Essay on the picture seeing off the militia. Composition on the painting Seeing off the militia Rakshi Y.M. Characteristics of the painting seeing off the militia

Description of the painting by Soviet artist Yuri Raksha "Seeing off the militia". Essay on the picture for grade 8.

Who painted the painting "Seeing Off the Militia"

The author of the picture is the artist Yuri Mikhailovich (1937-1980). He was not only a painter, but also a film director. He has more than 200 paintings to his credit. One of the most famous is the "Kulikovo Field", which is divided into three parts (triptych): "Blessing for the battle", "Anticipation" and "Seeing off the militia". The painting has become so famous that today it is studied in schools and essays are written on it. It is a vivid example of the skill of Soviet artists, a subject of history study, as well as a reference to the heroism and courage of the Russian people.

In what year was the painting "Seeing Off the Militia" painted

The painting was painted in 1980, the year of the artist's death. It became a painting that, along with a number of other works, glorified his name and magnificent craftsmanship over the centuries.

Seeing off the militia picture description

"Seeing Off the Militia" - the right part of the triptych "Kulikovo Field". The triptych refers to the historical battle on the Kulikovo field. On September 8, 1380, Russian soldiers came together under the leadership of the Grand Duke of Moscow Dmitry Ivanovich Donskoy (1350-1389) and the army of the Golden Horde led by Mamai. The Tatar-Mongols were defeated in the Battle of Kulikovo. But Yuri Raksha's triptych demonstrates not the battle itself and not its outcome, but what happened before the battle.

This approach to work made it even more dramatic for the viewer. Here we can see the prince, soldiers and those who see them off to the last battle. The work strikes with the tragedy of what is happening when the soldiers are preparing for a battle from which many will not return. In the picture, they are still alive, full of strength and hatred for the enemy, ready to break the enemy's strength and give freedom to the Russian people. But soon many of them will fall in a bloody battle and remain on the battlefield. Others will emerge victorious from the battle, defeating the Golden Horde.

Perhaps the most tragic part of the triptych is the right “Seeing Off the Militia”. Here we can see the heartbreaking moment when wives, mothers, children, fathers see off their sons, husbands, fathers on their last journey. All of them understand that not all will return home from such a battle, and their relatives may be among those who lay their heads on the Kulikovo field.

The focus here is not on the warriors, but on those who see them off to battle. The soldiers themselves, on foot and on horseback, are represented in the background, as if in a misty haze. Here they are only an image of a hero and a fallen warrior, whose memory will never be forgotten. In the foreground are the relatives of the soldiers-liberators.

In the center of a group of people, we can see a pregnant woman in an expensive dress. Apparently, this is the wife of Prince Dmitry Ivanovich, who later, for the victory in the Battle of Kulikovo, will be christened Donskoy. The wife of Prince Dmitry was Evdokia Dmitrievna (1353-1407), who bore him 12 children. Evdokia holds the boy's shoulder with his left hand, his head bowed, and put her other hand on his stomach. Unlike the people crying around, her face is proud and humble. Despite the fact that her heart is breaking with grief, she continues to hold on as befits a princess, by her appearance showing confidence in the victory of the Russian army and an unbreakable faith in the invincibility of the Russian spirit.

A little girl is sitting next to her. She collects flowers in the clearing. The girl with flowers is a symbolic figure. Flowers in her hand - as a tribute to the memory of those who will not return, but will give deliverance from the Tatar-Mongol yoke. On the other side of the princess is a grief-stricken woman. She was no longer supported by her legs, she sat down straight on the ground and grabbed her head. The feeling of the impending tragedy plunged her into a state of horror.

Behind the princess is a tear-stained woman who hugs a frightened child to her chest. On the right hand is an old woman, someone's mother, who can no longer cry and with grief in her eyes looks at the departing soldiers, among whom is her son or even sons. Behind her is a gray-haired old man with a stick. Nearby is a young girl who crosses herself and bows after those who go into battle, blessing them for victory.

Seeing off the militia composition plan 8th grade

1. author
2. The plot of the picture
3. First plan
4. Second plan
5. How does the painting feel?

