Great Russian composers. The most famous composers of the world: list of names, brief overview of works Outstanding musicians of the 19th century

Among these melodies there is a tune for any mood: romantic, positive or sad, to relax and not think about anything or, conversely, to collect your thoughts.

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The Italian composer and pianist works in the direction of minimalism, often turns to ambient music and skillfully combines classical music with other musical styles. He is known to a wide circle for his atmospheric compositions that have become soundtracks for films. For example, you probably recognize the music from the French film “1 + 1”, written by Einaudi.

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Glass is one of the most controversial personalities in the world of modern classics, who is either praised to the skies or criticized to the nines. He has been playing in his own group, the Philip Glass Ensemble, for half a century and has written music for more than 50 films, including The Truman Show, The Illusionist, Taste of Life and Fantastic Four. The melodies of the American minimalist composer blur the line between classical and popular music.

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Author of numerous soundtracks, best film composer of 2008 according to the European Film Academy and post-minimalist. He won over critics with his first album Memoryhouse, in which Richter's music was superimposed on poetry readings, and subsequent albums also used literary prose. In addition to writing his own ambient compositions, he arranges works of classics: Vivaldi’s “The Four Seasons” in his arrangement topped the iTunes classical music charts.

This creator of instrumental music from Italy is not associated with the acclaimed cinema, but is already known as a composer, virtuoso and experienced piano teacher. If you describe Marradi's music in two words, they would be "sensual" and "magical". His creations and covers will appeal to those who love retro classics: the notes of the last century are evident in the motifs.

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The famous film composer created musical accompaniment for many box-office films and cartoons, including Gladiator, Pearl Harbor, Inception, Sherlock Holmes, Interstellar, Madagascar, and The Lion King. His star is on the Hollywood Walk of Fame, and on his shelf are the Oscars, Grammys and Golden Globes. Zimmer's music is as varied as these films, but regardless of the tone, it touches the heartstrings.

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Hisaishi is one of the most famous Japanese composers, having received four Japanese Academy Film Awards for Best Film Score. He became famous for composing the soundtrack to Hayao Miyazaki's anime Nausicaä of the Valley of the Wind. If you are a fan of the works of Studio Ghibli or the films of Takeshi Kitano, then you probably admire Hisaishi's music. It is mostly light and light.

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This Icelandic multi-instrumentalist is just a boy compared to the listed masters, but by the age of 30 he had become a recognized neoclassicist. He recorded accompaniment for a ballet, won a BAFTA award for the soundtrack to the British TV series “Murder on the Beach” and released 10 studio albums. Arnalds' music is reminiscent of a harsh wind on a deserted seashore.

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Lee Ru Ma's most famous works are Kiss the Rain and River Flows in You. The Korean New Age composer and pianist writes popular classics that are understandable to listeners on any continent, with any musical taste and education. His light and sensual melodies became the beginning of a love for piano music for many.

Dustin O'Halloran

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The American composer is interesting because he has no musical education, but at the same time writes the most pleasant and quite popular music. O'Halloran's tunes have been used in Top Gear and several films. Perhaps the most successful soundtrack album was for the melodrama “Like Crazy.” This composer and pianist knows a lot about the art of conducting and how to create electronic music. But his main field is modern classics. Cacciapaglia has recorded numerous albums, three of them with the Royal Philharmonic Orchestra. His music flows like water, it’s a great way to relax with it.

What other contemporary composers are worth listening to?

If you love the epic, add Klaus Badelt, who worked with Zimmer on Pirates of the Caribbean, to your playlist. You also cannot miss Jan Kaczmarek, Alexandre Desplat, Howard Shore and John Williams - you need to write a separate article to list all their works, merits and awards.

For more tasty neoclassicism, check out Nils Frahm and Sylvain Chauveau.

If you can't get enough, remember the creator of the soundtrack to "Amelie" Yann Tiersen or discover the Japanese composer Tammon: he writes airy, fairy-tale melodies.

Which composers' music do you like and which ones do you not? Who else would you add to this list?

Listen to something from the classics - what could be better?! Especially on weekends, when you want to relax, forget about the worries of the day, the worries of the work week, dream about beautiful things, and just lift your spirits. Just think, classic works were created by brilliant authors so long ago that it’s hard to believe that something can survive so many years. And these works are still loved and listened to, arrangements and modern interpretations are created. Even in modern adaptation, the works of brilliant composers remain classical music. As Vanessa Mae admits, classic works are brilliant, and nothing brilliant can be boring. Probably all great composers have a special ear, a special sensitivity to tone and melody, which allowed them to create music that is enjoyed by dozens of generations not only of their compatriots, but also of classical music fans around the world. If you still doubt whether you love classical music, then you need to meet Benjamin Zander and you will see that in fact, you are already a long-time fan of beautiful music.

And today we will talk about the 10 most famous composers in the world.

Johann Sebastian Bach

First place deservedly belongs Johann Sebastian Bach. A genius was born in Germany. The most talented composer wrote music for harpsichord and organ. The composer did not create a new style in music. But he was able to create perfection in all the styles of his time. He is the author of more than 1000 essays. In his works Bach combined different musical styles with which he became acquainted throughout his life. Often musical romanticism was combined with the Baroque style. In life Johann Bach As a composer he did not receive the recognition he deserved, interest in his music arose almost 100 years after his death. Today he is called one of the greatest composers who ever lived on earth. His uniqueness as a person, teacher and musician was reflected in his music. Bach laid the foundations of the music of New and Contemporary times, dividing the history of music into pre-Bach and post-Bach. There is an opinion that music Bach gloomy and gloomy. His music is rather fundamental and thorough, restrained and focused. Like the reflections of a mature, world-wise person. Creation Bach influenced many composers. Some of them took cues from his works or used themes from them. And musicians all over the world play music Bach, admiring her beauty and perfection. One of the most sensational works - "Brandenburg Concerts"- excellent proof that music Bach can't be considered too gloomy:

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart is rightfully considered a genius. At the age of 4 he was already fluent in playing the violin and harpsichord, at the age of 6 he began composing music, and at 7 he was already skillfully improvising on the harpsichord, violin and organ, competing with famous musicians. Already at 14 years old Mozart- a recognized composer, and at the age of 15 - a member of the music academies of Bologna and Verona. By nature, he had a phenomenal ear for music, memory and the ability to improvise. He created an astonishing number of works - 23 operas, 18 sonatas, 23 piano concertos, 41 symphonies and much more. The composer did not want to imitate, he tried to create a new model that reflected the new individuality of the music. It is no coincidence that in Germany music Mozart called “music of the soul”, in his works the composer showed traits of his sincere, loving nature. The greatest melodist attached special importance to opera. Operas Mozart- an era in the development of this type of musical art. Mozart widely recognized as one of the greatest composers: his uniqueness lies in the fact that he worked in all musical forms of his time and achieved the highest success in all of them. One of the most recognizable works - "Turkish March":

