Molchalin hero of the comedy grief from wit. Woe from wit, characterization of the image of Alexey Molchalin. Quotation characteristics of Molchalin

But how is Famusov's “rootless” secretary, Molchalin, accepted in this world? In his person, Griboyedov created an exceptionally expressive generalized image of a scoundrel and a cynic, a "low-worshiper and a businessman", as yet a petty scoundrel, who, however, will be able to reach the "degrees of the known."

Creating the character of Molchalin, Griboyedov showed the corrupting influence of serf-bureaucratic morality on the development and behavior of a person dependent on the "Famus" society. Molchalin has become a household name for vulgarity and servility. Characteristic features of Molchalin: striving for a career, the ability to serve, hypocrisy, reticence, fear of expressing their judgments. He sincerely wonders how in small ranks "you can dare to have your own judgment." While committing a vile act, he does not even understand that it is vile. Molchalin became a symbol of slave silence. On the example of Molchalin, one can trace the desire of the Famus society for personal gain. He is the embodiment of servility, hypocrisy, meanness. He lives according to the principles of his father, who bequeathed to him:

First, to please all people without exception -

The owner, where he happens to live,

To the chief with whom I will serve,

To his servant who cleans dresses,

Swiss, janitor, to avoid evil,

To the janitor's dog, to be affectionate.

He flatters and pleases at every opportunity everyone who may ever be of use to him. The instinct of the "servant" tells Molchalin exactly which line of behavior to choose with this or that person. With Famusov, he is extremely careful, communicating with the old woman Khlestova, takes the initiative: he composes a party for her and strokes her pug. Only for the sake of profit, Molchalin pretends to be in love with Sophia, because she is the daughter of his boss, and her location can be very useful.

He appears in front of the viewer at the very beginning of the play, when Famusov catches them in the living room. For fear of being caught in a love relationship with Sophia, he does not dare to open his mouth. One Sophia speaks and invents various fables to divert her father's attention from Molchalin. And he, as "took water in his mouth," can only say:

With papers, sir.

I only carried them for the report,

That cannot be used without certificates, without others,

There are contradictions, and much is not practical.

But his tone and behavior changes dramatically, as soon as he is left alone with the maid Lisa. Here he blooms at the moment, jumps in front of her, tries to hug, seduces with gifts, confesses his love and, most importantly, he is with her as he really is, because Lisa seems to him to be his equal, his person. With her, he is frank in his thoughts and meanness, in front of her he reveals his "game", because he perceives it as his own. Therefore, to Liza's question whether he loves a young lady, he honestly answers that "according to his position" ...

And Chatsky, meanwhile, is trying to understand what brought Sophia to Molchalin, "with what kind of fortune-telling this helpful man, who was" always on tiptoe and not rich in words, could get into her heart ". Chatsky's noble mind cannot come to terms with Sophia's attachment to Molchalin. He cannot understand how one can love nothing, and in the approaching twilight before the ball he asks Sophia and tries to rediscover Molchalin for himself. He feels the gap between his feelings and concepts and the rapprochement taking place before his eyes. He feels on the brink of disaster:

But is he worth you? here's one question for you.

So that I can bear the loss more indifferently ...

Let me be sure: then

From madness I can beware;

Don't think about love ...

Wanting to reason with Chatsky, Sophia lists such virtues of Molchalin that will make Chatsky say: "Naughty, she doesn't love him." And in fact, how can Chatsky count in virtues that Molchalin will "disarm" Famusov by silence, "he will not step beyond the threshold from the old people ... he will sit down with them all day, glad not happy, playing ...". And at the end of the conversation, Sophia's love for Molchalin remains a "mystery" for Chatsky.

And in the evening, under the pressure of Chatsky's questions, Molchalin got into a conversation, got into conversation so much that he discovered his principles of life, among which in the first place "moderation and accuracy", and further: "after all, one must depend on others":

Tatyana Yuryevna!!!

Known - moreover

Officials and officials -

All her friends and all her relatives;

... often there

We find patronage where we do not mark.

Well, really, what would you like to serve with us in Moscow?

And take awards and have fun?

Here is Foma Fomich himself, is he familiar to you?

There was a division chief under three ministers.

Translated here ...

... his syllable is used here as a model!

I dare not utter my judgment.

You shouldn't dare in my years

Have your own judgment.

After all, one must be dependent on others.

