Russian folk choir of Pyatnitsky. State Academic Russian Folk Choir named after. M.E. Pyatnitsky

Initially, the choir performed in the village of Aleksandrovskoye, Voronezh province, where it performed peasant ritual songs - games, work, etc.

On September 22, 1918, the choir performed in the Kremlin. Vladimir Lenin praised the performing arts of the group, pointing out the need to expand its work.

By Lenin's decree, in the early 1920s, all members of the peasant choir were transported to Moscow and given a place to work.

In 1927, after the death of the founder of the group, the Russian Folk Choir was named after Mitrofan Pyatnitsky.

In 1936, the team was given the status of "State".

In 1938, dance and orchestral groups were created, headed by People's Artist of the USSR Tatyana Ustinova and People's Artist of the RSFSR Vasily Khvatov.

During the Great Patriotic War (1941-1945), the Pyatnitsky Choir conducted concert activities as part of front-line concert brigades. The song he performed, “Oh, my fogs are foggy,” became a kind of anthem of the entire partisan movement.

Since 1945, the group has actively toured the country and was one of the first to be entrusted with representing Russia abroad.

In 1968, the team was awarded the title "Academic".

The diverse repertoire of the Russian Folk Choir - from folk ditties and choruses to vocal and choreographic suites and compositions - was constantly replenished with new works by Soviet composers.

In 1961, the Pyatnitsky Choir was awarded the Order of the Red Banner of Labor, in 1986 - the Order of Friendship of Peoples.

Over the years, the choir was led by Pyotr Kazmin, Vladimir Zakharov, Marian Koval, and Valentin Levashov. Since 1989, the team has been headed by People's Artist of the Russian Federation, Professor Alexandra Permyakova.

In recent years, the choir has been performing concert programs “I am a proud country of you”, “Russia is my Motherland”, “Mother Russia”, “...Unconquered Rus', Righteous Rus'...”.

In 2007, the team was awarded the Russian Government medal "Patriot of Russia". In 2008, the Pyatnitsky Choir became a laureate of the “National Treasure of the Country” award.

The Pyatnitsky Russian Folk Choir is an indispensable participant in festive events and concerts of national importance. It is the base group of the “All-Russian Festival of National Culture”, the “Cossack Circle” festival, the Days of Slavic Literature and Culture, and the annual ceremony of presenting the Russian Government Prize “Soul of Russia”.

The Pyatnitsky Choir celebrated Russia Day with the first solo performance in its century-long history in Jerusalem, Israel. The choir artists performed “Ural Rowanushka”, “Prilenskaya Quadrille”, “Khasbulat the Daring”, “He’s Going on Leave”, “Along the Street”, “So Many Golden Lights”.

The material was prepared based on information from RIA Novosti and open sources

Russian folk choir named after M. E. Pyatnitsky

State Academic Russian Folk Choir named after. M. E. Pyatnitsky- Russian musical group performing folk music.

This is exactly what the first posters of the now famous group looked like - the State Academic Russian Folk Choir named after. M.E. Pyatnitsky - back in 1911.

The founder of folk choral singing on the professional stage and the organizer of the first folk choir in Russia was Mitrofan Efimovich Pyatnitsky(1864-1927), an expert in the art of singing, a famous “collector” of Russian songs. He traveled to villages and towns in central Russia, listening to folk singers. More than 400 songs recorded on an ancient roller phonograph are preserved in the archives of Mitrofan Pyatnitsky. Pyatnitsky was so captivated by folk performers that he had a dream of showing Russian song on the concert stage in its true form, the way it had sounded for centuries.

The band's first concert took place March 2, 1911 in Moscow on the stage of the Noble Assembly. Singing peasants appeared before the public - straight from the ground, from the plow, from the heap. The initial composition consisted of eighteen people from three central Russian provinces. And until the beginning of the 20s, singers were invited to concerts in Moscow, and then they returned to their villages. Only 10 years later, Mitrofan Pyatnitsky moved the choir members to live in the capital, and they began to perform in a permanent composition.

After Pyatnitsky’s death in 1927, Pyotr Mikhailovich Kazmin became the director of the choir.

In 1962, the choir was headed by the famous composer Valentin Sergeevich Levashov, whose songs became the basis of the group's repertoire. In 1985, he was awarded the title of People's Artist of the USSR. The repertoire was replenished with a new genre of vocal and choreographic composition. These were, first of all, large-scale, epic canvases of folk life in the synthesis of words, music and dance, representing entire cultural and ethnographic sections: Bryansk games, Kaluga busts, Kursk dance with ditties.

