Pastose painting technique (impasto). Wall painting using impasto technique

Technique impasto makes it extremely easy and quick to achieve a striking textured effect.

IMPASTO(Italian impasto - “dense, pasty”) - in painting - the technique of writing with dense, covering strokes, often using a palette knife or spatula instead of a brush. The same as the pasty, or corpus, technique.

Sometimes Vincent Van Gogh painted his famous colored swirls by smearing the thick layer of paint on the canvas with his own finger. He also loved to apply thick, undiluted paint to the canvas with a brush or palette knife. Whatever Van Gogh painted—green grass or a starry sky—the paint applied in an unusual way became one of the most memorable details of the painting. The artist used thick paint to breathe life into the objects he painted.

In the film " Starlight Night» Ban Gogh (1853–1890) uses impasto to create a vibrant effect and paints night lights with bold, heavy strokes of thick paint

What does wall painting have to do with it? Your wall = clean canvas. Using oil-thick paints, you can create a wide variety of attractive textures. You can read about how to write using the IMPASTO technique

Impasto is the application of paint in a thick layer using palette knife or brushes. In this case, the paint should be thick, like oil or acrylic, with a minimal amount of pinene or no pinene at all. Moreover, the artists of our studio mix paints with special thickening additives, and we also add various natural materials(stone chips, for example) to create texture. Thus, the impasto technique allows you to maximize the rich textural capabilities of oil paints.

Thick paint can be given different shapes: apply it to the wall with long and dotted strokes, create ridges and draw all sorts of lines of different widths. This opens up a real wealth of relief effects that wall coverings - wallpaper, films, stickers - can never imitate.

Since the paint retains brush (or palette knife) marks, they also become expressive means. We know that one successful brushstroke can often give a design a charming ease, and we love to use this property of impasto.

How to write using the impasto technique? First of all, take care of the tools - you will need them palette knives(different shapes) and bristle brushes.

Palette knives for painting (with curved handles) they leave broad strokes, unlike brushes, which are more suitable for small surfaces. Depending on the angle at which you hold the tool - be it a palette knife or a brush - and what parts of it you work with, the results will be different. Experiment with brushes and palette knives to see what kind of reliefs you can create with them. Most of palette knives are made of metal, but you may also like plastic ones - they are more flexible. These tools are suitable for quickly painting large surfaces. The combination of a brush and a palette knife allows you to paint with a variety of strokes.

Paints You need thick coverings - oil, acrylic, tempera. Acrylic paints are considered ideal material for working in the impasto technique, since they are flexible and can be painted with by simply squeezing them onto the canvas directly from the tube. However, it is better to apply acrylic paint gradually, layer by layer, because if you apply it too thickly at one time, the paint may crack and fall off the canvas. Another undoubted dignity The advantage of acrylic paints is that they dry very quickly. This means that it won't take you long to see the results of your creativity.

Some of my favorite techniques
Thick impasto stain
Place a sufficient amount of undiluted paint on the bottom surface of the palette knife and apply it to the surface with broad strokes. The movement is like spreading butter on bread. You will end up with a thick stain of color.

Line texture - impasto.
Place paint on the underside of the palette knife and apply it to the canvas with light strokes. The result is a thick patch of color with protruding “ridges” of paint.

An alternative to palette knives and brushes.

We are not limited to brushes and palette knives, but experiment with sponges, plastic, rollers, brushes, sticks - and with everything that comes to hand. The result is always impressive

Impasto in painting means applying a thick textured layer of paint.

This technique is widely represented in Van Gogh's paintings. The artist often applied paint in thick strokes using his finger. The impasto strokes turn out to be very thick, you can almost touch them, they are so embossed. That is why the technique got its name, translated from Italian as “dough”.

Creating a texture using oil paint in the impasto technique, it allows, first of all, to strengthen color effect paintings. Bold, energetic brushstrokes dictate the work in a fast and expressive manner, allowing for the effectiveness of the work.

Impasto technique

Impasto is a technique that allows you to quickly and easily make a painting incredibly impressive. This is a technique when an uneven, textured surface is created by applying very thick and bold paint.

Works famous Wang Goga have a rich texture thanks to this technique. In such works, texture is not inferior in importance to such important components as composition, color and plot.

Acrylic paints are best suited for impasto, as they are flexible and can be squeezed directly onto the canvas. An excessively thick layer may crumble when dry. To avoid this, you should be patient and apply the paint in several layers.

Oil paints can also be suitable for impasto. However, unlike acrylic ones, they take a long time to dry, and this creates difficulties in working on the painting. Oil is also applied in layers, but since it takes time to dry, the work takes a lot of time and the result will not be enjoyed soon.

