The relationship between Bazarov and Odintsov’s quote. Bazarov and Odintsova: relationships and love story. challenge, punishment and reward for Bazarov

Turgenev always believed that it is love that tests a person, and therefore the love line between Bazarov and Odintsov is very important for understanding the novel as a whole. From the moment of its emergence, the concrete historical line of plot development is transformed into a moral and philosophical one, ideological disputes are replaced by questions posed by life itself, and the character of the hero becomes more complex and contradictory. He, who denied the romance of love, himself fell romantically, hopelessly in love. His feelings and previous beliefs come into conflict, which makes the relationship with Odintsova complex and sometimes painful for the hero.

The beautiful Anna Sergeevna Odintsova is a strong, deep, independent person, endowed with a developed mind, but at the same time she is cold and selfish. In some ways she is similar to Bazarov: like him, she treats other people condescendingly, feeling her superiority over them. She is the only one in the novel who correctly understood the complex and contradictory character of Bazarov, appreciated him, and understood the depth and strength of the feeling that arose in him. It would seem that all this could lead to a strong alliance of heroes. After all, both of them are, in fact, very lonely. Odintsova, like Bazarov, feels that the powers of her rich nature remain unrealized.

But what awaits her and Bazarov? The scene of the hero's declaration of love shows that there is no harmony in their relationship and cannot be. It is not for nothing that Anna Sergeevna is so frightened by some hidden, but sometimes emerging, formidable force hidden in Bazarov. He has the courage to admit that he is in love, like a real romantic, but the consciousness of this makes him angry - either at himself or at Odintsova. On the other hand, she herself lacks the courage and determination to connect her fate with him. Instead of a busy, unpredictable, but extremely difficult life with this extraordinary man, she prefers a somewhat boring, but very comfortable existence in the familiar conditions of a wealthy aristocratic circle. At the end of the novel, we learn that Anna Sergeevna married very successfully and is quite satisfied with her life. So the responsibility for the unfulfilled relationship with Bazarov lies with her.

And only the scene of the hero’s death removes those acute contradictions that were so clearly manifested in his love for Odintsova. Perhaps it was only during her last meeting with the dying Bazarov that she realized that she had lost the most valuable thing in her life. He no longer tries to resist his feeling, and it results in a poetic confession: “Blow on the dying lamp and let it go out.” But this harmony illuminates the heroes only for a short moment, who were never able to bring it to life.

Bazarov and Odintsova are one of the most mysterious love lines in Ivan Sergeevich Turgenev’s novel “Fathers and Sons.” The relationship between these two strong and independent individuals was doomed to failure from the very beginning.

Acquaintance

For the first time, the heroes of the novel “Fathers and Sons” met at a ball. Then Arkady, Bazarov’s friend, introduced him to Odintsova, as a result of which Evgeny “seemed embarrassed.” The initial behavior already indicated that Bazarov was not indifferent to the heroine. “Here you go! I was scared of the women!” – that’s what Evgeniy himself thought. He was confused by the fact that he could like a woman.

Odintsova invites Arkady Kirsanov and Evgeny Bazarov to visit her, where Bazarov finally falls in love with Anna, but tries to hide it. The relationship between Bazarov and Odintsova becomes more serious, but at the same time more tragic.

Bazarov, while visiting Odintsova, is going to go home to visit his parents, but Anna persuades him to stay. It would be a mistake to say that Odintsova felt nothing for Bazarov and was indifferent to him. At that moment, she felt something that “as if she was stabbed in the heart.”

After a while, Bazarov decides to confess his feelings to the heroine, but he was not understood by her and was rejected. Bazarov's love story ends only with his death, which brings him relief in love affairs.

Bazarov and nihilism

Bazarov's nihilism implied that he did not believe in love with all its manifestations. Therefore, for a long time he tries to hide his feelings for Odintsova. In fact, he is deceiving himself. For a long time, Evgeniy resists what “invaded him, which he never allowed, which he always mocked, which outraged all his pride.”

