Description of Catherine. Characteristics of Katerina ("Thunderstorm", Ostrovsky). Quite young she was given to a strange family

Among all types of work with the text of the play "Thunderstorm" (Ostrovsky), the composition causes particular difficulties. This is probably because the schoolchildren do not fully understand the peculiarities of Katerina's character, the peculiarity of the time in which she lived.

Let's try together to understand the issue and, based on the text, interpret the image the way the author wanted to show it.

A.N Ostrovsky. "Thunderstorm". Characteristics of Katerina

The very beginning of the nineteenth century. The first acquaintance with Katerina helps to understand the difficult environment in which she lives. The weak-willed husband who is afraid of his mother, the tyrant Kabanikha, who loves to humiliate people, strangles and oppresses Katerina. She feels her loneliness, her defenselessness, but with great love she remembers her parental home.

The characterization of Katerina ("Thunderstorm") begins with a picture of urban customs, and continues with her memories of the house where she was loved and free, where she felt like a bird. But was it all good? After all, she was given in marriage by the decision of the family, and her parents could not help but know how weak-willed her husband was, how cruel her mother-in-law was.

However, the girl, even in the stuffy atmosphere of the house-building, managed to maintain the ability to love. He falls in love with the nephew of the merchant Wild. But Katerina's character is so strong, and she herself is so pure, that the girl is afraid to even think about cheating on her husband.

The characteristic of Katerina ("Thunderstorm") stands out as a bright spot against the background of other heroes. Weak, weak-willed, content with the fact that Tikhon will break out from under maternal control, lying by the will of circumstances Barbara - each of them struggles in his own way with unbearable and inhuman morals.

And only Katerina is fighting.

First with you. At first she does not want to hear about a meeting with Boris. Trying to "observe himself", he begs Tikhon to take her with him. Then she rebels against an inhuman society.

The characterization of Katerina ("Thunderstorm") is based on the fact that the girl is opposed to all characters. She does not secretly run to parties, as the cunning Varvara does, she is not afraid of the Kabanikha, as her son does.

The strength of Katerina's character is not that she fell in love, but that she dared to do it. And in the fact that, having failed to maintain her purity before God, she dared to accept death contrary to human and Divine laws.

The characterization of Katerina ("Thunderstorm") was created by Ostrovsky not by describing the features of her nature, but by the actions that the girl performed. Pure and honest, but infinitely lonely and infinitely loving Boris, she wanted to confess her love to the entire Kalinovsky society. He knew that she could be waiting, but she was not afraid of either the rumors or the bullying that would necessarily follow her confession.

But the tragedy of the heroine is that no one else has such a strong character. Boris abandons her, preferring an ephemeral inheritance. Varvara does not understand why she confessed: she would walk herself slowly. The husband can only sob over the corpse, saying "you are happy, Katya."

The image of Katerina, created by Ostrovsky, is an excellent example of an awakening personality who is trying to break out of the sticky networks of the patriarchal way of life.

On the example of the life of a single family from the fictional city of Kalinov, Ostrovsky's play "Thunderstorm" shows the whole essence of the outdated patriarchal structure of Russia in the 19th century. Katerina is the main character of the work. She is opposed to all other actors of the tragedy, even from Kuligin, who also stands out among the inhabitants of Kalinov, Katya is distinguished by the strength of protest. The description of Katerina from "Thunderstorm", the characteristics of other characters, the description of the life of the city - all this adds up to a revealing tragic picture, conveyed photographically accurately. The characterization of Katerina from the play "Thunderstorm" by Ostrovsky is not limited to the author's commentary in the list of characters. The playwright does not evaluate the actions of the heroine, relieving himself of the duties of an omniscient author. Thanks to this position, each perceiving subject, whether a reader or a viewer, can himself evaluate the heroine based on his moral convictions.

Katya was married to Tikhon Kabanov, the son of a merchant. It was given out, because then, according to the house building, marriage was more the will of the parents than the decision of young people. Katya's husband is a pitiful sight. The irresponsibility and infantilism of the child, bordering on idiocy, led to the fact that Tikhon is not capable of anything other than drunkenness. In Marfa Kabanova, the ideas of tyranny and hypocrisy inherent in the entire "dark kingdom" were fully embodied.