Composition on the picture Seeing off the militia grade 8

The triptych "Kulikovo Field" was written by the famous Soviet artist Yuri Mikhailovich Raksha in 1980. The painting became a real masterpiece of Russian painting and an example of the courage and courage of Russian soldiers who defeated the Tatar-Mongol yoke during the battle on the Kulikovo field.

In the center of the plot of the three parts of the triptych is preparation for the battle on the Kulikovo field on September 8, 1380. Yuri Raksha decided to write not the battle itself and not its outcome, but the atmosphere that prevailed before the battle. The mood of the picture is the expectation of a bloody battle. A keen feeling that the warriors who are already ready to go out against a powerful enemy are entering their last battle and many will not return home, lay down their heads for the Motherland, but will win and become famous for centuries.

Here we will look at the right side of the triptych, which has the name "Seeing Off the Militia". The other two are "Blessing for Battle", "Anticipation". In the center of attention, in the foreground, a group of people who see off the soldiers. In the group we can see wives, mothers, children. Their mood is filled with inconsolable grief. They understand that they may not wait for their relatives, since the battle will not be for life, but for death.

In the center of the group is the princess, the wife of Prince Dmitry, who, after winning this battle, will be called Donskoy. The princess is in position, holding her son by the shoulder with one hand. Her face is full of resilience. By her appearance, she sets an example for everyone around her that it is necessary to believe in the invincibility of Russian soldiers. She escorts the militia to the battle, realizing that she will see many for the last time. They will lay down their heads for their homeland, but they will definitely come with victory, as it has always been.

A girl sits next to the princess. She collects flowers on a hillock. The girl is still very young to understand what tragedy is happening before her eyes. Flowers in her hands, as a symbol of the fact that soon the flowers will be carried to the graves of the dead. On the right side is a woman who was killed by an inconsolable grief, who sat down on the ground, as she was no longer supported by her legs. Behind the princess's back is a woman in a black robe, who tightly presses the boy. Her mournful appearance symbolizes that soon mothers will lose their children, wives will become widows, children will become orphans. In a brown robe, with her hand to her lips, stands someone's mother, escorting her sons to the war. Behind her is a gray-haired old man with a stick. Apparently, the old man is blind, and only for this reason he is not among those who go to battle. The group of people is closed by a girl who bows and crosses herself after the leaving Russian army.

In the background the army itself. Warriors are written as if in some kind of haze. On the one hand, Yuri Raksha did this in order not to distract the viewer's eyes from the main scene in the foreground. On the other hand, in the haze, the warriors look like the ghosts of great heroes who did not spare their lives to serve the Fatherland.

Behind the whole procession is the stone wall of the city. An innumerable army continues to leave the gates of the fortress.

The picture is imbued with the thrill of impending grief. Warriors go into battle with a very powerful enemy, and no one can stop this war. Their relatives are forced to come to terms with the fact that soon blood will be shed on the Kulikovo field, possibly the blood of their sons, husbands, and fathers.

The viewer, seeing this picture, wakes up pride in the courage of the Russian people. In the face of any danger, they are ready to defend their homeland. Many wars have fallen on our country, we all know and remember about them. And in this picture all the pain is presented from the feelings with which the warriors are escorted into the bloody battle by their mothers, fathers, wives, and children.

The most sacred thing on earth is to defend your homeland, your native corner, your land from the enemy. This is the main business of every person. It has always been considered correct in Russia to live like a real patriot, and to die defending the Motherland has always been considered a great honor. The plot of Raksha's patriotic film "Seeing Off the Militia" also tells about this. The theme of this painting touches upon the time when the Tatar-Mongol yoke attacked Russia and the Russian people were forced to defend their native Russian land.

Yuri Mikhailovich depicted on his canvas the militia, which are slowly leaving the city and are already beginning to leave the city gates. And in the city itself people gathered to escort the soldiers who will have to protect them. These are mainly women and children, there are few old people among them. On the left in the picture, people are walking smoothly, as if it looks like a river surface, which slowly pours over the area. The people are already leaving the city gates, which are painted white.

But the author of the picture shows that the militia that will defend the city consists not only of soldiers, behind whom there are already many battles and battles. Among the defenders and peasants, and ordinary and ordinary townspeople. Some walk, others follow slowly in the crowd on horseback, but they all have one goal: they go to battle to defend the freedom and independence of their native Russian land.

