Presentation on MHK outstanding sculptors of ancient Greece. Outstanding sculptors of ancient Hellas. Sculptures of Scopas
Sculpture of the archaic: Kora - girls in
chitons.
Embodied the ideal
female beauty;
Looks like one
other: curly
hair, mysterious
smile, expression
sophistication.
Bark. 6th century BC
GREEK SCULPTURE CLASSICS
GREEK SCULPTURECLASSICS
End of the 5th-4th century. BC e. - a period of turbulent spiritual life of Greece,
formation of the idealistic ideas of Socrates and Plato in
philosophy that developed in the fight against materialistic
philosophy of Democritus, the time of addition and new forms
Greek fine arts. In sculpture to replace
masculinity and severity of images of strict classics comes
interest in the spiritual world of man, and in plastic finds
reflection is more complex and less rectilinear
characteristic.
Greek sculptors of the classical period:
PolykleitosMyron
Scopas
Praxiteles
Lysippos
Leohar
Polykleitos
The works of Polikleitos becamea real hymn to greatness
and spiritual power of Man.
Favorite image -
slender young man
athletic
physique. It doesn't have
nothing extra,
"nothing beyond measure"
spiritual and physical
appearance is harmonious.
Polykleitos.
Doryfor (spearman).
450-440 BC Roman copy.
National Museum. Naples Doryphorus has a difficult posture,
different from static posture
ancient kouros. Polykleitos
was the first to think of giving
figures such a setting,
that they rely on
lower part of only one
legs. In addition, the figure
seems to move and
lively thanks to
that the horizontal axes are not
parallel (the so-called chiasm).
"Dorifor" (Greek δορυφόρος - "Spear-bearer") - one
of the most famous statues of antiquity, embodies
so-called Canon of Polikleitos.
Canon of Polykleitos
Doryfor is not an image of a specific athlete-winner, but an illustration of the canons of a male figure.
Polykleitos set out to accurately determine the proportions
human figure, according to their ideas about
perfect beauty. These proportions are with each other in
digital ratio.
"They even assured that Poliklet performed it on purpose, in order to
so that other artists use her as a model", wrote
contemporary.
The composition of the Canon itself had a great influence on
European culture, despite the fact that from the theoretical
Only two fragments of the work have survived.
Canon of Polykleitos
If you recalculate the proportions of thisIdeal Man for Height 178
see, the parameters of the statue will be as follows:
1. volume of the neck - 44 cm,
2.chest - 119,
3.biceps - 38,
4.waist - 93,
5. forearms - 33,
6. wrist - 19,
7. buttocks - 108,
8. hips - 60,
9.knee - 40,
10. lower legs - 42,
11. ankles - 25,
12. feet - 30 cm.
Polykleitos
"Wounded Amazon"Myron
Myron - Greeksculptor of the middle of the 5th century.
BC e. era sculptor,
previous
directly
the heyday
Greek art
(to. VI - early V century)
Embodied the ideals of strength and
beauty of Man.
was the first master
complex bronze
castings.
Miron. Discus thrower.450 BC
Roman copy. National Museum, Rome Miron. "Discus thrower"
The ancients characterize Myron as
the greatest realist and expert in anatomy,
who, however, did not know how to give persons
life and expression. He portrayed the gods
heroes and animals, and with a special
reproduced the difficult ones with love,
transient postures.
His most famous work
"Discobolus", an athlete who intends
let the disc, - a statue that has come down to
of our time in several copies, from
of which the best is made of marble and
located in the Massami Palace in Rome.
"Discobolus" Miron in the Botanical Garden of Copenhagen
Discus thrower. Myron
Sculptures of Scopas
Skopas (420 - c. 355 BC), a native of the island of Paros,rich in marble. Unlike Praxiteles Scopas
continued the traditions of high classics, creating images
monumental and heroic. But from the images of the 5th c. them
distinguishes the dramatic tension of all spiritual forces.
Passion, pathos, strong movement are the main features
the art of Scopas.
Also known as an architect, participated in the creation
relief frieze for the Mausoleum of Halicarnassus. Sculptures of Scopas
In a state of ecstasy
violent outburst of passion
depicted by Scopas
Maenad. God's Companion
Dionysus is shown in
swift dance, her
head tilted back
hair fell to the shoulders
body is curved
presented in complex
foreshortening, folds short
chiton emphasize
violent movement. AT
difference from the sculpture of the 5th century.
Maenad Scopas
already designed for
view from all sides.