Since 1989, the Choir named after. Pyatnitsky is headed by Alexandra Andreevna Permyakova (since 1989 - director, and since 1995 - Artistic Director - Director).

Today, after a rather difficult period in the early - mid-90s, the State Academic Russian Folk Choir named after M. E. Pyatnitsky is again on the rise. 90 percent of its artists are graduates of the Pyatnitsky Choir School-Studio, created 30 years ago. Tatiana Ustinova.

Notes

Wikimedia Foundation. 2010.

See what the “Russian Folk Choir named after M. E. Pyatnitsky” is in other dictionaries:

Founded in 1910 by M. E. Pyatnitsky, since 1927 named after him, since 1968 academic. The choir was composed of peasants from the Ryazan and Smolensk provinces. The first concert took place on March 2, 1911 in Moscow, in the Small Hall of the Noble Assembly. In 1937 the choir became professional... Russian history

State Academic Russian Folk Choir named after. M. E. Pyatnitsky ... Wikipedia

State Academic Russian Folk Choir named after. M.E. Pyatnitsky is a Russian musical group performing folk music. “On Thursday the 17th and Friday the 18th at one o’clock in the afternoon there will be a concert of Great Russian peasants, specially ... ... Wikipedia

- (academic Russian folk choir of the RSFSR named after M. E. Pyatnitsky) the oldest owl. prof. adv. chorus Organized by M. E. Pyatnitsky in 1910. The first concert of the choir consisting of 18 peasant singers from the Voronezh, Ryazan and Smolensk provinces took place on 2 ... Music Encyclopedia

Russian Federation named after M. E. Pyatnitsky, founded in 1910; organizer and artistic director (until 1927) M. E. Pyatnitsky. Since 1937 the professional collective of the Moscow Philharmonic, since 1940 its modern name, since 1967 academic. Among… … encyclopedic Dictionary

Academic Russian Folk Choir of the Russian Federation named after M.E. Pyatnitsky professional folk choir. Organized in 1910 from peasants of the Voronezh, Ryazan and Smolensk provinces. The first concert in Moscow took place on February 17, 1911 in Maly... ... Moscow (encyclopedia)

Professional folk choir. Organized by M.E. Pyatnitsky in 1910 from the peasants of the Voronezh, Ryazan and Smolensk provinces. The first concert in Moscow took place on February 17, 1911 in the Small Hall of the Noble Assembly. The art of the choir was admired... ... Moscow (encyclopedia)

State Academic Folk Choir named after. Pyatnitsky- In 1910, the collector and performer of Russian folk songs, Mitrofan Pyatnitsky, organized a choir of folk singers from the Voronezh, Ryazan and Smolensk provinces. March 2 (February 17, old style) 1911 in Moscow on the small stage of the Noble Assembly ... Encyclopedia of Newsmakers

This article is about the choir as a singing group. See also other meanings of this word. Choir (ancient Greek: χορός crowd) choral group, singing group, musical ensemble consisting of singers (choristers, choir artists); joint sound... ... Wikipedia

A word about the creative team

Choir named after Pyatnitsky. The team, born among the people and raised by them, is rightfully considered the oldest and faithful promoter of folk songs. On February 17, 1911 in Moscow, in the Small Hall of the Noble Assembly, they were performed for the first time by him. Voronezh musician and passionate song collector Mitrofan Efimovich Pyatnitsky brought groups of singers from villages to Moscow and organized peasant concerts here. According to the story of one of the choir leaders, P. M. Kazmin, the basis of the choir from the moment of its founding was made up of three groups of singers: Voronezh, Ryazan and Smolensk. The group of Voronezh singers included fellow villagers of M.E. Pyatnitsky. At the first concerts, each of these groups performed separately, but then the best songs began to be performed by the whole group.

It should be noted that the activities of the choir even then were marked by the intense, creative work of its participants, who, after a hard day of work, went to a rehearsal, to Pyatnitsky’s apartment or to the outskirts of the Novodevichy Convent, and spent hours perfecting the performance of each song. Mitrofan Efimovich Pyatnitsky sought, first of all, to preserve the folk style of performance, so that the singers could fully convey the richness of Russian song to listeners. “Sing like you sing in your own village and in round dances,” he demanded. The original ancient outfits in which the choir members performed were also supposed to convey the charm of Russian song.

