Review of Catherine in the Thunderstorm drama. The image of Katerina in the drama "Thunderstorm". What Katerina is striving for

2. The image of Katerina in the play "The Thunderstorm"

Katerina is a lonely young woman who lacks human sympathy, sympathy, and love. The need for this attracts her to Boris. She sees that outwardly he does not look like other residents of the city of Kalinov, and, not being able to find out his inner essence, considers him a man of another world. In her imagination, Boris appears as a handsome prince who will take her away from the “dark kingdom” to the fairy-tale world that exists in her dreams.

In terms of character and interests, Katerina stands out sharply from her environment. Unfortunately, the fate of Katerina is a vivid and typical example of the fate of thousands of Russian women of that time. Katerina is a young woman, the wife of the merchant's son Tikhon Kabanov. She recently left her home and moved to her husband's house, where she lives with her mother-in-law Kabanova, who is the sovereign mistress. In the family, Katerina has no rights, she is not even free to dispose of herself. With warmth and love, she recalls her parental home, her maiden life. There she lived at ease, surrounded by the affection and care of her mother .. The religious upbringing that she received in the family developed in her impressionability, dreaminess, faith in the afterlife and retribution for man's sins.

Katerina found herself in completely different conditions in her husband's house .. At every step she felt dependence on her mother-in-law, endured humiliation and insults. On the part of Tikhon, she does not meet any support, much less understanding, since he himself is under the rule of Kabanikha. By her kindness, Katerina is ready to treat Kabanikha like her own mother. "But Katerina's sincere feelings are not supported by either Kabanikha or Tikhon.

Living in such an environment changed Katerina's character. Katerina's sincerity and truthfulness collide in Kabanikha's house with lies, hypocrisy, hypocrisy, rudeness. When love for Boris is born in Katerina, it seems to her a crime, and she struggles with the feeling that has washed over her. Katerina's truthfulness and sincerity make her suffer so much that she finally has to repent before her husband. Katerina's sincerity, her truthfulness are incompatible with the life of the "dark kingdom". All this was the cause of Katerina's tragedy.

". Katerina's public repentance shows the depth of her suffering, moral greatness, determination. But after repentance, her position became unbearable. Her husband does not understand her, Boris is powerless and does not go to her aid. The situation has become hopeless - Katerina is dying. Katerina's death is not to blame. One specific person. Her death is the result of the incompatibility of morality and the way of life in which she was forced to exist. The image of Katerina was of great educational value for Ostrovsky's contemporaries and for subsequent generations. He called for the fight against all forms of despotism and oppression of the human personality. an expression of the growing protest of the masses against all forms of slavery.

Katerina, sad and cheerful, compliant and obstinate, dreamy, depressed and proud. Such different states of mind are explained by the naturalness of each mental movement of this simultaneously restrained and impetuous nature, the strength of which lies in the ability to always be itself. Katerina remained true to herself, that is, she could not change the very essence of her character.

I think that the most important character trait of Katerina is honesty before herself, her husband, the world around her; it is her unwillingness to live a lie. She does not want and cannot cheat, pretend, lie, hide. This is confirmed by the scene of Katerina's confession of treason. Not a thunderstorm, not a frightening prophecy of a crazy old woman, not a fear of the fiery hell prompted the heroine to tell the truth. “The whole heart was torn! I can’t take it any longer! ” - so she began her confession. For her honest and whole nature, the false position in which she found herself is unbearable. To live just to live is not for her. To live is to be yourself. Its most precious value is personal freedom, freedom of the soul.

With such a character, Katerina, after betraying her husband, could not remain in his house, return to a monotonous dreary life, endure constant reproaches and "moralizing" Kabanikha, lose freedom. But all patience comes to an end. It is difficult for Katerina to be where she is not understood, her human dignity is humiliated and insulted, her feelings and desires are ignored. Before her death, she says: “What is home, what is in the grave - all the same ... In the grave it is better ...” She does not want death, but life is unbearable.

