Theater box office of the theater of satire. Playbill. Cost and how to buy tickets to the Satire Theater
Moscow academic theater Satire is located on Triumphal Square. In addition to the Main Stage, the theater also has a cozy Attic of Satire, which is loved by audiences for its special intimate atmosphere and excellent visibility from any seat.
Tickets to the Satire Theater will delight both adults and children, and this site is also adapted for people with disabilities.
The artistic director of the theater is Alexander Shirvindt.
Popular repertoire of the Satire Theater
There is no arguing about tastes, especially not about humorous preferences. But the repertoire of the Theater of Satire will appeal even to those who are not used to laughing at anything, and even have very high demands on comedies.
Many of the productions announced by the Satire Theater posters have already won the ardent love of the audience, and everyone who has seen them recommends their friends to buy tickets to the Satire Theater to watch, for example, the play “Too Married Taxi Driver” or “The Taming of the Shrew.” " As you can see, theater turns to creativity modern authors, and classics, choosing the best to show to their beloved audience.
Well, little viewers will probably be crazy about “The Kid and Carlson Who Lives on the Roof” - famous fairy tale Astrid Lindgren was staged at the Satire Theater back in 1968 and still does not leave the stage, so more than one generation of boys and girls has grown up with it.
They say that laughter prolongs life. This means that going to the Satire Theater can be considered not only a cultural pastime, but also a pleasant medical procedure.
Cost and how to buy tickets to the Satire Theater
The most modern and rational way to buy tickets to the Satire Theater is to do it online. This clearly saves the time you would have spent traveling to the box office. But the official website of the Satire Theater is often unable to help you make a purchase, since tickets may simply run out. We invite you to use the services of our website. It is very simple, convenient and profitable: an attractive price, a guaranteed refund in case of cancellation of the performance and free delivery of tickets throughout Moscow during the same day.
Story
The Satire Theater opened in 1924 in the basement of house number 10 on Gnezdnikovsky Lane. The birth of the new theater was marked by the performance of the review play “Moscow from a Point of View,” which determined its future for a long time. For a long time, the theater “specialized” in such reviews that brought it its first fame.
Later they were replaced by comedies and vaudevilles, in which they participated best actors that time.
The theater moved to its current building on Triumfalnaya Square in the 70s, and this building probably still remembers how spectators literally broke down the doors, trying to get into the hall for a performance with the participation of young Papanov. Along with him, many other stars performed on this stage. Soviet theater, whose participation guaranteed the performance a wild success. Many of these artists are no longer in the world, but the audience continues to sincerely love the Theater of Satire, and it reciprocates them completely.
Among large quantity theaters in the capital, one cannot help but highlight the Moscow Academic Theater of Satire. The attendance of such an establishment is very high. Every day there are performances that draw full houses.
Why is it so popular?
The Satire Theater is one of the oldest in Moscow. It began to exist in 1924. Initially it was located in Gnezdilovsky Lane, in the basement. Naturally, the first works did not create a stir, but still attracted the interest of part of the public. At that time, the performances were not the same as we see them now. They were staged not on the basis of plays, but on the basis of politics and everyday life. This approach was unusual, completely new on the theater stage and interesting to the viewer. But the first comedy performances began to appear in the repertoire only in the early 30s, when the artistic director and the theater changed its place of promise. The performances were based on everyday stories, irony and a tendency towards aphorism predominated in them. Here they began to stage works based on the works of Kataev, Saltykov-Shchedrin, and Moliere. At the same time, outstanding artists worked in the troupe. It was here that Anatoly Papanov and Andrei Mironov worked. Spectators went to the theater not to see performances, but “to see the actors.”
The Satire Theater has a very colorful history. He was the one who held the record for prohibitions. Performances were staged here, which were soon banned. Among them were the productions “ Plum", "Ivan Vasilievich". The bans only fueled interest in the theater, and it became the most popular in the capital.
During its existence, the Satire Theater changed its location many times. The last move was carried out in the 70s of the last century. It was moved to Triumphal Square, where it remains to this day. Today it is headed by a talented and famous theater figure - Alexander Anatolyevich Shirvindt. He has been a successful artistic director since 2000.
On this moment, the Satire Theater is well equipped, according to last word technology. Auditorium quite roomy. A maximum of 1,217 spectators may attend the performance. In addition, the room is comfortable, convenient and the view is excellent. By buying tickets to performances, spectators come here to relax and have fun. All performances are exciting, interesting and relevant to the present time. Here the viewer follows stories that can happen to any person in our time.
The Moscow Theater of Satire (since 1984 - academic) opened in 1924 with the play "Moscow from the Point of View" by V. Tipot and N. Erdman - a humorous review of modern life and morals (directed by D. Gutman, who headed the theater in 1926-29 .). Shows of this type, close to the stage, occupied a significant place in the group’s repertoire in the 1920s and early 1930s.
Since the early 1930s. the basis of the repertoire was domestic comedy. In 1933-41 and 1943-48 the theater was directed by N. Gorchakov. Significant performances of the 1930s and 40s. distinguished by aptly captured genre observations, responses to the topic of the day: “Someone else’s child”, “ Ordinary girl" And " Last Judgment"V. Shkvarkina, "Day of Rest" by V. Kataev, "Wedding with a Dowry" by N. Dyakonov. Classical dramaturgy was also staged: "Monsieur de Poursonnac" by Moliere, "The Servant of Two Masters" by C. Goldoni, "The Marriage of Belugin" by A. Ostrovsky , "The Comedy of Errors" by Shakespeare. In 1948-53, the theater was headed by N. Petrov. Performances based on V. Mayakovsky's plays "Bathhouse" and "The Bedbug" became milestones for the theater.
In 1957 - 2000 the theater was directed by V. Pluchek. His productions "Was there Ivan Ivanovich?" N. Hikmeta, “Terkin in the Other World” according to N. Tvardovsky, “Profitable Place” (dir. M. Zakharov, 1967) became significant events in artistic and public life, determined the journalistic orientation of the art of theater, the bright, entertaining performances. The theater turned to philosophy tragic satire, created a series of performances that incorporate a wide variety of genre elements - from tragedy to farce: “Don Juan, or the Love of Geometry” by M. Frisch, “Crazy Day, or The Marriage of Figaro” by Beaumarchais, “The Inspector General” by Gogol, “Woe from Wit” " A. Griboyedov, "Running" by M. Bulgakov, "The Threepenny Opera" by B. Brecht, " Ideal husband"O. Wilde, "The Taming of the Shrew" by Shakespeare, "The battlefield after victory belongs to the marauders" by E. Radzinsky, "Secretaries" by Yu. Vasiliev, etc.
Since the 1960s. The level of the theater's stage culture was largely determined by the work of V. Leventhal, who designed most of the program performances. Actors are characterized by a combination of authenticity in life with bright, sharp theatrical techniques, musicality, emphasized, often grotesquely heightened expressiveness of plasticity.
IN different years the theater troupe included: V. Lepko, V. Khenkin, T. Peltzer, V. Tokarskaya, G. Tusuzov, I. Lyubeznov, E. Vesnik, T. Vasilyeva, A. Papanov, A. Mironov, Z. Vysokovsky, V .Vasilieva, N.Kornienko, G.Menglet, N.Arkhipova, L.Sukharevskaya, B.Tenin, V.Kozel, M.Derzhavin, A.Shirvindt, O.Aroseva, S.Mishulin, Y.Vasiliev, T.Egorova , N. Selezneva, V. Sharykina, Z. Zelinskaya and others.
Since 2000, artistic director - A. Shirvindt
Current repertoire:
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