How does the Rolling Stones translate? The Rolling Stones - composition, photos, videos, listen to songs

1965 was the year of international recognition for the group. Their triumphant tours in America strengthened their reputation as a leading group in the world. The song Satisfaction (I Can't Get No), which later became world famous, enjoyed particular success among the Americans, taking the first lines of the American and British charts. The characteristic riff, which Keith Richards stumbled upon almost by accident, became a kind of label for the rock band, as well as was subsequently picked up by "garage" bands. 1965 hits also included Get Off Of My Cloud and the top ten hit Got Live If You Want It. The group sought unexpected and even sharp turns, choosing a stage image of rebels protesting against social conventions. In the fourth their album included such contrasting songs in style and content as Mother's Little Helper and Lady Jane. Even features of misogyny appeared in the group’s work (Under My Thumb and Stupid Girl). The Rolling Stones' nihilism reached its peak in the song Have You Seen Your Mother Baby, Standing In The Shadow?, which was riddled with obscenities. Nevertheless, the group enjoyed commercial success, and their fees constantly grew.

On the wave of resounding success, the musicians encountered problems - drugs. Almost the entire year of 1967 was marked by trials regarding drug-related offenses by Mick Jagger, Keith Richards, and Brian Jones. Despite this, three albums were released in 1967, one of which was extravagantly titled Their Satanic Majesties Request and was a psychedelic experiment. However, professional criticism did not rate him too highly. And only the single Jumping Jack Flash (1968) restored the musicians' former reputation. The next album Beggar's Banquet also rose to the heights of their best achievements, especially in the songs Street Fighting Man and Sympathy For The Devil, in which Jagger's unique voice and hypnotic African rhythms harmoniously merged.

In June 1969, Brian Jones, suffering seriously from drug addiction, was forced to leave the group; a month later his body was found in the swimming pool of a house in Sussex; the official medical report stated that death was the result of an accident. Two days after his death, a grandiose concert in memory of the musician took place in London's Hyde Park, attracting about 250 thousand spectators. Very important stage in the life of the Rolling Stones was the album Let It Bleed (1969), which parodied the famous Beatles song Let It Be. The album includes songs of various styles from country to blues. During the recording of the album, guitarist Mick Taylor (b. January 17, 1948), replacing Jones, made his debut.

The 1970s are considered to be the heyday of the Rolling Stones' mature artistry, although it was also during this time that the band experienced difficulties due to Jagger's marriage and Richards's misdeeds. However, the Rolling Stones continued to record. The album Goats Head Soup (1973) with the song Angie reached the top spot in the American charts. By 1977, the style of the Rolling Stones was somewhat supplanted by the new punk movement, which was gaining momentum in popularity. But the Rolling Stones responded with the album Some Girls (1978), which absorbed the best features of the group's work, including the exciting song Shattered. The beautifully performed disco-style song Miss You, which brought the musicians first place in the American charts, proved that the Rolling Stones are capable of self-development and renewal.

In 1980, the album Emotional Rescue reached number one in the national charts after a long break, and the title hit became a top ten song on both sides of the Atlantic, although experts considered the music a bit lightweight. The next album, Tattoo You (1981), despite the fact that it was a digest of the band's old recordings, sounded unexpectedly fresh and original, and the single Start Me Up was reminiscent of the band's best songs of the 1960s. In the average level of the Rolling Stones' recordings in the 1980s, there were, although rare, truly bright bursts of talent and skill of the musicians. The video clip Undercover Of The Night, recorded in 1983, became the most remarkable event in the field of video of those years.

In the mid-1980s, persistent rumors appeared about the imminent breakup of the group. But in 1989, the Rolling Stones announced that they were preparing to record a new joint album and extensive foreign tours. The album, released soon, was very well received by critics, and the songs from this album “Mixed Emotions” and “Rock And A Hard Place” instantly became hits. In the early 1990s, the Rolling Stones made an unprecedented foreign tour in the history of rock music, thereby putting an end to rumors about the breakup of the group.

The Rolling Stones are a rock band that has continued to perform and record for over 30 years. The band's musicians have long become cult figures. Their latest albums Voodoo Lounge (1994), live Stripped (1995), Bridges To Babylon (1997) and A Bigger Bang (2005) with new versions of Street Fighting Man, Wild Horses and Let It Bleed are still distinguished by their original sound and powerful energy , intense emotionality. In December 2003, Mick Jagger was knighted by Queen Elizabeth II for his "many years of service to the country and the Queen in the musical field."

Despite the fact that the group's first singles were covers, the raw sexuality that came through at the concerts attracted the attention of the public, and the popularity of the ensemble grew steadily. The debut album topped the national charts and stayed on the charts for over 50 weeks. The next step was the conquest of America, and if the first visit overseas was not very successful, then already on the second visit the Rolling Stones were greeted by enthusiastic crowds of fans. Although the first single chart-toppers "It"s All Over Now" and "Little Red Rooster" were covers, Oldham began to insist on performing original material, and over time this bore fruit. His first EP, "Tell Me (You"re Coming Back) " made it into the American Top 40, and in early 1965, Jagger-Richards' song "The Last Time" became a major hit on both sides of the Atlantic. However, the team made its main breakthrough with the song "(I Can"t Get No) Satisfaction, a real rock anthem, thanks to which the Stones gained superstar status.

