Pechorin and love. Was there love in Pechorin's life? Composition

The theme of love in “A Hero of Our Time” is one of the central themes that the author explores. There really are a lot of love conflicts in the novel. Even main character- outwardly cold and selfish Pechorin is looking for love, he finds it in the hearts of three women Vera, Mary Ligovskaya and Bela, but the love of these beautiful women does not bring Pechorin happiness.

In this novel, love generally does not bring joy to anyone; it is a test for each of the heroes, and often their love experiences end tragically.

Let's try to consider the main love lines of this work.

Pechorin – Bela – Kazbich

One of the literary scholars, analyzing the content of this work, rightly noted that compositional structure The novel is built on endless love triangles.
Indeed, there are a lot of love triangles here.

In the first part of the novel "Bela" we learn that Pechorin kidnaps own father young Circassian Bela and makes her his mistress. Proud Bela is smart, beautiful and kind. She fell in love with the Russian officer with all her heart, but realized that in his soul there was no reciprocal feeling for her. Pechorin kidnapped her for fun and soon lost all interest in his captive.
As a result, Bela is unhappy, her love brought her nothing but deep sorrow.

During one of her walks near the fortress in which she lives with Pechorin, she is kidnapped by the Circassian Kazbich, who is in love with her. Seeing the chase, Kazbich mortally wounds Bela, and she dies two days later in the fortress in the arms of Pechorin.

As a result, this love triangle does not bring satisfaction or joy to any of the characters. Kazbich, having seen his beloved, is tormented by remorse; Pechorin understands that Bela’s love could not awaken him to life and realizes that he destroyed the young girl in vain, driven by a sense of pride and selfishness. In his diary he later wrote: “I was wrong again, the love of a savage is few better than love noble lady; the ignorance and simple-heartedness of one is just as annoying as the coquetry of the other.”

Pechorin – Mary – Grushnitsky

The theme of love in the novel “A Hero of Our Time” is represented by another love triangle, in which there are Pechorin, Princess Mary Ligovskaya and Grushnitsky, who is in love with her, whom Pechorin, unwittingly, kills in a duel.

This love triangle is also tragic. It leads all its participants either to endless grief, or to death, or to the realization of their spiritual worthlessness.

We can say that the main thing actor This triangle is Grigory Aleksandrovich Pechorin. It is he who constantly makes fun of the young man Grushnitsky, who is in love with Mary, which ultimately leads the latter to jealousy and a fatal challenge to a duel. It is Pechorin, having become interested in Princess Ligovskaya, who brings this proud girl to the point that she herself confesses her love to him. And he rejects her proposal, which causes on her part a feeling of melancholy and disappointed hopes.

Pechorin is dissatisfied with himself, but, trying to explain the motives for his behavior, he only says that freedom is more valuable to him than love, he simply does not want to change his life for the sake of another person, even such a girl as Princess Mary.

Pechorin - Vera - Vera's husband

Love in Lermontov's work “A Hero of Our Time” finds its expression in another passionate love triangle.
It includes Pechorin, a secular married lady Vera and her husband, whom the novel only mentions. Pechorin met Vera back in St. Petersburg, he was passionately in love with her, but her marriage and fear of the world placed further development their romance.

In Kislovodsk, Vera and Pechorin meet by chance, and the old relationship flares up again with its former strength.

Pechorin shows Vera tenderness when she suddenly leaves Kislovodsk, he drives his horse to death in order to keep up with her, which, however, he fails. However, this love relationship does not bring happiness to either Vera or Pechorin. This is confirmed by the words of the heroine: “Since we have known each other,” she said, “you have given me nothing but suffering.”

In fact, this love triangle anticipates the love conflict described in the novel by L.N. Tolstoy's Anna Karenina. There, too, a secular married lady meets a young officer, falls in love with him and understands that her husband has become unpleasant to her. Unlike Vera, Anna Karenina breaks up with her husband, goes to her lover, but finds only misfortune, which leads her to suicide.

Pechorin – Ondine – Yanko

And finally, the last love triangle of the novel is the story that happened to Pechorin in Taman. There he accidentally uncovered a gang of smugglers, who almost took his life for this.

This time the participants love triangle became Pechorin, the girl whom he nicknamed “undine,” that is, the mermaid, and her beloved smuggler Yanko.