Ludwig van Beethoven

Another great German Ludwig van Beethoven was an important figure of the Romantic-Classical period. Even those who know nothing at all about classical music know about it. Beethoven is one of the most performed and respected composers in the world. The great composer witnessed the tremendous upheavals that occurred in Europe and redrew its map. These great upheavals, revolutions and military confrontations are reflected in the composer’s work, especially symphonic works. He embodied pictures of heroic struggle in music. In immortal works Beethoven you will hear the struggle for freedom and brotherhood of people, the unshakable faith in the victory of light over darkness, as well as dreams of freedom and happiness for mankind. One of the most famous and surprising facts of his life is that his ear disease developed into complete deafness, but despite this, the composer continued to write music. He was also considered one of the best pianists. Music Beethoven Surprisingly simple and understandable to the widest circles of listeners. Generations and even eras change, and music Beethoven still excites and delights the hearts of people. One of his best works - "Moonlight Sonata":

Richard Wagner

With the name of the great Richard Wagner most often associated with his masterpieces "Wedding Choir" or "Ride of the Valkyries". But he is known not only as a composer, but also as a philosopher. Wagner considered his musical works as a way of expressing a certain philosophical concept. WITH Wagner a new musical era of operas began. The composer tried to bring opera closer to life; music for him is only a means. Richard Wagner- creator of musical drama, reformer of operas and the art of conducting, innovator of the harmonic and melodic language of music, creator of new forms of musical expressiveness. Wagner- author of the world's longest solo aria (14 minutes 46 seconds) and the world's longest classical opera (5 hours and 15 minutes). In life Richard Wagner was considered a controversial person, who was either adored or hated. And often both together. Mystical symbolism and anti-Semitism made him Hitler's favorite composer, but closed the way for his music to Israel. However, neither supporters nor opponents of the composer deny his greatness as a composer. Wonderful music from the very first notes Richard Wagner absorbs you completely, leaving no room for disputes and disagreements:

Franz Schubert

Austrian composer Franz Schubert- musical genius, one of the best song composers. He was only 17 when he wrote his first song. In one day he could write 8 songs. During his creative life, he created more than 600 compositions, based on poems by more than 100 great poets, including Goethe, Schiller and Shakespeare. That's why Franz Schubert in the top 10. Although creativity Schubert very diverse in the use of genres, ideas and reincarnations, the predominant and defining thing in his music is vocal and song lyrics. Before Schubert the song was considered an insignificant genre, and it was he who elevated it to the level of artistic perfection. Moreover, he combined the seemingly incompatible song and chamber symphonic music, which gave rise to a new direction of lyrical-romantic symphony. Vocal and song lyrics are a world of simple and deep, subtle and even intimate human experiences, expressed not in words, but in sound. Franz Schubert lived a very short life, only 31 years old. The fate of the composer's works is no less tragic than his life. After death Schubert many unpublished manuscripts remained, stored in bookcases and drawers of relatives and friends. Even those closest to him did not know everything he wrote, and for many years he was recognized mainly only as the king of song. Some of the composer's works were published only half a century after his death. One of the most beloved and famous works Franz Schubert - "Evening Serenade":

Robert Schumann

A German composer with an equally tragic fate Robert Schumann- one of the best composers of the romantic era. He created music of amazing beauty. To get an idea of ​​19th century German romanticism, just listen to "Carnival" Robert Schumann. He was able to break free from the musical traditions of the classical era, creating his own interpretation of the romantic style. Robert Schumann was gifted with many talents, and even for a long time he could not decide between music, poetry, journalism and philology (he was a polyglot and translated fluently from English, French and Italian). He was also an amazing pianist. And yet the main calling and passion Schumann there was music. His poetic and deeply psychological music largely reflects the duality of the composer’s nature, a rush of passion and escape into the world of dreams, awareness of vulgar reality and the desire for the ideal. One of the masterpieces Robert Schumann, which everyone simply must hear:

Frederic Chopin

Frederic Chopin is perhaps the most famous Pole in the world of music. Neither before nor after the composer was a musical genius of this level born in Poland. The Poles are incredibly proud of their great compatriot, and in their creativity Chopin more than once he glorifies his homeland, admires the beauty of the landscapes, laments the tragic past, dreams of a great future. Frederic Chopin- one of the few composers who wrote music exclusively for piano. His creative heritage includes neither operas nor symphonies, but piano pieces are presented in all their diversity. Works Chopin- the basis of the repertoire of many famous pianists. Frederic Chopin is a Polish composer who is also known as a talented pianist. He lived only 39 years, but managed to create many masterpieces: ballads, preludes, waltzes, mazurkas, nocturnes, polonaises, etudes, sonatas and much, much more. One of them - "Ballad No. 1, G minor".

Any of the composers discussed in this article can easily be called the greatest composer of classical music that has ever existed.

Although it is impossible to compare music created over several centuries, all these composers stand out very clearly against the background of their contemporaries. In their works they sought to expand the boundaries of classical music, to reach new heights in it that were previously unattainable.

All of the great classical music composers listed below are worthy of first place, so the list is presented not by the importance of the composer, but as information for reference.

For world classics, Beethoven is a very significant figure. One of the most performed composers in the world. He composed his works in absolutely all existing genres of his time. It is a harbinger of the period of romanticism in music. Instrumental works are recognized as the most significant of the entire legacy left by Ludwig van Beethoven.

The greatest composer and organist in the history of world music. is a representative of the Baroque era. Throughout his life he wrote over a thousand works, however, only about a dozen were published during his lifetime. He worked in all genres of his time with the exception of opera. He is the founder of the Bach dynasty, the most famous in music.

The composer and conductor, a virtuoso violinist and organist from Austria, had an incredible musical memory and amazing hearing. He began to create from an early age and succeeded in all genres of music, for which he is rightfully recognized as one of the great composers of classical music in history.

Mozart’s most enigmatic and mysterious work, “Requiem,” was never completed by the author. The reason for this was sudden death at the age of thirty-five. His student Franz Süssmayer completed work on the Requiem.

Great German composer, playwright, conductor and philosopher. He had a huge influence on modernism and, in general, the entire European culture at the turn of the nineteenth and twentieth centuries.

By order of Ludwig II of Bavaria, an opera house was built in Bayreuth according to Wagner's ideas. It was intended exclusively for the composer's works. Wagner's musical dramas are shown there to this day.