Brushes and palette knives can be used as impasto tools. Depending on their choice, different strokes are obtained. The paint must be applied with confidence. When working with a round brush, you can get speckled strokes if you quickly touch the canvas with the tip. Long curls are obtained by vigorously moving your entire hand. Obviously, in order to master these techniques, training is needed.

A palette knife is great for getting large, thick, bright spots of paint on a painting. With its help, you can achieve a very impressive texture by applying and smearing paint, leaving all kinds of imprints on it and drawing lines with the edge of the blade. Working with a palette knife is somewhat reminiscent of spreading butter on bread. It is necessary to scoop up the paint and distribute it, keeping the surface of the tool parallel to the canvas.

Using oil-thick paints, you can create a wide variety of attractive textures.

Impasto is the application of paint in a thick layer using a palette knife or brush. In this case, the paint should be thick, like oil, with a minimal amount of pinene or no pinene at all. Moreover, some artists mix paints with special thickening additives. Thus, the impasto technique allows you to maximize the rich textural capabilities of oil paints.

Impasto draws attention to the relief of the painting. Thick paint literally rises above the surface of the canvas, which is why the painting can no longer be called two-dimensional. Works written using the impasto technique are distinguished by incredible energy.

Thick paint can be given different shapes: applied in long and dotted strokes, creating ridges and drawing all kinds of lines of different widths. A real wealth of relief effects opens up before you, which can radically change your painting.
Since paint retains brush (or palette knife) marks, they also become a means of expression. Artists know that one successful brushstroke often gives a painting a charming ease, and they like to use this property of impasto.

Impasto is often used in the alla prima technique. In addition, you can paint a picture with thin layers of paint, and finally apply a thick relief layer. Some canvases are entirely painted with impasto, while on others this technique is used only in certain areas.

The general principle is from dark to light or light over dark.

Painting palette knives (with curved handles) produce broad strokes, unlike brushes, which are more suitable for small surfaces. Depending on the angle at which you hold the tool - be it a palette knife or a brush - and what parts of it you work with, the results will be different. Experiment with brushes and palette knives to see what kind of reliefs you can create with them.
There are palette knives different sizes and shapes, and therefore the strokes applied by them, differ. As with a brush, a slight movement of the wrist causes the palette knife to leave a thin mark. And as a result of a wide wave of the hand, a large characteristic stroke usually appears.
Most palette knives are made of metal, but you may also like plastic ones - they are more flexible. These tools are suitable for quickly painting large surfaces. The combination of a brush and a palette knife allows you to paint with a variety of strokes.

From the magazine " Full course Drawing and painting", Ukraine

The impasto technique makes it extremely easy and quick to achieve a striking textured effect.

Sometimes Vincent Van Gogh painted his famous colored swirls by smearing the thick layer of paint on the canvas with his own finger. He also loved to apply thick, undiluted paint to the canvas with a brush or palette knife. No matter what Van Gogh painted - green grass or a starry sky, the paint applied in an unusual way became one of the most memorable details of the picture. The artist used thick paint to breathe life into the objects he painted.

“Starry Night” - impasto technique

In Starry Night, Ban Gogh (1853-1890) uses impasto to create a vibrant effect and paints the night lights with bold, heavy strokes of thick paint.

• Textured surface

A technique where paint is applied so thick that it forms an uneven, almost sculptural surface of the canvas is called “impasto”. The impasto technique is not only interesting in itself. This spontaneous and direct approach to creating a painting allows the artist to quickly and efficiently achieve amazing results.

In order to better understand what the impasto technique is, let's take a closer look at Van Gogh's painting “Starry Night”. The richness of the texture of this painting is created by the thick layer of thick paint applied, smeared with bold, energetic brush strokes. Have you noticed that the surface texture of a painting painted using this technique becomes no less important an element than color, composition or plot?

• What paint to use for impasto?

Acrylic paints are considered an ideal material for working in the impasto technique, since they are flexible and can be painted by simply squeezing them onto the canvas directly from the tube. However, it is better to apply acrylic paint gradually, layer by layer, because if you apply it too thickly at one time, the paint may crack and fall off the canvas.

Another undoubted advantage of acrylic paints is that they dry very quickly. This means that it won't take you long to see the results of your creativity.

• Impasto with oil paints

You can also use oil paints in the impasto technique, but you should use them with caution. Like acrylics, oil paints can be applied in layers to create a thick spot of color, but oil paints tend to dry out, so this type of work can take a long time.

If you apply oil paint in one thick layer, it may take several days or even weeks to dry, but there is no guarantee that it will not crack. It is recommended to create a thick color stain of oil paint gradually, layer by layer.

Professionals say that if you do this correctly and carefully, you can create an amazingly beautiful textured canvas surface, which, in addition, can withstand any test of time.

