these characters in the work are shown as completely opposite natures. Of course, we must not forget about the love line of the novel. In relation to Onegin, the heroine also shows us certain aspects of her character. We will analyze all these aspects further so that the characterization of Tatyana Larina is the most complete. First, let's get to know her sister and herself.

You can talk about the main character of the novel for a very long time and a lot. But the image of her sister - Olga Larina - Pushkin showed quite succinctly. The poet considers modesty, obedience, innocence and gaiety to be her virtues. The author saw the same character traits in almost every village young lady, therefore he makes it clear to the reader that he is bored of describing her. Olga possesses a banal village girl. But the author presents the image of Tatyana Larina as more mysterious and complex. If we talk about Olga, then the main value for her is a cheerful carefree life. In her, of course, there is Lensky's love, but she does not understand his feelings. Here Pushkin is trying to show her pride, which is absent if we consider the character of Tatyana Larina. Olga, this simple-hearted girl, is unfamiliar with complex mental work, therefore she reacted lightly to the death of her fiancé, quickly replacing him with the “love flattery” of another man.

Comparative analysis of the image of Tatyana Larina

Against the backdrop of the rustic simplicity of her sister, Tatyana seems to us and the author to be a perfect woman. Pushkin declares this quite bluntly, calling the heroine of his work "a sweet ideal." A brief description of Tatyana Larina is inappropriate here. This is a multifaceted character, the girl understands the reasons for her feelings and actions, and even analyzes them. This once again proves that Tatyana and Olga Larina are absolute opposites, although they are sisters and were brought up in the same cultural environment.

Author's assessment of Tatyana's character

How does Pushkin present the main character to us? Tatyana is characterized by simplicity, slowness, thoughtfulness. The poet pays special attention to such a quality of her character as faith in mysticism. Signs, legends, changes in the phases of the moon - she notices and analyzes all this. The girl loves to guess, and also attaches great importance to dreams. Pushkin did not ignore Tatyana's love of reading. Brought up on typical women's fashionable novels, the heroine sees her love as if through a bookish prism, idealizing her. She loves winter with all its shortcomings: darkness, twilight, cold and snow. Pushkin also emphasizes that the heroine of the novel has a "Russian soul" - this is an important point in order for the characterization of Tatyana Larina to be the most complete and understandable to the reader.

The influence of village customs on the character of the heroine

Pay attention to the time in which the subject of our conversation lives. This is the first half of the 19th century, which means that Tatyana Larina's characterization is, in fact, a characterization of Pushkin's contemporaries. The character of the heroine is closed and modest, and reading her description given to us by the poet, it can be noted that we learn practically nothing about the girl's appearance. Thus, Pushkin makes it clear that it is not external beauty that is important, but internal character traits. Tatyana is young, but looks like an adult and established personality. She did not like children's amusements and playing with dolls, she was attracted by mysterious stories and love suffering. After all, the heroines of your favorite novels always go through a series of difficulties and suffer. The image of Tatyana Larina is harmonious, dim, but surprisingly sensual. Such people are often found in real life.

Tatyana Larina in a love relationship with Eugene Onegin

How do we see the main character when it comes to love? She meets Eugene Onegin, already being ready for a relationship internally. She is "waiting ... for someone," Alexander Pushkin carefully points out to us. But do not forget where Tatyana Larina lives. The characteristics of her love relationships also depend on strange village customs. This is manifested in the fact that Eugene Onegin visits the girl's family only once, but people around are already talking about engagement and marriage. In response to these rumors, Tatyana begins to consider the main character as the object of her sighs. From this we can conclude that Tatyana's experiences are far-fetched, artificial. She carries all her thoughts in herself, longing and sadness live in her loving soul.

The famous message of Tatyana, its motives and consequences

And the feelings turn out to be so strong that there is a need to express them, continuing the relationship with Eugene, but he no longer comes. It was impossible for a girl to take the first step according to the requirements of etiquette of those times, it was considered a frivolous and ugly act. But Tatyana finds a way out - she writes a love letter to Onegin. Reading it, we see that Tatyana is a very noble, pure person, high thoughts reign in her soul, she is strict with herself. Evgeny's refusal to accept her love for the girl, of course, discourages, but the feeling in his heart does not go out. She tries to understand his act, and she succeeds.