In April 1966, the album "Aftermath" was released, all of the material for which, in contrast to previous records, which were dominated by rhythm and blues covers, was written by Jagger and Richards. In this work, the musicians, at the instigation of Jones, tried to diversify their sound by using exotic instruments, which, however, did not prevent them from once again conquering the top of the charts. After the release of the rather eclectic and at the same time most poppy "Between The Buttons", Mick, Keith and Brian were arrested for drug possession, and when the incident was over, the musicians stopped collaborating with Oldham. Their first independent work was the album "Their Satanic Majesties Request" filled with psychedelic effects. And although it was supposed to be a response to the Beatles' "Sergeant Pepper", the reaction of listeners was mixed. As it turned out, the change in direction was short-lived, and already on “Beggars Banquet” the team returned to raw rhythm and blues. In June 1969, Jones left the group, dissatisfied with the leadership of Jagger-Richards and heavily addicted to drugs. Less than a month later, his body was found in the pool, and the coroner ruled his death an accident. Brian's place was taken by Mick Taylor, with whose participation the Rolling Stones played a free concert on July 5 in memory of their deceased colleague. "Let It Bleed", released in December 1969, included some parts from Jones, and the disc, in the spirit of "Beggars Banquet", returned the palm to the group. On the subsequent American tour, the team broke all attendance records, but its visit to the United States was overshadowed by the tragedy in Altamont, when at a Stones concert, biker guards beat a black guy to death, suspecting he had a weapon.

In 1970, the contract with Decca expired, and the Rolling Stones organized their own label, Rolling Stones Records. Despite the fact that the group's albums continued to take first place in the charts ("Sticky Fingers", "Exile On Main St.", "Goats Head Soup"), a split emerged in the group. Jagger led a social lifestyle, Richards became more and more addicted to drugs, and Taylor could not fully satisfy his authorial ambitions. After the release of "It's Only Rock "N Roll", which, unlike the soul and funk-oriented "Goats Head Soup", turned out to be more rock, Mick eventually parted ways with the Stones. His place was taken by ex-Faces guitarist Ron Wood, who made his debut in the Black And Blue program, where traditional rock and roll was replaced by reggae and funk. In the second half of the 70s, group members were increasingly distracted by side projects, but the popularity of the ensemble remained at a high level. In 1978, the disc "Some Girls" was released with clear influences of fashionable new wave, punk and disco, and the accompanying single "Miss You" became a chart leader.

Having released a couple more commercially successful works, also with a disco flavor, “Emotional Rescue,” and based on the seventies outtakes, “Tattoo You,” the band again plunged into the abyss of disagreements. Jagger wanted to modernize his sound, while Richards wanted to stick to roots rock, resulting in Undercover suffering from unfocused material. The disc, which only reached number 4 on Billboard, interrupted the dominance of the Rolling Stones on the American charts, although on the other side of the Atlantic they had held the palm since the days of Sticky Fingers. The 1983 studio album, as well as the subsequent one, did not receive very favorable responses, and “Dirty Work,” with its dance-rock more like Jagger’s solo album, was not even accompanied by a tour. The Rolling Stones redeemed themselves with "Steel Wheels", which marked their return to form. The reconciliation of Mick and Keith returned the band to its classic sound, but the success of the accompanying tour, which beat all box office receipts, overshadowed the success of the album itself. After the release of the live album "Flashpoint", Bill Wyman left the lineup, and the remaining team took a long time out. The resulting vacancy was filled by Darryl Jones, but this musician never received the official title of “Rolling”. The 1994 release of "Voodoo Lounge" caused a storm of enthusiasm and won a Grammy in the "Best Rock Album" category, and the tour in support of it was even more successful than the promotion of "Steel Wheels".

In 1995, the Stones released the acoustic live album Stripped, and returned in 1997 with the studio album Bridges To Babylon. Despite the fact that the album caused mixed reviews, it was certified platinum. It's interesting that if "Voodoo Lounge" had a specific retro sound, then in the case of "Bridges To Babylon" the sound became much more modern. Subsequently, the team's studio activities began to decline, and fresh material appeared only in 2005. The release of "A Bigger Bang", charged with its signature loud and still sexy rhythm and blues, was accompanied by a successful world tour, and in 2008, the Rolling Stones released the live album "Shine A Light", which was the soundtrack to Martin's film of the same name. Scorsese. The release started from the second position of the British charts, which in terms of live recordings has not been observed since the days of "Get Yer Ya-Ya"s Out!" which led to the appearance on the market of both reissues of classic albums equipped with bonuses and bootlegs that received legal status.As for playing live, even after the 50th anniversary, the group appeared in public quite regularly, and as part of the Latin American tour in 2016, they gave a historic concert in Cuba Also in 2016, the Rolling Stones released the album “Blue & Lonesome,” dedicated to Chicago blues and consisting only of covers.

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Biography, life story of The Rolling Stones

By the end of the 60s, the Rolling Stones began to be called the greatest rock and roll band in the world (World’s Greatest Rock & Roll Band), they already bore full responsibility for this loud title. Acting at first as a (not the most successful) alternative to the Beatles and the entire “British Invasion,” over time, the Rolling Stones began to create their own version of rock and roll, mixed with the blues. Mick Jagger's conspicuous machismo and underlying aggression have turned him into the symbol of a rock frontman who knows how to carry out his antics with deadpan irony. The rest of the participants were his match. Keith Richards and Brian Jones have written a "playbook" for springy, bright, rich rhythm guitars. Backed by the strong but unobtrusive rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Rolling Stones ushered in a new era in British blues history. Throughout their turbulent career, they were never able to part with the blues, but having gained popularity in the UK, they began to experiment with their sound, taking into account the achievements of their contemporaries The Beatles, Kinks, The Who. Having experienced the benefits of hard rock, they did not remain indifferent to the trends of the hippie era, and later to the new rock culture. The Rolling Stones never stopped.

...The year 1962 found four young men burning with enthusiasm in London, united out of love for music under the name Rolling Stones. The beginning musicians, who by this time had already been playing together for a year, were called:

Mick Jagger (full name Michael Philip Jagger, born July 26, 1943; vocalist)
Keith Richards (born December 18, 1943; guitarist)
Brian Jones (real name Lewis Brian Hopkin-Jones, born February 28, 1942, died in '69; rhythm guitarist)
Ian Stewart (born 1938, died 1985; pianist).