Katya strives for freedom, comparing herself with a bird. It is hard for her to survive in conditions of stagnation and slavish worship of false idols. Katerina is truly religious, every trip to church seems like a holiday for her, and as a child, Katya often fancied that she heard angelic singing. Sometimes, Katya prayed in the garden, because she believed that the Lord would hear her prayers anywhere, not only in the church. But in Kalinovo, the Christian faith was deprived of any inner content.

Katerina's dreams allow her to briefly escape from the real world. There she is free, like a bird, free to fly wherever she wants, not obeying any laws. “And what dreams I had, Varenka,” continues Katerina, “what dreams! Or golden temples, or extraordinary gardens, and everyone sings invisible voices, and it smells of cypress, and the mountains and trees seem to be not the same as usual, but as they are written on the images. And it’s like I’m flying, and I’m flying through the air. ” Recently, however, a certain mysticism has become inherent in Katerina. Everywhere she begins to see imminent death, and in her dreams she sees the evil one, who warmly embraces her, and then destroys her. These dreams were prophetic.

Katya is dreamy and gentle, but along with her fragility, Katerina's monologues from The Thunderstorm show resilience and strength. For example, a girl decides to meet Boris. She was overcome by doubts, she wanted to throw the key from the gate into the Volga, thought about the consequences, but nevertheless took an important step for herself: “Throw the key! No, not for anything! He is mine now ... Come what may, and I will see Boris! Katya is disgusted with the Kabanikh's house, the girl does not like Tikhon. She thought about leaving her husband and, having received a divorce, live honestly with Boris. But there was nowhere to hide from the tyranny of the mother-in-law. With her tantrums, Kabanikha turned the house into hell, cutting off any opportunity for escape.

Katerina is surprisingly perceptive towards herself. The girl knows about her character traits, about her decisive disposition: “I was born like that, hot! I was still six years old, no more, so I did it! They offended me with something at home, but it was towards evening, it was already dark; I ran out to the Volga, got into the boat and pushed it away from the shore. The next morning they already found it, ten miles away! Such a person will not submit to tyranny, will not be subject to dirty manipulations by the Kabanikh. It's not Katerina's fault that she was born at a time when a wife had to unquestioningly obey her husband, she was an almost powerless application, the function of which was childbearing. By the way, Katya herself says that children could be her joy. But Katya has no children.

The motif of freedom is repeated many times in the work. An interesting parallel is Katerina - Barbara. Sister Tikhon also strives to be free, but this freedom must be physical, freedom from despotism and mother's prohibitions. At the end of the play, the girl runs away from home, finding what she dreamed of. Katerina understands freedom differently. For her, this is an opportunity to do as she wants, to take responsibility for her life, not to obey stupid orders. This is the freedom of the soul. Katerina, like Varvara, gains freedom. But such freedom can only be achieved by suicide.

In the work of Ostrovsky "Thunderstorm", Katerina and the characteristics of her image were perceived differently by critics. If Dobrolyubov saw in the girl a symbol of the Russian soul, tormented by the patriarchal housing construction, then Pisarev saw a weak girl who herself drove herself into such a situation.

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The Thunderstorm was published in 1860. Difficult times. The country smelled of revolution. Traveling along the Volga in 1856, the author made sketches of the future work, where he tried to depict most accurately the merchant world of the second half of the 19th century. There is an unresolvable conflict in the play. It was he who led to the death of the main character, who could not cope with her emotional state. The image and characterization of Katerina in the play "Thunderstorm" is a portrait of a strong, extraordinary personality, forced to exist in a small patriarchal city. The girl could not forgive herself for betrayal, giving herself up to human lynching, not even hoping to earn forgiveness. For which she paid with her life.

Katerina Kabanova is the wife of Tikhon Kabanov. Daughter-in-law of Kabanikhi.

Image and characteristics

After marriage, Katerina's world collapsed. Her parents spoiled her, cherished her like a flower. The girl grew up in love and with a sense of boundless freedom.

“My mother did not have a soul in me, dressed me up like a doll, did not force me to work; I do what I want".

As soon as she found herself in her mother-in-law's house, everything changed. The orders, the laws are the same, but now from a beloved daughter, Katerina has become a subordinate daughter-in-law, whom her mother-in-law hated with all the fibers of her soul and did not even try to hide her attitude towards her.

When she was very young, she was given to a strange family.

“Young people gave you in marriage, you didn’t have to walk in the girls; your heart hasn't left yet."

So it should be, for Katerina it was normal. For love in those days, no one built a family. Endure - fall in love. She is ready to submit, but with respect and love. In the house of the husband about such concepts did not know.

