What is the meaning of the confrontation between Onegin and Lensky. The meaning of the contrast between Onegin and Lensky. The tragedy of the relationships between the central characters

In what way is Lensky the complete opposite of Onegin? and got the best answer

Answer from Olga[newbie]
Vladimir Lensky, who is the antipode of Eugene Onegin. Disappointed in life and in people, the egocentric romantic, reminiscent of Byron's favorite heroes, is replaced by an enthusiastic romantic-idealist, an admirer of Schiller and Goethe, who believes in pure friendship, in eternal love. Like fresh air rushing into a stuffy room, Lensky brings into the novel the poetry of youthful hopes, joyful trust in people, poetic dreaminess, and admiration for beauty. True to his realistic method, Pushkin both sympathizes with the hero and separates him from himself, trying to understand and explain his character in its strengths and weaknesses.
Unlike Onegin, Lensky is not spoiled by metropolitan life. His childhood years were spent in a provincial estate wilderness, close to nature, surrounded by patriarchal landowners with their simplicity, hospitality, and sincere goodwill. Even in his adolescence, he experienced the first glimpses of love, devoid of secular theatricality and metropolitan affectation:
A little boy, captivated by Olga, not yet knowing the torments of the heart, He was a touched witness of Her infantile amusements; In the shade of the guardian oak grove He shared her fun, And the children were destined for crowns by Friends and neighbors, their fathers.
Pushkin shows that Lensky’s cordiality and gullibility, his faith in human decency and kindness are fed from a pure Russian source - the patriarchal nobility, who preserve in their peaceful life “the habits of dear old times”:
Neither the cooling distance, nor the long summers of separation, nor the hours given to the muses, nor foreign beauties, nor the noise of merriment, nor science, changed the soul in him, warmed by the virgin fire.
Unlike Onegin, a rational man with a damaged and muffled heart, Lensky retained a “trusting conscience,” openness to everything good and beautiful, and a talent for heartfelt frankness. It more clearly expresses the Russian basis of a poetically gifted soul.
However, these good character traits of Lensky are also complicated by romantic influences that are far from Russian reality:
Vladimir Lensky, With a soul straight from Göttingen, Handsome, in the full bloom of his years, Kant’s admirer and poet. From foggy Germany He brought the fruits of learning: Freedom-loving dreams, An ardent and rather strange spirit, Always an enthusiastic speech And shoulder-length black curls.
Ardentness, excitement and unchanging, constant enthusiasm are qualities that seem to lift the poet above the difficulties of life. Lensky sees everything around him in a kind of pink fog of idealism. Sometimes he is naive in his simplicity, sometimes he is immoderately hot-tempered and hot-tempered.
In the eyes of provincial landowners, Onegin appears as a “farmer and a madman,” and Lensky as a “half-Russian neighbor.” Both heroes rise above their environment, which is the reason for their rapprochement. True, Pushkin emphasizes its fragility, and the suspicion creeps into the reader’s soul that such “friendship” will not bring the heroes to good:
They got along. Wave and stone, Poems and prose, ice and fire are not so different from each other.
After all, Onegin, who despises people, only “respected someone else’s feelings,” and therefore endured Lensky’s presence with a secret smile, barely holding back the “cooling word”:
And I thought: it’s stupid for me to interfere with His momentary bliss; And without me the time will come; Let him live for now and believe in the world's perfection...
In such “generosity” there is more condescending contempt than friendly feelings. And Lensky, in his enthusiasm, is inattentive to Onegin’s state of mind and this insensitivity probably aggravates the dull irritation of the proud egoist:

Answer from Galina Volkova[active]
Lensky is a poet, romantic, believes in love, friendship, and is full of hopes for the future. Onegin is a pragmatist, disappointed in everything, does not believe in love. friendship, he is bored with life.

Choose only ONE of the suggested essay topics (2.1–2.4). In the answer form, indicate the number of the topic you have chosen, and then write an essay of at least 200 words (if the essay is less than 150 words, then it is scored 0 points).