The program of the first concert included 27 songs from different regions of Russia. Some of them were performed with accompaniment. Usually they accompanied the singers on zhaleikas. Already in the first concert, works appeared that gained enormous popularity among lovers of folk music. The songs “Mountains Vorobyovsky”, “My Stripe, Stripe”, performed on a February evening in the Small Hall of the Noble Assembly, and are now included in the repertoire of the group, are a great success among listeners.
A year later, Pyatnitsky’s choir performed again in Moscow. This time his program was more organized, combined into three completed paintings: “Evening outside the outskirts”, “Festive day after mass”, “Wedding ceremony”. The choir's performance in the Great Hall of the Moscow Conservatory was attended by Rachmaninov and Chaliapin, who responded warmly to the concert.
Peasant concerts were repeated over the next three years. They brought people the best traditions of Russian song but, unfortunately, were not accessible to a wide circle of listeners. A peculiar result of the first years of the choir’s work was summed up by the release in 1914 of the collection “Concerts of M. E. Pyatnitsky with Peasants,” where 20 of the most popular songs from the choir’s repertoire were published.

Despite the enthusiasm and persistence with which M.E. Pyatnitsky took up the collection and promotion of Russian folk songs, before the revolution he could not fully realize his creative plans. And it is no coincidence that the true flowering of the choir begins after the Great October Revolution. The opportunity for mass performances arose, and with the expansion of the audience the repertoire was enriched. The choir performed in factories, factories, and villages. The Soviet government even then attached great importance to his activities. On September 22, 1918, Vladimir Ilyich Lenin attended a choir concert in the Kremlin. He was interested in the work of the group (the “Kremlin” program of the choir included the films “Evening Outside the Outskirts,” “Gatherings,” “Wedding” and the film “Liberated Russia” created on modern material). The next day, Lenin received Pyatnitsky in the Kremlin. In a conversation with him, Vladimir Ilyich emphasized the importance of promoting Russian folk art and pointed out the need to expand the activities of the choir.
The team, inspired by Lenin’s attention and his kind parting words, began to work with even greater enthusiasm. In 1923, for his energetic and fruitful work, he was awarded a diploma from the All-Union Agricultural Exhibition, where he gave a number of concerts, and in the year of his twenty-fifth anniversary he was awarded the title of Honored Band of the Republic.

In 1927, M.E. Pyatnitsky passed away. After his death, the team was headed by Pyotr Mikhailovich Kazmin, nephew of Mitrofan Efimovich, literary critic and folklorist.
1936 - opens a new stage in the creative biography of the group. The choir becomes professional. He has the opportunity to work more thoughtfully and thoroughly on song material. During these years, a radical restructuring of the choir's work was carried out. A significant contribution to the improvement of his performing skills belongs to the composer Vladimir Grigorievich Zakharov, who, together with P. M. Kazmin, has been leading the team since 1931. The appearance of the choir is changing. He becomes more festive and elegant. The repertoire, along with ancient ones, increasingly includes modern songs about the life of Soviet people. Among them are the works of V. G. Zakharov himself. The restructuring of the team ends with the creation of special groups of musicians and dancers. The wonderful dance master Tatyana Alekseevna Ustinova and the famous musician Vasily Vasilyevich Khvatov join the team.
The songs performed by the choir receive truly national recognition, this applies primarily to the songs “Seeing Off”, “Along the Village”, “And Who Knows Him”, “Green Spaces”.

The war did not interrupt the creative activity of the choir. Performing on the front stage, on the radio, the artists of the Pyatnitsky choir inspired Soviet soldiers to fight for the happiness and freedom of the Motherland. V. Zakharov’s songs “Oh, my mists”, “White Snow” become truly folk. During the war years, another fundamentally new feature appeared in the creative style of the team. Its performers now not only sing or dance, they act on stage. In 1943, the choir performed a program that included “Scenes of a Russian Folk Wedding.” Wedding songs are part of everyday pictures presented by artists on stage. The text of “Scenes of a Russian Folk Wedding” was compiled by P. M. Kazmin, using authentic folklore material. Songs, ditties, folk customs and rituals, dances, round dances - all this sounded organically in the wedding scenes. In 1944, a large group of choir artists were awarded orders and medals for new creative achievements; V. G. Zakharov was awarded the title of People's Artist of the USSR, and P. M. Kazmin was awarded the title of People's Artist of the RSFSR.