The Russian composer, conductor and music critic is one of the best melodists in the world. His work made a huge contribution to the development of world classics. He is a very popular composer among classical music lovers. In his works, Pyotr Ilyich Tchaikovsky successfully combined the style of Western symphonies with Russian traditions.

A great composer from Austria, and a conductor, and a violinist, and recognized by all the peoples of the world as the “king of the waltz.” His work was devoted to light dance music and operetta. His heritage includes over five hundred waltzes, quadrilles, polkas, and also several operettas and ballets. In the nineteenth century, thanks to Strauss, the waltz gained incredible popularity in Vienna.

Italian composer, virtuoso guitarist and violinist. A very bright and unusual personality in musical history, he is a recognized genius in the world art of music. The entire work of this great man was shrouded in a certain mystery, thanks to Paganini himself. He discovered in his works new, previously unknown types of violin technique. He is also one of the founders of romanticism in music.

All these great composers of classical music had a very great influence on its development and advancement. Their music, tested by time and entire generations, is in demand today, perhaps even to a much greater extent than during their lifetime. They created immortal works that continue to live and pass on to the next generations, carrying emotions and feelings that make them think about the eternal.

So, Ludwig van Beethoven has been recognized as one of the greatest composers for the third century. His works leave a deep imprint on the souls and minds of the most sophisticated listeners. A real success in its time was the premiere of the composer’s 9th symphony in D minor, in the finale of which the famous choral “Ode to Joy” sounds to a text by Schiller. One of the modern films shows a good montage of the entire symphony. Be sure to check it out!

L. van Beethoven Symphony No. 9, D minor (video editing)

At the turn of the 19th and 20th centuries, different artistic movements coexisted in European culture. Some developed the traditions of the 19th century, others arose as a result of the creative searches of modern masters. The most significant phenomenon of musical art was late romanticism. Its representatives were distinguished by an increased interest in symphonic music and the grandiose scale of their compositions. Composers created complex philosophical programs for their works. Many composers strove in their work to continue the romantic traditions of the past, for example, S.V. Rachmaninov (1873-1943), Richard Strauss (1864-1949). I would like to dwell in more detail on these two representatives of the late romanticism style.

Sergei Vasilyevich Rahmaninov

Sergei Vasilievich Rachmaninov is a Russian composer, pianist and conductor.

4 concerts, “Rhapsody on a Theme of Paganini” (1934) for piano and orchestra, preludes, etudes-pictures for piano, 3 symphonies (1895-1936), fantasy “The Cliff” (1893), poem “Island of the Dead” (1909), “Symphonic Dances” (1940) for orchestra, cantata “Spring” (1902), poem “Bells” (1913) for choir and orchestra, operas “Aleko” (1892), “The Miserly Knight”, “Francesca da Rimini” (both 1904), romances.

The works of Sergei Vasilyevich Rachmaninoff, a composer and virtuoso pianist, harmoniously combined the traditions of Russian and European art. For most musicians and listeners, Rachmaninoff’s works are an artistic symbol of Russia. The theme of the homeland is embodied with particular force in the works of Sergei Rachmaninoff. Romantic pathos is combined in his music with lyrical and contemplative moods, inexhaustible melodic richness, breadth and freedom of breathing - with rhythmic energy. Rachmaninoff's music is an important part of late romanticism in Europe. After 1917, Rachmaninov was forced to live abroad - in Switzerland and the USA. His composing and especially performing activities became a phenomenon without which it is impossible to imagine the cultural life of the West in the 20-40s. XX century.

Rachmaninov's legacy includes operas and symphonies, chamber vocal and choral music, but most of all the composer wrote for the piano. He gravitated toward powerful, monumental virtuosity and sought to make the piano like a symphony orchestra in its richness of colors.

Rachmaninov's work connects different eras and cultures. It allows Russian musicians to feel their deep connection with European traditions, and for Western musicians Rachmaninov opens up Russia - shows its true spiritual riches.

Richard Strauss

Richard Strauss was a German composer of the late Romantic era, especially famous for his symphonic poems and operas. He was also an outstanding conductor.

The style of Richard Strauss was seriously influenced by the works of Chopin, Schumann, and Mendelssohn. Influenced by the music of Richard Wagner, Strauss turned to opera. The first work of this kind is “Guntram” (1893). This is a romantic work; his musical language is simple, the melodies are beautiful and melodious.

Since 1900, opera has become the leading genre in the work of Richard Strauss. The composer's works are distinguished by the simplicity and clarity of the musical language; in them the author used everyday dance genres.

Strauss's creative activity lasted more than seventy years. The composer began as a late romantic, then came to expressionism and, finally, turned to neoclassicism.

Alexander Nikolaevich Scriabin

From infancy he was drawn to the sounds of the piano. And at the age of three he was already sitting for hours at the instrument, treating it like a living being. After graduating from the Moscow Conservatory, Alexander began giving concerts and teaching, but the desire for composing was stronger. He begins to compose and his works immediately enter the repertoire of other pianists.

“Art should be festive,” he said, “it should uplift and enchant.” But in fact, his music turned out to be so daring, new and unusual that the performance of his “Second Symphony” on March 21, 1903 in Moscow turned into a natural scandal. Someone admired, someone stomped and whistled... But Scriabin was not embarrassed: he felt like a messiah, a herald of a new religion - art. He believed in its transformative power. He thought on the then fashionable planetary scale. Scriabin's mystical philosophy was reflected in his musical language, especially in innovative harmony, far beyond the boundaries of traditional tonality.

Scriabin dreamed of a new synthetic genre, where not only sounds and colors would merge, but also smells and the plasticity of dance. But the plan remained unfinished. Scriabin died in Moscow on April 14 (27), 1915. His life, the life of a genius, was short and bright.

Sergei Prokofiev

Sergei Prokofiev is a Russian and Soviet composer, one of the most famous composers of the 20th century.

The definition of “composer” was as natural for Prokofiev as “man.”

In Prokofiev's music one can hear typically Prokofiev's sharply dissonant harmony, springy rhythm, and deliberately dry, daring motorism. Criticism reacted instantly: “The young author, who has not yet completed his artistic education, belonging to the extreme movement of modernists, goes much further in his courage than modern Frenchmen.”

Many of the young Prokofiev’s contemporaries and even researchers of his work overlooked the “lyrical current” in his music, breaking through the acutely satirical, grotesque, sarcastic images, through the deliberately rough, ponderous rhythms. And there are many of them, these lyrical, shy intonations in the piano cycles “Fleetness” and “Sarcasm”, in the secondary theme of the first part of the Second Sonata, in romances based on poems by Balmont, Apukhtin, Akhmatova.