The author of the novel clearly conveyed the contradictory nature of actions and true desires: “In conversations with Anna Sergeevna, he expressed his indifferent contempt for everything romantic even more than before; and left alone, he was indignantly aware of the romanticism in himself.”

Despite the fact that Evgeny Bazarov tried to hide his own feelings from himself, he understood that “to his amazement, he did not have the strength to turn away from her.”

The fact that Bazarov fell in love with Odintsova, thereby recognizing the existence of love, speaks of the inconsistency of the theory of Bazarov the nihilist. The author specifically tests the main character with love in order to show the reader that his theory did not coincide with real life.

Reasons for the breakup

Anna Odintsova is the only woman who was able to understand the essence of the main character, and he really appreciated this. However, Odintsova was not capable of loving, sincerely and truly. Comfort was the main thing in her entire quiet and measured life. She was not used to new emotions and shocks. Therefore, between the hot-tempered and passionate Bazarov and the calm life, Odintsova chooses the latter option. She did not want Eugene to evoke in her a storm of new, previously unknown, and therefore interfering with life feelings.

When Bazarov confesses his love to Odintsova, she felt “both scared and sorry for him.” She realized that she had gone too far in this relationship, that she was not ready to connect her life with a person like Bazarov. A fictitious marriage, family ties not out of love seemed to her much more comfortable than marriage to Eugene. After his death, she gets married for convenience.

This article, which will help you write the essay “Bazarov and Odintsova”, will consider the course of events in the love relationships of the heroes of I. S. Turgenev’s novel “Fathers and Sons”, will show how the love line was reflected in Bazarov’s theory and why his love for Odintsova was tragic from the very beginning started.

Work test

Love occupies a key position in Turgenev's works. This is actually an irresistible force that completely subjugates a person, without the right to choose. Love is a clap of thunder from a clear sky, it is lightning. Love is overcoming obstacles, a test of strength, because it, like no other, requires self-sacrifice.
In the novel “Fathers and Sons,” the main characters go through all the trials of this very love. One of the fundamental storylines is the love story of Odintsova and Bazarov. Definitely an acquaintance

With Anna Sergeevna he conventionally divides the work into before and after. Before - Bazarov is a man of sober mind, he is confident in himself and his abilities, he is a strong man and a winner. Afterwards, Bazarov appears to us in a completely different image. As the relationship develops, the hero covers up his feelings with careless remarks addressed to Odintsova, then speaks with exaggerated cheekiness.
Anna Sergeevna, by the way, is a strong, independent and deep woman, and she tries to seem narcissistic and cold. In general, they even have something in common with Bazarov. For example, with his arrogant gaze. She alone was able to understand the difficult character of Bazarov, was able to see his merits and realize the fullness of his feelings. When Bazarov decides to confess his love to Odintsova, the reader suddenly realizes that there is no place for agreement in their relationship. Still, he had the determination and courage to talk about his unrequited feelings. This provoked a storm of negative emotions: and it is not clear whether they were directed at themselves, or at the heroine. But Odintsova herself does not have the courage to unite her fate with such a person.
It was the different worldview and lifestyle that became a stumbling block for the heroes. Anna Sergeevna is afraid to be with a person who is politically unreliable; she cannot allow her mental balance to be disturbed because of him. Bazarov understands that his strong beliefs are gradually crumbling. At this stage, the heroes break up, but remain good acquaintances. They were able to remain above all prejudices, they were able to maintain warm relations, but it was apparently not possible to cross this line.
Only at the very end of the novel, during the scene of Bazarov’s death, Odintsova finally realizes that she has lost, perhaps, the most valuable thing in her life. She does not resist her feeling, but this harmony lasts for a very short period of time - a moment.
This love, by the way, left deep marks in Bazarov’s feelings and mind. He pays attention only to himself and the world around him. The questions that the troubled Bazarov asks himself are deep, they are the ones who made his inner world more diverse. However, his weakness was in trying to get rid of these thoughts, regarding them as something unimportant.

Odintsova, Bazarov and their relationship.

