Bow quartet. String Quartet. String Quartet Harmony

Four musicians, usually playing two violins, a viola and a cello, are called String Quartet in Moscow. Usually these groups play classical works, but there are also those who play interpretations of modern songs or melodies, and there are also those who manage to perform rock hits. The latter sound very unusual and fresh when performed bowed instruments.

A string quartet in Moscow can be ordered for almost any social event: this group will look elegant and rich at presentations, exhibitions, and galleries. Having prepared a romantic dinner for your loved one, you can complement it with musical accompaniment from a quartet. A corporate evening is just as good to fill it with the charm of the sound of violins supported by a powerful viola and a sophisticated cello. The sounds of the “Mendelssohn March” performed by a string quartet in Moscow at a wedding will leave vivid memories of this day for many years.

When ordering a string quartet in Moscow on our website, you receive reliable information about all groups of this genre, reviews of past events, access to artist materials, photos and videos of performances, as well as a clear price for the performance, without any additional extra charges or payments. Our specialists will help you understand all the nuances of choosing musicians of a given genre, and if something remains unclear, they will answer all, even the most difficult questions.

When choosing string quartet in Moscow, pay attention to what audience they will work with. Is the repertoire of a particular group suitable for your event? Don't forget to check the reviews, they will be helpful when making your final decision. Contact the team in advance to agree on the repertoire or express your wishes. Perhaps, if you have your own preferences or want to include your favorite works in the performance, there will be a need for additional payment.

Our recommendation when choosing a string quartet in Moscow is to send a request not to one group, but to several at once. This way, you will have maximum options when it comes to selecting musicians that will suit your unique event.

String Quartet - Yours the best choice the most popular composition of the musical ensemble. This is a win-win option for musical decoration of your event. Noble sound string instruments(violin, viola and cello) perfectly frames the pure and refined timbre of the flute, which plays the leading part in all works.

Whether it’s welcoming guests at your celebration, off-site wedding registration, opening an exhibition or presentation, dinner party or a larger event - everywhere a string quartet will decorate your holiday!

Beautiful girls - super professional musicians will perform for you and your guests the best of the best masterpieces world music, the most famous pop compositions, arrangements of favorite songs and music from films and musicals.

Quartet composition

If desired, we can expand our ensemble to include chamber orchestra and add your favorite instruments to create a musical performance that matches the high level and scale of your event.

The cost of an expanded performance and conditions are discussed separately.

String Quartet

Despite the fact that the classical composition of a string quartet is considered to be two violins, a cello and a viola, in practice the most popular option is to replace the violin with a flute. Delicate sound wind instrument, known since ancient times, not only complements bowed notes, but also plays a leading role in many symphonic and popular works. It is not for nothing that a string quartet for a special event is the best choice, because a small ensemble can perform compositions in any genre. We invite everyone to meet our talented musicians!

"Perfect Ensemble"

Famous composer of the 18th century Joseph Haydn called the string quartet an ideal ensemble, implying that a small group can handle any genre of chamber music - from divertissement to serenade. It was then that string quartets became extremely popular in Europe; Beethoven, Mozart, and Tchaikovsky wrote plays for them. Many years have passed, many other forms have appeared - for example, in some regions piano or wind quartets are in demand. But no one can compare with the popularity of string instruments, which are not for nothing called the kings of the orchestra. It’s easy to get to know the work of four musicians better: just call us and order a string quartet to organize and conduct family holiday, official event. Most often, the services of musicians are used in the following cases.

• Wedding ceremonies, gala evenings.
• Celebrating anniversaries and birthdays.
• Organization of corporate events.
• Graduation ceremonies at schools and institutes.
• Family holidays, memorable dates.
• International exhibitions, conferences, symposia.

Professional musicians will play just for you!

High-quality musicians of our ensemble are in demand not only by organizers of large events with the participation of a large number of people. Ordinary Muscovites also often order a string quartet for a holiday or a romantic dinner. The heart of any woman will be conquered by the cozy home environment or the beautiful decoration of a cafe, if during a marriage proposal or declaration of love it sounds live music performed by a string quartet! Especially if our artists come to visit you: young, but crazy talented girls with higher musical education, masterful mastery of instruments. Each of them combines teamwork with solo career, which helps young ladies develop in terms of musical improvement. Our quartet includes:

• Ekaterina Pronyuk - violin;
• Maria Dukhnovskaya - viola;
• Ekaterina Galkina - cello;
• Polina Rybakova - flute.