However, this love conflict was more of an adventure in which Pechorin decided to escape from his experiences. Ondine was not in love with him, but lured him only in order to drown him as an unwanted witness. The girl took such a dangerous step, obeying a feeling of love for Yanko.

Pechorin realized the danger of his position and came to the conclusion that he had exposed himself to such a risk in vain.

As we see, love theme in the novel “A Hero of Our Time” is presented quite clearly. However, there are no examples in the work happy love. And this is not surprising, because love and friendship in Lermontov’s works are always tragic themes. According to the writer and poet, on earth a person will never be able to gain true love, because he himself bears the stamp of imperfection. Therefore, people will love and suffer from the fact that their love cannot bring them happiness, joy, or peace.

With a description of the main love lines It will be useful for 9th grade students to read the novel before writing an essay on the topic “The Theme of Love in the Novel “A Hero of Our Time”.”

Work test

Love... Such a beautiful and sublime feeling, which Pechorin treats so thoughtlessly. He is selfish, and beautiful girls who see their ideal in him suffer from this. Bela and Princess Mary, Vera and Undine are so different, but equally painfully hurt by Pechorin, who himself admits: “And what do I care about human joys and troubles...”.
When Pechorin saw the beautiful Circassian Bela for the first time, he thought that love for her would bring him healing from melancholy and disappointment. Bela was endowed with more than just beauty. It was passionate and a tender girl capable of deep feeling. Proud and bashful Bela is not devoid of consciousness of her dignity. When Pechorin lost interest in her, Bela, in a fit of indignation, says to Maxim Maksimych: “If he doesn’t love me, who’s stopping him from sending me home?.. If this continues like this, then I’ll leave myself: I’m not a slave, I’m a prince’s daughter!” .
The story with Bela showed Pechorin that in female love he sought happiness in vain. “I was wrong again,” says Pechorin, “the love of a savage is little better than the love of a noble lady; the ignorance and simple-heartedness of one is just as annoying as the coquetry of the other.”
Princess Mary, like Bela, is a victim of the restless Pechorin. This proud and reserved aristocrat became deeply interested in the “army ensign” and decided not to take into account the prejudices of her noble relatives. She was the first to admit her feelings to Pechorin. But at the moment of decisive explanation with Princess Pechorin, he felt unable to give up his freedom to anyone. Marriage would be a “safe haven.” And he himself rejects Mary’s love. Offended in her feelings, the sincere and noble Mary withdraws into herself and suffers.
Love for Vera was Pechorin's deepest and most lasting affection. Among his wanderings and adventures, he abandoned faith, but returned to it again. Pechorin caused her a lot of suffering. “Since we have known each other,” Vera said, “you have given me nothing but suffering.” And yet she loved him. Ready to sacrifice both her self-esteem and the opinion of the world to her loved one, Vera becomes a slave of her feelings, a martyr of love. Parting with her, Pechorin realized that Vera was the only woman who understood him and continued to love him, despite his shortcomings. Pechorin experiences the final separation from Vera as a catastrophe: he gives in to despair and tears. Nowhere is Pechorin's hopeless loneliness and the suffering it generates, which he hid from others under his usual firmness and composure, so clearly revealed.
The relationship with the undine was simply an exotic adventure for Pechorin. She is an undine, a mermaid, a girl from a forgotten fairy tale. This is what attracts Pechorin. Undoubtedly, his interest was influenced by the mysterious situation. For him, this is one of the turns of fate; for her, this is life where everyone fights for their place, for their business.
Thus, Pechorin did not know how to truly love. He could only make those who treated him so devotedly and reverently suffer.

In his novel “Hero of Our Time,” M. Yu. Lermontov depicted the 30s of the 19th century in Russia. These were difficult times in the life of the country. Having suppressed the Decembrist uprising, Nicholas I sought to turn the country into a barracks - all living things, the slightest manifestation of free-thinking...

And we hate, and we love by chance, Without sacrificing anything, neither malice nor love, And some kind of secret cold reigns in the soul, When fire boils in the blood. These Lermontov lines perfectly characterize the “hero of his time” - Pechorin. IN...