One can say about Prokofiev: the great musician found his place among the great transformers of life.

Mily Balakirev

Mily Balakirev - Russian composer, pianist, conductor (1836/37-1910)

The “Mighty Handful” was formed - a community of like-minded people who gave amazingly much to Russian music.

Balakirev's leadership in the circle was facilitated by his impeccable taste, clear analytical mind and knowledge of a huge amount of musical material. The mood in the circle was expressed by one of the critics of that time: “Music can move mountains.” Balakirev's nature was very energetic and charming. In the circle, he quickly took on the role of organizer.

He treated the circle as a kind of creativity: he created, “influencing” young composers. From them he put together the future musical palette of Russia.

Gradually, the idea of ​​a Free Music School came to Balakirev.

In 1862, the Free Music School opened and gave its first concert. Balakirev acted as a conductor of a symphony orchestra.

He himself wrote a lot, but he did not experience creative satisfaction from what he created. As Cesar Cui wrote, “until his death he said that only what we wrote under his wing was good.”

Glazunov Alexander Konstantinovich

Alexander Glazunov - Russian and Soviet composer (1865-1936)

Glazunov is one of the largest Russian composers of the late 19th and early 20th centuries. A successor to the traditions of the Mighty Handful and Tchaikovsky, he combined the lyrical-epic and lyrical-dramatic branches of Russian music in his work. One of the main places in Glazunov’s creative heritage belongs to symphonic music of various genres. It reflects the heroic images of the Russian epic, pictures of native nature, Russian reality, and the songs of Slavic and eastern peoples. Glazunov's works are distinguished by the relief of musical themes, the full and clear sound of the orchestra, and the extensive use of polyphonic techniques (he used the simultaneous sound of various themes, a combination of imitative and variational development). Among Glazunov's best works is also his concerto for violin and orchestra (1904).

Glazunov's contribution to chamber instrumental music, as well as to the ballet genre (Raymonda, 1897, etc.) is significant. Following the traditions of Tchaikovsky, Glazunov deepened the role of music in ballet, enriching its content. Glazunov owns adaptations of Russian, Czech, and Greek hymns and songs. Together with Rimsky-Korsakov, he completed the opera “Prince Igor” and recorded the 1st movement of Borodin’s 3rd symphony from memory. Participated in the preparation for publication of the works of M. I. Glinka. Orchestrated La Marseillaise (1917), a number of works by Russian and foreign composers.

Nikolai Yakovlevich Myaskovsky

Nikolai Myaskovsky - Russian and Soviet composer (1881-1950).

Together with Prokofiev and Stravinsky, Nikolai Yakovlevich Myaskovsky was among those composers who reflected the mood of the creative intelligentsia of Russia in the pre-revolutionary period. They entered post-October Russia as old specialists, and, seeing around them the terror directed against their kind, they could not get rid of the feeling of complex. Nevertheless, they created honestly (or almost honestly), reflecting the reality around them.

The press of that time wrote: “The Twenty-Seventh Symphony is a composition by a Soviet artist. You don’t forget about this even for a minute.” He is considered the head of the Soviet symphony school. Myaskovsky's musical works reflect his time; in total he wrote 27 symphonies, 13 quartets, 9 piano sonatas and other works, many of which became landmarks in Soviet music. The composer was characterized by a fusion of intellectual and emotional principles. Myaskovsky’s music is unique, marked by concentration of thought and at the same time by intense passions. In our time, one can have different attitudes towards the work of N. Myaskovsky, but, undoubtedly, his twenty-seven symphonies very fully reflected the life of the Soviet era.

Nikolai Rimsky-Korsakov

Nikolai Rimsky-Korsakov – Russian composer (1844-1908)

The work of the great composer N. Rimsky-Korsakov, almost entirely belonging to the 19th century, pierces like a needle into the 20th century: for eight years he lived and worked in this century. The composer is like a bridge connecting two centuries of world music. The figure of Rimsky-Korsakov is also interesting because he was essentially self-taught.

Georgy Vasilievich Sviridov

Georgy Vasilievich Sviridov - Soviet composer, pianist (1915-1998).

Thanks to its simplicity, the music of Georgy Sviridov is easy to distinguish from the works of other composers. But this simplicity is rather akin to laconicism. Sviridov's music has an unpretentious expressiveness, but it is expressive in essence, and not in form, colored with various kinds of delights. She is characterized by a rich inner world, her genuine emotions are restrained... Sviridov’s music is easy to understand, which means it is international, but at the same time deeply patriotic, since the theme of the Motherland runs through it as a red thread. G. Sviridov, according to his teacher D. Shostakovich, “never tired of inventing a new musical language” and looking for “new visual means.” Therefore, he is considered one of the most interesting authors of the 20th century.

G. Sviridov was often known as a composer whose vocal works were difficult to perform. For decades, music had been accumulating in his creative storehouses, awaiting its performers. The traditional performing style was often not suitable for Sviridov’s music; The composer himself said that the novelty and complexity of his vocal music is due to the fact that speech itself is constantly being improved. In this regard, he recalled old, once famous and fashionable actors and poets. “Today,” Sviridov asserted, “they will not make such a strong impression on us. Their speech will seem to us either mannered, cutesy, or too simple. The poet Igor Severyanin was the most modern both in imagery and vocabulary, but now he is perceived as something from a museum.” New features of speech often interfered with the singers, but it was in this direction, according to Sviridov, that they should have worked.

Perhaps no one before Sviridov did so much to develop and enrich vocal genres - oratorio, cantata, choir, romance... This puts G. Sviridov among the leading composers not only on a Russian, but also a global scale.

Stravinsky Igor Fedorovich

Stravinsky Igor Fedorovich - Russian composer, conductor (1882-1971).

Stravinsky spent most of his life outside Russia, but never ceased to be a Russian composer. He drew inspiration from Russian culture and the Russian language. And he gained truly worldwide fame. The name of Stravinsky was and remains well-known even among those who have little interest in music. He entered the world history of musical culture of the 20th century as a great master of combining the musical traditions of modernity and hoary antiquity.

Stravinsky's works broke the established framework and changed the attitude towards folklore. They helped to understand how a folk song, perceived through the prism of modernity, comes to life in the hands of the composer. Thanks to composers such as Stravinsky, at the end of the 20th century the prestige of folklore rose and ethno music developed.

In total, the composer wrote eight orchestral scores for the ballet theater: “The Firebird”, “Petrushka”, “The Rite of Spring”, “Apollo Musagete”, “The Fairy’s Kiss”, “The Game of Cards”, “Orpheus”, “Agon”. He also created three ballet works with singing: “Fairy Tale”, “Pulcinella”, “Wedding”.

