Who were the fathers and sons? "Fathers and Sons": characters. "Fathers and Sons": the main characters and their description. How many characters are there in Turgenev's "Fathers and Sons"? Pavel Petrovich Kirsanov

In the novel "Fathers and Sons" the characters are very diverse and interesting in their own way. This article provides a brief description of each of them. The novel "Fathers and Sons" still remains relevant. The characters in this work, as well as the problems raised by the author, are interesting in any historical period.

Bazarov Evgeniy Vasilievich

The main character of the novel is Evgeniy Vasilievich Bazarov. The reader doesn't know much about him at first. We know that this is a medical student who came to the village on vacation. The story about the time he spent outside the walls of the educational institution forms the plot of the work. First, the student visits the family of Arkady Kirsanov, his friend, and then goes with him to the provincial town. Here Evgeny Bazarov makes acquaintance with Anna Sergeevna Odintsova, lives for some time in her estate, but after an unsuccessful explanation he is forced to leave. Next, the hero finds himself in his parents' house. He does not live here for long, as longing forces him to repeat the route just described. It turns out that Eugene from the novel “Fathers and Sons” cannot be happy anywhere. The characters in the work are alien to him. The hero cannot find a place for himself in Russian reality. He returns home. Where the hero of the novel "Fathers and Sons" dies.

The characters we are describing are interesting from the point of view of the refraction of the era in their characters. What is perhaps most interesting about Eugene is his “nihilism.” For him this is a whole philosophy. This hero is an exponent of the sentiments and ideas of revolutionary youth. Bazarov denies everything, does not recognize any authorities. Such aspects of life as love, the beauty of nature, music, poetry, family ties, philosophical thinking, and altruistic feelings are alien to him. The hero does not recognize duty, right, duty.

Evgeny easily wins arguments with Pavel Petrovich Kirsanov, a moderate liberal. This hero has not only youth and a new position on his side. The author sees that “nihilism” is associated with popular discontent and social disorder. It expresses the spirit of the times. The hero experiences the melancholy of loneliness and tragic love. It is discovered that he is dependent on the laws of ordinary human life, involved in human suffering, concerns and interests, like other characters.

"Fathers and Sons" by Turgenev is a novel in which different worldviews collide. From this point of view, Evgeniy’s father is also interesting. We invite you to get to know him better.

Bazarov Vasily Ivanovich

This hero is a representative of the patriarchal world, which is becoming a thing of the past. Turgenev, reminding us of him, makes readers feel the dramatic movement of history. Vasily Ivanovich is a retired staff physician. He is a commoner by origin. This hero builds his life in the spirit of educational ideals. Vasily Bazarov lives selflessly and independently. He works and is interested in social and scientific progress. However, between him and the next generation lies an insurmountable gap, which brings deep drama into his life. Father's love does not find a response and turns into a source of suffering.

Arina Vlasevna Bazarova

Arina Vlasevna Bazarova is Evgeniy's mother. The author notes that this is a “real Russian noblewoman” of a bygone era. Her life and consciousness are subject to the norms set by tradition. This human type has its own charm, but the era to which it belongs has already passed. The author shows that such people will not live out their lives in peace. The heroine’s mental life includes suffering, fear and anxiety due to her relationship with her son.

Arkady Nikolaevich Kirsanov

Arkady Nikolaevich is Evgeniy's friend, his student in the novel "Fathers and Sons." The main characters of the work are contrasting in many ways. Thus, in contrast to Bazarov, the influence of the era in Arkady’s position is combined with the influence of the usual properties of young age. His interest in the new teaching is quite superficial. Kirsanov is attracted to “nihilism” by its possibilities, valuable for a person just entering life - independence from authorities and traditions, a sense of freedom, the right to audacity and self-confidence. However, Arkady also has qualities that are far from “nihilistic” principles: he is ingenuously simple, good-natured, and attached to traditional life.

Nikolai Petrovich Kirsanov

Nikolai Petrovich in Turgenev's novel is Arkady's father. This is an elderly man who has experienced many misfortunes, but they are his. The hero has romantic inclinations and tastes. He works, tries to transform his economy in the spirit of the times, seeks love and spiritual support. The author outlines the character of this hero with obvious sympathy. He is weak, but sensitive, kind, noble and delicate person. In relation to young people, Nikolai Petrovich is friendly and loyal.