“Was I like that! I lived, didn’t grieve about anything, like a bird in the wild ... "

Catherine is free-spirited. Resolute.

“This is how I was born, hot! I was still six years old, no more, so I did it! They offended me with something at home, but it was towards evening, it was already dark; I ran out to the Volga, got into the boat and pushed it away from the shore. The next morning they already found it, ten miles away!

She is not one of those who submit to tyrants. She is not afraid of dirty intrigues from Kabanova. For her, freedom is everything. Do not follow idiotic orders, do not bend under the influence of others, but do what your heart desires.

Her soul languished in anticipation of happiness and mutual love. Tikhon, Katerina's husband, loved her, in his own way, as best he could, but his mother's influence on him, setting him against his young wife, was too strong. He preferred to suppress problems with alcohol, and he ran away from conflicts in the family on long-distance business trips.

Katerina was often alone. They did not make children with Tikhon.

"Eco woe! I don’t have children: I would still sit with them and amuse them. I love to talk with children very much - they are angels, after all.

The girl was increasingly sad about her worthless life, praying in front of the altar.

Catherine is religious. Going to church is like a holiday. There she rested her soul. As a child, she heard angels singing. She believed that God would hear prayers everywhere. When it was not possible to go to the temple, the girl prayed in the garden.

A new round of life is associated with the arrival of Boris. She understands that passion for a strange man is a terrible sin, but she cannot cope with it.

“After all, this is not good, this is a terrible sin, Varenka, why do I love another?”

She tried to resist, but she did not have enough strength and support:

“It’s as if I’m standing over an abyss, but there’s nothing for me to hold on to.”

The feeling was too strong.

Sinful love raised a wave of inner fear for its act. The stronger her love for Boris grew, the more she felt sinfulness. As if she was clutching at the last straw, calling out to her husband with a request to take her with him, but Tikhon is a narrow-minded person and could not understand his wife's mental suffering.

Bad dreams, an irreversible premonition of impending disaster drove Katerina crazy. She felt the coming of retribution. With each peal of a thunderstorm, it seemed to her that God was throwing arrows at her.

Tired of the internal struggle, Katerina publicly confesses to her husband in treason. Even in this situation, the spineless Tikhon was ready to forgive her. Boris, having learned about her repentance, under pressure from his uncle, leaves the city, leaving his beloved to the mercy of fate. Katerina did not receive support from him. Unable to bear the mental anguish, the girl rushes into the Volga.

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The question of choosing a soulmate has always been problematic for young people. Now we have the right to choose a life partner (companion) ourselves, before the final decision in marriage was made by the parents. Naturally, the parents first of all looked at the well-being of the future son-in-law, his moral character. Such a choice promised a wonderful material and moral existence for children, but the intimate side of marriage often suffered. The spouses understand that they should treat each other favorably and respectfully, but the lack of passion does not affect in the best way. There are many examples in the literature of such dissatisfaction and the search for the realization of one's intimate life.

We offer you to familiarize yourself with the summary of the play by A. Ostrovsky “Thunderstorm”

This topic is not new in Russian literature. From time to time it is raised by writers. A. Ostrovsky in the play "Thunderstorm" portrayed the unique image of the woman Katerina, who, in search of personal happiness, under the influence of Orthodox morality and the arising love feeling, comes to a standstill.

Katerina's life story

The main character of Ostrovsky's play is Katerina Kabanova. From childhood she was brought up in love and affection. Her mother felt sorry for her daughter, and sometimes freed her from all work, leaving Katerina to do what she wanted. But the girl did not grow up lazy.

After the wedding with Tikhon Kabanov, the girl lives in the house of her husband's parents. Tikhon has no father. And the mother manages all the processes in the house. The mother-in-law has an authoritarian character, she suppresses all family members with her authority: her son Tikhon, her daughter Varya and her young daughter-in-law.

Katerina finds herself in a world completely unfamiliar to her - her mother-in-law often scolds her for no reason, her husband also does not differ in tenderness and care - sometimes he beats her. Katerina and Tikhon have no children. This fact is incredibly upsetting for a woman - she likes to babysit children.

At one point, a woman falls in love. She is married and understands perfectly well that her love has no right to life, but nevertheless, over time, she succumbs to her desire while her husband is in another city.