Scopas. Maenad sculptural
creations
Scopas
Also known as
architect, participated in
creating relief
frieze for
Halicarnassus
mausoleum.
Scopas. Battle with the Amazons
Praxiteles
Born in Athens (ca.390 - 330 BC.)
inspirational singer
female beauty. sculptural creations
Praxiteles
Statue of Aphrodite of Knidos
first in Greek art
nude image
female figure. The statue stood
on the coast of the Knidos peninsula, and
contemporaries wrote about
real pilgrimages here,
to admire the beauty
goddess preparing to enter the water
and shedding her clothes on
vase next to it.
The original statue has not survived.
Praxiteles. Aphrodite of Knidos
Sculptures of Praxiteles
In the only one that has come down to us inoriginal marble sculptor Praxiteles
statue of Hermes (patron of trade and
travelers, as well as a messenger, "courier"
gods) the master depicted a beautiful young man, in
a state of calm and serenity. Thoughtfully
he looks at the infant Dionysus, whom
holds in his arms. In place of the courageous
the beauty of an athlete comes the beauty of a few
feminine, graceful, but also more
soulful. On the statue of Hermes
traces of ancient coloring have been preserved: red-brown hair, silver
bandage.
Praxiteles.
Hermes. Around 330 BC e. sculptural creations
Praxiteles
Lysippos
Great sculptor of the 4th c. BC.(370-300 BC).
He worked in bronze, because. sought
capture images in
fleeting impulse.
Left behind 1500
bronze statues, including
colossal figures of the gods,
heroes, athletes. They are inherent
pathos, inspiration,
emotionality
The original has not come down to us.
court sculptor
Marble copy of the head of A. Macedonian
A.Macedonsky
In this sculpture
amazing craftsmanship
conveyed passion
duel of Hercules with a lion.
Lysippos.
Hercules fighting a lion.
4th century BC
Roman copy
Hermitage, St. Petersburg
Sculptures of Lysippus
Lysippus tried his bestbring your images closer to
reality.
So, he showed athletes not in
moment of highest tension
forces, and, as a rule, at the moment of their
recession, after the match. Exactly
this is how his Apoxyomenos is represented,
cleaning off the sand
sports fight. He is tired
face, hair matted with sweat.
Lysippos. Apoxyomenos. Roman copy, 330 BC
Sculptures of Lysippus
captivating Hermes,always fast and
alive too
represented by Lysippos
as if able
extreme fatigue,
briefly crouched
on the stone and ready in
next second
run on in your
winged sandals.
Lysippos. "Resting Hermes"
Sculptures of Lysippus
Lysippus created his canonhuman body proportions
by which his figures are higher and
slimmer than Polikleitos
(head size is 1/9
figures).
Lysippos. "Hercules of Farnese"
Leohar
His creativity isgreat try
capture a classic
ideal of human beauty.
In his works, no
only the perfection of images,
and skill and technique
execution.
Apollo is considered one of
the best works
Antiquity.
Leohar. Apollo Belvedere.
4th century BC Roman copy. Vatican Museums sculptural
masterpieces of the era
Hellenism
Greek sculpture
So, in Greek sculpture, the expressiveness of the imageconsisted in the whole body of a person, his movements, and not
in just one face. Despite the fact that many
Greek statues did not retain their upper part
(as, for example, Nika of Samothrace or
"Nika untying her sandals"
came to us without a head, but we forget about it,
looking at the integral plastic solution of the image.
Since the soul and body were conceived by the Greeks in
inseparable unity, then the bodies of Greek statues
unusually inspired.
Nike of Samothrace
The statue was placed on the occasionvictories of the Macedonian fleet over
Egyptian in 306 BC. e.
The goddess was depicted as
on the prow of the ship, heralding
victory with the sound of the trumpet.
The pathos of victory is expressed in
swift movement of the goddess,
in the sweep of her wings.
Nike of Samothrace
2nd century BC
Louvre, Paris
Marble Nike of Samothrace
Nika untying her sandal
Goddess depictedunleashing
sandal before
how to enter the temple
Marble. Athens
Venus de Milo
April 8, 1820 Greek peasantfrom the island of Melos named Iorgos, digging
ground, felt his shovel,
muffled tinkling, bumped into something
hard.
Iorgos dug nearby - the same result.
He took a step back, but even here there was no spade.
wanted to enter the earth.
First Iorgos saw a stone niche.
She was about four or five meters
width. In a stone crypt he, to his
surprise, found a marble statue.