Pavel Petrovich Kirsanov

Pavel Petrovich is Arkady's uncle, an Anglomaniac, an aristocrat, a moderate liberal. In the novel, he is Eugene's antagonist. The author has endowed this hero with a spectacular biography: social success and a brilliant career were interrupted by tragic love. After this, a change occurred with Pavel Petrovich. He gives up hopes for personal happiness, and also does not want to fulfill his civic and moral duty. Pavel Petrovich moves to the village where other characters in the work “Fathers and Sons” live. He intends to help his brother transform the farm. The hero advocates liberal government reforms. Entering into an argument with Bazarov, he defends a program that is based on noble and lofty ideas in its own way. “Western” ideas of individual rights, honor, self-respect, and dignity are combined in it with the “Slavophile” idea of ​​​​the role of the agricultural community. Turgenev believes that Pavel Petrovich’s ideas are far from reality. This is an unhappy and lonely person with a failed destiny and unfulfilled aspirations.

No less interesting are other characters, one of whom is Anna Sergeevna Odintsova. It is certainly worth talking about in detail.

Anna Sergeevna Odintsova

This is an aristocrat, a beauty, with whom Bazarov is in love. It shows the features inherent in the new generation of nobles - freedom of judgment, lack of class arrogance, democracy. To Bazarov, however, everything about her is alien, even traits that are characteristic of himself. Odintsova is independent, proud, smart, but completely different from the main character. However, Eugene needs this chaste, proud, cold aristocrat for who she is. Her calmness attracts and excites him. Bazarov understands that behind him lies an inability to have hobbies, selfishness, and indifference. However, in this he finds a kind of perfection and succumbs to its charm. This love becomes tragic for Eugene. Odintsova easily copes with her feelings. She marries “out of conviction”, not out of love.

Kate

Katya is the younger sister of Anna Sergeevna Odintsova. At first she just seems like a shy and sweet young lady. However, gradually mental strength and independence manifests itself in her. The girl is freed from the power of her sister. She helps Arkady overthrow Bazarov's power over him. Katya in Turgenev's novel embodies the beauty and truth of the ordinary.

Kukshina Evdoksiya (Avdotya) Nikitishna

The characters in the novel "Fathers and Sons" include two pseudo-nihilists, whose images are parodic. This is Evdoksia Kukshina and Sitnikov. Kukshina is an emancipated woman who is distinguished by extreme radicalism. In particular, she is interested in the natural sciences and the “women’s question”, she despises even “backwardness”. This woman is vulgar, cheeky, downright stupid. However, sometimes something human appears in her. “Nihilism” perhaps hides a feeling of infringement, the source of which is the female inferiority of this heroine (she is abandoned by her husband, does not attract the attention of men, is ugly).

Sitnikov ("Fathers and Sons")

How many characters have you already counted? We talked about nine heroes. One more should be introduced. Sitnikov is a pseudo-nihilist who considers himself a “student” of Bazarov. He strives to demonstrate the sharpness of judgment and freedom of action characteristic of Eugene. However, this similarity turns out to be parodic. “Nihilism” is understood by Sitnikov as a way to overcome complexes. This hero is ashamed, for example, of his father, a tax farmer, who became rich by getting the people drunk. At the same time, Sitnikov is also burdened by his own insignificance.

These are the main characters. "Fathers and Sons" is a novel in which a whole gallery of bright and interesting images has been created. It is certainly worth reading in the original.

Evgeny Vasilyevich Bazarov is the main character of the novel, the son of a regimental doctor, a medical student, and a friend of Arkady Kirsanov. Bazarov is the brightest representative of the youth and mixed-democratic intelligentsia of the mid-19th century. Calling himself a “nihilist,” he denies the established social order and rejects any principles.

A beautiful aristocrat, 29 years old, whom Bazarov fell in love with. She considers herself to be a new generation of nobles: simple, calm, devoid of snobbery, preaches freedom of judgment and democracy. By nature, Anna Sergeevna is proud and smart. Left without a father at an early age, she raised her younger sister.

One of the main characters of the novel, the father of Arkady Kirsanov and the brother of Pavel Petrovich. In the past he was happily married, but remained a widower. Now he lives with a young girl, Fenechka, who gave birth to his son. Despite the fact that Nikolai Petrovich is no longer young, he tries to keep up with the times and is interested in music, poetry and art in general.