A thoughtful stage image, elegant dresses, a repertoire discussed with the customer - all this guarantees that any event will be held at its best. high level. The main thing, of course, is mastery of the instrument, which our girls have enough of, because each of them has participated more than once and become a laureate of Russian and international competitions. At the customer's request, the quartet can be supplemented with any other instrument - for example, a piano or harp, which will give familiar music a unique flavor. The ensemble's repertoire includes a wide choice classical works, jazz melodies, modern songs, which will allow guests to enjoy themselves regardless of their musical preferences. String quartet "ArtFlute" for a wedding or anniversary in Moscow, which will arrive to any place in the capital or region by prior order - a luxurious and inexpensive pleasure for all occasions!

String Quartet - musical ensemble of four string instruments: two violins, viola, cello. This is one of the most academic representatives of classical chamber ensembles. Almost all the great composers wrote works for the string quartet: V.A. Mozart, L.V. Beethoven, J. Brahms, A. Dvorak, D. Shostakovich and many others. A string quartet is not only a composition of instruments, but also an independent genre of academic (classical) music.

Quartet "Inspiration" - the highest skill of musicians

Playing in a quartet requires the highest skill, virtuosity, and ensemble coherence from the musicians. Experts know that a real string quartet takes years to “play.” This is the only way to create the incredibly beautiful combined sound of four stringed musical instruments. The highest skill and teamwork of the musicians of the Inspiration quartet is the result of their many years of cooperation. All musicians of the ensemble are artists of the Moscow State Academic symphony orchestra.

Classics and more

The quartet's repertoire is varied, it goes far beyond the scope of chamber academic music playing. Along with the traditional works of classical composers for string quartets, the musicians perform jazz compositions, famous pop hits, music from musicals and films.

Musical group for elite events

The musicians of the Inspiration quartet play acoustic instruments and do not use any electrical equipment in their work. The string quartet is real live music. IN summer time musicians often perform at outdoors. “Inspiration” is strict and elegant; the quartet’s musicians have an impressive appearance and perform in elegant tuxedos and concert dresses. This is a reputable group that can decorate an elite event with live music: a wedding, a banquet, a ball.

How and where does a string quartet perform?

The most common use of this ensemble is as a light musical background to "welcome" (the time allotted for gathering guests before the start of the holiday). The string quartet does not sound loud and fills the room with the unobtrusive sound of light popular music. classical music, and does not interfere with guests’ communication. A string quartet performance does not require sound equipment and can be easily placed in almost any room. This allows the ensemble to be used as live musical accompaniment for any banquet or buffet table. A string quartet is also invited to a wedding for musical accompaniment marriage registration ceremony (in last years The so-called “exit marriage registration” has become extremely popular, when the official ceremony is held not in the registry office, but directly in banquet hall.) In the summer, the string quartet is often invited to perform in gardens and parks. However, when organizing performances in open areas, you must always remember that strings musical instruments cannot tolerate high humidity and low temperatures. Performing outdoors is only possible in warm and dry times.

Quartet (strings)(bowed) - chamber instrument. an ensemble performing quartet music; one of the most complex and subtle types of chamber music performance. lawsuit