Taneyev Sergey Ivanovich

romanticism musical impressionism

Taneyev Sergei Ivanovich - Russian composer, pianist, teacher (1856-1915).

The name of this great musician and teacher is rarely mentioned today, but upon closer examination it evokes genuine respect. He did not become famous as a composer, but devoted his entire life to the Moscow Conservatory, raising such undeniably outstanding musicians as S. Rachmaninov, A. Scriabin, N. Medtner, R. Gliere, K. Igumnov and others. A student of P. Tchaikovsky, S. Taneyev created an entire school that distinguished Russian and Soviet composers from composers all over the world. All his students continued the traditions of Taneyev's symphonism. Many famous people at the turn of the 19th and 20th centuries, such as Leo Tolstoy, called him their friend and considered it an honor to communicate with him.

Taneyev can be compared with Socrates, who, without writing serious philosophical works, left behind numerous students.

Taneyev developed many musical theories, created a unique work “Movable counterpoint of strict writing” (1889–1906) and its continuation “The Doctrine of the Canon” (late 90s–1915). Every artist, having given his life to art, dreams that his name will not be forgotten by his descendants. In the last years of his life, Taneyev was very worried that he wrote few works that were born of inspiration, although he wrote a lot and intensively. From 1905 to 1915 he wrote several choral and vocal cycles, chamber and instrumental works.

Dmitry Dmitrievich Shostakovich

Dmitry Dmitrievich Shostakovich - Soviet composer, pianist (1906-1975).

Shostakovich, without a doubt, was and remains the greatest composer of the 20th century. Contemporaries who knew him closely claimed that he reasoned something like this: why bother if your descendants will still know about you from your musical works? Shostakovich did not aggravate relations with the authorities. But in music he protested against violence against the individual.

He wrote Symphony No. 7 (dedicated to the siege of Leningrad).

Shostakovich saw with his own eyes how people die, how planes and bombs fly, and in his work “Symphony No. 7” he tried to reflect all the events that people experienced.

The Symphony was performed by the Great Symphony Orchestra of the Leningrad Radio Committee. During the days of the siege, many musicians died of hunger. Rehearsals were stopped in December. When they resumed in March, only 15 weakened musicians could play. Despite this, concerts began in April. In May, a plane delivered the symphony's score to the besieged city. To replenish the size of the orchestra, the missing musicians were sent from the front.

Shostakovich responded to the fascist invasion with Symphony No. 7 (1941), dedicated to the city of Leningrad and which received worldwide recognition as a symbol of the fight against fascism.

Impressionism

In the last third of the 19th century, a new direction appeared - impressionism (French impressionisme, from impression - “impression”), it initially appeared in French painting. Impressionist musicians sought to convey subtle and complex sensations and sought sophistication and sophistication of sound. That is why literary symbolism (70s of the 19th century - 10s of the 20th century), which also originated in France, was close to them.

Symbolists explored unknown and mysterious spheres, tried to understand the “ideal world” hidden under the veil of reality. Impressionist composers often turned to the poetry and drama of symbolism.

The founder of musical impressionism is the French composer, pianist and conductor Claude Debussy (1862-1918). In his work, harmony (rather than melody) came to the fore; an important role was given to the colorful sound of the orchestra. The main thing was the nuances of sound, which, as in painting, reflected shades of moods, feelings and impressions.

Composers sought to return to the clarity of harmonies, simplicity of melodies and forms, beauty and accessibility of musical language. They turned to polyphony and revived harpsichord music.

Max Reger

The features of late romanticism and neoclassicism were combined in the work of the German composer and conductor Max Reger. He wrote for organ, orchestra, piano, violin, viola, and chamber ensembles. Reger sought to comprehend the heritage of the 18th century, especially the experience of Johann Sebastian Bach, and in his works he turned to musical images of a bygone era. However, being a man of the turn of the 19th-20th centuries, Reger filled his music with original harmonies and unusual timbres.

Neoclassicism

Neoclassicism became one of the oppositions to the romantic tradition of the 19th century, as well as to the movements associated with it (impressionism, expressionism, verismo, etc.). In addition, interest in folklore increased, which led to the creation of an entire discipline - ethnomusicology, which studies the development of musical folklore and compares musical and cultural processes among different peoples of the world. Some turn to the origins of ancient cultures (Carl Orff) or rely entirely on folk art (Leoš Janáček, Béla Bartók, Zoltan Kodály). At the same time, composers actively continue to experiment in their compositions and discover new facets and possibilities of harmonic language, images and structures.

The fall of the aesthetic principles of the 19th century, the political and economic crisis of the beginning of the new century, oddly enough, contributed to the formation of a new synthesis, which led to the penetration of other types of art into music: painting, graphics, architecture, literature and even cinematography. However, the general laws that have dominated composer practice since the time of I.S. Bach, were violated and transformed.

At the turn of the 19th and 20th centuries, a long and complex process of Russian musicians mastering the traditions, styles and genres of European culture was completed. By the end of the 19th century. The St. Petersburg and Moscow conservatories have become reputable educational institutions. All the outstanding composers of that era and many excellent performers came from their walls. Schools of instrumentalists, singers and dancers emerged. Russian opera and ballet art has captivated the European public. The Imperial Mariinsky Theater in St. Petersburg and the Moscow Private Russian Opera, created by the Russian industrialist and philanthropist Savva Ivanovich Mamontov (1841 - 1918), played an important role in the development of musical theater.

Russian music at the turn of the century intertwined the features of late romanticism and impressionism. The influence of literary artistic movements, and above all symbolism, was great. However, major masters developed their own styles. Their work is difficult to attribute to any particular movement, and this is proof of the maturity of Russian musical culture.

The first impression that one gets when getting acquainted with the music of the 20th century is that there is an abyss between the musical art of modern times and all previous centuries - the differences in the sound appearance of the works are so significant.

Even works from 10-30 years. The 20th century seems overly tense and harsh in sound. In fact, the music of the 20th century, just like in previous centuries, reflected the spiritual and emotional world of people, because the pace of human life accelerated, became tougher and more intense.

Tragic events and contradictions - wars, revolutions, scientific and technological progress, totalitarianism and democracy, not only aggravated the emotional experiences inherent in people, but also brought humanity to the brink of destruction. That is why the theme of confrontation between life and death became key in the music of the 20th century. The theme of personal self-knowledge turned out to be no less important for art.

The twentieth century was marked by many innovations in art and literature associated with catastrophic changes in public consciousness during the period of revolutions and world wars. At the end of the 19th and beginning of the 20th centuries, and especially in the pre-October decade, the theme of expectation of great changes that should sweep away the old, unjust social order runs through all Russian art, and in particular music. Not all composers realized the inevitability, the necessity of the revolution and sympathized with it, but all or almost all felt the pre-storm tension.