Brother of Nikolai Petrovich Kirsanov, uncle of Arkady and Bazarov's main opponent. He acts as the main opponent in ideological disputes with Bazarov and, due to the strength of his character, is a worthy rival to him. Pavel Petrovich is distinguished by integrity, insight, aristocracy, high intelligence, sharp mind, nobility, willpower, liberal views and passion for everything English.

She is one of the main female characters in the novel. She is an ordinary peasant girl, left an orphan at an early age. Fenechka’s mother Arina Savishna worked as a housekeeper on the estate of Nikolai Petrovich Kirsanov. When she died, he took upon himself the care of young Fenechka, with whom he later fell in love.

A minor character in the novel, an emancipated landowner, Sitnikov’s friend, a psedonihilist. She imitates the most extreme manifestations of radicalism, is constantly interested in the “women's question” and the situation of women throughout the world, is interested in the natural sciences, and despises George Sand.

A minor character in the novel, Bazarov's friend and student, a pseudo-nihilist. He is characterized by anxious tension, as well as dog-like devotion to his “teacher.” He tries in vain to imitate Bazarov, making him his idol. In his attempts to behave freely and boldly, to show harshness in his judgments and actions, he looks comical.

Kate

Odintsova's younger sister. A young and shy girl of 18 years old. Their love with Arkady developed slowly, but gradually the young people fell in love with each other and got married. In the future, they had a son, Kolya.

Vasily Ivanovich

Bazarov's father, a retired staff doctor. Lives on a remote estate, has a few serf souls. He treats local peasants. He is interested in gardening and vegetable gardening. Evgeniy was his only son, after whose death his life also faded.

Arina Vlasevna

Bazarov's mother is a kind woman who passionately loves her son. She was very pious and believed in everything possible: in devils, dreams, omens, fortune telling, damage and even in the end of the world. In her youth she was beautiful, played the clavichord and knew French. Now I’ve gained weight and forgotten music and language. The death of her son practically killed her herself.

Prokofich

A servant in the Kirsanovs' house, a thin old man of about sixty years old. Nikolai Petrovich called him a grouch. The only servant who did not love Bazarov.

Dunyasha

A servant in the Kirsanovs' house, a young girl who helps Fenechka take care of her little son Mitya. She really liked Bazarov.

Peter

Valet in the Kirsanovs' house. Stupid and proud person. He could read syllables. At the end of the book, he married the daughter of a city gardener and received a good dowry. She chose him only because he had a watch.

Mitya

The little son of Nikolai Petrovich and Fenechka. He is not even a year old yet.

Matvey Ilyich

A noble relative of the Kirsanovs, to whom Arkady and Bazarov went from the estate. He advised them to go to the governor and get an invitation to the ball.

Governor

A fussy and forgetful person. He invited Bazarov and Kirsanov to his big ball, where they met Odintsova.

Princess X

Anna Sergeevna Odintsova's aunt, a thin and small old woman, a princess. After the death of her husband, Odintsova invited her to live on her estate and manage it. Now no one paid attention to her, although they treated her with respect and looked after her well. She died shortly after Bazarov's death.

Porfiry Platonich

Odintsova's neighbor, who often came to her to play cards. He was short, cheerful and already gray-haired. He loved to tell jokes.

Timofeich

Bazarov's father's clerk, Evgeniy's former uncle. He came to pick him up from Odintsova and said that his parents were really looking forward to him. He also came to her to bring her to the dying Bazarov.

Fedka

Servant in the Bazarovs' house. Upon the arrival of Bazarov and Arkady, he began to serve them. For the sake of their arrival, he was dressed in different clothes and given new boots, which he could not get used to.

Doctor Odintsova

He came with Odintsova to examine the sick Bazarov, immediately determined that he had no chance of survival, which he managed to whisper to her before she met him.

Still from the film “Fathers and Sons” (1983)

May 20, 1859 Nikolai Petrovich Kirsanov, a forty-three-year-old but already middle-aged landowner, nervously waits at the inn for his son Arkady, who has just graduated from university.

Nikolai Petrovich was the son of a general, but his intended military career did not materialize (he broke his leg in his youth and remained “lame” for the rest of his life). Nikolai Petrovich married the daughter of a lowly official early and was happy in his marriage. To his deep grief, his wife died in 1847. He devoted all his energy and time to raising his son, even in St. Petersburg he lived with him and tried to get closer to his son’s friends and students. Lately he has been intensively busy transforming his estate.