Formation of K. as independent. will perform collective took place during the 2nd half. 18th century in decomposition countries (Austria, Italy, England, France) and was initially associated with home music playing, especially among the Viennese burghers, where instruments became widespread. ensemble playing (trio, quartets, quintets), learning to play the violin and cello. The repertoire of amateur K. consisted of production. K. Dittersdorf, L. Boccherini, G. K. Wagenseil, J. Haydn and others, as well as various. kind of arrangements for K. excerpts from popular operas, overtures, symphonies, etc. With the development in the work of Viennese classics of the genre of quartet music K. (2 violins, viola and cello) is established as the main leading type of prof. chamber-instrument ensemble. For a long time K. did not attract the attention of the conc. the public who visited Ch. arr. Italian opera performances, instrumental performances. virtuosos and singers. Only at the end. 18th century (1794) a permanent prof. was organized in Vienna. K., maintained by the philanthropist Prince K. Likhnovsky. The group included prominent Viennese musicians: I. Schuppanzig, J. Meiseder, F. Weiss, J. Linke. In conc. in the season of 1804-1805 this ensemble gave the first music in history. art-va open public evenings of quartet music. In 1808-16 he was in the service of the Russians. Ambassador in Vienna Count A.K. Razumovsky. This K. performed all the chamber instruments for the first time. op. L. Beethoven (learned under the guidance of the composer himself), laying down the traditions of their interpretation. In 1814 in Paris, P. Baillot organized a cathedral that gave subscription evenings of chamber music by subscription. IN further development and popularization of prof. K. German played an important role in quartet performance. musicians br. Müller Sr., who was the first to appear, Prof. K., who toured (in 1835-51) in many. European countries (Austria, the Netherlands, Russia, etc.). However, despite the conc. activities in the 1st half. 19th century series of K. and the existence of special liters, the style of quartet performance itself was just beginning to take shape. The features of music as a performing genre have not yet been clearly defined and identified. In the quartet performance there were strong manifestations of the solo virtuoso principle; K. was considered by many not as a single performing ensemble, but as a chapter. arr. as the “entourage” of this or that virtuoso violinist. The programs of the quartet evenings were of a mixed solo and chamber nature. In them great place occupied by works written in the so-called genre. “brilliant quartet” (Quator brillant) with a spectacular virtuoso part of the first violin (quartets by N. Paganini, J. Meiseder, L. Spohr, etc.). Listeners appreciated not so much the ensemble as the soloist’s performance. K. were organized mainly by outstanding virtuosos; their composition was random and unstable. Underscore solo start was also reflected in the location of K.'s participants. For example, W. Bull performed the first violin part in W. A. ​​Mozart's quartet, standing on the stage, while other participants played while sitting in the orchestra. pit. The usual arrangement of K. artists to the end. 19th century was different than now. time (the first violinist sat opposite the second, the cellist - opposite the violist). The formation of the quartet style of performance went simultaneously with the development of quartet music, the enrichment and complication of the style of quartet writing. New creativity arose before the performing ensemble. tasks. The main historical the tendency is from the predominance of the solo principle to the establishment of balance between the departments. the voices of the ensemble, the unity of its sound, the unification of the quartetists on the basis of a single art. interpretation plan. The first violinist, while maintaining a leading role in the ensemble, became only “first among equals.” At the same time, the formation of the performance style was influenced by the environment in which the concerts were held (small halls designed for a narrow circle of “selected” listeners), which gave the quartet music-making an intimate chamber character. The quartet style received its most complete expression in the performing work of the J. Joachim Quartet (Berlin), which worked in 1869-1907 and created highly artistic works. examples of interpretation of classics. and romantic quartet music. His art revealed the typical features of quartet performance - stylistic unity, organic. unity of sound, careful and fine finishing of production parts, unity of technical. game techniques. During these years, K. became widespread, especially in Germany. Outstanding Western European The ensemble was K., principal. French violinist L. Kape, who introduced new arts. features in the quartet style of performance, in particular in the interpretation of L. Beethoven's late quartets. In modern period K. occupy a large place in the end. life. Technique of playing plural. K. reached a high, sometimes virtuoso, degree of perfection. The influence of modern quartet music. composers manifested themselves in the expansion of timbre and dynamics. palette of quartet sound, enriched rhythmic. sides of the quartet game. Row K. performs the conc. programs by heart (for the first time - R. Kolisch Quartet, Vienna). The release of K. into large concentrations. halls changed the understanding of the quartet style as a kind of intimately closed aesthetic. categories.

