Performances starring Zheleznyk. Creative biography of Olesya Zheleznyak. Praise for acting


Zheleznyak Olesya Vladimirovna

Olesya Zheleznyak became an actress not only by accident, but by a very intricate twist of fate that brought her to State Institute theatrical arts. Olesya’s parents predicted a career as an economist for their daughter and were sure that she should study exclusively at the Plekhanov Academy. Actually, she entered there at first, but then she took the documents, deciding to radically change her life!

Olesya Vladimirovna Zheleznyak made her next stop at the choreographic school at the College of Arts, where she managed to enroll at the very last moment. There the girl stayed for two years, although she did not feel much awe before dancing. At first, the choreography interested her because of its novelty and sophisticated atmosphere, but already in the second year of training, the future actress became bored with learning positions and movements, and the choreographic path, which had lost all mystery, became a heavy burden.

Olesya decides to enter GITIS because theater stage she sees it as much more attractive than ballet. Having left her choreographic education, she applies to the State Institute of Theater Arts, but fails. Without despairing and giving up on your new dream, Olesya Vladimirovna waits a year and submits the documents again.

The second attempt turns out to be more successful, although the competition for a place exceeds last year's. Zheleznyak’s perseverance was rewarded - in 1995 she was enrolled in the course of Mark Zakharov himself. At that time she was 21 years old. Olesya already clearly understood that the time of searching and throwing was safely over and she had finally found exactly what she needed!

Olesya Vladimirovna’s four-year studies at GITIS took place, as they say, “without a hitch.” There were no thoughts of leaving what she had started; on the contrary, with each new day she realized more and more clearly that theater was her calling! Olesya Zheleznyak proved herself to be excellent from the very beginning of her education and discovered many sides of herself that she herself had not even suspected before, so by the end of her third year she was completely confident that her path with the theater would definitely not diverge now.

After her debut role in the play “The Barbarian and the Heretic,” Olesya woke up famous, soon began acting in films (her debut role was Zoya Misochkina in the film “Silver Lily of the Valley”), and after a while she tried herself as a TV presenter.

Since the 4th year he has been working at the Lenkom Theater.

She played in Lenkom performances " " (directed by M. Zakharov, music, set design), " ", " ",

She starred in the films: “Silver Lily of the Valley”, “Showcase”.

She is busy in enterprises: “The Innkeeper” (dir. V. Shamirov), “Kiss” (dir. A. Sychev).

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Mark Camoletti

Comedy whirlwind

Director - Roman Samgin

Artist - Olga Shagalina
Choreographer - Oleg Glushkov
Plastic director - Igor Afonchikov

Performance "Bollotoch" theater agency "Art Partner XXI" based on the play by a modern French playwright Brand Camoletti . It is entirely written according to the laws classic comedy provisions. A married couple takes into their home to work with probationary period a new servant - a narrow-minded, ugly village girl, Anna, without any ambitions or prospects for her personal life. The husband and wife are quite happy with their choice - even the incorrigible stupidity and lack of education of the servants does not seem to them a disadvantage, because the klutz Anna is now an endless reason for family jokes and humor... But then the day comes when the husband must urgently go on a business trip, the wife must visit her parents, and Anna, due to lack of work, is sent to her relatives in the village for the next two days. The house remains empty.