Chatsky wonders: "Why is it necessary?" To which Molchalin can only answer: "We are small in ranks." In this conversation, Molchalin takes the sad irony of Chatsky for the annoyance of a loser and begins to reveal to him the "ways of salvation." Chatsky is irritated by this condescending tone of him, he becomes harsh and opposes the humility of Molchalin, the most convenient form of advancement to "honors and nobility" in lordly Moscow, his program of independence, freedom and sincerity: "Why are other people's opinions only holy?" not a reader "," When in business - I hide from the fun, when fooling around - fooling around. " After this conversation, it becomes clear to Chatsky who is in front of him, and he exclaims with a grin:

With such feelings, with such a soul

Love! .. The deceiver laughed at me!

In fact, he opposes Molchalin, relying on that sense of his own human dignity, which was then immeasurably less developed in the commoners than in those who had a six-hundred-year-old nobility behind them. Molchalin, on the other hand, is all aimed at covering up his rootlessness with a career as soon as possible, and forgetting about this rootlessness himself. And it is not for his inferiority that Chatsky does not completely despise him. The human norm, as it was revealed to the enlightened consciousness, really turned out to be realized to a much greater extent in Chatsky than in Molchalin.

In the third act, at a reception in Famusov's drawing-room, Chatsky tries for the last time to open Sophia's eyes to the image of Molchalin. Now, after talking with him, he knows how different the true face of Molchalin is from the hero of Sophia's dreams. And Chatsky is trying to tell her about it:

Molchalin! - Who else will settle everything so peacefully!

There the pug will stroke it in time!

Here at the time of the card will rub!

Zagoretsky will not die in it!

But no words can open the eyes of the dreamer, because she is a child of the society where she lives. And only in the fourth act, Sophia realizes, having gone through shame, how she was mistaken in Molchalin. In the "scene on the stairs" Sophia and Chatsky give a moral assessment to this character. “Don't screw up, stand up,” he hears from Sophia. "Scoundrel!" - exclaims Chatsky, who, like her, became a witness to the secretary's confession to the servant Liza. At the time when the comedy was being created, the word "meanness" still retained the shade of its original meaning. For a long time in Russia, people who were near the master were called "vile" (serfs were also referred to as "vile" class). In the 19th century, the word "scoundrel" was already offensive and meant a person's dishonesty and his willingness to endure humiliation. All shades of this word are suitable for Molchalin. He is dishonorable, capable of humiliating himself, but the main thing is that he is always near someone.

After the scene in the entryway, Molchalin cannot remain the same Molchalin. The mask was pulled off, he was recognized, and he, like a caught thief, must hide in a corner.

The playwright allows for some grotesqueness in the depiction of individual characters in order to set off the prevailing character traits, but this does not make the images simplistic, straightforward, but gives them a great artistry. All of them are inextricably linked with the social environment and generated by it. Therefore, no matter how low and insignificant Molchalin is, he evokes not only disgust, but also sympathy: the hero inherited his father's philosophy of life and purposefully follows it. Molchalin revolves among the Moscow nobility, hears Famusov's rantings, calling for groveling in front of the powerful. This strengthens his faith in the correctness of the inherited system of life values.

Griboyedov, in his comedy Woe from Wit, created many characteristic characters. These images remain relevant today. One of these heroes is Molchalin. He is the brightest representative of the people who live in our time. Let's take a closer look at his character.

Molchalin is a poor young man from Tver, whom Famusov took into his service and gave the rank of collegiate assessor.

We can assume that Molchalin is a rootless person, probably from a bourgeois family. Famusov says this about him: "I warmed Bezrodny and brought him into my family."