Quartet playing in Russia began to spread in the 70-80s. 18th century Initially, its sphere was the estate-landowner serf and adiv. music everyday life In con. 18th century In St. Petersburg, the serf K. of Count P. A. Zubov, who was headed by the gifted violinist N. Loginov, and the advent. chamber ensemble , headed by F. Titz (performed at the so-called small Hermitages). From the end 18 - beginning 19th centuries amateur quartet music-making has become popular among artists and writers, in music. circles and salons in St. Petersburg, Moscow and a number of provinces. cities. In 1835, an outstanding violinist, director of the Pridv. singing choir in St. Petersburg A.F. Lvov was organized by prof. K., not inferior to the best foreign quartet ensembles of the 19th century. This K. was highly valued by R. Schumann and G. Berlioz. Despite the fact that his activities took place in an atmosphere of closed music-making (K. did not perform in open paid concerts), the ensemble introduced St. Petersburg over the 20-year period of work. audience with the best productions. classic music. In the 1st half. 19th century open public concerts in St. Petersburg were given by K., led by A. Vietun and F. Böhm (the latter played a large role in the popularization of L. Beethoven's quartet music). After the organization in 1859 Rus. music Society (RMO), which opened branches and music educational institutions in St. Petersburg, Moscow and many others. provincial cities, permanent quartet ensembles began to be created in Russia. They were led by prominent violinists: in St. Petersburg - L. S. Auer, in Moscow - F. Laub, later I. V. Grzhimali, in Kharkov - K. K. Gorsky, in Odessa - A. P. Fidelman and others. , which existed at local branches of the RMO, were stationary. The first K. to undertake the conc. trips around the country, there was a "Russian Quartet" (founded 1872). This ensemble, headed by D. A. Panov, performed in St. Petersburg, Moscow and a number of provinces. cities. In 1896, the so-called. The Mecklenburg Quartet, headed by B. Kamensky until 1908, and from 1910 by K. K. Grigorovich. This first-class ensemble has performed in many. cities of Russia and was the first Russian K. to tour in Western European countries. Despite the great creative achievements of Russian quartet performance, permanent K. in Russia were few in number. Only after the Great Oct. socialist revolution quartet performance in the USSR under the state. support has reached a large scale. In con. 1918 The first owls were created in Moscow. K. - K. im. V.I. Lenin, headed by L.M. Tseytlin and K. im. A. Stradivari, led in the first composition by D. S. Crane. In March 1919, the K. named after was organized in Petrograd. A.K. Glazunov, led by I.A. Lukashevsky. His activities played an important role in the development of owls. quartet performance. This K., who toured the whole country with concerts, performed not only at the end. halls, but also in factories and factories, he first introduced the broad masses to the treasures of the world quartet literature, aroused deep interest in chamber music. "Glazunovites" were the first to demonstrate the achievements of the owls. quartet suit in Western Europe. listeners; in 1925 and 1929 they toured in many. countries (Germany, France, the Netherlands, Belgium, Denmark, Norway, etc.). In 1921 the State was created. Quartet named after J. B. Villoma (Kyiv), in 1923 - K. im. L. Beethoven (Moscow), named after. Komitas (Armenia), in 1931 - K. named after. Bolshoi Theater of the USSR, in 1945 - K. named after. A.P. Borodina (Moscow) and others. In 1923 in Moscow. conservatory opened a special quartet playing class; future participants of the plurality graduated from it. quartet ensembles (including the Komitas Theater, the A.P. Borodin Theater, the State Quartet of the Georgian SSR, etc.). The development of quartet performance was promoted by the All-Union Quartet Competitions (1925, 1938). Quartet ensembles arose in the republics, in many of which there was no prof before the revolution. music lawsuit In Azerbaijan, Armenia, Georgia, Lithuania, Tatarstan and other republics, highly professional quartet ensembles work under philharmonic societies and radio committees. level. Performing skills inherent in the best owls. K., contributed to the creation of numerous. prod. owls quartet music (A. N. Alexandrov, R. M. Glier, S. F. Tsintsadze, N. Ya. Myaskovsky, V. Ya. Shebalin, M. S. Weinberg, E. K. Golubev, D. D. Shostakovich , S.S. Prokofiev, etc.). Innovation plural. from these products had a great influence on the development of owls. style of quartet performance, characterized by scale and breadth of music. breathing, appealing to the emotional perception of a large conc. audience.

QUARTETS OF FOREIGN COUNTRIES(the names of the first violinists are indicated; the list is given on a chronological basis)