Has it ever occurred to you, while analyzing the character and actions of Grigory Aleksandrovich Pechorin, the hero of his time, to look at the female characters of the novel not as a background that makes the image of the main character brighter and fuller, but as an independent phenomenon, at the heroines...

Mary, Princess - the heroine of the story of the same name. The name Mary is formed, as stated in the novel, in the English manner. The character of Princess M. in the novel is described in detail and written out carefully. M. in the novel is a suffering person: it is over her that Pechorin places his cruel...

Love... Such a beautiful and sublime feeling, which Pechorin treats so thoughtlessly. He is selfish, and beautiful girls who see their ideal in him suffer from this. Bela and Princess Mary, Vera and Undine are so different, but equally painfully hurt by Pechorin, who himself admits: “And what do I care about human joys and troubles...”.

When Pechorin saw the beautiful Circassian Bela for the first time, he thought that love for her would bring him healing from melancholy and disappointment. Bela was endowed with more than just beauty. She was a passionate and tender girl, capable of deep feelings. Proud and bashful Bela is not devoid of consciousness of her dignity. When Pechorin lost interest in her, Bela, in a fit of indignation, says to Maxim Maksimych: “If he doesn’t love me, who’s stopping him from sending me home?.. If this continues like this, then I’ll leave myself: I’m not a slave, I’m a prince’s daughter!” .

The story with Bela showed Pechorin that he was looking in vain for happiness in a woman’s love. “I was wrong again,” says Pechorin, “the love of a savage is little better than the love of a noble lady; the ignorance and simple-heartedness of one is just as annoying as the coquetry of the other.”

Princess Mary, like Bela, is a victim of the restless Pechorin. This proud and reserved aristocrat became deeply interested in the “army ensign” and decided not to take into account the prejudices of her noble relatives. She was the first to admit her feelings to Pechorin. But at the moment of decisive explanation with Princess Pechorin, he felt unable to give up his freedom to anyone. Marriage would be a “safe haven.” And he himself rejects Mary’s love. Offended in her feelings, the sincere and noble Mary withdraws into herself and suffers.

Love for Vera was Pechorin's deepest and most lasting affection. Among his wanderings and adventures, he abandoned faith, but returned to it again. Pechorin caused her a lot of suffering. “Since we have known each other,” Vera said, “you have given me nothing but suffering.” And yet she loved him. Ready to sacrifice both her self-esteem and the opinion of the world to her loved one, Vera becomes a slave of her feelings, a martyr of love. Parting with her, Pechorin realized that Vera was the only woman who understood him and continued to love him, despite his shortcomings. Pechorin experiences the final separation from Vera as a catastrophe: he gives in to despair and tears. Nowhere is Pechorin's hopeless loneliness and the suffering it generates, which he hid from others under his usual firmness and composure, so clearly revealed.

The relationship with the undine was simply an exotic adventure for Pechorin. She is an undine, a mermaid, a girl from a forgotten fairy tale. This is what attracts Pechorin. Undoubtedly, his interest was influenced by the mysterious situation. For him, this is one of the turns of fate; for her, this is life where everyone fights for their place, for their business.

Thus, Pechorin did not know how to truly love. He could only make those who treated him so devotedly and reverently suffer.