• Impasto texture using a brush

Thick paints retain the shape of the stroke with which they were applied and the texture of the brush. An important condition For successful work in the impasto technique is confident ownership energetic, bold strokes. To make your brushstroke look as impressive as possible, load your brush with undiluted paint, apply it to the canvas in one bold stroke, and then don't touch it again!

The shape and size of the brush greatly influence appearance stroke - just like your manner of holding a brush in your hand. If you apply paint with the tip of a brush and short, “stabbing” strokes, the paint will lie on the canvas in specks or dots. In order to write a thick curl, vigorous movement of the whole hand is necessary. Try applying thick paint to the canvas with different strokes, and experimentally establish for yourself what effects can be achieved.

• Applying impasto paint with a palette knife

Artists typically paint with a brush, but a brush alone is not enough to achieve some effects. What cannot be done with a brush becomes possible with a palette knife, which is often used to create thick, textured patches of color. A palette knife is a blade with a raised handle. It allows you to apply and smooth paint on the canvas evenly. Palette knife blades vary in shape and size and allow you to create a wide variety of lines and marks on the canvas.

To apply a splash of color, scoop thick paint from your palette with a palette knife and spread it onto the canvas, keeping the blade parallel to the surface of the canvas. This is very similar to how you spread butter on bread - so, by the way, in the absence of a palette knife, you can apply the paint with a regular table knife with a straight flexible blade. Another substitute for a palette knife can be a small rectangle made of thick cardboard.

Technique impasto makes it extremely easy and quick to achieve a striking textured effect.

Sometimes Vincent Van Gogh painted his famous colored swirls by smearing the thick layer of paint on the canvas with his own finger. He also loved to apply thick, undiluted paint to the canvas with a brush or palette knife. No matter what Van Gogh painted - green grass or a starry sky, the paint applied in an unusual way became one of the most memorable details of the picture. The artist used thick paint to breathe life into the objects he painted.

In the painting "Starry Night" Ban Gogh (1853-1890) uses impasto to create a vibrant effect and paints night lights with bold, heavy strokes of thick paint.

Textured surface
A technique where paint is applied so thick that it forms an uneven, almost sculptural surface of the canvas is called “impasto”. The impasto technique is not only interesting in itself. This spontaneous and direct approach to creating a painting allows the artist to quickly and efficiently achieve amazing results.

In order to better understand what technology is impasto, let's take a closer look at Van Gogh's painting "Starry Night". The richness of the texture of this painting is created by the thick layer of thick paint applied, smeared with bold, energetic brush strokes. Have you noticed that the surface texture of a painting painted using this technique becomes no less important an element than color, composition or plot?

What paint to use for impasto?
Acrylic paints are considered an ideal material for working in the impasto technique, since they are flexible and can be painted by simply squeezing them onto the canvas directly from the tube. However, it is better to apply acrylic paint gradually, layer by layer, because if you apply it too thickly at one time, the paint may crack and fall off the canvas.

Another undoubted advantage of acrylic paints is that they dry very quickly. This means that it won't take you long to see the results of your creativity.

Impasto with oil paints
In technology impasto You can also work with oil paints, but you should use them with caution. Like acrylics, oil paints can be applied in layers to create a thick spot of color, but oil paints tend to dry out, so this type of work can take a long time.
If you apply oil paint in one thick layer, it may take several days or even weeks to dry, but there is no guarantee that it will not crack. It is recommended to create a thick color stain of oil paint gradually, layer by layer.
Professionals say that if you do this correctly and carefully, you can create an amazingly beautiful textured canvas surface, which, in addition, can withstand any test of time.

Impasto texture using a brush
Thick paints retain the shape of the stroke with which they were applied and the texture of the brush. An important condition for successful work in technology impasto is a confident command of an energetic, bold brushstroke. To make your brushstroke look as impressive as possible, load your brush with undiluted paint, apply it to the canvas in one bold stroke, and then don't touch it again!

The shape and size of the brush greatly influence the appearance of the stroke - as does the way you hold the brush in your hand. If you apply paint with the tip of a brush and short, “stabbing” strokes, the paint will lie on the canvas in specks or dots. In order to write a thick curl, vigorous movement of the whole hand is necessary. Try applying thick paint to the canvas with different strokes, and experimentally determine what effects you can achieve.

Applying impasto paint with a palette knife
Artists typically paint with a brush, but a brush alone is not enough to achieve some effects. What cannot be done with a brush becomes possible with a palette knife, which is often used to create thick, textured patches of color. A palette knife is a blade with a raised handle. It allows you to apply and smooth paint on the canvas evenly. Palette knife blades vary in shape and size and allow you to create a wide variety of lines and marks on the canvas.