Katerina is a deeply religious and God-fearing person. Since, according to the Christian religion, suicide is a great sin, then knowingly committing it, she showed not weakness, but strength of character. Her death is a challenge to the “dark force”, the desire to live in the “light kingdom” of love, joy and happiness.

The death of Katerina is the result of a collision of two historical eras. By her death, Katerina protests against despotism and tyranny, her death testifies to the approaching end of the “dark kingdom.” The image of Katerina belongs to the best images of Russian fiction. Katerina is a new type of people in Russian reality in the 1860s.

The image of Katerina in the play "The Thunderstorm" contrasts perfectly with the gloomy realities of Russia in the pre-reform period. At the epicenter of the unfolding drama is the conflict between the heroine, striving to defend her human rights, and the world in which everything is ruled by strong, rich and powerful people.

Katerina as the embodiment of a pure, strong and bright folk soul

From the very first pages of the work, the image of Katerina in the play "The Thunderstorm" cannot fail to attract attention and make you feel sympathetic. Honesty, the ability to feel deeply, sincerity of nature and a penchant for poetry - these are the features that distinguish Katerina herself from the representatives of the "dark kingdom". In the main character, Ostrovsky tried to capture all the beauty of the people's simple soul. The girl expresses her emotions and feelings unpretentiously and does not use distorted words and expressions common in the merchant environment. It is not difficult to notice, the very speech of Katerina is more reminiscent of a melodic tune, she is replete with diminutive words and expressions: "sun", "grass", "rain". The heroine shows incredible sincerity when she talks about her free life in her father's house, among icons, calm prayers and flowers, where she lived “like a bird in freedom”.

The image of a bird is an accurate reflection of the state of mind of the heroine

The image of Katerina in the play "The Thunderstorm" echoes in the best possible way with the image of a bird, which symbolizes freedom in folk poetry. Talking to Barbara, she repeatedly refers to this analogy and claims that she is "a free bird that fell into an iron cage." In captivity, she is sad and painful.

Katerina's life in the Kabanovs' house. Love of Katerina and Boris

In the Kabanovs' house, Katerina, who is inherent in dreaminess and romance, feels like a completely stranger. The humiliating reproaches of the mother-in-law, accustomed to keeping all household members at bay, the atmosphere of tyranny, lies and hypocrisy oppress the girl. However, Katerina herself, who is by nature a strong, whole person, knows that there is a limit to her patience: “I don’t want to live here, I won’t do this, even though you cut me!” Barbara's words that it is impossible to survive in this house without deception cause strong rejection in Katerina. The heroine opposes the "dark kingdom", his orders did not break her will to live, fortunately, did not force her to become like other inhabitants of the Kabanovs' house and begin to be hypocritical and lie herself at every step.

The image of Katerina in the play "The Thunderstorm" is revealed in a new way, when the girl makes an attempt to escape from the "hateful" world. She does not know how and does not want to love the way the inhabitants of the "dark kingdom" do, freedom, openness, "honest" happiness are important to her. While Boris convinces her that their love will remain a secret, Katerina wants everyone to know about it, so that everyone can see. Tikhon, her husband, however, the bright feeling awakened in her heart seems to her And just at this moment the reader comes face to face with the tragedy of her suffering and torment. From this moment, Katerina's conflict occurs not only with the outside world, but also with herself. It is difficult for her to make a choice between love and duty, she tries to forbid herself to love and be happy. However, the struggle with their own feelings is beyond the strength of the fragile Katerina.

The style and laws that reign in the world around the girl put pressure on her. She seeks to repent of what she has done, to purify her soul. Seeing the painting "The Last Judgment" on the wall in the church, Katerina can not stand it, falls to her knees and begins to publicly repent of her sin. However, even this does not bring the girl the desired relief. Other heroes of Ostrovsky's The Thunderstorm are not able to support her, even a loved one. Boris refuses to Katerina's requests to take her out of here. This person is not a hero, he is simply unable to protect himself or his beloved.