This was Venus.
Agesander. Venus de Milo.
Louvre. 120 BC Laocoön with
sons
Agesander,
Athenodorus,
Polydor
Laocoon and his sons
Laocoon, you didn't save anyone!Neither the city nor the world is a savior.
Powerless mind. Proud Three Mouth
a foregone conclusion; circle of fateful events
closed in a suffocating crown
snake rings. Horror on the face
the pleading and groans of your child;
the other son was silenced by the poison.
Your fainting. Your wheeze: "Let me be..."
(...Like the bleating of sacrificial lambs
Through the haze and piercingly and subtly!..)
And again - reality. And poison. They are stronger!
In the snake's mouth powerfully rage blazes...
Laocoon, and who heard you?!
Here are your boys... They... are not breathing.
But in each Troy they are waiting for their horses.
Stages of development of ancient Greek sculpture: archaic, classical, Hellenistic.
Archaic period - kouros and kora. Sculptural canons of Polikleitos and Myron. "Dorifor", "Discobolus" is a hymn to the greatness and spiritual power of Man. sculptural creations
Scopas and Prixiteles - "Maenad", Aphrodite of Knidos. Lysippus is a master of the late classics. Agesander-Laocoön, Venus de Milo.
Download:
Slides captions:
Shaikhieva Nadezhda Ivanovna, teacher of fine arts, MOBU secondary school No. 3 named after Y. Gagarinag. Taganrog, Rostov region
Stages of development of ancient Greek sculpture:Archaic ClassicsHellenism
KORA (from the Greek kore - girl), 1) the ancient Greeks had the cult name of the goddess Persephone. 2) In ancient Greek art, a statue of an upright girl in long clothes. KOUROS - in the art of ancient Greek archaism, a statue of a young athlete (usually naked).
Sculptures of kouros
-The height of the statue is up to 3 meters; -They embodied the ideal of male beauty, strength and health; -The figure of an upright young man with his leg extended forward, his hands clenched into fists and extended along the body. -Faces are devoid of individuality; -Exhibited in public places, near temples;
Sculptures kor
- Embodied sophistication and sophistication; - Postures are monotonous and static; - Chitons and raincoats with beautiful patterns of parallel wavy lines and a border around the edges; - Hair curled into curls and intercepted with diadems. - An enigmatic smile on his face
1. A hymn to the greatness and spiritual power of Man; 2. Favorite image - a slender young man with an athletic physique; 3. Spiritual and physical appearance are harmonious, there is nothing superfluous, "nothing beyond measure."
Sculptor Polikleitos. Doryphorus (5th century BC)
CHIASMUS, in fine art, an image of a standing human figure leaning on one leg: in this case, if the right shoulder is raised, then the right thigh is lowered, and vice versa.
Ideal proportions of the human body:
The head is 1/7 of the total height; The face and hands are 1/10 of the foot - 1/6 of the
Sculptor Miron. Disco thrower. (5th century BC)
The first attempt of Greek sculpture to break the captivity of immobility.
4th century BC1. Strived for the transfer of vigorous action; 2. They conveyed the feelings and experiences of a person: - passion - sadness - daydreaming - falling in love - fury - despair - suffering - grief
Maenad. 4th c. BC.
Scopas (420-355 BC)
Head of a wounded warrior.
Battle of the Greeks with the Amazons. Relief detail from the Mausoleum of Halicarnassus.
Praxiteles (390 -330 BC)
He entered the history of sculpture as an inspired singer of female beauty. According to legend, Praxiteles created two statues of Aphrodite, depicting the goddess dressed on one of them, and naked on the other. Aphrodite in clothes was purchased by the inhabitants of the island of Kos, and the naked one was installed on one of the main squares of the island of Knidos.
Lysippos. Head of Alexander the Great circa 330 BC
Lysippos. Hercules fighting a lion. About 330s. BC..
Lysippos. "Resting Hermes". 2nd half of the 4th c. BC e.
Leohar
Leohar. "Apollo Belvedere". Middle 4th c. BC e.
In sculpture: 1. Excitement and tension of faces; 2. A whirlwind of feelings and experiences in images; 3. Dreaminess of images; 4. Harmonic perfection and solemnity
Nike of Samothrace. Beginning of the 2nd c. BC. Louvre, Paris
At the hour of my nocturnal delirium You appear before my eyes - Samothracian Victory With outstretched arms. Frightening the silence of the night, Gives rise to dizziness Your winged, blind, Unstoppable aspiration. being able.