I believe that Molchalin can be described as a cowardly and mean person. The most noticeable trait of his character is his silence - which is immediately evident from his last name. ("He is silent when he is scolded", "Not a word of freedom, and so the whole night goes by") He never expresses his own opinion, in communication he prefers short, fragmentary phrases. “In my years I should not dare to have my own judgment,” says Molchalin. He seems to be afraid not to please his interlocutor with his remark. Molchalin lives according to the principle bequeathed to him by his father: "to please all people without exception." His servility goes beyond the bounds of morality. We see a sharp contrast to this way of communication in the dialogue between Molchalin and Liza. He takes her for "his", so he is not afraid to openly express his opinion, to say what he thinks. To her, he talks about his frivolous intentions in relations with Sophia, claims that he loves her only "according to her position." He admits that he is using Sophia to his advantage. This describes him as a vicious, cowardly person who, trying to break out into people, makes his way through silent lies and servility. We learn about most of Molchalin's qualities from the remarks of other heroes. First, Sophia describes him as a wonderful mental organization of a person: "Molchalin is ready to forget himself for others", "The enemy of insolence is always shy, timid ...". From her words, you can clearly see how she loves him. Chatsky, on the other hand, treats Molchalin with the deepest contempt. He openly doubts his ability and does not believe that he can achieve anything. Chatsky considers Molchalin a fool, a “pitiful creature,” incapable of any deliberate action. But after that, Chatsky realizes that this is just a mask of Molchalin, that in fact he is a cunning and unprincipled person who knows how to achieve his goals. Chatsky says that Molchalin "will reach the degrees of the known, because nowadays they love the dumb." Molchalin also treats other characters of the comedy differently. With people above him in rank, he is helpful, does not dare say an extra word. With Chatsky, he allows himself not only to express his opinion, but also to give him advice. After all, Chatsky is not only the same age as Molchalin, but also has no ranks. Therefore, Molchalin sees no reason for his usual servility in the presence of Chatsky. The attitude of other heroes to Molchalin and his attitude towards them characterizes him as an immoral person who sees in others only ranks and titles, not taking into account the human soul.

Thus, Griboyedov created a negative, but interesting image for study in his comedy. Such silent liars also exist in modern society. And it is the duty of every person to eradicate in himself all those qualities that are in him, to develop in himself everything that is good, bright, and not base and false. Everyone should try not to be Molchalin.

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In Griboyedov's comedy Woe from Wit, the main opposing array of events falls on the characters of Chatsky and Famusov. The rest of the characters help to reveal the true state of affairs and the depth of the conflict.

Origin and occupation

One of these characters, with the help of which the tragedy of what is happening is enhanced, is the image of Alexei Stepanovich Molchalin.

We suggest that you familiarize yourself with the characteristic of Famusov

Molchalin does not belong to the aristocracy - he is a man of ignoble origin, but thanks to his service, he has access to high society.

Alexei Stepanovich has not yet managed to rise to significant heights - so far he only holds the position of Famusov's secretary, but he gives hope for early career advancement, which causes Famusov's special love.

Pavel Afanasevich allocated a room in his house for Molchalin, although it is difficult to call it a full-fledged room: it is most likely a small closet, but Molchalin, deprived of fate, is quite pleased with this.

Alexey Stepanovich has been working as the personal secretary of Famusov for the third year already, however, he was registered in a completely different position - based on official data, Molchalin works in the archive department, but in practice this is fictitious, he is only listed there. However, not without benefit for himself - during this service, he received three awards.

Of course, this was the exceptional work of Famusov. This position is also beneficial to Famusov and allowed him to get out of a difficult situation - he provided himself with a good secretary and, moreover, he had to pay not from his own pocket.

The text mentions the rootlessness of Molchalin, but there is no exact explanation. Based on this, several assumptions can be made regarding the essence of such a statement. The first is that Molchalin is a man of simple origin, the second is that he is an orphan, that is, a man of no kind.

The writer portrays Alexei Stepanovich Molchalin as an adult man. At the same time, Molchalin rejects even the possibility of his infantilism. Famusov, for whom the hero serves, takes advantage of Alexei's position. Officially, the hero works in the Archives, because Famusov agreed so. However, this is a simple formality for obtaining ranks. Molchalin's real place of work is Famusov's house. The latter provides his employee with food, drink, shelter, career advancement. Molchalin, apparently, knows how to please Famusov.

Before working with Famusov, in Moscow, the hero lived in Tver. Molchalin, of course, is not a rich man at all. The simplicity of the hero's origin makes one assume that Molchalin is a tradesman. According to the "Table of Ranks", the hero holds the rank of collegiate assessor. This rank gives the right to nobility, which is what Molchalin achieves. The man even manages to receive awards, in which his master probably helped Molchalin.

The symbolism of the surname

The image of Molchalin bears the traits of symbolism. This is primarily due to his last name. It is based on the verb "to be silent". Indeed, this word is an accurate reflection of the essence of Molchalin. He is a silent and faceless servant of Famusov. Even his steps are devoid of any sound. It seems that he wants to be as unnoticed, quiet as possible.

From time to time, Aleksey Stepanovich moves on tiptoe so as not to disturb the household. This behavior of his is one of the ways to achieve his life goal.