To apply a splash of color, scoop thick paint from your palette with a palette knife and spread it onto the canvas, keeping the blade parallel to the surface of the canvas. This is very similar to how you spread butter on bread - so, by the way, in the absence of a palette knife, you can apply the paint with a regular table knife with a straight flexible blade. Another substitute for a palette knife can be a small rectangle made of thick cardboard.

Impasto using palette knives A

Place a sufficient amount of undiluted paint on the bottom surface of the palette knife and apply it to the canvas in wide, parallel strokes. In order to create a thick spot of color, the strokes should slightly overlap each other.

Place undiluted paint on the bottom surface of the palette knife and apply it to the canvas with light strokes. As a result, you will get a textured spot of color in which flat areas of color alternate with tongues of paint protruding upward.

Place undiluted paint on the bottom surface of the palette knife and apply it to the canvas with light strokes. The result is a textured patch of color in which flat areas of color alternate with tongues of paint protruding upward.

Feel free to experiment with different ways of applying thick paint. Here the paint is applied with a regular plastic brush, which can be bought at any hardware store.

Impasto with a brush
By applying thick paint with brushes, you can achieve different textured effects, depending on the shape of the brush bristles and how you control the brush.

IN fine arts The Italian word impasto (dough or paste) refers to a technique using undiluted paint that is applied thickly to the canvas. Initially, the method was used to mask defects or certain fragments of a painting - artists mixed pigments directly on the canvas to obtain the desired color or effect.

This technique can add a three-dimensional, almost sculptural quality or create unique textures. The technique uses thickened opaque layers - oil, acrylic, gouache and tempera. Thick brush strokes created relief surfaces on which traces of a brush or spatula are still clearly visible. Some artists applied the method to specific elements of the painting, others, like Vincent Van Gogh, executed entire canvases in impasto.

Properties of oil pastels

Features of the technology

The use of impasto evolved into a true exploration by artists of the properties of oil pigment, the standard medium in Western painting during the Renaissance. Oil paintings dry slowly, allowing artists to apply it in thick strokes or in multiple layers. To create particularly expressive effects, paint is applied with a palette knife instead of a brush.

• Unlike wet-on-wet mixing, the impasto technique actually creates a physical sense of volume in expressive, abstract works. To make strokes denser, artists sometimes add wax or other substances.
• Baroque painters, who practically pioneered the technique, mixed paints with varnish or zinc white for rough textures, combined with other techniques to create a wide range of textures and effects in a single work.
• The Impressionists, who prided themselves on spontaneous plein air works, took a completely different approach. Unlike more early artists, the Impressionists purchased ready-made mixtures and used paints straight from the tube. Thick, bright works oil preserves brush marks.
• Artists of the Post-Impressionist Expressionist era also used thick layers similar to the Impressionists, a practice continued by the Abstract Expressionists throughout the last century.

Sfumato painting technique

3D effect

Impasto creates a richly textured, three-dimensional surface that holds light on canvases or creates tiny areas of shadow, enhancing the perception of the painting. The impasto effect in a painting serves several purposes:

• adds surface relief, lighting, gives a sculptural quality to painting and accentuates forms;
• used to create areas of visual interest.

Early Baroque artists Rembrandt and Velázquez used impasto in part, for complex textures such as lace, hair, wrinkled skin or the effect of carved stone without copying precise details, folds of clothing, the shine of jewelry, and to enhance atmospheric effects.

Visual illusion

Impressionists and Expressionists used thick layers to create visual illusions, simulating broken texture, volume, and intense light. Expressionists used technology to convey feelings and emotions. Claude Monet used an architectural approach to impasto.

Painting technique A la prima

The impressionists used two methods when working in pastels.

• The first is based on the use of fixatives and adding the fixative by spraying or brushing. Edgar Degas worked layer by layer using this technique.
• The second method is based on the development of pastel acrylic bases that are able to hold texture on the canvas.

Texturing

Modern acrylic pastel primers are heavy enough to keep the thick layer flexible without cracking or peeling. This allows you to experiment with pastels and get a variety of textures. To highlight the textural properties of the paint, early masters tried to eliminate brush strokes, but times have changed, and today many artists make the most of the properties of the visible brush stroke.

The oil is most suitable for the paste method due to its viscosity, density and slow drying, but is used in the paste technique acrylic paint or gouache. Tempera has too fine a texture, so the impasto technique is used with fillers.

Northern Renaissance painting

How to apply paint

Paint application methods:

• Paint can be applied with a brush or palette knife, used straight from the tube, or added fillers;
• Dense layers of pigment are left to dry, but slowly to avoid wrinkling or cracking;
• An overly oily medium is difficult for texturing and brushstrokes;
• A flat brush or synthetic brushes are ideal for impasto work;
• For viscosity, pigments are supplemented with sand, sawdust to create volume and texture;
• After the impasto has dried, you can protect the work with a thin film of glaze to prevent cracking.