Rely on the author’s position (in a lyric essay, take into account the author’s intention), formulate your point of view. Argument your theses based on literary works (in an essay on lyrics, you must analyze at least two poems). Use literary theoretical concepts to analyze the work. Think over the composition of your essay. Write your essay clearly and legibly, observing the norms of speech.

2.5. Which stories from works of domestic and foreign literature are relevant to you and why? (Based on the analysis of one or two works.)

Explanation.

Comments on essays

2.1. What role does the image of military everyday life play in the poem “Vasily Terkin” by A. T. Tvardovsky?

Writer Fyodor Abramov said about the poem “Vasily Terkin” this way: “Russia in living people’s faces, intonations, words.” “The Book about a Soldier,” born in the atmosphere of the war years, is a deep study of the Russian national character, an excited narrative about a soldier and his soldier’s entourage. Through the eyes of Terkin, an “ordinary guy,” not only pictures of battles are drawn, but also scenes of front-line life. The poem about a soldier’s everyday life and a joke, so necessary in mortal danger, surprisingly organically merge in the poem: the story about the accordion player Terkin sounds at ease:

...Warm up, hang out

Everyone goes to the accordion player.

Surround - Stop, brothers,

Let me blow on your hands...

All sorts of chance encounters occur in war, and Vasily Terkin always shows ingenuity, dexterity and efficiency: he can easily find the scale hidden by the hostess, fry lard, fix the clock.

An honest, brave and conscientious artist, A. T. Tvardovsky traveled difficult front roads as a war correspondent, more than once was under shelling and bombing, and not only this experience, but also his enormous talent helped the author create a folk poem close to millions of readers.

2.2. How is M. V. Lomonosov’s idea of ​​an ideal historical figure embodied in “Ode on the Day of the Accession to the All-Russian Throne of Her Majesty Empress Elisaveta Petrovna, 1747”?

In Lomonosov's ode, Tsarina Elizaveta Petrovna appears as an exalted being. The poet places great hopes on her for the peace and prosperity of Russia. First of all, Lomonosov talks about peace, which is the key to the prosperity and happiness of any country.

Lomonosov praises Elizabeth's generosity and expresses his hope for her mercy and attention to her native country. Lomonosov speaks about the happiness of all people. And Queen Elizabeth acts as the guarantee of their peace and happiness:

When she took the throne,

As the Most High gave her a crown,

Brought you back to Russia

Put an end to the war.

Lomonosov idealizes the queen. He paints her as the embodiment of all virtues. And the reader may get the impression that Lomonosov did not see any shortcomings in her. But we should not forget that the classic poet that Lomonosov is, in his work must glorify reality, devoid of any vices. Moreover, an ode of praise is a completely special genre. And Lomonosov’s ode is structured in such a way that he says only good things about the queen.

Lomonosov speaks about the beauty and greatness of Russia, about the inexhaustible wealth that this country possesses. And therefore he believes that a great country is worthy of a great ruler, which, of course, is Elizabeth.

2.3. What is the contrast between the natures of Onegin and Lensky? (Based on the novel by A. S. Pushkin “Eugene Onegin.”)

The heroes of the novel “Eugene Onegin” are complex, lively, and sometimes contradictory characters. Onegin and Lensky are close in their social and geographical position: they are landowners - neighbors. Both have education, their spiritual needs are not limited to rural life, like most of their neighbors. Onegin was born and raised in St. Petersburg. Lensky studied in Germany, at the University of Göttingen, so in the wilderness of the village it was difficult for him to find an interlocutor. Pushkin notes that both heroes are good-looking. Onegin is “very sweet”; life in St. Petersburg society has taught him to take care of his appearance.

The difference between the heroes is clearly visible in their attitude towards love. Lensky “sang love, obedient to love,” he is going to marry his chosen one - Olga Larina.