The purpose of life

While most aristocrats are devoid of purpose in life and lazily live their lives without filling it with any meaning, Molchalin's life has a pronounced character. His goal is to take place and achieve significant achievements in life. Achievements in the eyes of Molchalin are in no way associated with improving the lives of ordinary, ignoble people or contributing to the development of the morality of the aristocracy. The highest goal of Alexey Stepanovich is to become a full-fledged representative of high society.

Molchalin is ready to die for the next promotion, so he serves Famusov with all his might - it is Pavel Afanasyevich who can help him achieve this goal. And Molchalin has already overcome the first step on this steep staircase - thanks to his ability to suck up and please Famusov, he was given the rank of collegiate assessor. Thus, Alexey Stepanovich from a commoner turned into a beggar nobleman. Molchalin found a special charm in the fact that his rank tended to be inherited.

Molchalin and Sophia Famusova

You can improve your position in society even more through a profitable marriage. For this, girls needed to have a charming figure and no less charming face. In the case of the male half of society, it was enough to have a helpful character. It is the ability to serve well that becomes the criterion for benevolence. Despite his low origin and financial insolvency, in the eyes of Famusov, Alexey Stepanovich looks like a more attractive son-in-law than the noble aristocrat Chatsky. The fact is that Pavel Afanasyevich believes that such an estate and diligence that Molchalin possesses can compensate for his origin and achieve a favorable position in society. In order to achieve a final advantage over other young people, Molchalin only needs to accumulate significant capital or start attacking Famusov from a different front - if Sonya falls in love with Alexei Stepanovich, then she will be able to convince her father to make a decision in his favor.

Alexey Stepanovich accelerates this process by starting to show interest in Famusov's daughter Sophia.

Relationships between young people are in the best traditions of platonic love - Molchalin does not allow anything superfluous in relation to the girl.

Thus, he demonstrates his respectful attitude towards Sophia and the seriousness of his intentions. In addition, such behavior contributes to the achievement of his goal with marriage - Molchalin does not need to possess Sonya, he needs to become her spouse, so debauchery for him is an unacceptable business.

We offer to compare the monologues of Chatsky and Famusov in the comedy A. Griboyedov "Woe from Wit".

In communicating with Sophia, Alexey Stepanovich adheres to the same principle as with her father - he pleases her all the time. Naturally, Molchalin's behavior differs sharply from the behavior of other aristocrats in relation to her. Young people of noble birth are not ready to grovel in front of Sonya as Molchalin does, therefore they do not arouse such interest in her.

To some extent, Famusova's attachment to Molchalin was caused by the lack of proper candidates - after the Chatsky district, the girl chooses the least evil from the remaining. At the time of the emergence of affection and the beginning of communication, Sonya did not feel enthusiasm and love attraction to Molchalin, her act could be regarded as revenge on Chatsky, but as a result of the desired effect, such an act did not bring, Sonya eventually got used to the oddities of Molchalin and began to perceive them as ordinary things ... In the person of Molchalin, Sonya found a wonderful "living toy", he not only treats her with deification (which, as it turned out, was feigned), but is also ready to fulfill any of her desires.

Chatsky and Molchalin

The conflict between Chatsky and Molchalin was a priori predetermined - an honest and noble aristocrat cannot understand and accept the position of Famusov and his society, Alexey Stepanovich, who not only depends on Famusov, but also seeks to become like them, could become an excellent opponent to Chatsky , if I had more persistence and individuality, however, since Alexey Stepanovich is used to being a silent observer and never betraying his attitude to certain situations, then there is no heated discussion between the characters.

In addition, the shrewd Chatsky notices the strange attitude of Alexei Stepanovich towards Sonya Famusova. Over time, he reveals Molchalin's true attitude to the girl and his ghostly love. Chatsky is struck by Molchalin's double standards - on the one hand, he is ready to flatter immensely, but, on the other hand, he does not immediately neglect to publicize his disdain and even disgust for those whom he idolized a couple of minutes ago.

Attempts to open the eyes of others to the erroneousness of their opinions do not lead to anything good - others are flattering to perceive their superiority than to realize that all the respect towards them was a farce.

Molchalin and Lisa

No matter how duplicitous Molchalin may be, sometimes he reveals his true feelings and intentions. This state of affairs is not exposed in discussions or small talk (since he tries not to take part in them in advance).