The post-war period of the choir's activities is marked by new songs by V. G. Zakharov. Their themes are the Motherland, Russia, the return of the soldiers who defended the Fatherland to peaceful labor, and of course, new collective farm lyrics (“Song about Russia”, “Glory to the Soviet Power”, “How the guys came back from the war”, “There is no better color than this” .). The orchestra’s repertoire was enriched by V. V. Khvatov’s plays “Carousel”, “Wedding Tunes”, and the dance group’s repertoire was enriched by the dances “Timonya”, “Gusachok”, “Girls’ Round Dance”. The staging of the folk scenes “Beyond the Outskirts,” the plot and text of which was written by P. M. Kazmin, should also be considered a major work of the choir.
In the post-war years, the group began its foreign tours. In 1948 he travels to Czechoslovakia, then to Poland, Bulgaria, Romania, East Germany, and Finland. And everywhere his performances meet with great interest and enjoy constant success. This good tradition is preserved by the team to this day.
A new level of the choir’s mastery was its work on the folk songs “Fires are Burning”, “Steppe and Steppe All Around”, “There is a Cliff on the Volga”, as well as on V. G. Zakharov’s song “Our Strength is in Righteous Deeds”, which addresses the theme the struggle for peace, and the songs and dances of a collective farm wedding (text of songs by A. Tvardovsky, music by V. Zakharov).

In the 50s-60s, the team was led by P. M. Kazmin and Marian Viktorovich Koval, and since 1963 by composer Valentin Sergeevich Levashov. The arrival of composer V. S. Levashov to the team is associated with new creative searches. This is evidenced by the choir’s programs “Russian Land”, “Blossoms, Russia”, “Morning of Russia”. Without breaking with the traditions of Russian folk art, V. S. Levashov boldly introduces elements of modernity into the choir’s performing style. The choir eagerly responds to the needs of the people, its performances are distinguished by their relevance and political focus.
The choral and dance groups and orchestra of the group were rebuilt.
“At the present time,” says the director of the Pyatnitsky choir V.S. Levashov, “the peculiarity of our group is that the female group of singers is divided into four parts, and not into three, as was previously the case; the male group of singers is divided into three parts rather than two. The orchestra widely uses four-string domras, balalaikas, button accordions, original folk wind instruments, harmonicas, and percussion instruments. The dance group has been enlarged, which allows for the staging of mass dances and dances. The chief choirmaster Galina Vladimirovna Fufaeva, the head of the dance group Tatyana Alekseevna Ustinova, and the director of the orchestra Alexander Semenovich Shirokov work a lot with the team.”

Songs performed by the Pyatnitsky Choir have been heard for more than half a century. His services are highly appreciated by the people, the party, and the Soviet government. On the day of its fiftieth anniversary, the choir was awarded the Order of the Red Banner of Labor, and in 1968 the choir became Academic.
A. Vladimirov

ORCHESTRA COMPOSITION

Domras: Piccolo, Prims, Tenor, Bass, Contrabass
Bayans: I, II, double bass
Winds: Vladimir horns, (trumpets) - soprano, altos Keychain, zhaleika, flute
Drums: Triangle Tambourine
Snare drum, Cymbals, Bass drum, Box, Spoons, Brushes, Ratchets, Bell, Xylophone
Keyboard gusli
Voiced gusli: prims, altos, basses
Balalaikas: Prims, Seconds, Violas, Bass, Double bass
Note: wind instrument parts can be performed on the button accordion.

• Works for choir and orchestra
  • 1. Motherland, Lenin, Party. Music Anat. Novikov, words by A. Sobolev
  • 2. Song about Russia. Music by V. Zakharov, words by M. Isakovsky and A. Surkov.
  • 3. About the rocket. Music by S. Tulikov, lyrics by V. Alferov
  • 4. Three girls the same age. Music by M. Koval, lyrics by M. Isakovsky.
  • 5. Russian open spaces. Music by V. Levashov, lyrics by V. Kharitonov.
  • 6. Oh, since last night, since midnight. Russian folk song. Arranged by V. Khvatov
  • 7. Autumn dream. Ancient waltz. Arranged by V. Levashov. Words by V. Lebedev-Kumach
  • 8. Peddlers. Russian folk song. Arranged by A. Shirokov. Words by N. Nekrasov
• Works for soloists and orchestra
  • 9. Serious tractor driver. Music by V. Levashov, lyrics by V. Orlovskaya
  • 10. The good fellow walked and walked. Russian folk song. Arranged by V. Voronkov.
  • 11. I sow, I winnow. Russian folk song. Arranged by A. Shirokov.
  • 12. I got up at dawn. Russian folk song. Arranged by V. Zakharov
• Music for dancing
  • 13. V. Poponov. Round dance
  • 14. A. Shirokov. Dance of combine operators.
  • 15. M. Magidenko. Russian round dance

Download collection

State Academic Russian Folk Choir named after M. E. Pyatnitsky was founded in 1911 by the outstanding researcher, collector and promoter of Russian folk art Mitrofan Efimovich Pyatnitsky, who for the first time showed the traditional Russian song in the form in which it had been performed by the people for centuries. Looking for talented folk singers, he sought to acquaint wide circles of the urban public with their inspired skill, to make them feel the full artistic value of Russian folk song.