New content, as usual, required new forms, and many composers came up with the idea of ​​radically updating the musical language. First of all, they abandoned the traditional European system of modes and keys. The concept of atonal music appeared. This is music in which a clear system of tonalities is not determined by ear, and chord consonances (harmonies) are associated with each other freely, without observing strict rules. Another important feature of the musical language of the 20th century was unusual sounds. To convey images of modern life, they used unusual sound effects (clanging and grinding metal, the rumble of machines and other “industrial” sounds), and invented new tools. However, another path yielded more interesting results. Composers experimented with traditional instruments: mixing timbres, playing in unusual registers, and changing technical techniques. And it turned out that a classical symphony orchestra or operatic forms can perfectly show the life of a city with its complex system of sounds and noises, and most importantly, the unpredictable turns of thought and “kinks” in the human psyche at the end of the 2nd millennium.

However, innovative searches did not at all lead to the abandonment of traditions. It was the 20th century that revived the musical heritage of bygone eras. After two hundred three hundred years of oblivion, the works of Monteverdi, Corelli and Vivaldi, German and French masters of the 17th century, began to be heard again.

The attitude towards folklore has changed radically. In the 20th century, a new movement appeared - neofolklorism (from the Greek "neos" - "new" and "folklore"). Its supporters called for the use of folk tunes recorded in deep rural areas, not “smoothed” into an urban style. Having entered the complex fabric of a symphony, sonata or opera, such a song brought unprecedented passion, a wealth of colors and intonations to the music.

At the turn of the 19th-20th centuries, a new artistic direction emerged in European culture - expressionism (from the Latin expressio - “expressiveness”). Its representatives reflected in their works the tragic worldview of man during the First World War - despair, pain, fear of loneliness. “Art is a cry for help from those who experience within themselves the fate of humanity,” wrote the founder of expressionism in music, Arnold Schoenberg (1874-1951).

Arnold Schoenberg

Musical expressionism developed in Austria, more precisely, in its capital, Vienna. Its creators are Arnold Schoenberg, Alban Berg and Anton Webern. The creative community of composers entered the history of music under the name of the New Vienna (New Vienna) School. Each of the masters followed his own path in art, but their works also have a lot in common. First of all, the tragic spirit of music, the desire for acute experiences and deep shocks. Behind this is an intense spiritual search, a desire to gain at any cost the religious and moral ideals that have been lost by most modern people. Finally, all three composers developed a unified method of composing music - the dodecaphonic system, which dramatically changed traditional ideas about the modal and harmonic structure of a work.

Schoenberg's work solves one main problem - to express human suffering through music. Heavy, languid forebodings, a feeling of melancholy horror are superbly conveyed already in the early work - Five Pieces for Orchestra (1909). In mood and form, these are chamber preludes, but they were written for a large symphony orchestra, and the subtle, transparent sound design alternates with powerful “screams” of the winds and timpani strikes.

The result of Schoenberg's reflections on the events of the Second World War was the cantana "A Survivor from Warsaw" (1947) for reader, chorus and orchestra. The text used is true stories of eyewitnesses of the Nazi massacre of the inhabitants of the Jewish ghetto in Warsaw. The music of this large-scale composition, built on one series, is in the best traditions of expressionism - it is complex, tragic and intensely emotional. The composer seems to be trying to present his heroes in the face of God and Eternity and thereby show that their suffering was not in vain. The cantata ends with the singing of a prayer, and its music, based on the sounds of the same series, grows organically from the tragic darkness of the previous parts.

Avant-garde

The new conditions of social reality had an impact on the entire artistic culture as a whole, on the one hand, giving a new breath to the classical tradition, and on the other, giving birth to a new art - avant-garde (from the French “avant-garde” - going ahead), or modernism (from Latin “modernus” – new, modern), which most fully reflected the face of the time. Essentially, the term “modernism” denotes artistic trends, movements, schools and the activities of individual masters of the twentieth century who proclaimed freedom of expression as the basis of their creative method.

The musical avant-garde movement spans the 50s to the 90s. XX century. It arose after the Second World War by no means by chance: the shocks of wartime, and then a sharp change in the way of life, caused disappointment in the moral and cultural values ​​of previous eras. Representatives of the generation of the 50-60s. I wanted to feel free from traditions, to create my own artistic language.

Musical avant-gardism usually includes the so-called concrete music, based on the freedom of tonal harmonies, and not on the harmonic series: sonorism is one of the types of modern compositional techniques that uses mainly colorful sounds (Latin “sonorus” - sonorous, noisy) and practically ignores precise pitch connections, electronic music. The first searches in the direction of avant-gardeism were undertaken at the very beginning of the twentieth century by the Russian composer A.N. Scriabin. Some listeners were captivated by his music with its inspired power, while others were outraged by its unusualness.

A.N. Scriabin

The search for new methods of creativity has brought to life many unusual styles. Composers use electronic sound recording and sound reproduction equipment as “classical” instruments—tape recorders, synthesizers, and, in recent years, computers. The emergence of electronic music was caused by the desire to attract attention to the “classics” of millions of pop and rock fans (where electronic instruments have a leading place). However, composers working in this area also have another goal. They are trying to explore the complex relationship between man and the world of technology, which increasingly subjugates people’s consciousness. The “live” dialogue between a musician and his electronic “double” takes on a deep symbolic meaning in the most talented works.

Happening

Since the 50s in music, as in other forms of art (for example, in theatre), there is such a direction as happening (from English, happening - “happening”, “happening”). Its source can be considered the work "4" 33 "(1954) by the American composer John Cage (born in 1912). A pianist enters the stage, who sits silently at the piano for four minutes and thirty-three seconds, then gets up and leaves The premiere was a scandal: the enlightened public decided that they were simply mocking them, and the average person had the opportunity to condescendingly remark: “I can do that too.” The intention to shock the public was certainly part of the author’s plans, but it was not an end in itself. According to researchers , Cage turned phenomena of the surrounding reality into a musical work: silence while waiting for the game to begin, sounds made by listeners (coughing, whispering, creaking of chairs, etc.) The audience and the musician thus acted as both performers and spontaneous authors the emerging play. The music transformed from an auditory image into a visual image. This later became a distinctive feature of the happening: the performance of the work becomes, in fact, a silent pantomime. John Cage

The musical art of the twentieth century is filled with innovative ideas. It marks a radical change in all aspects of musical language. In the twentieth century, music often served as a source of depiction of terrible epoch-making historical events, the witnesses and contemporaries of which were the majority of the great composers of this era, who became innovators and reformers.