The painter Raksha placed local residents in the central place of his picturesque and very poetic canvas. So, on the right side of the long folk river, there are children and women. Most likely, these are the mothers, sisters and wives of those soldiers who went to defend the city. They went out in order to lead their loved ones to a military and fair battle. They all hope that their men will still return home with victory.

Grief and war united people of different classes. Among the mourners, as well as among the militia, there are those who belong to a noble family and ordinary people. By the way, they can be easily seen and discerned in the crowd of those who see them off. The grief that came to their city affected the quiet life of each of them. Therefore, both the rich and the poor now stand huddled together, they no longer have any social boundaries.

Among women, the crowd stands out for being baptized and bowing to the army. She also came here to see her close men and understands perfectly well that many of those who are now leaving the city gates will most likely never return home, so she bows to them, thanks to their heroic deed. Each of those women who stand in the crowd peers at their close men: father, brother, husband, son. They try to remember them, and, most importantly, to carry them out at least with their eyes. But they reflect grief and sadness, as well as great anxiety.

One of the women, being in grief, sat down on the grass. She is bareheaded and in a red sundress. The artist captured her at the moment when he can no longer restrain himself. Strength left her, and she, sitting right on the grass, slightly throwing her head back, cries. Her mouth is open as she wails straight into her voice. By the way this woman is being killed, one can understand that she is so much shocked by everything that happens that she even managed to lose hope that someday she would see alive the one who had just left to defend the homeland. She cries and laments about him, as for an already dead warrior.

A young, stately and beautiful woman occupies a central place among those who see them off. Her hair is neatly braided into one wheat-colored braid. A hair hoop is worn on her head. Her dress is yellow, but with blue stripes. From the way she is dressed, how she carries herself, it is clear that this woman is not at all a commoner, but of a noble family. With her left hand, she lovingly hugs the boy, most likely this is her son. There is sadness on his face, which is why he lowered his head. It is evident that he does not want to part with his father at all. This woman sees off her husband, but at the same time holds on proudly, and does not allow her bad thoughts to destroy her dream of his early return.

Perhaps it is her husband who leads this militia, so she, as the wife of the governor, simply has no right to be weak. Therefore, she looks like she is strong in spirit. And only sadness and longing in her eyes betrays her. She realizes that she has a son next to her, who will soon also become a warrior, so she must show him an example of stamina and endurance. Of course, she brings up her son so that he is proud of his father, who boldly and resolutely goes into battle, realizing that he needs to protect his native land and family.

Painting by Yu.M. Rahkshi amazes with its expressiveness of shades and colors, as the artist decided to choose their unusual and interesting. The emotional depth of feelings and experiences cannot but amaze. The women, whom the artist conveys in such a detailed and accurate manner in his canvas, focusing attention on them, are the images, first of all, of the Russian land, which grieves, but sees off its sons to the liberation battle.

Sections: Russian language

Target: learn to choose the right material for writing an essay.

Tasks:

• analyze the work of art (Y. Raksha "Seeing off the militia");
• determine the theme, idea and problem of the work;
• be able to express their position in relation to the formulated problem, give arguments;

Lesson type: speech development lesson.

Equipment: computer, video projector, reproduction of the painting by Y. Raksha "Seeing Off the Militia", "Explanatory Dictionary" of Ozhegov, maps of combat battles, a history textbook, a notebook for one lesson.

DURING THE CLASSES

I. Organizational moment

- Hello, guys and dear guests present at the lesson. I'm glad to see you. ( Presentation )
Let's wish each other a good job with our smiles. Look to the right and smile at your neighbor, and now to the left - smile at your neighbor. Happy work. Have a seat.

II. Call

Guys, who left this history textbook on the table here? .. And there are some other maps in the textbook. These are battle maps.

- What is shown on these cards?
- What unites these cards?
- The story can not only be read, heard, seen, but also be a participant in it. Directors stage films based on historical events, writers create works in which historical heroes are the protagonists, artists paint canvases on which you can see history, feel it, feel it. The ancient Greek philosopher Horace argued that "a picture is a poem without words." Therefore, historical battles can be seen not only on historical maps, but also on the canvases of famous artists.
- Where can you see these pictures?
- It is to the art gallery that we will go today. Here is an art gallery, there are many paintings around us. Welcome to the first hall. Look closely at the pictures.
- What is depicted on them?