Death of Katerina - a ray of light that illuminated the "dark kingdom"

Evil falls on Katherine from all sides. Constant bullying by the mother-in-law, throwing between duty and love - all this ultimately leads the girl to a tragic ending. Having managed to learn happiness and love in her short life, she is simply not able to continue living in the Kabanovs' house, where such concepts do not exist at all. She sees the only way out in suicide: the future frightens Katerina, and the grave is perceived as salvation from the torment of the soul. However, the image of Katerina in the drama "The Thunderstorm", in spite of everything, remains strong - she did not choose a wretched existence in a "cage" and did not allow anyone to break her living soul.

Nevertheless, the death of the heroine was not in vain. The girl won a moral victory over the "dark kingdom", she managed to dispel a little darkness in the hearts of people, to induce them to action, to open their eyes. The life of the heroine herself became a "ray of light" that blazed in the darkness and for a long time left its glow over the world of madness and darkness.

Why does the critic N.A. Dobrolyubov call Katerina “strong character”?

In the article "A ray of light in the dark kingdom" N.A. Dobrolyubov writes that in "The Thunderstorm" a "Russian strong character" is expressed, which amazes with "its opposite to all self-styled principles." This character is "focused and decisive, unswervingly faithful to the instinct of natural truth, full of faith in new ideals and selfless, in the sense that death is better for him than life under those principles that are repugnant to him." This is how the critic saw the character of Katerina. But is this the way the reader sees this image? And how does the character of the heroine manifest in action?

The formation of personality begins in childhood, so the author introduces into the play Katerina's story about life in her parents' house. The heroine's experiences, her state of mind, the perception of the events that happened to her as a tragedy - all this would be incomprehensible without a description of life before and after marriage. To explain the changes that took place in Katerina's soul, and her inner struggle that arose as a result of her actions, the author gives pictures of the heroine's childhood and adolescence through memories painted with light colors (as opposed to the "dark kingdom" where she is forced to live in marriage ).

Katerina considers the atmosphere of the parental home very beneficial for her development and upbringing: “I lived, I didn’t grieve about anything ... like a bird in the wild”. The occupations of this period - handicrafts, gardening, going to church, singing, talking with wanderers - do not differ much from what fills the life of the heroine in the Kabanovs' house. But behind the fence of a merchant's house there is no freedom of choice, warmth and sincerity in relations between people, there is no joy and desire to sing like a bird. Everything, as in a crooked mirror, is distorted beyond recognition, and this causes dissonance in Katerina's soul. Anger, quarrelsomeness, eternal discontent, constant reproaches, moralizing and mistrust of her mother-in-law deprived Katerina of confidence in her own righteousness and purity of thoughts, caused anxiety and mental pain. She longingly recalls a happy and calm life as a girl, how her parents loved her. Here, in the "dark kingdom", the joyful expectation of happiness, the bright perception of the world disappeared.

The love of life, optimism, the feeling of purity and light in the soul were replaced by despondency, a sense of sinfulness and guilt, fear and a desire to die. This is no longer the cheerful girl that people knew her as a girl, this is a completely different Katerina. But the strength of character is manifested even in the conditions of life behind the fence, since the heroine cannot humbly endure injustice and humiliation, accept the principles of merchant hypocrisy. When Kabanova reproaches Katerina for pretending, she objects to her mother-in-law: "What with people, what without people, I am all alone, I don’t prove anything from myself ... It’s vain to endure someone who is pleased!"

So no one talked to Kabanova, but Katerina was used to being sincere, and she wanted to remain in her husband's family. After all, before marriage, she was a life-loving and sensitive girl, she loved nature, was kind to people. That is why N.A. Dobrolyubov had reason to call Katerina a "strong character" who "amazes us with its opposite" in relation to the characters of the merchant class depicted in the play. Indeed, the image of the main character is the opposite of other female characters in the play "The Thunderstorm".