Onegin had long since forgotten what love was: over eight years of social life in St. Petersburg, he had become accustomed to replacing serious feelings with “the science of tender passion,” and was frankly bored in the village. Pushkin gives a number of antonyms, emphasizing the contrast of the characters’ characters: “wave and stone, poetry and prose, ice and fire.”

In the images of Onegin and Lensky, Pushkin embodied the typical features of the youth of his time. The heroes differ in character and worldview. Onegin wasted his best years on empty social amusements and turned into a bored egoist. Lensky is still too young, naive, romantic, but he could turn into an ordinary landowner.

2.4. What social and moral vices does N.V. Gogol expose in the comedy “The Inspector General”?

In the comedy “The Inspector General” N.V. Gogol exposes the vices of society during the times of Tsarist Russia. The focus of his attention is on representatives of the bureaucracy, and the author embodies their images in the characteristic characters of a small county town, where the main events take place. The author clearly shows that local officials are mired in bribery and arbitrariness. The moral of these people is this: “There is no person who does not have some sins behind him. This is already arranged this way by God himself...” The ability not to miss what floats into one’s hands is, in their opinion, a manifestation of intelligence and enterprise. The officials of the district town are stupid and immoral.

The work of N.V. Gogol is not so much comical as it is filled with tragedy, because, reading it, you begin to understand: a society in which there are so many degenerate bosses, corrupted by idleness and impunity, has no future.

2.3. The skill of A. N. Ostrovsky in creating dramatic character. (Using the example of the hero or heroine of one of the plays of the student’s choice.)

2.4. What content does A. I. Solzhenitsyn put into the concept of “righteous person”? (Based on the story “Matrenin’s Dvor.”)

2.5. Which stories from works of domestic and foreign literature are relevant to you and why? (Based on the analysis of one or two works.)

Explanation.

Comments on essays

2.1. What is the meaning of the contrast between Onegin and Lensky in A. S. Pushkin’s novel “Eugene Onegin”?

Reflections on the fate of one’s generation are found quite often in works of Russian literature. A.S. Pushkin created the immortal image of Eugene Onegin, the “superfluous man” of his generation. In Onegin’s heart there is emptiness, skepticism, he does not know where to use his abilities. In contrast to Onegin, Lensky is a young poet who returned from Germany, passionate about philosophy and romantically inclined. On the pages of the novel he is very touching and funny at the same time. The reader is attracted by his purity, youth, naivety and sincerity of feelings. But what is Lensky's future? The author regrets that he died “in the flower of joyful hopes, / Having not yet fulfilled them for the world.” However, Pushkin does not exclude the possibility that Lensky will be drawn into philistine life, and he will become the same provincial landowner that he meets in the Larins’ house. Onegin, in comparison with Lensky, is a deeper, more active nature, although contradictory.

2.2. How are reflections on creativity and the theme of loneliness connected in the poetry of M. Yu. Lermontov?

The theme of the poet and poetry is traditional for Russian literature. In Lermontov's "The Prophet", the poet, endowed with a divine gift, realizes the full weight of his destiny, all the bitterness from misunderstanding and loneliness. If Pushkin’s poems sound optimism, faith in freedom, in a bright future that comes beyond pain (“The Prophet”), then Lermontov has a completely different mood: the poet is alone, there is no hope in the world. However, despite the differences, both Pushkin and Lermontov are united in the fact that the poet’s purpose is to be a prophet, through trials and torments to bring people faith in a bright future, in high feelings, even when there is nothing bright around, even when there is nothing bright around them. just dirt and ignorance.

2.3. The skill of A. N. Ostrovsky in creating dramatic character. (Using the example of the hero or heroine of one of the plays of the student’s choice.)

“The Snow Maiden” is an amazing fairy tale that shows the beauty of the surrounding world, love, nature, and youth. The work is based on folk tales, songs, traditions and legends. Ostrovsky only combined fairy tales, legends and songs together and gave folk art a very unique flavor. In The Snow Maiden, human relationships occupy the main place. At first glance, the plot looks absolutely fantastic. But then it turns out that living human characters are visible in this phantasmagoria. In Ostrovsky's fairy tale, as in the folk tale, the characters are clearly opposed: on the one hand, Snegurochka and Mizgir, on the other, Kupava and Lel.