Agesander. Venus (Aphrodite) de Milo. 120 BC Marble.
Agesander. "The Death of Laocoön and His Sons". Marble. Around 50 BC e.
http://history.rin.ru/text/tree/128.html
http://about-artart.livejournal.com/543450.html
http://spbfoto.spb.ru/foto/details.php?image_id=623
http://historic.ru/lostcivil/greece/art/statue.shtml
On the topic: methodological developments, presentations and notes
Ornaments of Ancient Egypt and Ancient Greece.
One of the most important topics in the lessons of Art of the 3rd quarter of the 5th grade "Decor - a person, society, time" (according to the program led by B.M. Nemensky) about understanding ...
Event. Greece. Myths of ancient Greece.
Get to know the culture of Ancient Greece. Help to appreciate the beauty of the artistic images of ancient Greek myths. Awaken the desire to meet other myths....
Synopsis of the extracurricular event "Greece. Myths of ancient Greece"
Introduce students to Greek culture. To help pupils appreciate the beauty of the artistic images of ancient Greek myths. Awaken the desire to get to know other myths....
"Sculpture of Ancient Greece"- a presentation that will acquaint you with the greatest monuments of ancient Greek art, with the works of outstanding sculptors of antiquity, whose heritage has not lost its significance for world artistic culture and continues to delight art lovers and serve as a model for the creativity of painters and sculptors.
Sculpture of Ancient Greece
“Kneel before Phidias and Michelangelo, admiring the divine clarity of the first and the severe anxiety of the second. Rapture is a noble wine for lofty minds. … A powerful inner impulse is always guessed in a beautiful sculpture. This is the secret of ancient art." Auguste Rodin
The presentation consists of 35 slides. It presents illustrations that introduce the art of archaism, classics and Hellenism, with the most outstanding creations of the great sculptors: Myron, Polykleitos, Praxiteles, Phidias and others. Why is it so important to introduce students to ancient Greek sculpture?
The super-task of the lessons of world art culture, in my opinion, is not so much to acquaint children with the history of art, with outstanding monuments of world art culture, but to awaken in them a sense of beauty, which, in fact, distinguishes man from animal.
It is the art of Ancient Greece and, above all, sculpture, that serves as a model of beauty for the European look. The great German enlightener of the 18th century, Gotthold Evraim Lessing, wrote that the Greek artist depicted nothing but beauty. The masterpieces of Greek art always amazed and delighted, in all eras, including our atomic age.
In my presentation, I tried to show how the idea of beauty, the perfection of a human being was embodied by artists from archaic to Hellenistic.
Presentations will also introduce you to the art of Ancient Greece:
slide 1
Outstanding sculptors of Ancient Hellas
The presentation of the MHC lesson was prepared by the teacher Petrova M.G. MBOU "Gymnasium", Arzamas
slide 2
The purpose of the lesson
to form an idea of the development of the sculpture of Ancient Greece by comparing the masterpieces of different stages of its development; introduce students to the greatest sculptors of Ancient Greece; develop the skills of analyzing works of sculpture, logical thinking based on a comparative analysis of works of art; to cultivate a culture of perception of works of art.
slide 3
Actualization of students' knowledge
What is the main thesis of ancient Greek art? What does the word "Acropolis" mean? -Where is the most famous Greek Acropolis? In what century was it rebuilt? -Name the ruler of Athens at that time. -Who supervised the construction work? -List the names of the temples that are on the Acropolis. -What is the name of the main entrance, who is its architect? Who is the Parthenon dedicated to? Name the architects. - What is the famous portico with a sculptural image of women carrying a ceiling that adorns the Erechtheion? -What statues that once adorned the Acropolis do you know?
slide 4
ancient greek sculpture
There are many glorious forces in nature, But there is nothing more glorious than man. Sophocles
Problem statement. - How was the fate of ancient Greek sculpture? - How was the problem of beauty and the problem of man solved in Greek sculpture? - From what and to what did the Greeks come?
slide 5
Check out the table
Names of sculptors Names of monuments Features of creative manner
Archaic (VII-VI centuries BC) Archaic (VII-VI centuries BC) Archaic (VII-VI centuries BC)
Kuros Kora
Classical period (V-IV centuries BC) Classical period (V-IV centuries BC) Classical period (V-IV centuries BC)
Myron
Polykleitos
Late Classic (400-323 BC - turn of the 4th century BC) Late Classic (400-323 BC - turn of the 4th century BC) Late Classic (400 -323 BC - turn of the 4th century BC)
Scopas
Praxiteles
Lysippos
Hellenism (III-I centuries BC) Hellenism (III-I centuries BC) Hellenism (III-I centuries BC)
Agesander
slide 6
Archaic
Kouros. 6th century BC
Bark. 6th century BC
The immobility of postures, the stiffness of movements, the "archaic smile" on the faces, the connection with Egyptian sculpture.