The happy moment of the date arrives. However, Arkady does not appear alone: ​​with him is a tall, ugly and self-confident young man, an aspiring doctor who agreed to stay with the Kirsanovs. His name, as he attests to himself, is Evgeniy Vasilyevich Bazarov.

The conversation between father and son does not go well at first. Nikolai Petrovich is embarrassed by Fenechka, the girl whom he keeps with him and with whom he already has a child. Arkady, in a condescending tone (this slightly offends his father), tries to smooth out the awkwardness that has arisen.

Pavel Petrovich, their father’s elder brother, is waiting for them at home. Pavel Petrovich and Bazarov immediately begin to feel mutual antipathy. But the yard boys and servants willingly obey the guest, although he does not even think about seeking their favor.

The very next day, a verbal skirmish occurs between Bazarov and Pavel Petrovich, and it was initiated by Kirsanov Sr. Bazarov does not want to polemicize, but still speaks out on the main points of his beliefs. People, according to his ideas, strive for one or another goal because they experience different “sensations” and want to achieve “benefits.” Bazarov is sure that chemistry is more important than art, and in science the practical result is most important. He is even proud of his lack of “artistic sense” and believes that there is no need to study the psychology of an individual: “One human specimen is enough to judge all others.” For Bazarov, there is not a single “resolution in our modern life... that would not cause complete and merciless denial.” He has a high opinion of his own abilities, but assigns a non-creative role to his generation - “first we need to clear the place.”

To Pavel Petrovich, the “nihilism” professed by Bazarov and Arkady, who imitates him, seems to be a daring and unfounded teaching that exists “in the void.”

Arkady tries to somehow smooth out the tension that has arisen and tells his friend the life story of Pavel Petrovich. He was a brilliant and promising officer, a favorite of women, until he met the socialite Princess R*. This passion completely changed the existence of Pavel Petrovich, and when their romance ended, he was completely devastated. From the past he retains only the sophistication of his costume and manners and his preference for everything English.

Bazarov’s views and behavior irritate Pavel Petrovich so much that he again attacks the guest, but he quite easily and even condescendingly breaks down all the enemy’s “syllogisms” aimed at protecting traditions. Nikolai Petrovich strives to soften the dispute, but he cannot agree with Bazarov’s radical statements in everything, although he convinces himself that he and his brother are already behind the times.

The young people go to the provincial town, where they meet with Bazarov’s “student”, the son of a tax farmer, Sitnikov. Sitnikov takes them to visit the “emancipated” lady, Kukshina. Sitnikov and Kukshina belong to that category of “progressives” who reject any authority, chasing the fashion for “free thinking.” They don’t really know or know how to do anything, but in their “nihilism” they leave both Arkady and Bazarov far behind them. The latter openly despises Sitnikova, and with Kukshina he “is more interested in champagne.”

Arkady introduces his friend to Odintsova, a young, beautiful and rich widow, in whom Bazarov immediately becomes interested. This interest is by no means platonic. Bazarov cynically says to Arkady: “There is profit...”

It seems to Arkady that he is in love with Odintsova, but this feeling is feigned, while mutual attraction arises between Bazarov and Odintsova, and she invites young people to stay with her.

At Anna Sergeevna's house, guests meet her younger sister Katya, who behaves stiffly. And Bazarov feels out of place, he began to get irritated in the new place and “looked angry.” Arkady is also uneasy, and he seeks solace in Katya’s company.

The feeling instilled in Bazarov by Anna Sergeevna is new to him; he, who so despised all manifestations of “romanticism,” suddenly discovers “romanticism in himself.” Bazarov explains to Odintsova, and although she did not immediately free herself from his embrace, however, after thinking, she comes to the conclusion that “peace is better than anything in the world.”

Not wanting to become a slave to his passion, Bazarov goes to his father, a district doctor who lives nearby, and Odintsova does not keep the guest. On the road, Bazarov sums up what happened and says: “...It is better to break stones on the pavement than to allow a woman to take possession of even the tip of a finger. This is all nonsense."

Bazarov’s father and mother can’t get enough of their beloved “Enyusha,” and he gets bored in their company. After just a couple of days, he leaves his parents’ shelter, returning to the Kirsanov estate.