Upon the return of her husband, Katerina experiences pangs of conscience and confesses her act to her mother-in-law and husband, which causes a wave of indignation. Tikhon beats her. The mother-in-law says that the woman needs to be buried in the ground. The situation in the family, already unhappy and tense, escalates to the point of impossibility. Seeing no other way out, the woman commits suicide by drowning herself in the river. On the last pages of the play, we learn that Tikhon still loved his wife, and his behavior towards her was provoked by his mother.

Appearance of Katerina Kabanova

The author does not provide a detailed description of the appearance of Katerina Petrovna. We learn about the appearance of a woman from the lips of other heroes of the play - most of the characters consider her beautiful and delightful. We also know little about Katerina's age - the fact that she is in the prime of her life allows us to define her as a young woman. Before the wedding, she was full of aspirations, shone with happiness.

Life in the mother-in-law's house did not affect her in the best way: she noticeably withered, but she was still pretty. Her girlish gaiety and cheerfulness quickly disappeared - their place was taken by despondency and sadness.

Relationships in the family

Katerina's mother-in-law is a very complex person, she runs everything in the house. This applies not only to household chores, but to all relationships within the family. It is difficult for a woman to cope with her emotions - she is jealous of her son for Katerina, she wants Tikhon to pay attention not to his wife, but to her, his mother. Jealousy eats the mother-in-law and does not give her the opportunity to enjoy life - she is always unhappy with something, constantly finds fault with everyone, especially the young daughter-in-law. She does not even try to hide this fact - those around her make fun of the old Kabanikha, they say that she tortured everyone in the house.

Katerina respects the old Kabanikha, despite the fact that she literally does not give her a pass with her nit-picking. The same cannot be said for other family members.

Katerina's husband, Tikhon, also loves his mother. The authoritarianism and despotism of his mother broke him, like his wife. He is torn by a feeling of love for his mother and wife. Tikhon does not try to somehow resolve the difficult situation in his family and finds solace in drunkenness and spree. The youngest daughter of Kabanikha and sister of Tikhon, Varvara, is more pragmatic, she understands that it is impossible to break through the wall with her forehead, in this case it is necessary to act with cunning and intelligence. Her respect for her mother is ostentatious, she says what her mother wants to hear, but in reality she does everything in her own way. Unable to bear life at home, Barbara runs away.

Despite the dissimilarity of the girls, Varvara and Katerina become friends. They support each other in difficult situations. Varvara incites Katerina to secret meetings with Boris, helps lovers organize dates for lovers. In these actions, Varvara does not mean anything bad - the girl herself often resorts to such dates - this is her way not to go crazy, she wants to bring at least a piece of happiness into Katerina's life, but the result is the opposite.

Katerina also has a difficult relationship with her husband. First of all, this is due to the spinelessness of Tikhon. He does not know how to defend his position, even if the mother's desire is clearly contrary to his intentions. Her husband does not have his own opinion - he is a "sissy", unquestioningly fulfilling the will of the parent. He often, at the instigation of his mother, scolds his young wife, sometimes beats her. Naturally, such behavior does not bring joy and harmony to the relationship of the spouses.

Katerina's discontent grows from day to day. She feels miserable. The understanding that nit-picking against her is far-fetched still does not allow her to live fully.

From time to time, in Katerina's thoughts, intentions arise to change something in her life, but she cannot find a way out of the situation - the thought of suicide visits Katerina Petrovna more and more often.

Traits

Katerina has a meek and kind disposition. She doesn't know how to take care of herself. Katerina Petrovna is a soft, romantic girl. She loves to indulge in dreams and fantasies.

She has an inquisitive mind. She is interested in the most unusual things, for example, why people cannot fly. Because of this, people around her consider her a little strange.

Katerina is by nature patient and non-confrontational. She forgives the unfair and cruel treatment of her husband and mother-in-law.

In general, those around, if you do not take into account Tikhon and Kabanikha, have a good opinion of Katerina, they think that she is a sweet and lovely girl.

The pursuit of freedom

Katerina Petrovna has a peculiar concept of freedom. At a time when most people understand freedom as a physical state in which they are free to carry out those actions and actions that they prefer, Katerina prefers moral freedom, devoid of psychological pressure, allowing her to control her own destiny.

Katerina Kabanova is not so decisive as to put her mother-in-law in her place, but her desire for freedom does not allow her to live according to the rules within which she found herself - the idea of ​​​​death as a way of gaining freedom appears in the text several times before Katerina's romantic relationship with Boris . The disclosure of information about Katerina's betrayal of her husband and the further reaction of a relative, in particular mother-in-law, become just a catalyst for her suicidal aspirations.