I. Schuppanzig (Vienna, 1794-1816, 1823-30).
P. Baillot (Paris, 1814-42).
J. Böhm (Vienna, 1821-68).
Brothers Müller Sr. (Brunschweig, 1831-55).
L. Jansa (Vienna, 1834-50).
F. David (Leipzig, 1844-65).
J. Helmesberger Sr. (Vienna, 1849-87).
Brothers Müller Jr. (Brunschweig, 1855-73).
J. Armengot (Paris, with E. Lalo, from 1855).
C. Lamoureux (Paris, from 1863).
H. Hermann (Frankfurt, 1865-1904).
J. Becker, so-called Florence Quartet (Florence, 1866-80).
J. Joachim (Berlin, 1869-1907).
A. Rose (Vienna, 1882-1938).
A. Brodsky (Leipzig, 1883-91).
P. Kneisel (New York, 1885-1917).
E. Hubai (Budapest, about 1886).
J. Helmesberger Jr. (Vienna, 1887-1907).
M. Soldat-Röger (Berlin, 1887-89; Vienna, since 1889; women's quartet).
S. Bartsevich (Warsaw, from 1889).
K. Hoffman, so-called. Czech Quartet (Prague, 1892-1933).
L. Capet (Paris, 1894-1921).
S. Thomson (Brussels, 1898-1914).
F. Schörg, so-called Brussels Quartet (Brussels, since the 1890s).
A. Marto (Geneva, 1900-07).
B. Lotski, t. K. im. O. Sevchika (Prague, 1901-31).
A. Betty, so-called. Flonzaley Quartet (Lausanne, 1902-29).
A. Onnu, so-called Pro Arte (Brussels, 1913-40).
O. Zuccarini, so-called. Roman Quartet (Rome, since 1918).
A. Busch (Berlin, 1919-52).
L. Amar (Berlin, 1921-29, with P. Hindemith).
R. Kolisch (Vienna, 1922-39).
A. Levengut (Paris, since 1929).
A. Gertler (Brussels, since 1931).
J. Calvet, so-called. Calvet Quartet (Paris) 1930s, since 1945 with a new composition).
B. Schneiderhan (Vienna, 1938-51).
S. Veg (Budapest, since 1940).
R. Kolisch, t. Pro Arte (New York, since 1942).
J. Parrenen, so-called Parrenen Quartet (Paris, since 1944).
V. Tatrai (Budapest, since 1946).
I. Travnicek, so-called K. im. L. Janacek (Brno, since 1947; since 1972, headed by K. Krafka).
I. Novak, K. im. B. Smetana (Prague, since 1947).
J. Vlah (Prague, since 1950).
R. Barsche (Stuttgart, since 1952, etc.).

QUARTETS OF PRE-REVOLUTIONARY RUSSIA

N. Loginov (St. Petersburg, late 18th century).
F. Tietz (St. Petersburg, 1790s).
F. Boehm (St. Petersburg, 1816-46).
V. N. Verstovsky (Orenburg, 1820-30s).
L. Maurer (St. Petersburg, 1820-40s).
F. David (Dorpat, 1829-35).
F. F. Vadkovsky (Chita, 1830s).
A. F. Lvov (St. Petersburg, 1835-55).
N. Grassi (Moscow, 1840s).
A. Vietan (St. Petersburg, 1845-52).
E. Wellers (Riga, from 1849).
Petersburg Quartet. departments of the Russian Medical Society (I. X. Pikkel, 1859-67, with interruptions; G. Wieniawski, 1860-62; L. S. Auer, 1868-1907).
G. Wieniawski (St. Petersburg, 1862-68).
Moscow Quartet departments of the Russian Medical Society (F. Laub, 1866-75; I. V. Grzhimali, 1876-1906; G. N. Dulov, 1906-09; B. O. Sibor, 1909-1913).
"Russian Quartet" (St. Petersburg, D. A. Panov, 1871 - 75; F. F. Grigorovich, 1875-80; N. V. Galkin, 1880-83).
E. K. Albrecht (St. Petersburg, 1872-87).
Quartet of the Kyiv branch of the Russian Musical Society (O. Shevchik, 1875-92. A. A. Kolakovsky, 1893-1906).
Quartet of the Kharkov branch of the Russian Medical Society (K.K. Gorsky, 1880-1913).
Petersburg Quartet. chamber society (V. G. Walter, 1890-1917).
Quartet of the Odessa branch of the Russian Musical Society (P. P. Pustarnakov, 1887; K. A. Gavrilov, 1892-94; E. Mlynarsky, 1894-98; I. I. Karbulka, 1898-1901, in 1899-1901 simultaneously with A. P Fidelman; A. P. Fidelman, 1902-07; J. Kocian, 1907-10, 1914-15; V. V. Bezekirsky, 1910-13; N. S. Blinder, 1914-16, etc.).
Mecklenburg Quartet (St. Petersburg, B. S. Kamensky, 1896-1908; J. Kocian, 1908-10; K. K. Grigorovich, 1910-18).