So, for example, Alexei Stepanovich has a feeling of affection and love in relation to the servant in the house of Famusov - Liza. The hero of the story is faced with a choice - to the end to play his role as Sonya's beloved, or to confess his feelings to Lisa.

Unfortunately, as a dishonest person, Molchalin is not limited to this state of affairs and takes care of two girls at once.

Thus, Alexey Stepanovich Molchalin is a classic version of a character playing a double game. This trend continues in the case of Molchalin in all types of activities. He is hypocritical in relation to Famusov, plays with the feelings of Sonya.

For Alexei Stepanovich, a meek and silent servility is characteristic. For the sake of moving up the social ladder, he is ready to go even to the most immoral acts. The image of Molchalin has become a household name and is used in relation to a dishonest, hypocritical person.

Molchalin's character

The hero makes a double impression. On the one hand, Molchalin pleases everyone (in this man is a real master), he is shy, helpful, timid, calm, timid, modest, quiet, “wordless”. He is characterized by accuracy, moderation, lack of criticism of others. For this they love him, perhaps. But on the other hand, the hero is also characterized by duplicity and hypocrisy. Molchalin is considered a well-mannered and polite person, the hero evokes sympathy from others. Society does not see the true nature of the hero. On the contrary, in Molchalin they see a selfless person who is ready to forget about his own interests for the sake of others.

However, Molchalin pleases and is silent for the sake of self-interest, for the sake of achieving his goal. Such a parting word was given to the hero by his father. The behavior of the hero depends on the circumstances. For example, with the daughter of Famusov, a man behaves emphatically politely and modestly. But Molchalin does not really love Sophia. The hero is in love with Lisa. However, there is no reason to behave decently with a simple girl. The true face of Molchalin is seen, perhaps, only by Chatsky, who considers the assessor to be a stupid, cowardly and pitiful person. However, Vyazemsky, on the contrary, emphasizes the prudence of the hero, a rational approach to life. Molchalin's soul is cold and callous. The servant Liza also speaks about this later.

In the comedy "Woe from Wit" A.S. Griboyedov presents the images of the Moscow nobility of the early 19th century, when a split was outlined in society between the conservative nobility and those who accepted the ideas of Decembrism. The main theme of the work is the confrontation between the "present century" and the "past century", the painful and historically natural replacement of old noble ideals with new ones. The supporters of the "bygone century" in comedy are numerous. These are not only such weighty and influential people in the world as the feudal landlords Famusov and Colonel Skalozub, but also young nobles who do not have high ranks and are forced to "serve" influential people. This is the image of Molchalin in the comedy "Woe from Wit".

Molchalin is a poor nobleman from Tver. He lives in the house of Famusov, who "gave him the rank of assessor and took him as secretary." Molchalin is the secret lover of Famusov's daughter, but Sophia's father does not want to see him in his sons-in-law, because in Moscow it is necessary to have a son-in-law "with stars and ranks." Molchalin does not yet meet these standards. However, his desire to "serve" is very valuable for the Famus society.

Thanks to this skill, Molchalin received the post of Famusov's secretary, because usually such places are taken only under patronage. Famusov says: “In my presence, foreign employees are very rare: more and more sisters, sister-in-law, children; only Molchalin is not my own, and that is because he is a business man. " It is business qualities, and not honor and dignity, that are valuable in the Famusian environment.

In the play Woe from Wit, the image of Molchalin fully corresponds to the accepted standards of behavior of a young nobleman in society. He curses and humiliates himself in front of influential guests in Famusov's house, because they can be useful in his promotion. Molchalin sinks to the point that he begins to praise the smooth fur of Khlestova's dog. He believes that while "we are small in ranks", "we must depend on others." That is why Molchalin lives according to the principle "In my years you should not dare to have your own judgment."

Like everyone else in Famus society, in the comedy Woe From Wit, Molchalin is proud of his successes in the service and boasts of them at every opportunity: “As I worked and worked, since I was listed in the archives, I received three awards.” Molchalin also succeeded in establishing contacts with the "necessary" people. He often visits Princess Tatyana Yuryevna, because “officials and officials are all her friends and all relatives,” and even dares to recommend such a demeanor to Chatsky.

Despite the fact that the views and values ​​of Molchalin fully coincide with the ideals of the conservative nobility, Molchalin is capable of causing serious harm to the society in which he is located. Famusov's daughter will be deceived by this particular person, since he assumes the appearance of her lover "according to his position", that is, out of profit.