Religiosity of Katerina

The question of religiosity and the influence of religion on people's lives has always been quite controversial. This trend is especially open to doubt in times of active scientific and technological revolution and progress.

In relation to Katerina Kabanova, this trend does not work. A woman, not finding joy in everyday, worldly life, is imbued with a special love and reverence for religion. Strengthens her attachment to the church and the fact that her mother-in-law is religious. While the old Kabanikh's religiosity is only ostentatious (in fact, she does not adhere to the basic canons and postulates of the church that regulate people's relationships), Katerina's religiosity is true. She piously believes in the commandments of God, tries to always observe the laws of life.

During prayer, while in church, Katerina experiences special pleasure and relief. In those moments, she is like an angel.

However, the desire to experience happiness, true love takes precedence over religious vision. Knowing that adultery is a terrible sin, a woman still succumbs to temptation. For ten days of happiness, she pays with another, the most terrible sin in the eyes of a believing Christian - suicide.

Katerina Petrovna is aware of the gravity of her act, but the notion that her life will never change forces her to ignore this prohibition. It should be noted that the idea of ​​such an end to her life path had already arisen, but, despite the hardships of her life, it was not carried out. Perhaps the fact that the pressure from the mother-in-law was painful for her played here, but the notion that it had no basis stopped the girl. After her relatives find out about the betrayal - reproaches against her become justified - she really tarnished her reputation and the reputation of the family. Another reason for this outcome of events could be the fact that Boris refuses a woman and does not take her with him. Katerina herself must somehow solve the current situation and she does not see a better option, how to throw herself into the river.

Katerina and Boris

Before Boris appeared in the fictitious city of Kalinovo, finding personal, intimate happiness for Katerina was not relevant. She did not try to make up for the lack of love from her husband on the side.

The image of Boris awakens in Katerina the extinguished feeling of passionate love. A woman is aware of the gravity of a love relationship with another man, so she languishes with the feeling that has arisen, but does not accept any prerequisites to turn her dreams into reality.

Varvara convinces Katerina that Kabanova needs to meet alone with her lover. The brother's sister is well aware that the feelings of young people are mutual, in addition, the coolness of the relationship between Tikhon and Katerina is not new to her, therefore she regards her act as an opportunity to show her sweet and kind daughter-in-law what true love is.

Katerina cannot make up her mind for a long time, but the water wears away the stone, the woman agrees to a meeting. Being captured by her desires, reinforced by a kindred feeling on the part of Boris, a woman cannot deny herself further meetings. The absence of her husband plays into her hands - for 10 days she lived like in paradise. Boris loves her more than life, he is affectionate and gentle with her. With him, Katerina feels like a real woman. She thinks she's finally found happiness. Everything changes with the arrival of Tikhon. No one knows about secret meetings, but Katerina is tormented by torment, she is seriously afraid of punishment from God, her psychological state reaches its climax and she confesses to her sin.

After this event, the life of a woman turns into hell - the already pouring reproaches in her direction from her mother-in-law become unbearable, her husband beats her.

The woman still has hope for a successful outcome of the event - she believes that Boris will not leave her in trouble. However, her lover is in no hurry to help her - he is afraid of angering his uncle and being left without his inheritance, so he refuses to take Katerina with him to Siberia.

For a woman, this becomes a new blow, she is no longer able to survive it - death becomes her only way out.

Thus, Katerina Kabanova is the owner of the kindest and most gentle qualities of the human soul. A woman is especially sensitive to the feelings of other people. Her inability to give a sharp rebuff becomes the cause of constant ridicule and reproaches from her mother-in-law and husband, which further drives her into a dead end. Death in her case becomes an opportunity to find happiness and freedom. The realization of this fact causes the saddest feelings among readers.

A. N. Ostrovsky in each of his plays created and showed multifaceted characters, whose life is interesting to watch. One of the playwright's works tells about a girl who committed suicide, unable to withstand the pressure of circumstances. The development of Katerina's character in the play "Thunderstorm" by Ostrovsky, as well as her emotional experiences, are the main driving forces of the plot.

