Memorial Museum of A.N. Scriabin. Scriabin Museum: visiting the genius Memorial Museum Scriabin's apartment

The museum houses works of painting, graphics, sculpture, objects of decorative and applied art, as well as archaeological exhibits from more than a hundred countries.

The museum arose in 1918 on a wave of interest Soviet power to the preservation of world heritage: in the five post-revolutionary years, more than 250 museums were opened throughout the country. At that time, the collection of the Museum of the East, or Ars Asiatica, as it was then called, included the oriental collections of the National Museum Fund, the museum of the former Stroganov School, carpet and antique stores, and the warehouses of the Northern Company. Over time, the State Historical Museum transferred its oriental collections to the museum. State Museum fine arts them. A. S. Pushkin, Polytechnic Museum and many others. The fund also expanded significantly thanks to private collections, purchasing and archaeological expeditions. Many exhibits were donated to the museum by the republics and allied countries that were part of the USSR. A special place in the permanent exhibition Soviet period occupied the section “The Image of the Leaders of the Proletarian Revolution in the Art of the National Republics.” In particular, one could see how the image of Lenin was revealed in the works of artists of the Soviet East.

The final location of the museum and its collection was not immediately determined. Among the former halls of the Museum of the East is the Girshman house at the Red Gate, Historical Museum, Stroganov School, Tsvetkovskaya Gallery on Kropotkinskaya Embankment and the building of the Church of Elijah the Prophet on Vorontsov Field.

Today, the oldest Chinese ceramics from the 2nd millennium BC. e. is adjacent here to traditional ritual objects from Buryatia, which to the untrained eye seem as ancient as Chinese ones, but in fact were created no more than a hundred years ago. This creates the illusion that in the East time is running otherwise, but somewhere it stopped altogether. On one floor you can see a masterpiece of world significance - a piled silk carpet from India of the 17th century - and a modern wool carpet from Afghanistan, where traditional pattern Images of tanks and Kalashnikov assault rifles are woven in quite naturally. If the concept of “design” is applicable to antiquity, then over thousands of years little has changed in Asian design.

Each hall or group of halls of the museum is dedicated individual country or the region of the East: thus, starting from Iran, you end the journey in Kazakhstan, having had time to examine a shield made of rhinoceros skin in India, giant masks for the Buddhist religious mystery Tsam in Mongolia, Japanese katana fighting swords, Chinese jars for crickets, Indonesian shadow theater, a handwritten book on palm leaves in Laos, Caucasian carpets and suzani embroidery in Uzbekistan. The Japanese hall presents a unique figurative composition: a snow-white eagle on a pine tree against the backdrop of a screen depicting a raging sea. The eagle figure is made using a highly complex combined assembly technique: the body and wings are made of wood, and the plumage consists of 1,500 individual ivory plates. But what is especially interesting is that this composition was brought to Russia in 1896 as a gift to Nicholas II on the occasion of his coronation from Japanese Emperor Meiji. The emperor himself was not part of the delegation that arrived in Russia; the imperial family was represented by Prince Sadanara Fushima. All vases, jugs, swords and carpets, each item has its own story. And these stories have keepers. The research institute at the museum employs more than 300 specialists.

What is truly unexpected after such a journey through the traditional East is the last hall of paintings of the Caucasus and Central Asia, where the works of the world's greatest artists of the 20th century, Niko Pirosmani and Martiros Saryan, deserve special attention.