CONCLUSION

Thus, the twentieth century was a century of diversity in music. The music of the 20th century, just like in previous centuries, reflected the spiritual and emotional world of people, because the pace of human life accelerated, became tougher and more intense.

Tragic events and contradictions - wars, revolutions, scientific and technological progress, totalitarianism and democracy, not only aggravated the emotional experiences inherent in people, but also brought humanity to the brink of destruction. That is why the theme of confrontation between life and death became key in the music of the 20th century.

The theme of personal self-knowledge turned out to be no less important for art. Representatives of more and more new generations wanted to feel free from traditions and create their own artistic language.

The musical art of the 20th century is unusually voluminous. Perhaps there is not a single historical musical style that would not be reflected in one way or another in the colorful musical kaleidoscope of the 20th century. In this regard, the century was a milestone. Everything that previous centuries of musical development had accumulated, and all the uniqueness of national musical cultures suddenly became public property.

Each time era has given us its geniuses. Whether they are composers of the 19th or 20th centuries, their works have already taken their place in the history of mankind and have become a model for all generations not only in music, and, despite the age of creation, are intended to serve for the joy of people.

BIBLIOGRAPHY

1. Belyanva-Ekzemlyarskaya S.N. "Musical experiences in preschool age", vol. 1., - M.: Education, 1961.

2. Vetlugina N.A. Child's musical development. - M.: Education, 1968.

3. Magazine “Preschool Education” No. 5-1992. Introducing preschool children to Russian national culture.

4. Komissarova Visual aids in the musical education of preschool children. - M.: Education, 2000.

5. My home. Program for moral and patriotic education of preschool children. Publishing house "Mosaic" - Synthesis, Moscow, 2005

6. Teplov B.M. Psychology of musical abilities., 1947.

7. Teplov B.M. Problems of individual differences. - M.: Education, 1961, - p. 231.

8. Orff K. System of musical education. - M. -L. 1970. p.21.

9. Forrai K. The influence of musical education on the development of the personality of a preschool child // Musical education in the modern world //, 1973.

The Russian school of composition, the continuation of whose traditions were the Soviet and today's Russian schools, began in the 19th century with composers who combined European musical art with Russian folk melodies, linking together the European form and the Russian spirit.

A lot can be said about each of these famous people; all of them have difficult and sometimes tragic fates, but in this review we tried to give only a brief description of the life and work of the composers.

1. Mikhail Ivanovich Glinka

(1804-1857)

Mikhail Ivanovich Glinka during the composition of the opera “Ruslan and Lyudmila”. 1887, artist Ilya Efimovich Repin

“To create beauty, you yourself must be pure in soul.”

Mikhail Ivanovich Glinka is the founder of Russian classical music and the first Russian classical composer to achieve world fame. His works, based on the centuries-old traditions of Russian folk music, were a new word in the musical art of our country.

Born in the Smolensk province, he received his education in St. Petersburg. The formation of the worldview and the main idea of ​​​​Mikhail Glinka’s work was facilitated by direct communication with such personalities as A.S. Pushkin, V.A. Zhukovsky, A.S. Griboyedov, A.A. Delvig. The creative impetus for his work was added by a many-year trip to Europe in the early 1830s and meetings with the leading composers of the time - V. Bellini, G. Donizetti, F. Mendelssohn and later with G. Berlioz, J. Meyerbeer.

Success came to M.I. Glinka in 1836, after the production of the opera “Ivan Susanin” (“Life for the Tsar”), which was enthusiastically received by everyone; for the first time in world music, Russian choral art and European symphonic and opera practice were organically combined, and a hero like Susanin also appeared, whose image summarizes the best features of the national character.

V.F. Odoevsky described the opera as “a new element in Art, and a new period begins in its history - the period of Russian music.”

The second opera is the epic “Ruslan and Lyudmila” (1842), work on which was carried out against the backdrop of Pushkin’s death and in the difficult living conditions of the composer, due to the deeply innovative nature of the work, was received ambiguously by the audience and the authorities, and brought difficult times for M.I. Glinka experiences. After that, he traveled a lot, alternately living in Russia and abroad, without stopping composing. His legacy includes romances, symphonic and chamber works. In the 1990s, Mikhail Glinka's "Patriotic Song" was the official anthem of the Russian Federation.

Quote about M.I. Glinka:“The entire Russian symphonic school, like an entire oak tree in an acorn, is contained in the symphonic fantasy “Kamarinskaya”. P.I.Tchaikovsky

Interesting fact: Mikhail Ivanovich Glinka was not in good health, despite this he was very easy-going and knew geography very well; perhaps, if he had not become a composer, he would have become a traveler. He knew six foreign languages, including Persian.

2. Alexander Porfirievich Borodin

(1833-1887)

Alexander Porfirievich Borodin, one of the leading Russian composers of the second half of the 19th century, in addition to his talent as a composer, was a chemist, doctor, teacher, critic and had literary talent.

Born in St. Petersburg, from childhood everyone around him noted his unusual activity, passion and abilities in various fields, primarily in music and chemistry.

A.P. Borodin is a Russian composer-nugget; he did not have professional musician teachers; all his achievements in music were due to independent work on mastering the technique of composition.

The formation of A.P. Borodin was influenced by the work of M.I. Glinka (as indeed all Russian composers of the 19th century), and the impetus for intensive study of composition in the early 1860s was given by two events - firstly, his acquaintance and marriage with the talented pianist E.S. Protopopova, and secondly, a meeting with M.A. Balakirev and joining the creative community of Russian composers, known as the “Mighty Handful”.

In the late 1870s and 1880s, A.P. Borodin traveled and toured a lot in Europe and America, met with leading composers of his time, his fame grew, he became one of the most famous and popular Russian composers in Europe at the end of the 19th century. th century.

The central place in the work of A.P. Borodin is occupied by the opera “Prince Igor” (1869-1890), which is an example of a national heroic epic in music and which he himself did not have time to complete (it was completed by his friends A.A. Glazunov and N.A. Rimsky-Korsakov). In “Prince Igor”, against the backdrop of majestic pictures of historical events, the main idea of ​​the composer’s entire work is reflected - courage, calm greatness, spiritual nobility of the best Russian people and the mighty strength of the entire Russian people, manifested in the defense of their homeland.

Despite the fact that A.P. Borodin left a relatively small number of works, his work is very diverse and he is considered one of the fathers of Russian symphonic music, who influenced many generations of Russian and foreign composers.