1. Novel by I. S. Turgenev “Fathers and Sons.”

2. Evgeny Bazarov, the main character of the novel.

3. Anna Sergeevna Odintsova.

4. The relationship between the two heroes of Turgenev’s novel.

I both hate her and love her.
Why, you ask?
I don’t know myself, but that’s how I feel - and I’m languishing.

Guy Valery Catullus

In I. S. Turgenev’s novel “Fathers and Sons,” the author addresses several serious topics at once. One of them, as is clear from the very title of this work, is the problem of the relationship between two generations, the conflict of two worldviews - the old and the emerging. In addition, Turgenev in his novel planned to show the so-called “new people”; the author's ideas about them are most fully reflected in the image of Yevgeny Bazarov, the main character of the novel.

What is he like, this “new man”? Eugene Bazarov does not belong to the nobility; He is the son of a district doctor, and he himself is also preparing to become a doctor. Sometimes he is quite unpleasant in personal communication: he is harsh to the point of bad manners, which was manifested in his mutual hostility with Pavel Petrovich Kirsanov. He is unusually self-confident and proud; indifferent to art almost to the point of contempt, but he diligently practices the natural sciences. “Well, and Mr. Bazarov, actually, what is it?” - aristocrat Pavel Petrovich asks his nephew Arkady. And this is how the friend of the novel’s protagonist defines Bazarov, and at the same time the very concept of a “new man”: “A nihilist is a person who does not bow to any authorities, who does not take a single principle on faith, no matter how respected he is surrounded.” this principle."

Both friends meet landowner Odintsova at the governor’s ball. The young, beautiful and rich widow excited and intrigued both Arkady Kirsanov and Evgeny Bazarov. “Anna Sergeevna was a rather strange creature. Having no prejudices, not even having any strong beliefs, she did not retreat from anything and did not go anywhere. She saw a lot clearly, a lot occupied her, and nothing completely satisfied her; Yes, she hardly even wanted complete satisfaction. Her mind was inquisitive and indifferent at the same time: her doubts never subsided to the point of forgetfulness and never grew to anxiety,” Turgenev himself characterizes his heroine with these words.

Odintsova- is not at all a selfless “Turgenev woman”, like the heroines of other works of the writer. She is cold and calculating, although she herself states that she is "impatient and persistent", which can easily get carried away. However, the last statement does not confirm the further development of the plot of the novel, and what is known about Odintsova’s past and present also does not support this statement. She married for convenience; Having remained a widow, she lives measuredly and thoughtfully: “Everything needs order.”

However, she is still young, and sometimes she gets bored. And then a man appears, unlike all those whom she has pranked before. Curiosity is, perhaps, the main thing that drew Anna Sergeevna to Bazarov: “I will be very curious to see a person who has the courage not to believe in anything.” Apparently, she still developed some kind of sympathy for him; but in her attitude towards him, the driving force is not passion at all, but simply interest in Bazarov’s new, unusual character, the boredom of village life and also a peculiar game, a subconscious desire for thrills, probably inherited from her father, a gambler. “Like all women who failed to fall in love, she wanted something, without knowing what exactly. As a matter of fact, she didn’t want anything, although it seemed to her that she wanted everything.” But what she values ​​most is peace of mind - and she will preserve it.

In a conversation with Arkady Bazarov He speaks rather cynically about Odintsova, but even through this cynicism the strong impression she made on him involuntarily breaks through: “See how she froze herself!.. Duchess, a sovereign person. She would only have to wear a train at the back and a crown on her head.”

Somehow, imperceptibly, the nihilist and future doctor falls in love with this cold “aristocrat” who values ​​peace of mind and comfort: “In Bazarov... an unprecedented anxiety began to manifest itself, he was easily irritated, spoke reluctantly, looked angry and could not sit still, as if something was wiping him out...” He is inwardly indignant at himself for having sunk to such “romanticism”: “... he soon realized that with her “you wouldn’t get anywhere,” and, to his amazement, he did not have the strength to turn away from her.”