Tatyana after unsuccessful love

Realizing that Onegin prefers fast hobbies, Tatyana goes to Moscow. Here we already see a completely different person in her. She overcame a blind unrequited feeling.

But in Tatyana she feels like a stranger, she is far from his fuss, brilliance, gossip and attends dinners most often in the company of her mother. Unsuccessful made her indifferent to all subsequent hobbies of the opposite sex. That whole character, which we observed at the beginning of the novel "Eugene Onegin", by the end of the work is shown by Pushkin broken and destroyed. As a result, Tatyana Larina remained a “black sheep” in high society, but her inner purity and pride could help others see her as a true lady. Her detached behavior and at the same time an unmistakable knowledge of the rules of etiquette, politeness and hospitality attracted attention, but at the same time they forced her to remain at a distance, so Tatyana was above gossip.

The final choice of the heroine

At the end of the novel "Eugene Onegin", Pushkin, completing the plot, gives his "sweet ideal" a happy family life. Tatyana Larina has grown spiritually, but even in the last lines of the novel she confesses her love to Eugene Onegin. At the same time, this feeling no longer dominates her, she makes a conscious choice in favor of fidelity to her lawful husband and virtue.

Onegin also draws attention to the "new" for him Tatyana. He does not even suspect that she has not changed, she simply "outgrew" him and "got sick" with her former painful love. Therefore, she rejected his advances. This is how the main character of "Eugene Onegin" appears before us. Her main character traits are strong will, self-confidence, kind character. Unfortunately, Pushkin showed in his work how such people can be unhappy, because they see that the world is not at all the way they would like. Tatyana has a difficult fate, but her craving for personal happiness helps her overcome all adversity.

Writing:

Every great artist strives to capture in his works the ideal of the heroine, in which they find expression better than the qualities of their people, time. Pushkin's ideal was the image of Tatyana Larina in the novel "Eugene Onegin"

For the first time the reader meets Tatyana in the second chapter, the heroine appears to us as a girl from a provincial Russian family, a simple county young lady. Her late father, a brigadier general, was "a kind fellow, belated in the past century," and her patriarchal family kept "habits of the sweet olden days," celebrating traditional Russian holidays: Maslenitsa, Trinity Day. The course of the life of the young heroine passes slowly, she reads the romantic works of Richardson and Rousseau, wonders about her betrothed, believes in signs, baptismal fears, interprets prophetic dreams according to an old book by Martyn Zadeki and loves to talk with a peasant nanny. However, from the very beginning, the author distinguishes Tatyana from an ordinary provincial family: She is in her own family
Seemed like a stranger girl
The girl does not engage in traditional girlish activities - she does not embroider, she does not play with dolls,
she is not attracted to playing burners and outdoor games with her peers, it is boring for her, but she loves to listen to the terrible stories of nanny Filipyevna. Often Tatyana spends the whole day sitting silently at the window, she is thoughtful and prefers loneliness: She loved on the balcony
Warn dawn dawn

In order to enhance the impression, the author gives a contrasting image of Tatyana's younger sister, Olga:
Eyes like the sky, blue
Smile, linen curls,
Movement, voice, light camp,
All in Olga...
Olga, of course, is presestna: modest, obedient, always cheerful, "like a kiss of love is sweet."
Tatyana, on the contrary, was not distinguished either by her sister's beauty or ruddy freshness, and could not attract attention.
However, the younger sister is internally colorless, as Eugene Onegin himself notes:
I would choose another
When I was like you, a poet.
Olga has no life in features
The inner emptiness is contrasted with the richness of Tatiana's inner world, her spiritual beauty,
kindness, moral strength and faith.