Katerina is a sensitive and romantic nature: sometimes it seemed to her that she was standing over an abyss and someone was pushing her there, down. She seemed to have a presentiment of her fall (sin and early death), so her soul is filled with fear. Falling in love with another person while married is an unforgivable sin for a believer. The girl was brought up on the principles of high morality and the fulfillment of Christian commandments, but she is used to living “by her own will,” that is, to be able to choose in actions, to make decisions on her own. That is why she says to Varvara: “And if I get pissed off here, they won't hold me back by any force. I'll throw myself out the window, throw myself into the Volga. "

Boris said about Katerina that in church she prays with an angelic smile, "but from her face it seems to shine." And this opinion confirms the peculiarity of Katerina's inner world, speaks of her difference in comparison with other heroes of the play. In her own family, where there was respect for the personality of the child, in an atmosphere of love, kindness and trust, the girl saw worthy role models. Feeling warmth and sincerity, she got used to a free life, to work without compulsion. Parents did not scold her, but rejoiced, observing her behavior and actions. This gave the confidence that she lived correctly and sinlessly, and God had nothing to punish her for. Her pure, immaculate soul was open to kindness and love.

In the Kabanovs' house, as well as in the city of Kalinov in general, Katerina falls into an atmosphere of bondage, hypocrisy, suspicion, where she is treated like a potential sinner, accused in advance of what she did not even think to do. At first she made excuses, trying to prove to everyone her moral purity, worried and endured, but the habit of freedom and longing for sincerity in relationships with people make her leave, break out of the "dungeon" first into the garden, then to the Volga, then to forbidden love. And a feeling of guilt comes to Katerina, she begins to think that, having crossed the borders of the "dark kingdom", she also violated her own ideas about Christian morality, about morality. This means that she has become different: she is a sinner, worthy of God's punishment.

For Katerina, feelings of loneliness, defenselessness, her own sinfulness and a loss of interest in life turned out to be destructive. There are no dear people around for whom it would be worth living. Caring for elderly parents or children would bring responsibility and joy into her life, but the heroine has no children, and whether her parents were alive is unknown, the play is not reported.

However, it would not be entirely correct to consider Katerina a victim of an unhappy marriage, because hundreds of women patiently accepted and endured such circumstances. It is also impossible to call her repentance to her husband, an honest confession of treason, foolishness, since Katerina could not have been otherwise, due to her spiritual purity. And suicide became the only way out because the person she loved, Boris, could not take her with him, leaving at the request of her uncle to Siberia. Returning to the Kabanovs' house for her was worse than death: Katerina understood that they were looking for her, that she would not even have time to escape, and in the state in which the unfortunate woman was, the closest path led her to the Volga.

All of the above arguments confirm the opinion of N.A. Dobrolyubov that Katerina became a victim of her own purity, although it is precisely in her purity that her spiritual strength and that inner core that the merchant Kabanova did not manage to break. Katerina's freedom-loving nature, her principles, which did not allow her to lie, put the heroine much higher than all the characters in the play. In this situation, the decision to leave a world where everything was contrary to her ideals was a manifestation of strength of character. In those circumstances, only a strong person could decide to protest: Katerina felt lonely, but she rebelled against the foundations of the "dark kingdom" and significantly shook this lump of ignorance.

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The question of choosing a soul mate has always been a problem for young people. Now we have the right to choose a companion (companion) of life ourselves, before the final decision and marriage was made by the parents. Naturally, parents first of all looked at the well-being of the future son-in-law, his moral character. Such a choice promised a wonderful material and moral existence for children, but at the same time the intimate side of marriage often suffered. The spouses understand that they should treat each other favorably and respectfully, but the lack of passion does not affect the best way. In the literature there are many examples of such dissatisfaction and searches for the realization of their intimate life.

We invite you to familiarize yourself with the summary of the play by A. Ostrovsky "The Thunderstorm"

This topic is not new in Russian literature. From time to time it is raised by writers. A. Ostrovsky in the play "The Thunderstorm" portrayed a unique image of the woman Katerina, who, in search of personal happiness under the influence of Orthodox morality and the feeling of love that has arisen, reaches a dead end.

Life story of Katerina

The main character of Ostrovsky's play is Katerina Kabanova. From childhood she was brought up in love and affection. Her mother felt sorry for her daughter, and sometimes freed her from all work, leaving Katerina to do what she wanted. But the girl did not grow up to be lazy.