Jagger and Richards met at primary school in Dartford, then did not see each other for almost ten years, and when they met in 1960, they immediately renewed their friendship - based on a selfless love for rhythm and blues and especially the work of Chuck Berry. ), Muddy Waters and Bo Diddley. Richards was studying at the School of Art at this time, Jagger was a student at the School of Economics in London and played in the blues band Little Boy Blue and the Blue Boys. Richards soon joined them. A year later they met guitarist Brian Jones, who dropped out of school and made a living playing the saxophone and clarinet. At 19, he has already seen a lot: at the age of 16 he ran away to Scandinavia, managed to become the father of two illegitimate children, and took part in several blues bands. Once in London, he got a job at the Ealing Blues club, met drummer Charlie Watts, and then Mick and Keith. At this time they are part of Blues bands Inc. along with Dick Taylor and virtuoso pianist Ian Stewart. Having recorded a demo tape, which was rejected by the EMI label, the group says goodbye to Taylor and begins a new life. The first thing to do was think about the name. The five, including Jagger, Richards, Jones, Stewart and drummer Mick Avory, now call themselves the Rolling Stones, after one of Muddy Waters' songs.

CONTINUED BELOW

The group's musical patron at that time was the famous musician Alexis Korner, who organized their debut concert on July 12, 1962 at the Marquee club in London. Fans of jazz and blues immediately disliked the Rolling Stones for their lack of musical “purity,” so the original lineup was shaken up several times. Soon Bill Wyman (aka William George Perks, born October 26, 1936) became the full-time bass guitarist. The search for a drummer dragged on until finally, in January 1963, old acquaintance Charlie Watts (aka Charles Robert Watts, born in 1941), who had left Blues Inc., joined the group. work as an advertising agent.

In Richmond, the team managed to obtain a residency at the Crawdaddy club, which was run by Giorgio Gomelsky. The hippy audience appreciated the temperament of the five musicians, and especially their charismatic frontman. He set his sights on Mick Jagger and Andrew Loog Oldham, who saw enormous potential, including commercial potential, in the vocalist’s overflowing sexuality. Not knowing much about music, he becomes the manager of the Rolling Stones and attracts an energetic agent, Eric Easton, who provided them with good financial support.

In a matter of weeks, Oldham produced their first studio recordings, focusing on the image of "bad boys" in contrast to the "clean" Beatles. He also got them a contract with Decca Records.

For the official debut they chose Chuck Berry's "Come On". The song was promoted on the prestigious television program “Thank Your Lucky Stars” and brought the group some fame. However, pianist Ian Stewart, in Oldham's opinion, did not look enough like a pop star, stood out from the crowd, and was unceremoniously kicked out of the lineup. He helped his colleagues on tour for many years, remaining a concert and session pianist until his death in 1985.

Having toured the UK and supported the Everly Brothers, Little Richard and Gene Vincent, the band released their second single, the John Lennon and Paul McCartney song “I Wanna Be Your Man”. The single was luckier than the first attempt: it entered the British Top 10. The third single, a cover of “Not Fade Away” by Buddy Holly, already rises to number 3 in its homeland and even causes some resonance in America (48th place in the singles chart).

Long-haired and sullen in appearance, defiantly sexy, the Stones are becoming popular in their homeland. This is fame with a hint of scandal. Newspaper headlines asking "Will you let your daughter marry a member of the Rolling Stones?" - are becoming commonplace. While critics are sternly pondering whether the Rolling Stones deserve the right to exist, the musicians are preparing their first EP and album, both named the same way - “The Rolling Stones”. The records consisted almost entirely of other people's material, from which it was easy to trace the origins of the group, as well as evaluate their ability to play different styles. Inspired by their success, Oldham outdid himself by giving them an American tour, which, however, turned out to be premature and rather a disappointment.

Upon returning home, the quintet recorded a compelling cover of Valentinos' "It's All over Now", which became their first UK number one. The EP Five by Five, an English bestseller, cemented their growing reputation. And the popularity of the musicians was already serious. The promotional tour turned into a series of hysterical outbursts of energy, which often turned from delight to aggression. At one of the shows, fans began to destroy the candelabra in the hall and destroyed the Steinway concert grand piano. For fifty spectators, the evening ended in the hospital. Hysteria accompanied the Rolling Stones throughout Europe. However, America never fell at their feet. Bye.

Released in November 1964, the single "Little Red Rooster" entered the New Musical Express chart at number one. Although the song was associated with the Beatles, and even earlier with Elvis Presley, the new interpretation of the Rolling Stones had its own charm, enhanced by Brian Jones' slide guitar.

Andrew Oldham, taking the successful Lennon-McCartney tandem as a model, decided to refocus the Rolling Stones on creating original material. He acted radically: he locked the musicians in a room and kept them there until they presented works that satisfied him. Jagger-Richards's first attempts at writing did not sound very confident. However, the single “The Last Time” has already topped the English chart and reached the top American top ten. Moreover, Jagger’s then-girlfriend Marianne Faithfull, having performed their touching song “As Tears Go By,” immediately became a teenage star.

In 1965, the Rolling muse lived up to the expectations placed on her: three hits by the Rolling Stones topped the charts. America finally looked favorably on the British five: it was difficult to resist the charm of the single “(I Can’t Get No) Satisfaction”. It became the group's first number one hit in the US. Conceptual lyrics, relevant for the “summer of protest songs” - the time when the single appeared, - the vocal style of Jagger, appearing as a hardened rake, but most importantly - the original riff, “heard” by Richards in a dream and which became one of the most famous guitar licks in the history of pop -music, picked up and replicated by several generations of garage bands.