When Pechorin saw the beautiful Circassian Bela for the first time, he thought that love for her would bring him healing from melancholy and disappointment. Bela was endowed with more than just beauty. She was a passionate and tender girl, capable of deep feelings. Proud and bashful Bela is not devoid of consciousness of her dignity. When Pechorin lost interest in her, Bela, in a fit of indignation, says to Maxim Maksimych: “If he doesn’t love me, who’s stopping him from sending me home?.. If this continues like this, then I’ll leave myself: I’m not a slave, I’m a prince’s daughter!” .
The story with Bela showed Pechorin that he was looking in vain for happiness in a woman’s love. “I was wrong again,” says Pechorin, “the love of a savage is little better than the love of a noble lady; the ignorance and simple-heartedness of one is just as annoying as the coquetry of the other.”
Princess Mary, like Bela, is a victim of the restless Pechorin. This proud and reserved aristocrat became deeply interested in the “army ensign” and decided not to take into account the prejudices of her noble relatives. She was the first to admit her feelings to Pechorin. But at the moment of a decisive explanation with Princess Pechorin, he felt unable to give up his freedom to anyone. Marriage would be a “safe haven.” And he himself rejects Mary’s love. Offended in her feelings, the sincere and noble Mary withdraws into herself and suffers.
Love for Vera was Pechorin's deepest and most lasting affection. Among his wanderings and adventures, he abandoned faith, but returned to it again. Pechorin caused her a lot of suffering. “Since we have known each other,” Vera said, “you have given me nothing but suffering.” And yet she loved him. Ready to sacrifice both her self-esteem and the opinion of the world to her loved one, Vera becomes a slave of her feelings, a martyr of love. Parting with her, Pechorin realized that Vera was the only woman who understood him and continued to love him, despite his shortcomings. Pechorin experiences the final separation from Vera as a catastrophe: he gives in to despair and tears. Nowhere is Pechorin's hopeless loneliness and the suffering it generates, which he hid from others under his usual firmness and composure, so clearly revealed.
The relationship with the undine was simply an exotic adventure for Pechorin. She is an undine, a mermaid, a girl from a forgotten fairy tale. This is what attracts Pechorin. Undoubtedly, his interest was influenced by the mysterious situation. For him, this is one of the turns of fate; for her, this is life where everyone fights for their place, for their business.
Thus, Pechorin did not know how to truly love. He could only make those who treated him so devotedly and reverently suffer.

Essay on the topic “Pechorin and his women” 3.67 /5 (73.33%) 3 votes

How many poems, stories, novels, stories are dedicated to Russian women! They write music for her, in her name they perform feats, make discoveries, fight duels, go crazy, they sing about her, the earth rests on her. In Russian literature, women are glorified especially impressively. Writers, portraying their best heroines in their works, thus expressed their life philosophy. And the role of a woman in society is one of the most important. It is customary to say about female images of the 19th century that they are “captivating,” and this is true. After all, a woman is a source of joy, strength and inspiration.
Lermontov wrote: “We both hate and we love by chance, sacrificing nothing to either anger or love, and a kind of secret cold reigns in the soul, when fire boils in the blood.” These words perfectly reveal the character of the main character Pechorin and his attitude towards women. In the novel “A Hero of Our Time” there are three images of women: Bela, Princess Mary and Vera.

Bela is a young Circassian woman, whom the reader learns about from the story of Maxim Maksimych. Pechorin saw her at the wedding and was captivated by her unusual beauty. She seemed to him the embodiment of spontaneity, naturalness, that is, everything that Pechorin had not encountered in the people he knew. society ladies. He was very fascinated by the fight for Bela, but when all the barriers were destroyed, and Bela joyfully accepted her fate, Pechorin realized that he had been deceived... Bela has a strong integral character, in which there is firmness, pride, and constancy, because she was brought up according to the traditions of the Caucasus.
Princess Mary looks completely different. We learn about her from Pechorin’s diary, which describes in detail “ water society» Pyatigorsk, where the hero stayed. Already in the first conversation with Grushnitsky about Mary, Pechorin allows himself an ironic, even mocking tone in relation to the princess. Mary Ligovskaya is very young, pretty, inexperienced, flirtatious. She, of course, does not understand people particularly well, does not see Grushnitsky’s farce, does not understand Pechorin’s play. She wants to live as is customary in their noble circle, with some vanity and splendor.
Mary becomes the subject of rivalry between Grushnitsky and Pechorin. This unworthy game ruins one and amuses another. Pechorin, however, also has his own goal: when he visits the Ligovskys, he has the opportunity to see Vera there. Of course, in such an environment, it was very difficult for Princess Mary to become herself and, perhaps, to show her best qualities.
Why is Pechorin so bored and lonely? Pechorin is an extraordinary person, so he was looking for a special woman, looking for one who could completely capture his soul. But there was no such thing. Pechorin cried when he drove his horse, but did not catch up with Vera. However, this is just Pechorin’s sick past, a temporary impulse of the soul.
Lermontov draws a portrait of a hero from the vices of society. However, it is possible that the relationship between Pechorin and Vera is a reflection of the tragic unrequited love Lermontov to Varenka Bakhmetyeva. Lermontov was loved by many women, but he constantly returned to the image of his beloved. Thanks to female images In the novel, the writer managed to reveal the main character traits of the main character and give the novel originality, freshness, and clarity of perception.