Bazarov’s feelings for Odintsova are contradictory and frantic: “...passion beat within him, strong and heavy - a passion similar to anger and, perhaps, akin to it...”.

Why, although attraction arose between the heroes of Turgenev’s novel, mutual interest in each other appeared, but a closer rapprochement never happened? The key to answering such a question is their evening conversation, which took place on the eve of Bazarov’s departure from Odintsova’s estate. Although they rarely agreed with each other on anything, it turns out that their views on love coincide: “... either everything or nothing. A life for a life. You took mine, give me yours, and then without regret and without return. Otherwise it’s better not to.” “This condition is fair,” says Bazarov. In reply Odintsova utters a phrase that probably contains the key to their relationship: “Do you think it’s easy to completely surrender to anything?”

This is exactly what both of them cannot, and most likely, do not want. Odintsova values ​​his peace, his well-organized life, in order to strive to radically change something in his life. A Bazarov, although he loves her, he is at the same time angry at this enslavement of his personality. Moreover, "they are too different people, and the point here is not so much in social differences as in the characters of the characters. And neither Odintsova nor Bazarov are capable of surrendering to feeling without thinking. "...Love... after all, the feeling is feigned,” says Odintsova Bazarov; but, probably, he first of all wants to convince himself of this.

The relationship between Evgeny Bazarov and Anna Sergeevna Odintsova, heroes of the novel by I.S. Turgenev's "Fathers and Sons" did not work out for many reasons. The materialist and nihilist Bazarov denies not only art, the beauty of nature, but also love as a human feeling. Recognizing the physiological relationship between a man and a woman, he believes that love “is all romanticism, nonsense, rottenness, art.” Therefore, he initially evaluates Odintsova only from the point of view of her external data. “Such a rich body! At least now to the anatomical theater,” he says cynically about the young woman.

Anna Sergeevna's fate was not easy. Having lost her parents, she was left in a difficult financial situation, with her twelve-year-old sister in her arms. Overcoming difficulties, she shows remarkable strength of character and self-control. Anna Sergeevna marries an arranged marriage to a man much older than him, and although she respects her husband as a kind and honest man, of course, she does not feel any love for him. Left a widow, she settled on an estate where everything was arranged with comfort and luxury. She rarely communicated with her neighbors, and there were many unflattering rumors about her; they were probably jealous of her: young, beautiful, rich, independent. Bazarov impressed her, and she invited him and Arkady to visit. Already the first conversation at the hotel lasted more than three hours, and Anna Sergeevna showed both sensitivity and tact, choosing a topic for conversation and helping the guest get comfortable. Even Bazarov changes his attitude towards her, respectfully saying that she “was in redistribution”, “she ate our bread.” Further communication brings the heroes closer together; they are interesting to each other, but they cannot agree with each other on everything. Bazarov adheres to socialist views, denying the individuality of the human person: “Correct society, and there will be no diseases.” Of course, having received a classical noble education, Anna Sergeevna cannot agree with this. She is bored, like all women “who failed to fall in love,” although she herself does not know what exactly she wants. She flirts with Bazarov, dissuading her from leaving. Bazarov is confused: all his life he considered love “romanticism,” but now he “recognized with indignation the romanticism in himself.” He is infuriated by his own weakness; he cannot afford to depend on a spoiled woman, an “aristocrat.” Their explanation is dramatic: Bazarov's passion frightens Anna Sergeevna, causing her to recoil in fear. Before leaving, Evgenia Odintsova thinks for a long time about her state of mind and comes to the conclusion that she was right: “God knows where this would lead, you can’t joke about this, calmness is still better than anything in the world.”

Differences in upbringing, worldview, and lifestyle became insurmountable for the heroes. Bazarov, in dismay, realizes how the foundations of the nihilism of his firm convictions are crumbling, and Anna Sergeevna is afraid to connect her fate with an unpredictable and politically unreliable person, to violate her spiritual comfort for his sake. The heroes part as friends, having managed to rise above their prejudices, but their relationship, apparently, could not have turned out differently.