Slide 7
classical period
Miron. Discus thrower. 5th century BC
Miron was an innovator in solving the problem of movement in sculpture. He depicted not the Disco Thrower movement itself, but a brief break, an instantaneous stop between two powerful movements: a backswing and throwing the whole body and disk forward. The face of the discus thrower is calm and static. There is no individualization of the image. The statue embodied the ideal image of a human citizen.
Slide 8
Compare
Chiasmus is a sculptural technique for conveying hidden movement at rest. Polikleitos in the "Canon" determined the ideal proportions of a person: head - 17 height, face and hand - 110, foot - 16.
Miron. Discus thrower
Polykleitos. Doryphorus
Slide 9
late classic
Scopas. Maenad. 335 BC e. Roman copy.
Interest in the inner state of a person. Expression of strong, passionate feelings. Drama. Expression. Image of vigorous movement.
Slide 10
Praxiteles
statue of Aphrodite of Knidos. It was the first depiction of a female figure in Greek art.
slide 11
Lysippus developed a new plastic canon, in which individualization and psychologization of images appear.
Lysippos. Alexander the Great
Apoxyomenos
slide 12
Compare
"Apoxiomen" - dynamic pose, elongated proportions; new canon head=1/8 of total height
Polykleitos. Doryphorus
Lysippos. Apoxyomenos
slide 13
plastic study
Slide 14
How the problem of beauty and the problem of man were solved in Greek sculpture. From what and to what did the Greeks come?
Conclusion. Sculpture has gone from primitive forms to ideal proportions. From generalization to individualism. Man is the main creation of nature. Types of sculpture are varied: relief (flat sculpture); small plastic; round sculpture.
slide 15
Homework
1. Complete the table on the topic of the lesson. 2. Compose questions for the test work. 3. Write an essay "What is the greatness of ancient sculpture?"
slide 16
Bibliography.
1. Yu.E. Galushkin "World Artistic Culture". - Volgograd: Teacher, 2007. 2. T.G. Grushevskaya “Dictionary of the MHK” - Moscow: “Academy”, 2001. 3. Danilova G.I. World Art. From the origins to the 17th century. Textbook grade 10. - M.: Bustard, 2008 4. E.P. Lvova, N.N. Fomina “World Artistic Culture. From its origin to the 17th century” Essays on history. - M.: Peter, 2007. 5. L. Lyubimov "The Art of the Ancient World" - M.: Enlightenment, 1980. 6. World art culture in the modern school. Recommendations. Reflections. Observations. Scientific and methodical collection. - St. Petersburg: Nevsky Dialect, 2006. 7. A.I. Nemirovsky. “A book to read on the history of the ancient world”
- Fourth week of pregnancy signs and sensations
- Cheilitis - inflammation of the red border of the lips: causes, manifestations, treatment Lips along the edges are red and sore
- Hemostatic (hemostatic) Mirfarma Tranexam tablets - “Tranexam for uterine bleeding: how to take and how effective is it?
- Kundalini yoga with Maya Fiennes: exercises for energy and health The effect of meditation depending on the minutes
- How to protect yourself from an energy vampire Who are "psychological vampires"
- Madame de Montespan celebrates a black mass to win Louis xiv
- "The Tale of Bygone Years" and its editions
- Whale - records in the world of animals Whale - description and characteristics
- The leader of the pseudo-Hindu sect Sai Baba dies Saint Sai Baba
- Igor's reign 912 945 briefly
- July Revolution Center of the July Revolution of 1830 in France
- Alcoholism and its health effects
- The leader of the pseudo-Hindu sect Sai Baba died Indian Sathya Sai Baba autobiography
- When does the first call begin?
- The May decrees of the President on raising the salaries of doctors drifted Will doctors be raising salaries in
- Beautiful and unusual names for girls born in the year of the rooster
- How to have fun on Valentine's Day at school?
- Calendar of fasts and meals Orthodox fasts calendar and schedule
- Cancellation of paper title and introduction of an electronic vehicle passport
- Salad "pomegranate bracelet" without beets