Tatyana's main occupation is reading:
She liked novels early on;
They replaced everything
Books have a strong influence on her behavior, Tatyana herself presents herself as the heroine of a romantic story, and most of her actions are a copy of the relationships that appeared before her on the pages of French literature.
However, in the cute heroine of the novel there is nothing superficial, insincere, there is no coquettish pose and a set of banal phrases of a society girl of marriageable age. Pushkin constantly emphasizes that Tatyana "loves without art", "loves without joking." With what amazing frankness and courage this modest county young lady writes to her lover, the hero of her dreams, Eugene Onegin! In the 19th century, it was not customary for young ladies to be the first to confess their
feelings. Tatyana understands that she is transgressing moral prohibitions, everything that she was taught:
Now I know in your will
Punish me with contempt...
Her pride suffers, her notions of what is right and what is wrong. In a letter written in French,
the romanticism and decisiveness so characteristic of her are manifested. She does not want to suffer in silence, but is ready to act and change the situation that does not suit her. At the same time, she believes in the nobility of Onegin: "You will not leave me."
The well-known critic Belinsky wrote in his article: "Tatyana suddenly decides to write to Onegin: a naive and noble impulse; but its source is not in consciousness, but in unconsciousness: the poor girl did not know what she was doing."
"Everything in Tatyana's letter is true, but everything is simple. The combination of simplicity with truth makes up the highest beauty and feelings, and deeds, and expressions ...", however, the critic is sure that she would not be able to understand or express her own feelings if would not have resorted to the impressions left in her memory by the novels she had read to no avail and indiscriminately.
Be that as it may, the verses at the end of the letter are beautiful: they are imbued with pure feeling, and are a combination of sincerity and simplicity:
...my destiny
From now on, I give you.
I shed tears in front of you
I beg your protection...
Despite all the honesty and courage of the message, Onegin refuses Tatyana:
In vain are your perfections:
I don't deserve them at all.
All the hopes of the poor girl are crumbling, but Yevgeny’s edifying, moralizing rebuke could not kill Tatyana’s love for him, the shattered hope did not extinguish the flame that was devouring her in her:
he began to burn the more stubbornly and intensely, the more dull and hopeless. Misfortune gave new energy to passion.
And even after Tatyana visited Onegin's village house and read his favorite books, where "Onegin's soul involuntarily expressed itself",
when the girl realized who fate sent her, the heroine continues to love this person.

But now, after a few years, we can see Tatyana in high society. Drawing the image of the Petersburg Tatyana, the author writes:
She was slow
Not cold, not talkative
Without an arrogant look for everyone,
No claim to success.
Everything is quiet, it was just in her
Married lady Tatyana grows up and changes dramatically:
No one could have her beautiful
name; but head to toe
Nobody could find it
The fact that fashion is autocratic
In the high London circle
Called vulgar
Now this is an indifferent princess, an impregnable goddess of the luxurious regal Neva, but Tatyana is indifferent to social life,
she sees the falseness that reigns in high Petersburg society.

In the famous scene of Tatyana’s decisive explanation with Onegin, we see how much this trusting girl “from the wilderness of the steppe villages” suffered a lot, changed her mind, and eventually became a wise woman in mind and heart. She retained in herself the best of the timid and simple Tanya, she remembers the past, her rural house, her old nanny, her meeting with Onegin, her
"love of insane suffering", about such a possible and close happiness.
In this explanation, Tatyana's whole being was fully expressed. Tatyana's speech begins with a reproach, in which a desire is expressed
revenge for offended pride:
Onegin, remember that hour
When in the garden, in the alley we
Fate brought, and so humbly
I have learned your lesson!
Today is my turn.
The main idea of ​​Tatyana's reproaches is the conviction that Onegin did not love her then only because
that this was not for him the charm of temptation; and now the thirst for fame leads to her feet.
All this expresses fear for one's virtue, and perhaps the most important thing in Tatyana's character and behavior is an understanding of duty, responsibility to people. These feelings take precedence over love. She cannot be happy bringing misfortune to another person, her husband, who is “mutilated in battles”, is proud of her, trusts her. She will never make a deal with her conscience.
Tatyana finds the strength in herself to calmly and dignifiedly say to her beloved and loving person the famous words of recognition and farewell:
I love you (why lie?),
But I am given to another;
I will be faithful to him forever.

The fate of Tatyana is tragic. Life brought her many disappointments, she did not find in life what she was striving for, but she did not betray herself. This is a very solid, strong, strong-willed female character. The main qualities of Tatyana are spiritual nobility, sincerity and a sense of duty.
Tatyana is the ideal woman for the poet, and he does not hide it: “Forgive me: I love my dear Tatyana so much ...”
"Harmony of Spirit" is the essence of her character and makes Pushkin's heroine a "sweet ideal", one of the attractive and vivid images of Russian and world literature.