After the wedding with Tikhon Kabanov, the girl lives in the house of her husband's parents. Tikhon has no father. And the mother is in charge of all the processes in the house. The mother-in-law has an authoritarian character, she suppresses all family members with her authority: her son Tikhon, and daughter Varya and young daughter-in-law.

Katerina finds herself in a completely unfamiliar world - her mother-in-law often scolds her for no reason, her husband is also not distinguished by tenderness and care - sometimes he beats her. Katerina and Tikhon have no children. The woman is incredibly upset by this fact - she likes to babysit the children.

At one point, a woman falls in love. She is married and understands perfectly well that her love has no right to life, but nevertheless, over time, she gives in to her desire while her husband is in another city.

Upon her husband's return, Katerina experiences pangs of conscience and confesses to her mother-in-law and husband in her act, which causes a wave of indignation. Tikhon beats her. The mother-in-law says that the woman must be buried in the ground. The situation in the family, which is already bleak and tense, is exacerbated to the point of impossibility. Seeing no other way out, the woman commits suicide, she drowns in the river. On the last pages of the play, we learn that Tikhon still loved his wife, and his behavior towards her was provoked by the incitement of his mother.

Appearance of Katerina Kabanova

The author does not provide a detailed description of Katerina Petrovna's appearance. We learn about the woman's appearance from the lips of other characters in the play - most of the characters consider her beautiful and adorable. We also know little about Katerina's age - the fact that she is in the prime of her life allows us to define her as a young woman. Before the wedding, she was full of aspirations, shone with happiness.

Life in her mother-in-law's house did not affect her in the best way: she noticeably faded, but was still pretty. Her girlish gaiety and cheerfulness quickly disappeared - their place was taken by despondency and sadness.

Family relationships

Katerina's mother-in-law is a very difficult person, she runs everything in the house. This applies not only to household chores, but also to all relationships within the family. It is difficult for a woman to cope with her emotions - she is jealous of her son to Katerina, she wants Tikhon to pay attention not to his wife, but to her, his mother. Jealousy eats up the mother-in-law and does not give her the opportunity to enjoy life - she is always unhappy with something, constantly nagging at everyone, especially the young daughter-in-law. She does not even try to hide this fact - those around her make fun of the old Kabanikha, they say that she tortured everyone in the house.

Katerina respects the old Kabanikha, despite the fact that she literally does not give her a pass with her nit-picking. The same cannot be said for other family members.

Katerina's husband, Tikhon, also loves his mother. The authoritarianism and despotism of his mother broke him, as did his wife. He is torn apart by feelings of love for his mother and wife. Tikhon does not try to somehow resolve the difficult situation in his family and finds solace in drunkenness and spree. The youngest daughter of Kabanikha and sister of Tikhon, Varvara, is more pragmatic, she understands that it is impossible to break through the wall with her forehead, in this case it is necessary to act with cunning and intelligence. Her respect for her mother is ostentatious, she says what her mother wants to hear, but in fact does everything in her own way. Unable to withstand life at home, Varvara escapes.

Despite the dissimilarity of the girls, Varvara and Katerina become friends. They support each other in difficult situations. Varvara incites Katerina to secret meetings with Boris, helps lovers organize dates for lovers. In these actions, Varvara does not mean anything bad - the girl herself often resorts to such dates - this is her way not to go crazy, she wants to bring at least a particle of happiness into Katerina's life, but as a result, the opposite is true.

With her husband, Katerina also has a difficult relationship. This is primarily due to Tikhon's spinelessness. He does not know how to defend his position, even if the mother's desire is clearly contrary to his intentions. Her husband has no opinion of his own - he is a "mama's son", unquestioningly fulfilling the will of the parent. He often, on the basis of his mother's incitement, scolds his young wife, sometimes beats her. Naturally, this behavior does not bring joy and harmony to the relationship of the spouses.