Spring was still disguised as winter
The evening melted slowly, like ice cream in the cold
And we hurriedly walked along the Arbat lanes to the Scriabin Museum
Thanks to an invitation from Moskultura, we visited the hall of the Scriabin Museum for the first time at a wonderful concert. "ROMANCY VS MODERNITY"
In the first part they played Brahms, and may the great Brahms forgive me, both my daughter and I liked the second part much more
Apparently, we are still tuned in to modern harmonies.
But let's start from the beginning - in the first half we listened to a wonderful performance of the Sonata for Clarinet and Piano No. 2 and the Trio for Clarinet, Cello and Piano. All the musicians played temperamentally and magnificently, but I will never tire of confessing my love for the cello’s voice, which makes my heart either skip a beat or tremble.
In the second movement, I think everyone was amazed by the sound of the clarinet, modified and complemented by the sabre. new technology SABRe is a multi-sensor, the size of a matchbox, which, when connected to a clarinet, expands the capabilities of the performer and gives the composer completely new possibilities for the instrument. For example, the musician no longer plays, but the given sound trembles, spreads and even intensifies. Anton smiles, looking at us, amazed by such sound possibilities. This is a performance of a piece by Anton Moiseenko himself - “Northern Ocean” for clarinet and piano. Unfortunately, the sabre seems to have a mysterious effect on my equipment, preventing me from filming, but allowing me to relax and enjoy the music.
Anton then performs a clarinet solo. Dark Night (“La noche oscura”) by Swedish composer Tobias Broström sounds organically after the Northern Ocean, it is undoubtedly a northern night, with the voices of the wind, stars, sea bays and the echo of deserted coastal caves through which a lonely traveler travels. At least that's how I imagined it all.
Well, remembering “Clouds”, the author of which is also Anton Moiseenko, I freeze with pleasure. They simply captivated us. The composer admitted that he wrote them and dedicated them little son, passionate about cloud topics. This is a very gentle, light, heartfelt work, you listen, and it’s as if you see and hear the sky, across which very small lambs are rippling, then gusts of wind fly in, bringing thick clouds, then almost a thunderstorm breaks out, the ever-changing sky itself sounds with the voices of a piano, clarinet and cellos.
One of the funny things is that this was the first time I watched a clarinet being played so closely, and at first it seemed to me that the musician was kissing his instrument after each musical part, then I realized that apparently this was a way to blow out some important holes in the instrument.
We wish the SoundOut project success and development, and look forward to new meetings!
Our sincere thanks cozy room Scriabin Memorial Museum https://www.scriabinmuseum.ru/ – for hospitality
Mosculture project https://moscultura.ru/, https://moscultura.livejournal.com/ and personally https://tushinetc.livejournal.com/ for the invitation
And to the musicians https://www.soundout.ru/ for a wonderful evening!

Alexander Nikolaevich Scriabin certainly left a noticeable mark on Russian music. His work stands somewhat apart. Classic musical works great composer and the pianist tried to give fuller forms, to saturate them not only with sounds, but also with other feelings. For example, Scriabin went down in history as the world's first creator of light music.

The composer spent the last years of his life in Moscow. His apartment was located in an old building at Nikolopeskovsky Lane, building No. 11. And today a museum has been organized there, the exhibits of which clearly demonstrate all aspects of the life of Alexander Scriabin. The pianist lived in this apartment with his family, and his most famous creations were created here.

Also, this house at the beginning of the 20th century was one of the cultural centers of the capital. Alexander Scriabin was friends with many famous people that time. The so-called creative intelligentsia often gathered at the composer’s house. Mikhail Bulgakov, Nikolai Berdyaev, Boris Pasternak, Vsevolod Meyerhold and Vladimir Balmont visited these walls.

Life and work of Alexander Scriabin

Alexander Nikolaevich Scriabin was born in Moscow on January 6, 1972. His father was a nobleman, served at the court of Emperor Nicholas II. But his mother was a talented pianist, and it was from her that his son became infected with music for the rest of his life.

It is not surprising that at the age of 5, young Sasha learned to play the piano. This was followed by training at the Moscow Conservatory, from which the future composer graduated with a gold medal.

All his life, Alexander Scriabin moved from place to place. He did not visit Russia very often, preferring to live and work abroad. Most often he was in France, where he earned his living by giving concerts and writing own compositions. But last years The composer nevertheless spent his life in Moscow.

It was here that his most important works were created - three symphonies for piano and orchestra, “Poem of Ecstasy” and “Prometheus”. The latter became completely unique. In it, Scriabin managed to combine music and color. This is exactly how the very light and music turned out, without which no one can do today. night club or disco.

Shortly before his death, Alexander Scriabin decided to create something completely incomprehensible. He wanted to bring together not only music and color, but also smells, movements and even architecture. Today it would be called a light show. But unfortunately, the composer did not have time to implement his plan. He died in 1915 and was buried at Novodevichy Cemetery in Moscow.

House-Museum of Alexander Scriabin

Three years after the composer’s death, the apartment on Nikolopestovsky Lane was given national status cultural heritage, and already in 1922, the Alexander Scriabin Museum was opened on its basis. By the way, this is the only place in the world where you can learn about the life and work of the composer.

In the apartment-museum we managed to preserve everything exactly down to the smallest detail. She looks the same as she did a hundred years ago. Different rooms tell about all aspects of the life of Alexander Scriabin. For example, there is a bedroom, a kitchen and a pianist's study. The latter is of the greatest interest, as it contains unique exhibits - a Bechstein piano, which was assembled especially for it, a library, various items art. The central place is given to a unique color-light apparatus, which was invented by Scriabin.

In other rooms you can see the composer’s clothes, some of his personal belongings, and pieces of furniture.

Today the apartment-museum of Alexander Scriabin is also cultural center. On the ground floor of the house there is concert hall, in which various pianists perform periodically.