Quote about A.P. Borodin:“Borodin’s talent is equally powerful and amazing in symphony, opera and romance. Its main qualities are gigantic strength and breadth, colossal scope, swiftness and impetuosity, combined with amazing passion, tenderness and beauty.” V.V. Stasov

Interesting fact: The chemical reaction of silver salts of carboxylic acids with halogens, resulting in halogenated hydrocarbons, which he was the first to study in 1861, is named after Borodin.

3. Modest Petrovich Mussorgsky

(1839-1881)

“The sounds of human speech, as outward manifestations of thought and feeling, must, without exaggeration and violence, become music that is truthful, accurate, but artistic, highly artistic.”

Modest Petrovich Mussorgsky is one of the most brilliant Russian composers of the 19th century, a member of the “Mighty Handful”. Mussorgsky's innovative work was far ahead of its time.

Born in the Pskov province. Like many talented people, he showed ability in music from childhood, studied in St. Petersburg, and was, according to family tradition, a military man. The decisive event that determined that Mussorgsky was born not for military service, but for music, was his meeting with M.A. Balakirev and joining the “Mighty Handful”.

Mussorgsky is great because in his grandiose works - the operas "Boris Godunov" and "Khovanshchina" - he captured in music the dramatic milestones of Russian history with a radical novelty that Russian music had not known before, showing in them a combination of mass folk scenes and a diverse wealth of types, the unique character of the Russian people. These operas, in numerous editions by both the author and other composers, are among the most popular Russian operas in the world.

Another outstanding work of Mussorgsky is the cycle of piano pieces "Pictures at an Exhibition", colorful and inventive miniatures permeated with a Russian theme-refrain and Orthodox faith.

Mussorgsky's life had everything - both greatness and tragedy, but he was always distinguished by genuine spiritual purity and selflessness.

His last years were difficult - unsettled life, lack of recognition of creativity, loneliness, addiction to alcohol, all this determined his early death at the age of 42, he left relatively few works, some of which were completed by other composers.

Mussorgsky's specific melody and innovative harmony anticipated some features of the musical development of the 20th century and played an important role in the formation of the styles of many world composers.

Quote about M.P. Mussorgsky:“The original Russian sounds in everything that Mussorgsky created” N.K. Roerich

Interesting fact: At the end of his life, Mussorgsky, under pressure from his “friends” Stasov and Rimsky-Korsakov, renounced the copyright to his works and donated them to Tertius Filippov.

4. Pyotr Ilyich Tchaikovsky

(1840-1893)

“I am an artist who can and should bring honor to my Motherland. I feel great artistic strength in myself; I have not yet done even a tenth of what I can do. And I want to do this with all the strength of my soul.”

Pyotr Ilyich Tchaikovsky, perhaps the greatest Russian composer of the 19th century, raised Russian musical art to unprecedented heights. He is one of the most important composers of world classical music.

A native of the Vyatka province, although his paternal roots are in Ukraine, Tchaikovsky showed musical abilities from childhood, but his first education and work was in the field of jurisprudence.

Tchaikovsky was one of the first Russian “professional” composers; he studied music theory and composition at the new St. Petersburg Conservatory.

Tchaikovsky was considered a “Western” composer, as opposed to the popular figures of the “Mighty Handful”, with whom he had good creative and friendly relations, but his work is no less permeated with the Russian spirit, he managed to uniquely combine the Western symphonic heritage of Mozart, Beethoven and Schumann with the Russians traditions inherited from Mikhail Glinka.

The composer led an active life - he was a teacher, conductor, critic, public figure, worked in two capitals, toured in Europe and America.

Tchaikovsky was a rather emotionally unstable person; enthusiasm, despondency, apathy, hot temper, violent anger - all these moods changed in him quite often; being a very sociable person, he always strived for loneliness.

Selecting something best from Tchaikovsky’s work is a difficult task; he has several equal works in almost all musical genres - opera, ballet, symphony, chamber music. And the content of Tchaikovsky’s music is universal: with inimitable melodicism it embraces images of life and death, love, nature, childhood, it reveals works of Russian and world literature in a new way, and reflects the deep processes of spiritual life.

Composer quote:“Life has beauty only when it consists of alternation of joys and sorrows, of the struggle between good and evil, of light and shadow, in a word - of diversity in unity.”

“Great talent requires great hard work.”

Quote about the composer: “I am ready to stand as a guard of honor day and night at the porch of the house where Pyotr Ilyich lives - that is how much I respect him.” A.P. Chekhov

Interesting fact: The University of Cambridge awarded Tchaikovsky the title of Doctor of Music in absentia and without defending a dissertation, and the Paris Academy of Fine Arts elected him a corresponding member.

5. Nikolai Andreevich Rimsky-Korsakov

(1844-1908)

N.A. Rimsky-Korsakov and A.K. Glazunov with their students M.M. Chernov and V.A. Senilov. Photo 1906

Nikolai Andreevich Rimsky-Korsakov is a talented Russian composer, one of the most important figures in the creation of an invaluable Russian musical heritage. His unique world and worship of the eternal all-encompassing beauty of the universe, admiration for the miracle of existence, unity with nature have no analogues in the history of music.

Born in the Novgorod province, according to family tradition he became a naval officer, and traveled around many countries in Europe and the two Americas on a warship. He received his musical education first from his mother, then taking private lessons from pianist F. Canille. And again, thanks to M.A. Balakirev, the organizer of the “Mighty Handful,” who introduced Rimsky-Korsakov into the musical community and influenced his work, the world did not lose a talented composer.

The central place in Rimsky-Korsakov's legacy is made up of operas - 15 works demonstrating the diversity of genre, stylistic, dramatic, compositional solutions of the composer, nevertheless having a special style - with all the richness of the orchestral component, the main ones are melodic vocal lines.

Two main directions distinguish the composer’s work: the first is Russian history, the second is the world of fairy tales and epics, for which he received the nickname “storyteller.”

In addition to his direct independent creative activity, N.A. Rimsky-Korsakov is known as a publicist, compiler of collections of folk songs, in which he showed great interest, and also as a completionist of the works of his friends - Dargomyzhsky, Mussorgsky and Borodin. Rimsky-Korsakov was the creator of a school of composition; as a teacher and director of the St. Petersburg Conservatory, he trained about two hundred composers, conductors, and musicologists, among them Prokofiev and Stravinsky.

Quote about the composer:“Rimsky-Korsakov was a very Russian man and a very Russian composer. I believe that this primordially Russian essence of it, its deep folklore-Russian basis should be especially appreciated today.” Mstislav Rostropovich

Fact about the composer: Nikolai Andreevich began his first counterpoint lesson like this:

- Now I will talk a lot, and you will listen very carefully. Then I will talk less, and you will listen and think, and finally, I will not speak at all, and you will think with your own head and work independently, because my task as a teacher is to become unnecessary to you...