Katerina's discontent is growing from day to day. She feels unhappy. Understanding that the nit-picking against her is far-fetched yet does not allow her to live fully.

From time to time, intentions to change something in her life arise in Katerina's thoughts, but she cannot find a way out of the situation - the thought of suicide more and more often visits Katerina Petrovna.

Traits

Katerina has a meek and kind disposition. She doesn't know how to stand up for herself. Katerina Petrovna is a soft, romantic girl. She loves to indulge in dreams and fantasies.

She has an inquisitive mind. She is interested in the most extraordinary things, for example, why people cannot fly. Because of this, those around her find her a little strange.

Katerina is by nature patient and non-conflict. She forgives the unfair and cruel treatment of her husband and mother-in-law.

In general, those around, if you do not take into account Tikhon and Kabanikha, have a good opinion of Katerina, they think that she is a sweet and charming girl.

Striving for freedom

Katerina Petrovna has a peculiar concept of freedom. At a time when most people understand freedom as a physical state in which they are free to carry out those actions and actions that are preferable to them, Katerina prefers moral freedom, devoid of psychological pressure, allowing them to control their own destiny on their own.

Katerina Kabanova is not so decisive as to put her mother-in-law in her place, but her desire for freedom does not allow her to live according to the rules within which she found herself - the thought of death as a way of gaining freedom appears in the text several times before Katerina's romantic relationship with Boris ... The disclosure of information about Katerina's betrayal to her husband and the further reaction of a relative, in particular her mother-in-law, become just a catalyst for her suicidal aspirations.

Religiousness of Katerina

The issue of religiosity and the influence of religion on people's lives has always been quite controversial. Especially this tendency is vividly questioned in times of active scientific and technological revolution and progress.

In relation to Katerina Kabanova, this tendency does not work. A woman, not finding joy in everyday, worldly life, is imbued with a special love and reverence for religion. Strengthens her attachment to the church and the fact that her mother-in-law is religious. While the old Kabanikha's religiosity is only ostentatious (in fact, she does not adhere to the basic canons and postulates of the church that regulate human relations), Katerina's religiosity is true. She faithfully believes in the commandments of God, she always tries to observe the laws of being.

During prayer, staying in the church, Katerina experiences special pleasure and relief. At such moments, she looks like an angel.

However, the desire to experience happiness, true love prevails over the religious vision. Knowing that adultery is a terrible sin, a woman still succumbs to temptation. For happiness lasting ten days, she pays for another, the most terrible sin in the eyes of a believing Christian - suicide.

Katerina Petrovna is aware of the gravity of her act, but the notion that her life will never change forces her to ignore this prohibition. It should be noted that the thought of such an end to her life path had already arisen, but, despite the severity of her life, it was not carried out. Perhaps the fact that the pressure from the mother-in-law was painful for her played here, but the notion that it had no basis stopped the girl. After her family finds out about the betrayal - the reproaches against her become justified - she really tarnished her reputation and that of her family. Another reason for such an outcome of events could be the fact that Boris refuses the woman and does not take her with him. Katerina herself must somehow solve the current situation and she does not see the best option, how to throw herself into the river.

Katerina and Boris

Before Boris appeared in the fictional city of Kalinov, the acquisition of personal, intimate happiness for Katerina was not relevant. She did not try to make up for the lack of love from her husband on the side.

The image of Boris awakens in Katerina a fading feeling of passionate love. A woman realizes the gravity of a love relationship with another man, therefore, languish with the feeling that has arisen, but does not accept any prerequisites to turn her dreams into reality.

Varvara convinces Katerina that Kabanova needs to meet alone with her lover. The brother's sister knows very well that the feelings of young people are mutual, in addition, the coolness of relations between Tikhon and Katerina is not new to her, therefore she regards her act as an opportunity to show a sweet and kind daughter-in-law what true love is.