The baton of percussion hit singles was picked up by the strong live EP “Got Live If You Want It,” which hit the Top 10, and the album “The Rolling Stones No. 2".

The defiant behavior of the musicians (the arrest of Jagger, Jones and Wyman for urinating on the wall of a gas station), the scandals associated with their names only strengthened the official attitude towards them as “young degenerates.”

When renowned agent Allen Klein became Oldham's assistant, the Rolling Stones forced Decca Records to renegotiate their contract. Moreover, it was at this time that the singles “Mother’s Little Helper” and “Lady Jane”, included in their fourth album “Aftermath,” began to become very popular in the United States. The record presented the Rolling Stones as inspired rockers and authors of strong ballads. The material for the album was created as a response to the increasingly complex recordings of the Beatles, in which the Stones, willingly or unwillingly, saw their main competitors. The album rose to number 2 in the American sales rankings. The impressive "19th Nervous Breakdown", chaotic in theme and enhanced by virtuoso guitar parts, returned the band's name to the British singles charts. The listeners' imagination was struck by songs as different in mood as “Under My Thumb”, “Stupid Girl”, “Paint It Black”.

One of the most defiant works in the team’s career was the song “Have You Seen Your Mother Baby, Standing in the Shadow?”, in which the nihilism of the musicians and their craving for obscenity reached its peak. The promotional campaign for the single was also extravagant. The musicians held a photo shoot, for which they dressed in women's dresses, which once again placed emphasis on the sexual component of their image. The tramplers of social conventions remained true to themselves.

1967 began with the release of the double single "Let's Spend the Night Together"/"Ruby Tuesday", which fell just short of reaching number one. The follow-up pop-oriented album, Between the Buttons (1967), was the final use of Oldham's production talents. Soon, tired of the bohemian life of the Rolling Stones? he resigned his managerial duties, handing over the reins to Klein. Perhaps you felt that things smelled fried?

In February, Jagger and Richards were arrested on drug charges, and three months later the same charge was brought against Brian Jones. A court held in June sentenced the first two to heavy fines and prison terms. The Times newspaper, and among its colleagues, The Who, unexpectedly came to the defense of the violators. The sentence was revised in July. Jagger was given a suspended sentence for possession of amphetamine. Three months later, Jones was sentenced to nine months in prison. The sentence was overturned only at the end of the year.

Scandals, constant attention from the press, and prison misadventures sadly affected the musicians’ work. Not a protest song at all, but a not very clear outpouring of emotions, was the single “We Love You” released in the summer, which, however, rose to Top 10. The team ended this turbulent year of their biography with a response to the Beatles album “Sgt Peppers Lonely Hearts Club Band”. Extravagantly titled “Their Satanic Majesties Request,” the record represented the band’s latest cosmic-psychedelic experiments, far removed from the rhythm and blues roots that had already become synonymous with the Rolling Stones sound. Drugs spurred them on a fruitful search, but led to a more diffuse and sluggish sound.

Only by the summer of 68 the creative potential of the participants began to recover, as evidenced by the single “Jumping Jack Flash” (UK number 3). The new album Beggars Banquet (1968), produced by Jimmy Miller, also confirmed that he was in good working shape. The album included the socio-political track "Street Fighting Man" and the macabre track "Sympathy for the Devil", in which Jagger's dark vocals are accompanied by hypnotic African rhythms and the howling of a dervish.

While the rest of the musicians were gradually regaining their form, Brian Jones was plunging into a drug abyss. His conviction at the end of '68 jeopardized his participation in the Rolling Stones' American tour. His contribution to the band's studio work became less and less. The problem was exacerbated by personal conflicts between Jones and Richards. It ended up that in June 1969, Brian Jones officially said goodbye to the Stones. A month later, on July 3, 1969, the 27-year-old guitarist was found dead in his Sussex backyard swimming pool. According to the official medical report, the cause of death was an accident.

The concert in Hyde Park two days after his death attracted more than 250,000 spectators - a symbolic tribute to the memory of the deceased musician. During the show, Jagger released several thousand butterflies into the sky and read a poem by Shelley. In three more days ex-lover Jagger Marianne Faithfull attempted suicide. This was truly the end of the first period of the Rolling Stones era.

The last months of 1969 were marked by tragedy against the backdrop of resounding commercial success. For almost the entire summer, the single "Honky Tonk Women" topped the UK sales chart. Who would have predicted that he would become the last UK singles chart topper of the Rolling Stones' career?

The new 1969 album “Let It Bleed” (an obvious paraphrase of the Beatles’ “Let It Be”) was an excellent work. It included the country-inspired "Country Honk," the beautifully orchestrated "You Can't Always Get What You Want" and the dark blues of "Midnight Rambler." The recording featured the debut of new guitarist Mick Taylor (aka Michael Kevin Taylor, born 1948), who took over from Jones just weeks before his death. The attempt was a success. The album topped the British charts.

The end of the year was marked by yet another tragedy. After a three-year break, the group goes to meet American fans and breaks attendance records (it is now that they are starting to be called the greatest rock and roll group in the world). The band performed their free (and poorly organized) set at the Altamont festival under the protection of the Hells Angels biker club, which was responsible for the murder of a black guy. These tragic events formed the basis of the film, which was released the following year.

After such a stormy 69th, 1970 became a year of relative calm. Having completed his collaboration with the Decca label with the release of the live album “Get Yer Ya-Ya’s Out!” (1970), the Stones created their own label, simply called Rolling Stones Records, which soon became a division of Atlantic. The first release on the new label was a three-track single: "Brown Sugar", "Bitch" and "Let It Rock". These were best samples creativity of the team, but in the English charts they stopped at second position.

In 1970, Jagger tried his hand at cinema, starring in the cult film Performance directed by Nicolas Roeg, and married Nicaraguan model Bianca Perez Morena de Macias.