The first performance of the choir took place on March 2, 1911 on the small stage of the Noble Assembly of Moscow. This concert was highly appreciated by S. Rachmaninov, F. Chaliapin, I. Bunin. After enthusiastic publications in print publications of those years, the popularity of the choir increased year by year. In 1918, by order of V.I. Lenin, all members of the peasant choir were transported to Moscow. In the 1920s The team has already toured many regions of the country.

After the death in 1927 of M. E. Pyatnitsky, who left more than 400 songs he collected as a creative legacy, the choir was led by philologist and folklorist P. M. Kazmin, People's Artist of the RSFSR, laureate of State Prizes. In the same year, the choir received the name of M. E. Pyatnitsky.

In 1929, with the beginning of collectivization, a campaign was launched against the Choir under the slogan “We don’t need a choir with songs from the kulak village. New village - new songs." The “crisis” allowed the arrival of a talented composer, People’s Artist of the USSR V. G. Zakharov in the Choir in 1931, who headed the group until 1956. During this period, original songs appeared in the choir’s repertoire, including those glorifying the beginning of collectivization and electrification and industrialization. Vladimir Zakharov’s songs “And Who Knows Him,” “Russian Beauty,” and “Along the Village” became famous throughout the country. In 1936, the team was given State status.

In 1938, two new professional choir groups were created - dance and orchestral, thanks to which the expressive stage means of the group expanded significantly. The founder and leader of the dance group for 60 years was People's Artist of the USSR T. A. Ustinova. The founder of the orchestral group is People's Artist of the RSFSR V.V. Khvatov.

During the Great Patriotic War, the M.E. Pyatnitsky Choir performed as part of front-line concert brigades, and Vladimir Zakharov’s song to the words of Mikhail Isakovsky “Oh, my mists” became the anthem of the partisan movement. The choir was one of the few groups that took part in the celebration of the great Victory on May 9, 1945 on Red Square.

In the post-war years, the group actively toured the country and was one of the first to be entrusted with representing Russia abroad. Spectators from more than 40 countries around the world have become acquainted with his art, and the Choir still actively and successfully tours abroad. In 1961, the team was headed by the famous composer, People's Artist of Russia, State Prize laureate V. S. Levashov. The choir named after M.E. Pyatnitsky was awarded the Order of the Red Banner of Labor (1961), the Order of Friendship of Peoples (1986). In 1968 he was awarded the title “Academic”.

From 1989 to the present, the Choir named after M. E. Pyatnitsky has been headed by People's Artist of Russia, Laureate of the Government Prize of the Russian Federation, Professor A. A. Permyakova.

Rethinking the creative heritage of the Pyatnitsky Choir has made it possible to make its stage art modern and relevant for audiences of the 21st century. Such concert programs as “I am proud of you, country”, “Russia is my Motherland”, “Mother Russia”, “...Unconquered Rus', Righteous Rus'...” meet the high criteria of spirituality and morality of the Russian people and are extremely popular among viewers and in significantly contribute to the education of Russians in the spirit of love for their Fatherland.

Feature and documentary films “Singing Russia”, “Russian Fantasy”, “All Life in Dance”, “You, My Russia” have been created about the choir named after M.E. Pyatnitsky; the books “State Russian Folk Choir named after Pyatnitsky”, “Memories of V. G. Zakharov”, “Russian Folk Dances” were written; a huge number of musical collections “From the repertoire of the choir named after M. E. Pyatnitsky”, newspaper and magazine publications have been published; Many records and discs have been released.

In 2001, a personal star was laid in honor of the team on the “Walk of Stars” in Moscow. In 2007, the M.E. Pyatnitsky Choir was awarded the “Patriot of Russia” medal of the Government of the Russian Federation, and in 2008 it became a laureate of the “National Treasure of the Country” award.

The awarding of the Grant from the President of the Russian Federation allowed the team to preserve all the best created by its predecessors, ensure continuity and rejuvenate the team, and attract the best young performing forces in Russia. Many choir artists are laureates of regional, all-Russian and international competitions for young performers.

The M.E. Pyatnitsky Choir is an indispensable participant in all festive events and concerts of national importance. It is the base team of the All-Russian festivals: “All-Russian Festival of National Culture”, “Cossack Circle”, “Days of Slavic Literature and Culture”, the annual ceremony of presenting the Prize of the Government of the Russian Federation “Soul of Russia”.

The choir is honored to represent our country at the highest level abroad within the framework of meetings of heads of state and Russian Culture Days.

The choir named after M.E. Pyatnitsky retains its unique creative identity, remaining a scientific center of professional folk art. Each performance of the choir is a high achievement and a standard of harmony in stage folk art.