Photo collage (portraits, people in the center)

- What is shown in the upper right picture? How many people are depicted?
- What is shown in the upper left picture? How many people are depicted?
- What is shown in the lower right painting? How many people are depicted?
- What is shown in the lower left painting? How many people are depicted?
- What is depicted in the center of the picture? How many people are depicted?
- What unites all these reproductions of paintings?
- In what genre are all these pictures written?

III. Defining the topic and purpose of the lesson

- Guys, try to formulate the topic of the lesson yourself? (Group portrait)
- Any lesson has its own purpose. Please define the purpose of our lesson today?
- Guys, maybe you already know something about what a group portrait is and how to describe it correctly. Here is the table "Log book". Please think and fill in the first column of the table ( Annex 1 ).
- What do you already know about the group portrait?

NS O rtret - a genre of fine art, the subject of which is the image of a specific person. A group portrait is an image in which at least 3 or 4 people are drawn.

What do you think is the difference between a portrait and a group portrait?
- This question is not accidental. I suggest you go to the next room.
- Look how many pictures.

IV. Work on the topic of the lesson

A painting by Yuri Raksha caught my attention. This is the triptych "Kulikovo Field".
- Tell me, please, do you know the word "Triptych"?
I invite you to use a dictionary to explain the lexical meaning of the word and write it down in a notebook.
Today we will work with you only with the third part of this picture, which is called "Seeing Off the Militia".
- Do you understand the meaning of the owl "Militia"? And who are the militias?

The triptych "Kulikovo Field" is the crown of the work of the famous Soviet artist Yuri Raksha.
- Maybe you know something about this artist from the art course? ( Appendix 2 )
Thanks.

Vi. The history of the painting

The artist considered the triptrich "Field of Kulikovo" as the embodiment of his faith in the Russian people, as the work of the summit. He told about her plan in his articles. “I realized that this would be the most modern painting for me,” he wrote. "And the decision came, let me see my heroes in the main highly spiritual moments ...". The painting was painted with inspiration, created powerfully, although the artist was already terminally ill and knew that his days were numbered. He died with the last stroke, brush in hand.
The painting consists of three parts, but the painting "Seeing Off the Militia" is especially expressive.
Hear the story behind this painting.
The prince returned from Sergius and moved the troops from the white-stone walls of Moscow, which he had built to the south, to the Don, "meeting the enemy."
In the center of the composition, among those seeing off the militia is Evdakia, Dmitry's beloved wife. She does not cry, she has already wept her own and now has no right to cry - she is the wife of the prince and must be courageous. She is pregnant, and this is a symbol - life goes on. Nearby is the son, who already understands that the father is leaving for the battle, and the daughter, with a smile listening to the sounds of pity, - as always in Russia, with music and tears they accompany loved ones to the battle.

Vii. "Thin" and "fat" questions

VIII. Trick "bring the picture to life"

- Let's imagine ourselves as the heroes of this picture.
- Guys, you are a simple peasant girl who escorts her husband to the battle. Describe your emotions.
- Guys, what feelings do you have that you are a princess who led her husband to battle?
- Guys, imagine that you are a gray-haired old man and see off your son or grandson to the battle. Describe your feelings.
- What is common among all associations?
- The author describes the feelings and experiences of the heroes, regardless of their class, and conveys these emotions using a portrait description.

IX. Reflection

- As you remember, the purpose of our lesson is to learn how to describe a group portrait. To do this, we must work together to develop rules for describing a group portrait that will help you in writing an essay.
- Now we have to work in groups.

1 group it is necessary to draw up a syncwine about what a group portrait is and, on its basis, compose a related statement about the picture.

Let's recall the rules for composing syncwines.

1 line - 1 noun that reflects the topic.
Line 2 - 2 adjectives characterizing the topic.
Line 3 - 3 verbs expressing actions, attitude to the topic.
Line 4 - a 4-word sentence or phrase that expresses the problem.
5 line - 1 word-synonym for the topic.