SOVIET QUARTETS

K. im. V. I. Lenin (Moscow, L. M. Tseitlin, 1918-20).
K. im. A. Stradivari (Moscow, D. S. Crane, 1919 - 20; A. Ya. Mogilevsky, 1921-22; D. Z. Karpilovsky, 1922-24; A. Knorre, 1924-26; B. M. Simsky, 1926-30).
K. im. A.K. Glazunova (Petrograd - Leningrad, I.A. Lukashevsky, from 1919).
Muzo Narkompros (Moscow, L. M. Tseitlin, 1920-22).
K. im. J. B. Villioma (Kyiv, V. M. Goldfeld, 1920-27; M. G. Simkin, 1927-50).
K. im. L. Beethoven (Moscow, D. M. Tsyganov, from 1923 - Moscow Conservatory Quartet, from 1925 - Moscow Conservatory, from 1931 - L. Beethoven Moscow Conservatory).
K. im. Komitas (Yerevan - Moscow, A.K. Gabrielyan, from 1925; arose as a quartet of students of the Moscow Conservatory, from 1926 - “Quartet of Promoters”, from 1932 - K. Komitas).
State BSSR Quartet (Minsk, A. Bessmertny, 1924-37).
K. im. R. M. Gliere (Moscow, Ya. B. Targonsky, 1924-25; S. I. Kalinovsky, 1927-49).
K. Muz. Moscow Art Theater studio (Moscow, D. Z. Karpilovsky, 1924-1925).
K. im. N. D. Leontovich (Kharkov, S. K. Bruzhanitsky, 1925-1930; V. L. Lazarev, 1930-35; A. A. Leshchinsky, 1952-69 - K. teachers of the Institute of History). K. All-Ukrainian about-va revolutionary. musicians (Kyiv, M. A. Wolf-Israel, 1926-32).
Cargo. quartet (Tbilisi, L. Shiukashvili, 1928-44; from 1930 - State Quartet of Georgia).
K. im. L. S. Auer (Leningrad, I. A. Lesman, 1929-34; M. B. Reison, 1934; V. I. Sher, 1934-38).
V. R. Vilshau (Tbilisi, 1929-32), later - K. im. M. M. Ippolitova-Ivanova.
K. im. Big T-ra USSR (Moscow, I. A. Zhuk, 1931-68).
K. im. A. A. Spendiarova (Yerevan, G. K. Bogdanyan, 1932-55).
K. im. N. A. Rimsky-Korsakov (Arkhangelsk, P. Alekseev, 1932-42, 1944-51; V. M. Pello, since 1952; from this year under the jurisdiction of the Leningrad Region Philharmonic).
K. im. Potash plant in Solikamsk (E. Khazin, 1934-36).
K. Union of Owls. composers (Moscow, Ya. B. Targonsky, 1934-1939; B. M. Simsky, 1944-56; in the new composition).
K. im. P. I. Tchaikovsky (Kyiv, I. Liber, 1935; M. A. Garlitsky, 1938-41).
State Georgian Quartet (Tbilisi, B. Chiaureli, 1941; from 1945 - Georgian Philharmonic Quartet, from 1946 - State Quartet of Georgia).
Uzbek Quartet Philharmonic (Tashkent, H. E. Pover, since 1944 under the Radio Information Committee, since 1953 under the Uzbek Philharmonic).
Est. quartet (Tallinn, V. Alumäe, 1944-59).
K. Latv. radio (Riga, T. Wayne, 1945-47; I. Dolmanis, since 1947).
K. im. A. P. Borodin (Moscow, R. D. Dubinsky, since 1945).
State Quartet Litov. SSR (Vilnius, J. B. Targonsky, 1946-47; E. Paulauskas, since 1947).
K. im. S. I. Taneyev (Leningrad, V. Yu. Ovcharek, from 1946; from 1950 - Leningrad Philharmonic Quartet, from 1963 - K. named after S. I. Taneyev).
K. im. N. V. Lysenko (Kyiv, A. N. Kravchuk, since 1951).
Azerbaijan state quartet (Baku, A. Aliyev, since 1951).
K. Kharkov Conservatory (A.A. Leshchinsky, since 1952), now the Institute of Art.
K. im. S. S. Prokofiev (Moscow, E. L. Brakker, since 1957, since 1958 - quartet of graduate students of the Moscow Conservatory, since 1962 - S. S. Prokofiev Moscow State University, P. N. Guberman, since 1966).
K. Union of Composers of the BSSR (Minsk, Yu. Gershovich, since 1963).
K. im. M. I. Glinka (Moscow, A. Ya. Arenkov, since 1968; previously - K. CK USSR).