The long-play “Sticky Fingers” (1971), a debut on his own label, which was being prepared at this time, was a work of excellent quality that retained the characteristic Rolling sound. It included the strong songs "You Gotta Move", "Moonlight Mile", "Wild Horses" and "Sister Morphine", one of the most desperate stories about drugs. The compositions were full of images of sex and death, but there was neither complacency nor maudlin sentimentality.

The band's fascination with sex was reflected in the album cover, which was designed by Andy Warhol. The envelope featured jeans from the waist down to the knees, under which, if you unzipped a real zipper, you could see red lips and a brazenly protruding tongue - they would soon become the corporate emblem of the Stones.

A year after Sticky Fingers, the band returned with the double album Exile on Main Street. A selection of fast songs, masterfully played by Keith Richards, was initially received very critically, although over time the attitude towards the album changed dramatically.

The gradual infusion of the Rolling Stones into the mainstream began, apparently, in 1973, when things extraneous to music began to occupy more and more space in their lives. Mick Jagger's social life was gaining momentum while Richards struggled with drug addiction as best he could, and he again began to have trouble with the law. 1973's Goats Head Soup was uneven, but featured some strong material. In particular, the single "Angie" rose to number one in the US. The unremarkable It's Only Rock and Roll (1974) included a cover of the Temptations' "Ain't Too Proud to Beg."

After guitarist Mick Taylor left at the end of 1974, the remaining members could not find a replacement for a very long time. They began recording a new album only in 1976, when Ron Wood (Ronald David Wood, born in 1947), a former member of the Faces group, appeared in the lineup. On the album “Black and Blue” (1976), the musicians tried to go in some new direction, in particular they tried to play reggae variations, but they failed to impress anyone with the result.

In the second half of the 70s, the pauses between releases and touring runs of the Rolling Stones became increasingly longer. They had not made any noise on the singles market for a long time, and even the famous 1976 concert in Knebworth was not timed to promote the new album, but was limited to a selection of old hits.

By 1977, young punk had captured the minds of active music lovers and the attention of the press, and many had written off the Rolling Stones as a relic of the past, having lost all connection with the present. The Clash summed up the mood of the times in no uncertain terms with their slogan: “No Elvis, No Beatles, No Stones” in “1977.” Meanwhile, the musicians scattered about solo projects, in particular Wyman and Wood regularly released solo albums.

However, it was too early to declare the Rolling Stones dead. In 1978 they returned with the powerful album Some Girls, their answer to punk, new wave and disco. The solid, energetic work included the superb tracks “Shattered” and “Miss You” (another number one in the United States). The long-play was the best proof that the group is not closed to new ideas and is ready to constantly improve.

Their personal life also presented them with its own surprises. Richards once again managed to avoid imprisonment, which this time threatened him more seriously than ever. He was arrested for heroin possession, but got off with a fine and an obligation to play several charity concerts. To celebrate, the musician even made peace with his father. Meanwhile, Jagger was divorcing his wife noisily and with great financial losses.

In such an environment, the new studio album “Emotional Rescue” (1980) was recorded. The Stones appeared in a very light version, overloading the recording with disco rhythms. Nevertheless, the album was greeted with enthusiasm, and it managed to top the UK sales chart for the first time since 1973. The title track reached the top ten on both sides of the Atlantic. At the beginning of 1981, the Rolling Stones embarked on a large-scale tour of the United States, accompanied by rave reviews. The highlights of the tour were included on the live album Still Life (1982).

The disc “Tattoo You”, released in 1981, based exclusively on old material, turned out to be unexpectedly strong. The single “Start Me up” was an echo of the band’s best moments in the 60s, when the musicians churned out singles that were recognized as classics. "Tattoo You" spent nine weeks at the top of the UK chart. It was last period, when the band dominated the charts and stadiums alike. The team's affairs were clearly on the decline.

One of the ingenious solutions that the Rolling Stones found in the 80s was to compensate for the lack of regular work with occasional flashes of inspiration. The masterful 1983 LP Undercover boasted not only a great title track (“Undercover of the Night”), but also one of the best promotional videos of the era. Critics for the most part turned their noses up at the team for a long time, and in the meantime they continued to work, releasing quite decent things, albeit in small quantities.

The three-year hiatus from studio work ended in 1986 with the release of the album "Dirty Work". By this time, the Stones had signed a new contract with CBS Records and joined forces with producer Steve Lillywhite. Unexpectedly, the biggest hit from this album was not the original composition, but a cover version of the Bob And Earl song “Harlem Shuffle”.

Although moving to a new label often causes a surge in activity, the opposite happened for RS: the members increasingly focused on their own projects. Bassist Bill Wyman tasted success back in 1983 with his solo number “Je Suis Un Rock Star.” No one was particularly surprised when Mick Jagger released his solo album “She’s the Boss” in 1985. His conflicts with Keith Richards have long ceased to be a secret. So speculation about the dissolution of the Rolling Stones flourished. Jagger's second solo album, Primitive Cool (1987), only added fuel to the fire. When Richards released his solo debut a year later, Talk Is Cheap, it seemed like the right time to write an obituary for the British team.

But the Rolling Stones again went against public opinion, which had almost buried them, and announced that they were taking up new album and are preparing for a tour.

The hastily recorded long-play “Steel Wheels” (1989), oddly enough, was generally greeted favorably by critics. "Mixed Emotions" and "Rock and a Hard Place" became popular radio hits. And the musicians went even further. On the threshold of their 30th anniversary in show business, the Rolling Stones, many times written off as archives, conducted a large-scale international tour, which - no less - turned out to be the most commercially successful in history modern music, grossing over $140 million. The group summed up the results of the tour with the live album “Flashback” (1991).