The house remains empty for only a short time. In less than a few hours, all its inhabitants will return there. Anna won't go there to save money. distant village to boring, boring relatives. The wife, taking advantage of her husband’s absence, will also, without regret, refuse the trip to her elderly parents and return home, though not alone, but with her lover. Finally, the husband, who has not gone on any business trip, will not want to miss the rare opportunity to spend a couple of days in own home together with his mistress.
“There is no one in the house, but all the places are occupied!” - Anna screams in despair, only managing to regulate the movements of the inhabitants of the house in the right directions, because neither husband, nor wife, nor lover, nor mistress should ever meet each other...
IN plot basis performance, there are clearly visible analogies with famous comedy Goldoni "The Servant of Two Masters" Like her main character Truffaldino, Anna becomes a servant of several masters at once. Now she needs to remember and manage too much. Remember which of the inhabitants of the house is now in the bathroom, and which in the bedroom, which of them ordered croissants, and who scrambled eggs, who drinks whiskey, and who mineral water, who tea, who coffee... Have time to prepare, bring, clean, wash... One careless word or movement, an accidental creaking of a door or a shawl treacherously forgotten on the sofa - and disaster is inevitable.
Like any sitcom, the play “Bollotoch” is distinguished by the swiftness of the action, the speed of the rhythm and the intricate intrigue. The development of the plot is based on constant transitions from one situation to another, sudden turns, misunderstandings and unexpected endings. The production was carried out by famous director Roman Samgin. A student of Mark Zakharov, director of the Moscow Lenkom Theater, he staged a play as a joke, a performance as a celebration, a performance that does not leave anyone indifferent.

Olesya Zheleznyak is a native Muscovite. She talks about her family: “My parents are simple people, they are far from the theater. I have two sisters. The eldest, Lyuda, a librarian by profession and a creative person, served as an example for me. Thanks to her I read good books, took up dancing. I was a home child; I came to Gorky Park for the first time only after I graduated from the 11th grade." As Olesya Zheleznyak admits, she did not dream of becoming an actress as a child: "I didn’t dream of anything at all. I was just enjoying life! I didn’t go to theaters, not even to puppet theaters...” Mom wanted her daughter to enter the Plekhanov Institute. Olesya submitted an application, wrote an entrance exam in mathematics, but realized that she was not interested in it. On the advice of a friend, she entered the choreographic studio at the College of Culture. And here she did not find herself. After dancing for two years, she began to think about where to go. And then her sister showed her an advertisement for recruitment to a theater studio on Arbat. “I memorized Gumilyov’s poem “Giraffe” and went to the studio. I read completely without expression, but they accepted me. I don’t know what German Sedak was guided by when he enrolled in his studio. True, I didn’t stay there for long: the reception lasted a month , and a month later the studio closed. But there I met some guys who were in love with the theater; one might say, I became infected. I became interested." The first attempt to enter GITIS was not successful - she was not accepted, although she was left as a free student. After walking for a month, Olesya left the institute. By that time, she had been accepted into the circus as a member of the corps de ballet, and she went on tour with the troupe to Japan. Returning from a tour in 1995, Olesya again made an attempt to enter GITIS. This time, despite the huge competition, success awaited her - she was enrolled in the workshop of Mark Zakharov. From the 4th year, Olesya was invited to the Lenkom Theater. Her first role was in the play “The Barbarian and the Heretic.” The aspiring actress appeared on stage together with such recognized masters as Inna Churikova, Leonid Bronevoy, Alexander Abdulov, Alexandra Zakharova. This was followed by work in the plays: “Juno and Avos”, “Crazy Day, or The Marriage of Figaro”, “Hoax”, “Cruel Intentions”, “Royal Games”, “The Jester Balakirev”. For her role in the play "Cruel Intentions" she was awarded the International Fund. E.P.Leonov and the Debut Prize. Currently, Olesya Zheleznyak is one of the leading actresses of the theater; it is not for nothing that director Mark Zakharov calls her “a young talent.” In addition to Lenkom, Olesya Zheleznyak is busy in enterprises: “The Innkeeper” (dir. V. Shamirov), “Kiss” (dir. A. Sychev). The actress's first film role brought her success. In Tigran Keosayan's film "Silver Lily of the Valley" Olesya Zheleznyak very successfully fit into the star duet of Alexander Tsekalo and Yuri Stoyanov, playing the provincial girl Zoya Misochkina, who became a "star". Olesya Zheleznyak recalls: “The most interesting thing is that I personally felt like I couldn’t do anything. I felt pressured. After all, both Tsekalo and Stoyanov are big names in show business. I didn’t even really understand what needed to be done. The screen is not a stage at all, but it helped that the a good relationship a team. They helped me."