2 group it is necessary to make a cluster about what details you need to pay attention to when describing a portrait.
Before you start working with a cluster, you need to remember the rules for compiling it.
Write the topic in the middle of the paper. Then write down all the words and phrases that will help expand the topic.

Group 3 it is necessary, on the basis of the memo for writing essays, which is on page 222 of the textbook, to compile a memo "writing an essay-description of a group portrait".

- You have 10 minutes to get to work.
- Let's take a look at the result of your work.

1 group please ...
Group 2 ...
Group 3 ...

- Guys, if you remember, at the beginning of the lesson we filled in column 1 of the "logbook". Please fill in the 2nd column - what new you have learned in the lesson.
- Today we have repeated what a portrait is, learned how to describe it and came up with an algorithm for writing it.

X. Homework

- Now, using the material of our lesson, I suggest that you write at home an essay describing a group of people based on Yuri Raksha's painting "Seeing Off the Militia".
- I thank you for your work in the lesson! Thank you for your attention! Goodbye!

At all times there were wars, and sending fighters into battle, they saw off the whole city or village. Likewise, the painting "Seeing Off the Militia" depicts farewell to loved ones and dear people who set off on a long journey to fight their enemies. Armed men walk along the road, along which the mourners stand on a hill. It is the escorts, not the warriors, who are the main characters of the picture by Y. Raksha.

Here in the foreground is a pregnant woman, next to which is her son and she hugs him to her, hugging her shoulder. She is dressed in an expensive dress, and her head is adorned with exquisite jewelry. It is immediately clear that she is not a commoner, but from a wealthy family. Her face is full of grief and sadness, she probably sees her husband off. A grief-stricken dark-haired woman and her daughter are sitting at the feet of this woman, right on the ground. They are dressed in simple clothes and it seems that their family is not rich. The woman also sees off her husband, but she is much more worried than the woman standing next to her.

Behind them is another woman holding her son in her arms. She hugs him so tightly, as if she thinks that when he grows up, he will also be sent to war and she is more afraid of this than anything else. A little further, there is an elderly woman who sees her son off. A girl is standing next to her, praying for the fate of all who face a difficult battle. In this company there is an old man who shouts the last words of parting words to the men.

The misfortune has united all people belonging to different strata of society. Women with children and old people were left alone and it is not known when the men will return home. And not all will return, and women will mourn the deceased loved ones. They can't do anything, and they don't even try to stop someone. Women understand that their husbands and sons go to protect their wives and children, as well as the city from the encroachments of enemies.

Yuri Rakshi is a 20th century painter who created about two hundred paintings. Most of them are dedicated to the topic. One of these canvases is Raksha's painting "Seeing Off the Militia". This work also has a second title, "The Lament of Women," and for a reason, because when you look at a picture, the first thing that rushes is a bunch of grief-stricken women, among whom the old man was lost.

He, perhaps, himself is glad to be among the warriors, but his age does not allow him to go to war, because he will only be a burden. All he can do is to shout the words of encouragement to the trail. All the women went out to see off their brothers, fathers, and loved ones. And, seeing off, they understand that many of them are being seen for the last time, because the war is merciless and takes lives indiscriminately. For this reason, women cannot hold back their tears, they cannot hide their sadness and pain.

Seeing off the militia picture description

Among the heartbroken women, we see a woman in position hugging her first child. She is dressed in pretty clothes and it is clear that she is from the wealthy class. Next to her, the second woman fell to the ground, she, unlike the others, without a headscarf. Apparently, he flew off her head when she ran out in order to lead the men. Next to this woman is a girl picking flowers. She probably wants to give them to her father as a talisman. A little further, older women are standing, they no longer cry, they cried out their tears, because, most likely, this is not the first time they see off their men to the war. These women only silently bless the warriors on their way and pray that they all come back. All of them, rich and poor, commoners and women of noble family, were united by grief, in the face of war.

Considering the work of Raksha "Seeing Off the Militia" and describing the picture, one cannot but say about the courageous soldiers who go to certain death for the good of their Motherland, for the good of their relatives and friends, so that they live on a land free from enemies. They, like the river that the author depicted in the distance outside the city, come out of the gates, only this is a people's river, consisting of peasants, nobility, ordinary townspeople: footmen and horsemen.