Katerina cannot make up her mind for a long time, but the water wears away the stone, the woman agrees to a meeting. Having found herself in captivity of her desires, reinforced by a kindred feeling on the part of Boris, a woman cannot deny herself further meetings. The absence of her husband plays into her hands - for 10 days she lived like in paradise. Boris loves her more than life, he is affectionate and gentle with her. With him, Katerina feels like a real woman. She thinks she's finally found happiness. The arrival of Tikhon changes everything. No one knows about secret meetings, but torment torments Katerina, she is seriously afraid of punishment from God, her psychological state reaches its climax and she confesses to a perfect sin.

After this event, the woman's life turns into hell - the already pouring reproaches towards her from her mother-in-law become unbearable, her husband beats her.

The woman still has a glimmer of hope for a successful outcome of the event - she believes that Boris will not leave her in trouble. However, her lover is in no hurry to help her - he is afraid to anger his uncle and be left without his inheritance, so he refuses to take Katerina with him to Siberia.

For a woman, this becomes a new blow, she is no longer able to survive it - death becomes her only way out.

Thus, Katerina Kabanova is the owner of the kindest and most tender qualities of the human soul. A woman treats the feelings of other people with special trepidation. Her inability to give a sharp rebuff becomes the cause of constant ridicule and reproaches from her mother-in-law and husband, which further drives her into a dead end. Death in her case becomes an opportunity to find happiness and freedom. Awareness of this fact causes the saddest feelings in readers.

Among all types of works with the text of the play "The Thunderstorm" (Ostrovsky), the composition causes special difficulties. This is probably because schoolchildren do not fully understand the features of Katerina's character, the uniqueness of the time in which she lived.

Let's try to understand the issue together and, based on the text, interpret the image the way the author wanted to show it.

A.N. Ostrovsky. "Thunderstorm". Characteristics of Katerina

The very beginning of the nineteenth century. The first acquaintance with Katerina helps to understand in what difficult environment she lives. A weak-willed, mother-afraid husband, a petty Kabanikha who loves to humiliate people, strangle and oppress Katerina. She feels her loneliness, her defenselessness, but with great love she remembers her parental home.

The characterization of Katerina ("The Thunderstorm") begins with a picture of urban customs, and continues with her memories of the house where she was loved and free, where she felt like a bird. But was it all that good? After all, she was given in marriage by decision of the family, and her parents could not help but know how helpless her husband is, how cruel her mother-in-law.

However, the girl, even in the stuffy atmosphere of the house-building, managed to retain the ability to love. He falls in love with the nephew of the merchant Wild. But Katerina's character is so strong, and she herself is so pure that the girl is afraid to even think about cheating on her husband.

The characterization of Katerina ("The Thunderstorm") stands out as a bright spot against the background of other heroes. Weak, weak-willed, content with the fact that Tikhon will break out of his mother's control, lying at the behest of circumstances, Barbara - each of them struggles in his own way with unbearable and inhuman morals.

And only Katerina is fighting.

First with me. At first, she doesn't even want to hear about a date with Boris. Trying to "keep himself", he begs Tikhon to take her with him. Then she revolts against the inhuman society.

The characterization of Katerina ("The Thunderstorm") is based on the fact that the girl is opposed to all the characters. She does not run secretly to parties, as the cunning Varvara does, she is not afraid of Kabanikha, as her son does.

The strength of Katerina's character is not that she fell in love, but that she dared to do it. And in the fact that, unable to maintain her purity before God, she dared to accept death contrary to human and Divine laws.

The characterization of Katerina ("The Thunderstorm") was created by Ostrovsky not by describing the features of her nature, but by the actions that the girl performed. Pure and honest, but infinitely lonely and infinitely loving Boris, she wanted to confess her love to the whole Kalinovsky society. He knew that she could wait, but was not afraid of either word of mouth or bullying that would necessarily follow her confession.

But the tragedy of the heroine is that no one else has such a strong character. Boris abandons her, preferring an ephemeral inheritance. Varvara does not understand why she confessed: she would have walked for herself on the sly. The husband can only weep over the corpse, saying "you are happy, Katya."

Ostrovsky's image of Katerina is an excellent example of an awakening personality who is trying to break out of the sticky web of a patriarchal way of life.