In the list of actors, Ostrovsky designates Katerina as the wife of Tikhon Kabanov. With the development of the plot, the reader gradually reveals the image of Katya, realizing that this character is not exhausted by the function of the wife. The character of Katerina in the drama "Thunderstorm" can be called strong. Despite the unhealthy situation in the family, Katya managed to maintain purity and firmness. She refuses to accept the rules of the game, living by her own. For example, Tikhon obeys his mother in everything. In one of the first dialogues, Kabanov convinces his mother that he does not have his own opinion. But soon the topic of conversation changes - and now Kabanikha, as if casually, accuses Katerina of the fact that Tikhon loves her more. Until this moment, Katerina did not participate in the conversation, but now she is offended by the words of her mother-in-law. The girl addresses Kabanikha as you, which can be regarded as a hidden disrespect, as well as some kind of equality. Katerina puts herself on a par with her, denying the family hierarchy. Katya politely expresses her dissatisfaction with the slander, emphasizing that in public she is the same as at home, and there is no need for her to pretend. This remark actually speaks of Katya as a strong person. In the course of the story, we learn that the tyranny of the Kabanikha applies only to the family, and in society the old woman talks about maintaining family orders and proper upbringing, covering up her cruelty with words about the benefactor. The author shows that Katerina, firstly, is aware of the behavior of her mother-in-law; secondly, I disagree with this; and, thirdly, he openly declares to Kabanikhe, whom even his own son cannot object to, about his views. However, Kabanikha does not leave attempts to humiliate her daughter-in-law, forcing her to kneel before her husband.

Sometimes a girl remembers how she lived before. Katerina's childhood was quite carefree. The girl went to church with her mother, sang songs, walked, according to Katya, she didn’t have everything that could be. Katya compares herself before marriage with a free bird: she was left to herself, she controlled her own life. And now Katya often compares herself to a bird. Why don't people fly like birds? she says to Barbara. “You know, sometimes I feel like I’m a bird.”

But such a bird cannot fly away. Once in a cage with thick bars, Katerina gradually suffocates in captivity. Such a freedom-loving person as Katya cannot exist in the rigid framework of the kingdom of lies and hypocrisy. Everything in Katya seems to breathe with feelings and love for the most unique - for life itself. Once in the Kabanov family, the girl loses this inner feeling. Her life is similar to life before marriage: the same songs, the same trips to church. But now, in such a hypocritical environment, Katya feels false.

It is surprising that with such inner strength, Katya does not oppose herself to others. She is “a martyr, a prisoner, deprived of the opportunity to grow, develop,” but she does not consider herself as such. Through the "millstone of hostility and malicious envy" she tries to pass with dignity, without losing or vulgarizing her essence.

Katya can easily be called bold. Indeed, the girl tried to fight the feelings that flared up in her for Boris, but still decided to meet him. Katya takes responsibility for her own destiny and decisions. In a sense, during the secret meetings with Boris, Katya gains freedom. She is not afraid of "neither sin nor human judgment." Finally, a girl can do what her heart tells her to do.

But with the return of Tikhon, their meetings cease. Katya's desire to tell about her relationship with Diky's nephew does not please Boris. He hopes that the girl will remain silent, dragging her into the network of the “dark kingdom”, from which Katya tried so desperately to escape. One of the critics of the drama, Melnikov-Pechersky, surprisingly aptly described Katerina: “a young woman, having fallen under the yoke of this old woman, experiences thousands of moral torments and at the same time realizes that God has put an ardent heart in her, that passions are raging in her young breast , not at all compatible with the seclusion of married women, which dominates the environment where Katerina found herself.

Neither the confession of treason, nor the conversation with Boris lived up to Katerina's hopes. For her, the difference and discrepancy between the real world and ideas about the future turned out to be fatal. The decision to rush into the Volga was not spontaneous - Katya had long felt the approaching death. She was afraid of the approach of a thunderstorm, seeing in it retribution for sins and bad thoughts. Katerina's frank confession becomes like a desperate communion, a desire to be honest to the end. It is noteworthy that between the events a confession of treason - a conversation with Boris - suicide takes some time. And all these days the girl suffers insults and curses from her mother-in-law, who wants to bury her alive in the ground.

You can’t condemn the heroine, talk about the weakness of Katerina’s character in The Thunderstorm. Nevertheless, even having committed such a sin, Katya remains as pure and innocent as in the first acts of the play.

Discussing the strength or weakness of Katerina's character can be useful for grade 10 students when writing an essay on the topic "Katerina's character in the play" Thunderstorm "".

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