Molchalin fully opens his face when interacting with the servant Lisa, who expresses sympathy. “You and the young lady are modest, but the maid is a rake,” she tells him. It becomes clear to the reader that Molchalin is not at all a stupid modest man - he is a two-faced and dangerous person.

In the heart of Molchalin there is neither love nor respect for Sophia. On the one hand, he puts on this performance "for the sake of the daughter of such a person," and on the other, he is mortally afraid that his secret connection with Sophia will be revealed. Molchalin is very cowardly. He is afraid to spoil the opinion of himself in society, because "evil tongues are worse than a gun." Even Sophia is ready to go against the light for the sake of love: "What is the rumor to me ?!" This is probably why Molchalin does not find "anything enviable" in his marriage to Sophia.

It turns out that with his meanness, Molchalin causes harm even to the society of which he is a product. Molchalin just clearly follows the advice of his father - "to please all people without exception - to the owner where he will live, the boss, with whom I will serve ..."

This hero is fully consistent with the ideals of the "past century", although he belongs to the younger generation of nobles. He knows the main thing - to adapt, and therefore "The silencers are blissful in the world."
Thus, Molchalin is a product and a worthy continuation of the representatives of the conservative nobility. He, like this society, values ​​only ranks and money and evaluates people only by these standards. The cunning and duplicity of this hero are the defining features in the characterization of Molchalin in the comedy Woe from Wit. Therefore, Chatsky claims that Molchalin "will reach the degrees of the known, because nowadays they love the dumb."

The problem raised by Griboyedov in the comedy "Woe from Wit" remains relevant to this day. At all times, there were Molchalins who did not stop at anything to achieve their goals. The image of Molchalin will remain alive for readers as long as values ​​such as wealth and position in society are at the forefront, rather than honor, conscience, human dignity and true patriotism.

Characteristics of the hero, reasoning about his views and ideals, describing relationships with other characters - all these arguments will help 9 grade students when writing an essay on the image of Molchalin in the comedy "Woe from Wit"

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The work "Woe from Wit" by A.S. Griboyedova belongs to the genre of comedy, the events took place at the beginning of the 19th century, in which the author showed the images of the Moscow nobles. For the main theme of the work, one can single out the confrontation between the present century and the past, the difficult change of old ideals for new ones. On the side of the last century there were a significant number of people in comedy, one of them was a young nobleman who did not yet have any ranks of Molchalin. His job was to serve influential people.

Molchalin himself was a poor nobleman, born in Tver. In the comedy, he lived in Famusov's house, who, in turn, took Molchalin as secretary. Molchalin falls in love with Famusov's daughter and secretly meets with her. Famusov opposes such a relationship, because he believes that his daughter needs an influential husband with ranks. Although Molchalin does not meet these requirements, he has another quality that was appreciated by the inhabitants of the Famus house. He did his best to serve in every possible way, and this attracted attention. That is why he managed to get to the post of secretary, where business qualities are important, not honor.

In the work "Woe from Wit", the image of the protagonist can be called the standard behavior of a young nobleman in the environment. We see how he tries to serve, and if necessary, even humiliate himself in front of the influential guests of the Famusov house, all this is done with the expectation that they can be useful in life and further service. Molchalin even took it for granted to praise Khlestova's dog's coat. To describe the hero, a quote is suitable, which says that while "we are small in ranks", "we must depend on others." He believes that while you're young, you don't have to have an opinion.

The Famus society was famous for the boasting trait, at every opportunity it was common to praise new successes, so was Molchalin. He was a frequent visitor to Princess Tatiana Yurievna. Although in character and behavior, Molchalin was the same as everyone in society, although he agreed with everyone and supported ideas, this did not stop him from being mean. For example, his love for Sophia was only a fiction and he went for it for his own benefit. In fact, he sincerely opens up when communicating with the maid Lisa, whom he liked. And then another character is revealed to the reader, you see that there is duplicity in him, which means that such a person is dangerous.

In his soul and heart there is not a drop of respect and warmth for Sophia. He takes a very risk when he begins to secretly see Famusov's daughter, because he was constantly in a state of fear that they would be noticed. This is the expression of cowardice. For Molchalin, an important role was played by the moment that he was worried about the opinion of others, and he was also afraid that others would think of him. This vileness and deceit are destroying him, because he begins to harm those with whom he has been surrounded for a long time. He remembered the words of his father, which read to please everyone without exception, which Molchalin followed. Based on this, we can draw a conclusion about the attitude of the hero to the description of the ideal of the past century, despite the fact that he is still young.