Where the whole novel is simply permeated with the theme of love. This topic is close to everyone, so the work is read with ease and pleasure. Pushkin's work introduces such heroes as Eugene Onegin and Tatyana Larina. It is their love story that is shown to readers and we are happy to follow these complex relationships. But today let's not talk about the love of heroes, but give a brief description of this wonderful girl, the main character, whom the author called Tatyana.

Tatyana Larina is a sweet, kind girl from the provinces, who, although she grew up in a rather spacious estate, did not become arrogant and did not have a feeling of complacency. Tatyana is very attached to the nanny, the very woman who told different stories and fairy tales.

To give a complete description of Tatyana, let's turn to those quotes that are used in the novel. They will reveal to us the image of a girl who was in love with Onegin.

Tatyana Larina characterization of the hero with quotes

So, Tanya is a little wild, more often sad and silent than cheerful. She tries to be away from the society of people, is closed and prefers to remain alone. Tatyana likes to be in nature in the forest, where she likes to talk with trees, as with friends. If we continue to talk about Larina and characterize her image, then it is worth saying that Tatyana is a girl with a truly Russian nature. She has a Russian soul, she loves the Russian winter, although at the same time, like many members of the nobility, Tatyana does not know Russian well, but she speaks French well. She believes in divination and legends, she is disturbed by signs.

As a child, the girl does not play, like other children, with dolls and games, but she is well-read, educated and smart. At the same time, she really likes to read romance novels, where the characters comprehend fiery love. That's just such a hero from her novel Tatyana saw in Onegin. The girl falls in love with Eugene and even decides to write a letter. But here we do not see frivolity in the act, on the contrary, we see the simplicity of her soul and the courage of the girl.

As we have said, this is a nice girl. The author does not give her the image of a beauty in which her sister Olga is shown to us. Nevertheless, Tatyana, with her sincerity, kindness of soul, her qualities, is much more interesting than her sister. But Eugene immediately failed to appreciate Tatyana, injuring her with his refusal.

Time passes. Now we see Tatyana not as a timid girl, but as a married woman who no longer believes in fairy tales, knows how to behave in society, she holds herself majestically and inaccessibly. Here

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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of unknown life quests and aspirations. The image of Tatyana Larina is perfect for this role.

Family and childhood memories

Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of a vast secular society - she always lived in the countryside and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."

The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.

An important person for the formation of Tatyana as a person was played by her nanny Filipyevna. This woman is a peasant by birth and, perhaps, this is her main charm - she knows a lot of folk jokes and stories that so lure the inquisitive Tatyana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Naming and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.

Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.

Opinions on this issue are divided. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.

The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.

Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.

An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”

Question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.

Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such thoughts are prompted by the nanny's story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.

The appearance of Tatyana Larina

Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more interested in the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.

We offer you to get acquainted with the characteristics of the heroes of the poem by A. S. Pushkin "Eugene Onegin"

Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society spent their free time doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves to listen to the nanny's scary stories and sit by the window for hours.

Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry a certain meaning.

Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not a love story, but a dream book "Martyn Zadeka later became / Tanya's Favorite." Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: “consolations / In all sorrows she gives / And sleeps with her incessantly.”

Personality characteristic

Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. "Dika, sad, silent" - this is Tatiana's classic behavior, especially in society.

Tatyana loves to indulge in dreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.

Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.

Tatyana and Onegin

New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.

However, “early the feelings in him cooled down”, Onegin “has completely cooled down to life”, he is already bored with beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man, he seems to her descended from the pages of her love books:

Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.

Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatyana is writing a letter.

The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:

Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.

On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:

That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.

However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatyana's dream

Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.

Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes prophetic.

At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:

… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!

The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.

Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.

Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."

The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not feel a shadow of love towards this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:

"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"

Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.

Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.

Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.

Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until their meeting.

But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.

I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.

Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my fate.

However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but

Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "kind of by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events is contrary to the life principles of the girl.

Tatyana Larina in the assessment of critics

Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific-critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.

• Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from the texts of French literature."
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
  The writing style is a little childish, romantic - this is touching, because Tatyana had not known the feelings of love before that “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to help the impressions left on her.”
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
• F. Dostoevsky believes that Pushkin should have named his novel not by the name of Yevgeny, but by the name of Tatyana. Since it is this heroine who is the main character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
• V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.