As a child, Olesya did not even think about an acting future. The parents saw their daughter at the mathematics department of the Plekhanov Academy. After passing entrance exams, Olesa realized that she was not interested in such a future, and entered a dance school. After going there for two years, Olesya began to look for another occupation, and began to study at theater studio on Arbat, which soon ceased operations. As a result, Zheleznyak decided to try her hand at GITIS, which she did not get into. After an unsuccessful attempt, the girl went on tour with the circus, where she was accepted, to Japan. Returning from the trip, Olesya decided to try her luck at GITIS again: despite big competition, the artist was accepted into the workshop of Mark Zakharov. Already in her fourth year, Olesya Zheleznyak joined the troupe of the Lenkom Theater.

Talented artist with interesting appearance immediately intrigued theater and film directors with her sparkling comedic performance. Among theater performances with the participation of Olesya “Cruel Intentions”, “The Master and Margarita”, “The Innkeeper” and “The Seagull”. Today the artist can be seen in such productions as “Five Evenings”, “Forest”, “Valentine’s Day”. A real breakthrough for the artist was her debut film, “Silver Lily of the Valley.” The film by Tigran Keosayan tells about the simple daughter of a policeman who came to Moscow with the dream of becoming an artist. The girl falls into the hands of the producers, who are tearing their hair out because the popular singer Irma abandoned them. To replace her, she needs to quickly come up with a new and fashionable project, so Zoya, performed by Zheleznyak, was, although difficult material to work with, but appeared in the right place and at the right time. The producers in the film are Yuri Stoyanov and Alexander Tsekalo. The audience liked the comedy so much that Zheleznyak instantly became famous, like her heroine. In addition, the actress starred in the popular TV series “My Fair Nanny” and “Matchmakers.”

Zheleznyak Olesya Vladimirovna

Olesya Zheleznyak became an actress not only by accident, but by a very intricate twist of fate, which led her to the State Institute of Theater Arts. Olesya’s parents predicted a career as an economist for their daughter and were sure that she should study exclusively at the Plekhanov Academy. Actually, she entered there at first, but then she took the documents, deciding to radically change her life!

Olesya Vladimirovna Zheleznyak made her next stop at the choreographic school at the College of Arts, where she managed to enroll at the very last moment. There the girl stayed for two years, although she did not feel much awe before dancing. At first, the choreography interested her because of its novelty and sophisticated atmosphere, but already in the second year of training, the future actress became bored with learning positions and movements, and the choreographic path, which had lost all mystery, became a heavy burden.

Olesya decides to enter GITIS, since she sees the theater stage as much more attractive than the ballet stage. Having left her choreographic education, she applies to the State Institute of Theater Arts, but fails. Without despairing and giving up on her new dream, Olesya Vladimirovna waits a year and submits the documents again.

The second attempt turns out to be more successful, although the competition for a place exceeds last year's. Zheleznyak’s perseverance was rewarded - in 1995 she was enrolled in the course of Mark Zakharov himself. At that time she was 21 years old. Olesya already clearly understood that the time of searching and throwing was safely over and she had finally found exactly what she needed!

Olesya Vladimirovna’s four-year studies at GITIS took place, as they say, “without a hitch.” There were no thoughts of leaving what she had started; on the contrary, with each new day she realized more and more clearly that theater was her calling! Olesya Zheleznyak proved herself to be excellent from the very beginning of her education and discovered many sides of herself that she herself had not even suspected before, so by the end of her third year she was completely confident that her path with the theater would definitely not diverge now.

After her debut role in the play “The Barbarian and the Heretic,” Olesya woke up famous, soon began acting in films (her debut role was Zoya Misochkina in the film “Silver Lily of the Valley”), and after a while she tried herself as a TV presenter.

Since the 4th year he has been working at the Lenkom Theater.

She played in Lenkom's performances "Juno and Avos" (directed by M. Zakharov, music A. Rybnikova, scenography O. SHEINTSIS), "Crazy Day, or The Marriage of Figaro", "Barbarian and Heretic",

She starred in the films: “Silver Lily of the Valley”, “Showcase”.

She is busy in enterprises: “The Innkeeper” (dir. V. Shamirov), “Kiss” (dir. A. Sychev).

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