The author showed Molchalin as a worthy continuation and example of conservative nobles. Such a society is characterized by the fact that rank and money are in the first place for them, these two categories allow them to evaluate the rest. As already mentioned, Molchalin was cunning and two-faced, these are the two main qualities that describe the hero.

Griboyedov touched on a problem in comedy that is still relevant today. After all, there are many cases when there were people who did not see anything on their way and were ready to go through everything, for the sake of their goals. This topic will be relevant as long as there are people among us with the same values ​​as those of Molchalin and his society.

Essay on the theme of Molchalin

The comedy "Woe from Wit", written by Alexander Sergeevich Griboyedov in the period from 1822 to 1824, tells about the secular society and the life of those times. One of the central characters of the work is Alexei Stepanovich Molchalin, a man from the common people, striving for career growth.

Molchalin seems to be a decent young man who is distinguished by his kindness and modesty. But in fact, all these qualities are just a mask that the hero uses to achieve his goals. His dreams are career, high rank and wealth. Respect among high society is the limit of its happiness. There are many different ways to achieve these goals. But Molchalin chooses the fastest and most negative one. He takes steps towards his dream through flattery, hypocrisy and duplicity. He does it so subtly and imperceptibly that many may envy.

The hero worked as a secretary for Famusov, a wealthy and respected man. He did all the work conscientiously, spoke kindly and carefully, which is why Famusov liked him. With the daughter of his master, Sophia, he treated even better and even dared to play a young man in love. Naturally, he does not feel any high feelings towards the girl. On the contrary, he despises her and builds relationships solely for his own benefit. Once guilty before the girl, he throws himself at her feet. The reason for this was far from remorse, but the fear of losing the trust of his master Famusov. Another person who was lucky enough to hear a lie from Molchalin was Khlestova. He kindly played cards with her and complimented her dog. In fact, people are very pleased with such behavior towards them. Molchalin showed hypocrisy and helpfulness in relation to everyone living in the house: from servants to bosses. This was the hero's plan, which he strictly adhered to.

Thus, Molchalin in Griboyedov's comedy is a negative character. The reader cannot see any positive features of the hero, but sees exclusively hypocrisy and a desire to achieve a dubious goal through dirty ways. With the help of this character, the author reveals a serious problem that exists today. People who strive for anything high, but for fame and money, are ready to go over their heads and put on a mask of sincerity. Usually, having achieved their goals, such people live unhappily and lonely.

Option 3

In his comedy Woe from Wit, Griboyedov tells about the nobles of Moscow in the 19th century, it was then that society split into conservatives and those who were impressed by the ideas of the Decembrists. The main idea of ​​the work is the opposition of the present century and the past century, the replacement of outdated ideals of the nobles with completely new ones.

In comedy, there are a huge number of supporters of the old ideals. Admirers of the old principles are weighty and significant people in society, such as the landowner Famusov, Colonel Skalozub, and the younger generation, which is simply forced to serve the "old people", also serve the old nobles. Molchalin is one of such young people who is forced to serve the old nobles with their orders.

Molchalin himself is a poor nobleman, born in Tver, he lives in the house of Famusov, who issued him with the rank of assertor and hired him as a serkrtar. Molchalin is also the lover of Famusov's daughter, but Famusov himself does not know about this. Father does not want to have a son-in-law like Molchalin, because in Moscow it is customary to have rich relatives. Famusov appreciates in people the desire to serve him, and this is how Molchalin, with the help of his servility, gets such positions.

In this play, the image of Molchalin very accurately corresponds to the character of the command of a young, not strengthened nobleman in an influential society. Molchalin tries to curry favor with the distinguished guests in the house of Famusov as much as possible, because they can be useful for his further career growth. The young nobleman has sunk to the point that he begins to praise the coat of Khlestova's dog. He believes that the nobles of the lower ranks should thus earn the respect of their elders.

He, like all the characters in this comedy, considers it his duty to show off and be proud of his success in promotion. Molchalin is excellent at making connections with the people he needs who can help him in his service. Molchalin bears huge damage to the society in which he is. He also deceives Famusov's daughter, because he looks after her only for the sake of serving her father. He is the kind of person who will stop at nothing to achieve his goal, and is capable of causing enormous damage to the society in which he is.

Our country, I see, respects its past, lives in the present, but, of course, is directed towards the future. A very good future.