Bill Wyman officially ceased to be a member of the group in 1993 (later releasing the memoir Stone Alone). He was replaced by seasoned professional Darryl Jones (born 1961), who had previously played with Sting and Miles Davis. The album "Voodoo Lounge", published in 1994, turned out to be one of the highest quality recordings of the group of the last decade, sounding fresh and original. Not only the most die-hard fans of the group were enthusiastic about this work, but also show business professionals.

“Voodoo Lounge” brought Jagger’s team the first (and so far last) Grammy awards. He was named best rock album, and the video for the song “Love Is Strong” was named the best among short videos.

In 1995, they hit the road again and toured the United States with concerts, reaping a generous cash harvest. No matter what they say about them, the Stones remained the most popular rock band in the world.

Finding themselves again on the crest of a wave, in 1995 they released the disc “Stripped” (“unplugged”). The search for a fresh sound is felt in the powerful acoustic versions of “Street Fighting Man”, “Wild Horses”, “Let It Bleed”. The author's tandem Jagger-Richards once again proves its capabilities.

Remaining prickly teenagers at heart, they never learned to restrain their emotions. Richards' caustic comments to R.E.M. and Nirvana did not at all contribute to the popularity of the Rolling Stones among younger generation. For many teenagers, the appearance of Britons among the still active rock musicians was a revelation.

Another update of the sound was demonstrated by the album “Bridges to Babylon” (1997), in which drummer Charlie Watts showed himself with unprecedented strength. His playing was not only exceptional in its own right, but the mixing brought it to the forefront, giving the recording a much clearer sound. Richards was completely immersed in the work during the studio sessions, and his vocal contribution this time was more significant than ever.

Another success awaited the group during the promotional tour in support of “Bridges to Babylon”. They traveled to the most remote corners of the world - from Holland to Missouri, from Germany to Argentina. Highlights from the tour are included on the album No Security, which features the veterans' work performed by musicians of different generations who joined them during some of the shows, from Dave Matthews to the Taj Mahal.

In 2002, the Rolling Stones held a grandiose world tour dedicated to the 40th anniversary of their career. A compilation of the band's greatest hits, 40 Licks, released the same year, included four new songs. Meanwhile, Decca Records reissued the team's entire catalogue.

No other group in the entire history of modern music has managed to grow and improve with such consistency, to stay on the crest of fame for so long, meandering and going to extremes. The title of the greatest rock and roll band in the world obliges.

The Rolling Stones is one of the most popular British bands in rock history. The team had a huge impact on the development of rock music around the world. The group's commercial success allowed it to reasonably compete with The Beatles, presenting a unique alternative in the spirit of "protest" bad boys" The Rolling Stones to this day occupy the authoritative status of the greatest group in the world, and have been in the Rock and Roll Hall of Fame since 1989. The group has sold more than 250 million copies of its albums, becoming the most successful of all time.

History of the group's creation

The team was formed in 1962 in London, England. The creation was initiated by two old friends, Mick Jagger and Keith Richards, who loved rhythm and blues.

The band's original lineup included Mick Jagger on vocals, Keith Richards on rhythm guitar and backing vocals, Dick Taylor on lead guitar and backing vocals. -vocals, Ian Stewart on keys and Mick Avory on drums.

The debut concert took place on July 12, 1962. The venue was the stage of the Marquee Jazz Club. The audience, which consisted of connoisseurs of jazz, did not particularly warmly welcome the new band, considering the musicians far from professional. But the Rolling Stones didn't even think about giving up. In August 1962, the line-up of musicians began to change, having become relatively stable by 1963. Later, the group still faced changes, and tragic losses awaited it, but Mick Jagger and Keith Richards have always been and remain at the helm.

origin of name

The band's original name was Rollin Stone. This name was given to the composition of the group’s iconic bluesman Muddy Waters. It was not at all accidental that it formed the basis for the name of the group, because the literal translation from English “rolling stone” should be interpreted as “tramp”, “wanderer”, etc. Life on the road is perfectly reflected in the name of the group. In May 1963, a man named Andrew Oldham became the band's producer. His first contribution was changing the name of the group to the one we are familiar with today, The Rolling Stones.

Sound and cultural heritage

The Rolling Stones were able to carry the present through several decades. The team simultaneously combines a soft background with sharp inclusions of accented solo instruments, and unique vocals Mick Jagger brings his own special flavor to the mid-frequency range. The intense rhythm on the drums can give way to a “psychedelic” calm. Guitars sometimes sound sharp and prickly, and sometimes completely muffled. A certain chaotic sound can also be considered a feature.

The Rolling Stones — Live in Bremen 1998 (full concert)

Huge contribution to music world history The group also contributed its unique approach to artistic style and stage production. The active participation and interaction of the group with various representatives of cinema, the cultural environment and the world elite raised rock and roll to a completely new level.

Studio activities

The Rolling Stones' discography is extremely extensive. The team owns no less than 29 studio and 24 live albums, 109 singles and 81 video clips. The group also appeared in a huge number of collections, has mini-albums, video concerts, etc. to its credit.

Back in April 1964, the world saw debut album under the same name "The Rolling Stones". The group gave the world an energetic list of original compositions in the rhythm and blues and rock and roll genres. Worldwide stardom came to the group in 1965. The impetus for this was “The Rolling Stones No. 2” and “Out Of Our Heads”. It is noteworthy that Rolling Stones albums, especially in the first 10 years after the band's founding date, were recorded almost every year.

The Rolling Stones - Out Of Our Heads (full album)

The Rolling Stones - Sticky Fingers (full album)

The list of legendary compositions of The Rolling Stones includes many works that are recognizable from the first chords. The fatal Paint it black is considered one of the most epic.

The Rolling Stones - Paint It Black

The cult Satisfaction (I Can’t Get No) boasts not only a unique guitar riff, but also lyrics written by Jagger. It was a real anthem for the youth of the 60s! The legendary composition conveyed the fear and despair of young people of that era, as well as attempts to find their happiness.