The playwright's innovation in creating images is manifested in giving realistic concreteness to mythological images, in the desire to humanize fantastic characters, to bring them closer to people's lives, to the relationships existing in society. The figure of the Snow Maiden is noteworthy. The play traces the evolution of the image of the Snow Maiden in contrast to the static character of the fairy tale. Analyzing the internal changes occurring with the Snow Maiden: from a cold heart to a hot one, it is easy to notice that Ostrovsky’s image of the Snow Maiden becomes more complex and filled with more specific psychological content. Having endowed the Snow Maiden with a complex inner world, showing the tragedy and drama of her experiences, Ostrovsky enlarges the image, gives it features of romantic exclusivity, even greatness, turning it into a symbol. The Snow Maiden is a symbol of all-conquering love, a symbol of the victory of love over selfish, selfish morality, the victory of the Sun over Frost, life over death.

2.4. What content does A. I. Solzhenitsyn put into the concept of “righteous man”? (Based on the story “Matrenin’s Dvor.”)

The original title of the story “Matrenin’s Dvor” was “A village is not worthwhile without a righteous man,” and the final title was given by A.P. Tvardovsky. This was an editorial move in the hope of getting Solzhenitsyn’s new work published: the events in the story were transferred to the time of the pre-Khrushchev Thaw. The depicted picture of a Russian village leaves too painful an impression.

In the fate of Matryona, the tragedy of a rural Russian woman is concentrated - the most expressive, blatant. But she did not become angry with this world, she retained a good mood, a feeling of joy and pity for others. The death of the heroine is the beginning of decay, the death of the moral foundations of the village, which Matryona strengthened with her life. She was the only one who lived in her own world: she arranged her life with work, honesty, kindness and patience, preserving her soul and inner freedom. But Matryona dies and the whole village “perishes”: “We all lived next to her and did not understand that she was the very righteous person without whom, according to the proverb, the village would not stand. Neither the city. Neither the whole land is ours.”

Contrast between metropolitan and rural lifestyles.
2. Onegin and Lensky.
3. Contrast between Tatiana and Olga.
4. Tatyana is an inexperienced village young lady and socialite.

It is easy to notice that one of the main principles that guided A. S. Pushkin when writing his novel in verse “Eugene Onegin” is opposition. This is a contrast between the characters of the characters, and a contrast between two lifestyles - urban and rural, metropolitan noise and quiet solitude. This is how Eugene Onegin’s father lived:

Having served excellently and nobly,

His father lived in debt

Gave three balls annually

And finally squandered it.

And Onegin’s uncle at that time led a measured and monotonous life on his estate:

Village old-timer

For about forty years he was quarreling with the housekeeper,

I looked out the window and squashed flies.

Onegin opened the cabinets:

In one I found a parish notebook,

In another there is a whole line of liqueurs...

Pushkin shows the huge difference in the interests of the urban dandy and rural landowners. Of course, Onegin has a rather superficial education, but he has read a lot of books, can talk about economics, express his opinion about ancient poetry, and even quote a few stanzas in Latin. And rural landowners conduct simple conversations “about haymaking, about wine, about the kennel, about their relatives.”

It should be noted that Onegin himself emphatically contrasts himself with the society of his village neighbors: as soon as he hears how one of them is coming to visit him, he mounts his horse and leaves home.

Vladimir Lensky, a young landowner who arrived on his estate at about the same time as Onegin, is, of course, a completely different person and range of interests than the rest of the village residents. He is an educated man (Pushkin mentions that Lensky studied at the famous University of Göttingen in Germany), and is interested in philosophy and poetry. That is why Onegin and Lensky, despite the great dissimilarity of characters, became friends. They had a lot to talk about. But, if you look more closely, Onegin and Lensky were antipodes to a greater extent than Onegin and some “village old-timer” like his late uncle:

They got along. Wave and stone

Poetry and prose, ice and fire

Not so different from each other.