Out of heat and boredom, Bazarov turns his attention to Fenechka and, finding her alone, kisses the young woman deeply. An accidental witness to the kiss is Pavel Petrovich, who is deeply outraged by the act of “this hairy guy.” He is especially indignant also because it seems to him that Fenechka has something in common with Princess R*.

According to his moral convictions, Pavel Petrovich challenges Bazarov to a duel. Feeling awkward and realizing that he is compromising his principles, Bazarov agrees to shoot with Kirsanov Sr. (“From a theoretical point of view, a duel is absurd; well, from a practical point of view, this is a different matter”).

Bazarov slightly wounds the enemy and himself gives him first aid. Pavel Petrovich behaves well, even makes fun of himself, but at the same time both he and Bazarov feel awkward. Nikolai Petrovich, from whom the true reason for the duel was hidden, also behaves in the most noble manner, finding justification for the actions of both opponents.

The consequence of the duel is that Pavel Petrovich, who had previously strongly opposed his brother’s marriage to Fenechka, now himself persuades Nikolai Petrovich to take this step.

And Arkady and Katya establish a harmonious understanding. The girl astutely notes that Bazarov is a stranger to them, because “he is predatory, and you and I are tame.”

Having finally lost hope of Odintsova’s reciprocity, Bazarov breaks himself and breaks up with her and Arkady. In parting, he says to his former comrade: “You are a nice fellow, but you are still a soft, liberal gentleman...” Arkady is upset, but soon enough he is consoled by Katya’s company, declares his love to her and is assured that he is loved too.

Bazarov returns to his parents’ home and tries to lose himself in his work, but after a few days “the fever of work disappeared from him and was replaced by dreary boredom and dull anxiety.” He tries to talk to the men, but finds nothing but stupidity in their heads. True, the men also see in Bazarov something “like a clown.”

While practicing on the corpse of a typhoid patient, Bazarov wounds his finger and gets blood poisoning. A few days later he notifies his father that, by all indications, his days are numbered.

Before his death, Bazarov asks Odintsova to come and say goodbye to him. He reminds her of his love and admits that all his proud thoughts, like love, have gone to waste. “And now the giant’s whole task is to die decently, although no one cares about this... All the same: I won’t wag my tail.” He says bitterly that Russia does not need him. “And who is needed? I need a shoemaker, I need a tailor, I need a butcher..."

When Bazarov is given communion at the insistence of his parents, “something similar to a shudder of horror was instantly reflected on his dead face.”

Six months pass. Two couples are getting married in a small village church: Arkady and Katya and Nikolai Petrovich and Fenechka. Everyone was happy, but something in this contentment felt artificial, “as if everyone had agreed to act out some kind of simple-minded comedy.”

Over time, Arkady becomes a father and a zealous owner, and as a result of his efforts, the estate begins to generate significant income. Nikolai Petrovich takes on the responsibilities of a peace mediator and works hard in the public sphere. Pavel Petrovich lives in Dresden and, although he still looks like a gentleman, “life is hard for him.”

Kukshina lives in Heidelberg and hangs out with students, studying architecture, in which, according to her, she discovered new laws. Sitnikov married the princess who pushed him around, and, as he assures, continues Bazarov’s “work”, working as a publicist in some dark magazine.

Decrepit old men often come to Bazarov’s grave and cry bitterly and pray for the repose of the soul of their untimely deceased son. The flowers on the grave mound remind of more than just the tranquility of “indifferent” nature; they also talk about eternal reconciliation and endless life...

Retold

The main theme of Turgenev's novel is the problem of the relationship between the old and modern generations. The fate of all the characters is closely intertwined with the solution of the pressing problem; each of them defines their life priorities in their own way. In Turgenev’s novel, a conflict of generations is created; the main characters of “Fathers and Sons” are antagonists who do not want to understand each other.

Characteristics of the heroes “Fathers and Sons”

Main characters

Minor characters

This is a characteristic of the heroes of Turgenev’s novel “Fathers and Sons,” which deals with the eternal mutual misunderstanding of generations. The work “Fathers and Sons” are heroes, the old and new generations of which became role models and found a response in the hearts of readers. The names of the characters, this table of characteristics, give a brief idea of ​​the main characters from Turgenev’s book. This compressed data can be used to write essays in literature classes.

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