The Rolling Stones - Satisfaction

Legendary compositions also include: Get Off of My Cloud, Angie, Gimme Shelter, Got the Blues, As Tears Go By and others.

The Rolling Stones - Angie

It is noteworthy that members of The Beatles John Lennon and Paul McCartney wrote a song from the second single of The Rolling Stones called “I Wanna Be Your Man” especially for their “rebel competitors”.

The image of bright red lips and a cheekily protruding tongue is the signature emblem of The Rolling Stones.

(Rolling Stones), English musical group. Created in the early 1960s. First lineup: Mick Jagger - vocals, Brian Jones - lead guitar, vocals, Keith Richards - rhythm guitar, vocals, Bill Wyman - bass guitar, Charlie Watts (Charlie Watts) – drums.

For more than three decades, since the breakup of the Beatles, the Rolling Stones have been in the status of main group rock and roll. And not because they have been releasing excellent records all this time - their repertoire also includes works that are not very impressive - but because of their special reputation, which cannot be taken away from them, and, judging by their latest achievements, musicians will lose it completely don't intend to.

The band's forty-year history is both typical of popular culture and unique. The band's style remained generally the same throughout the decades, but the small changes that the Rolling Stones made to their music always made it certainly modern. In the 1960s, they developed as rapidly as rock culture itself. In the 1970s and 1980s, records were released that fully reflected the spirit of the times. In the mid-1980s, the Stones even broke up for a while, which again was quite consistent with the times to which their music was alien. They then reunited at the end of the decade of the 1980s, and this is also no coincidence, since interest in hard and energetic guitar rock increased sharply in those years. Their successful activities in the 1990s and early 21st century. speaks of the vitality of “rock and roll veterans,” as they are called without irony.

The group formed in the early 1960s. The key factor was the ardent passion of Mick Jagger and Keith Richards for black American blues and rhythm and blues, music that was still little known in Britain at that time. They soon moved to London, where Jagger studied at the Higher School of Economics, and Richards at the Art College, and began actively rehearsing. They soon met Brian Jones, who by that time was already a very experienced musician.

One of the central points where the English rhythm and blues boom was born was the Alexis Korner club, around which many music-playing youth gathered. There they met drummer Charlie Watts, who after some time left a very respectable job for the group, bass guitarist Bill Wyman, an adult and experienced musician, and keyboardist Ian Stewart. Stewart was not included in the final line-up of the group, but continued to take part in recording albums and accompanying the group in concerts until his death in 1985.

With this composition the group began its performances. The musicians performed songs by American authors, including black bluesmen like Muddy Waters and Bo Diddley. They also performed quite pop numbers, processing them in their own manner. It's the Muddy Waters song Rolling Stone (Like a tumbleweed") formed the basis for the group's name. The idea was suggested by Jones, then a former central figure in Group.

“Beatlemania” began in 1962, but the Stones had their own views on music, disliking white American rock and roll. They played in an emphatically “dirty” manner and insisted that the Rolling Stones were not a rock and roll band, but a rhythm and blues group. At that time in Britain there were several dozen young bands of a very high level, but it was the Rolling Stones who managed to become serious competitors and rivals of the Beatles, deliberately cultivating an image opposite to the neat, “combed” Beatles. The Rolling Stones embraced a hooligan image and soon became "enemies of parents and teachers." An atmosphere of scandal constantly accompanied this group.

The band's manager was journalist Andrew Oldham, who also produced the band's first few albums. The Rolling Stones signed a contract with the London company Decca and in June 1963 released their first single with songs Let's! (Come On) And I want to be loved ones (I Want to be loved).

Song for the second single (small 45 rpm record) I want to be your man (I Wanna be your Man) was written especially for the Stones by John Lennon and Paul McCartney.

By insisting that the musicians write more of their own songs, Oldham thereby helped to reveal the amazing capabilities of the Jagger-Richards composing tandem. However, most of the compositions on the first three long-playing discs were songs by other authors.

Main songs of the album From our heads (Out of our heads, 1965) actually came from the heads of the Stones themselves, but some numbers composed by the whole group were still signed under the pseudonyms of Nanker and Phelge. The Stones became one of the major British pop groups. The album contained the song that became " business card» groups I can't get any satisfaction (I can't get no Satisfaction). This sharp and sarcastic song captivated American audiences, and since then the Stones, along with the Beatles, have become two key figures in the so-called. "British Invasion" of US Pop Culture.

The Stones are called “the second group after the Beatles,” and this “label” remained with the group throughout the 1960s, until the breakup of the Beatles. During this time, both groups were in a state of friendship-rivalry, very productive for their creativity: they jealously followed the release of each other’s new records and sought in every possible way to surpass their colleagues. Perhaps this was not the last reason that the Stones' albums of the second half of the 1960s were clearly superior to the works of subsequent decades in terms of their richness in bright and powerful compositions. There is an opinion that the group owes this to Brian Jones, who was an amazing creative personality and versatile musician, but due to impulsiveness and inconstancy, and later due to a strong addiction to drugs, he was relegated to the background, and then fired from the group . There is no doubt that he greatly influenced the sound of the group, being constantly captivated by new and unusual musical ideas.

In 1965, the group acquired a second manager, Allen Klein, who poured all his energy and extraordinary business mind into the group's affairs. Subsequently, the Rolling Stones sued Klein several times, challenging him for various amounts of money that, in their opinion, he underpaid the group. But at the same time, the musicians admitted that it was Klein who brought the group to the “superstar” level and for several years skillfully maintained the excitement around the Stones’ records and concerts.

Album Consequence (Aftermath, 1966) is composed entirely of the Stones' own songs. It included songs such as Paint it black (Paint it Black), Lady Jane (Lady Jane), In my power (Under my Thumb). This was already a confident work of musicians who realized their potential and steadily growing popularity.