Onegin is a person satiated with pleasures, equally yawning “among fashionable and ancient halls.” He is still able to appreciate the sincerity and strength of Tatyana’s feelings, but he does not want and cannot share them, since his soul has lost spontaneity and faith in happiness.

And Lensky, unlike Onegin, sincerely believes in love and friendship. He is still very young; He devoted the years spent in Germany to study and paid little attention to reality. He cherishes lofty dreams, but he has not yet encountered the inconstancy and meanness of people:

From the cold depravity of the world

Before you even have time to fade,

His soul was warmed

Hello friend, caress girls.

And if Onegin locked his heart to feelings, then Lensky was in love, “like people no longer love in our years.” Of course, Olga is very sweet - with the charm of youth, liveliness, spontaneity, but Lensky does not notice the character traits of his bride. He sees in her an ideal, which he glorifies. We can say that he came up with a certain image and identified it with Olga, whom he has known since childhood. In the same way, Tatyana transfers the features of the heroes of the novels to Onegin, who, despite his coldness and indifference, still noticed that “Olga has no life in her features,” telling Lensky that in his place he would choose another sister. Thus, Onegin (and Pushkin, of course) contrasts the two sisters.

Always modest, always obedient,

Always cheerful like the morning...

Eyes like the sky are blue,

Smile, flaxen curls.

A charming doll portrait, but don't look for depth or consistency in it! And how does Pushkin draw Tatiana, his favorite heroine? She is not at all like her sister: thoughtful, silent, dreamy, she has loved solitude since childhood:

Not your sister's beauty,

Nor the freshness of her ruddy

She wouldn't attract anyone's attention.

Dick, sad, silent,

Like a forest deer is timid,

She is in her own family

The girl seemed like a stranger.

The dissimilarity between the sisters is also evident in the way they approach love. Olga, a cheerful playful girl, can calmly flirt with others in the presence of her fiancé. And when the ill-fated Lensky dies in a duel with Onegin, Olga quickly finds consolation and marries a lancer. It is unlikely that she remembered her first love for a long time.

Tatyana's attitude towards her suddenly flared up feelings for Onegin is completely different. The heroine not only takes her feelings for Onegin seriously, she sincerely believes that this is fate, that this is for life. It is in this attitude to love that the explanation is rooted that the girl herself decided to write a letter to the young man and confess her feelings, although in those days this was considered a bold offense. And even when Onegin rejects Tatiana’s love, the girl continues to love him. When she becomes a princess, a society lady, she still does not forget her first and only love.

But if deep down in her soul Tatyana remains the same, then her manners change so much that Onegin barely recognizes in the princess the village girl who once confessed her love to him. Onegin told her: “...learn to control yourself.” Well, she learned this science well! Previously, everyone could have noticed Tatiana's confusion (if only the attention of the guests at her name day had not been distracted by a fatty pie). Now no one can read on the girl’s face what is happening in her soul. Perhaps the meeting with Onegin at a social event stirred up memories in Tatyana of her former life and naive girlish dreams, but she did not betray her experiences in any way:

Onegin and Tatyana change roles. Once he was indifferent to the girl, now he is looking for her attention. Once, in self-forgetfulness of feelings, she wrote a letter to Onegin declaring her love, now he writes to her. And Tatyana is cold and imperturbable. She can talk to Onegin, she can not notice him. Tatyana does not distinguish him in any way from other guests who visit her house or those houses where she visits. In those stanzas where Pushkin talks about Tatyana’s new appearance, he constantly reminds of what she was like, compares and contrasts the society lady with the former naive young lady, obsessed with reading sentimental romance novels. But at the end of the work it becomes clear that the contrast between the current and former Tatiana is purely external, conditional. Deep down in her heart she regrets the simple rural life and loves Onegin no matter what. “But I was given to another and I will be faithful to him forever,” she answers Onegin’s love confession. Tatyana remains faithful not only to her husband, but also to herself.