Studio album Between the buttons (Between the Buttons, 1967) is one of the group’s greatest creative achievements. It contained almost no weak, minor songs, and compositions such as Ruby Tuesday (Ruby Tuesday), Let's spend this evening together (Let's Spend the Night Together) or Compound (Connection) were an undeniable success.

The Stones' schedule of tours and recordings in those years was so busy that the musicians were repeatedly hospitalized with a diagnosis of "nervous and physical exhaustion", and Richards and Jones became addicted to chemical stimulants, which allowed them to withstand heavy loads for some time.

At the instigation of Jones, the group was drawn into experiments with psychedelic, “astral” sound. The spirit of the times also contributed to this: 1967 was a period of a surge in new trends in art, which arose not without the influence of hallucinogenic drugs, in particular LSD. In the summer of 1967, the Beatles released their famous concept album Club Orchestra The Lonely Hearts of Sergeant Pepper (Sgt. Pepper's Lonely Hearts Club Band), and the Stones, in the spirit of their now customary rivalry, responded with a record By order of their satanic majesty (Their Satanic Majesty Request, November 1967). The era of hallucinogenic drugs and mystical quests is fully reflected in the compositions of this album.

1967 for the group was a year of repeated arrests for drug possession and legal proceedings. Jones, Jagger and Richards were constantly "under the radar" of the British authorities. When Jagger and Richards were eventually given a very harsh sentence, which was then replaced by a suspended sentence, it became obvious that this trial was a show. Society condemned the reputation of the group rather than the illegal act itself. Constant lawsuits also dogged Brian Jones, whose increasing drug addiction caused discontent among the rest of the group.

Famous single Jumping Light (Jumpin' Jack Flash, 1968) and a large disk Beggars Banquet (Beggars Banquet, 1968) greatly increased the already scandalous reputation of the group. The reason for this was both the cover, which depicted writing in a dirty public toilet, and the music itself. The psychedelic experiments were over; the songs on this album had a very earthy, rough sound. Compositions such as Street Fighter (Street Fighting man) And Sympathy for the Devil (Sympathy for the Devil) were a reaction to changing moods in society.

After Brian Jones was fired from the group, a young guitarist from John Mayall's band, Mick Taylor, was taken in his place. Jones's plans to implement own project it was not destined to come true: on July 3, 1969, he died, drowning in his own pool under circumstances that were not fully clarified. The band dedicated a big concert planned for July 5 in London's Hyde Park to the memory of their former colleague.

The album was released in 1969 Let the blood flow(Let it Bleed, 1969). The title parodies the famous Beatles album So be it (Let it be), which, although released in 1970, was recorded back in 1969. The title of the “Stones” album has a rather dark connotation: in August 1969, during the band’s performance in Atlamont, bikers from the Hell’s Angels organization killed an African-American spectator. The Stones musicians were seriously frightened by this incident.

The second decade became a very controversial period for the group. On the one hand, having parted ways with Allen Klein in the late 1960s, the group finally achieved financial independence. Jagger took the group's affairs into his own hands, and the musicians' income increased sharply. On the other hand, albums from that period (not counting Sticky fingers) turned out to be much less expressive than the records of the 1960s, despite individual compositions and the contribution that Mick Taylor made to the sound of the group. The works of that period did not become sensations in the world of popular music. Taylor left the group and was replaced by Ron Wood, who had previously played with Rod Stewart.

The activities of the Stones in the 1970s could not help but be affected by severe drug addiction Richards, but the guitarist still found the strength to end it. With album Some girls(Some Girls, 1978) the situation begins to change positively, and the record Emotional help (Emotional Rescue, 1980) became very popular. This was largely due to the fact that the album's music contained elements of disco, the dominant style in those years.

However, albums from the early 1980s tattoo you (Tattoo you, 1981), Under cover(Undercover, 1983) and Dirty job (Dirty Work, 1986) were even less expressive than the compositions of the mid-1970s. Jagger seriously thought about a solo career and in 1986 announced his departure from the group. However, the Stones musicians managed to convince the lead singer that Team work much more important and effective than the solo one, and in 1989 the legendary group made its triumphant return with the album Steel wheels(Steel Wheels) and a large international tour, which resulted in the release of the album Flash point (Flashpoint, 1991). After this tour, Bill Wyman left the band and was soon replaced by Deryl Jones, a black bass player who played in the famous metal-funk band Living Color. He took part in recordings and performed in concerts, but is not formally part of the group, which thus turned from a quintet into a quartet.

The shows for which the Stones were always famous became even larger and more magnificent - the group preferred to perform in huge stadiums. Since their reunion, the Rolling Stones have been in the aura of the elders of rock and roll, rock heroes who prove by their own example the immortality of this music. In 1997 new job Bridges to Babylon (Bridges to Babylon), confirmed that the group again managed to reach a high creative level.

The Rolling Stones celebrated their fortieth anniversary with the release of an anniversary album. Forty Licks(translation Forty pieces or something like Lick forty times tongue). This name plays on the band's logo, which depicts a bright red mouth with a tongue protruding from it. The tour that accompanied the release of this disc was fundamentally more modest than the previous ones: the group refused to perform in stadiums and focused on medium-sized venues, also deciding not to use all kinds of special effects with which they had previously accompanied all their concerts. However, this tour also showed that the group is in excellent shape.

All members of the Stones, to one degree or another, were and continue to be engaged in solo work, and Jagger’s individual ambitions once caused the short-term collapse of the group. However, later Jagger stopped opposing solo work to the interests of the group, which does not prevent him from time to time releasing very successful discs under his own name: Wandering Spirit (Wandering Spirit, 1993) and Goddess at the door (Goddess in the Doorway, 2001).

Alexander Zaitsev