The book "One Hundred Years of Solitude" entered world literature as a cult masterpiece of the thought of a genius writer who was not afraid to illuminate without embellishment the origin, heyday and decline of the Buendia family clan.

Who is Gabriel Marquez?

In March 1928, a literary volcano was born in a small Colombian city - the talented and eccentric writer Gabriel Marquez. There are not enough pages in any book to tell about this person! He, like no one else, knew how to live every day of his life, like the last, and enjoy the smallest detail of life. For him, each person was worthy of writing a separate novel, and each event fit into the recesses of the subconscious, in order to then find its place among the interweaving of the fate of the heroes of the book.

All the magic of the writer's words originated from his journalistic career. He printed bold and even daring materials, revealing the most intimate facts as if events were subjected to surgical intervention. His artistic legacy has become a symbol of literature throughout South America, placing him on a pedestal among writers.

The first story of Márquez was created in 1947, at a time when the writer did not even think about the literary field, but was already oppressed by his current job as a lawyer. Wanting to delve into human destinies in more detail, as well as disarm social injustice with the help of words, Gabriel began working as a journalist in 1948.

Political turmoil in his homeland expelled the writer to France, where he wrote his first novel "Nobody Writes to the Colonel." After returning after some time to his native country, Marquez worked as a correspondent for local newspapers. He often traveled to European countries to make reports, and he used the accumulated knowledge with interest in his stories and novels. However, the most significant work in his work, as well as in literature in general, was the book by Marquez "One Hundred Years of Solitude".

A novel that captures the essence of Latin American history

When it comes to Gabriel García Márquez's most fundamental work, One Hundred Years of Solitude is definitely worth mentioning. Reviews of the book are very contradictory, although not a single critic has dared to refute the invaluable depth of artistic expression.

From a literary point of view, this novel is a multifaceted work, where the author, using the example of six generations from the Buendía clan, reflected the entire socio-historical process of the development of Latin America. Here facts from the folk epic are intertwined, questions of the existence of bourgeois civilization, the history of world literature are touched upon. The novel shows well the spiritual path of the heroes, which led them to alienation, and then to loneliness.

Time is the main character of the novel

Time moves in a spiral for the Buendía family, constantly returning all its members to previous situations. It is easy to get confused in the characters, since Marquez "One Hundred Years of Solitude" created in the image and likeness of the ancestral traditions that existed before: boys from family to family were named after their father, which led to the fact that sooner or later all members of the same family were called the same. All characters are locked in one temporary space, in which nothing happens for a long time. The illusions and loneliness of each member of the Buendía clan are so clearly traced against the background of the current time, which, like a tornado, circles them in a circle, not letting go beyond its limits.

This book symbolizes an important turning point that sooner or later happens in every civilization, and people have to crawl out of their shells and succumb to the inevitable changes. "One Hundred Years of Solitude" Gabriel dedicated to each individual and the entire city as a whole, because it is a mosaic of destinies.

The artistic identity of the novel

The book describes the most pressing problems of the Colombian people, which were ubiquitous in other countries of Latin America. The name, which the author chose not by chance, symbolizes the painful loneliness that was characteristic at the turning point, where feudal exploitation went alongside a developed form of capitalism. Márquez is everywhere ironic to brighten up the corners of hopelessness. He presents to the readers the hereditary loneliness that has been passed down from generation to generation in the Buendía family. An interesting fact is that it did not manifest itself immediately, and the heroes did not receive a "closed" look from birth, but only after encountering certain circumstances, which, obviously, were also inherited.

The writer picturesquely displays the folk epic in the form of fairy tales, inventing unreal and very poetic storylines. Many of the characters in the novel are endowed with the features of werewolves, ghosts, and multi-headed dragons. The artistic originality of the novel lies in the fact that Marquez masterfully combines acute social and psychological problems with fairy-tale motives, introducing a mystical charm into his work.

"One Hundred Years of Solitude": content

In this allegorical work, Marquez describes the events of a small town called Macondo. This is an absolutely real village, which is even present on the map of Colombia. However, with the light hand of the author, this place lost its geographical value and turned into a mythical city, in which the traditions originating from the writer's childhood were forever rooted.

The event line develops against the background of acute socio-economic changes from the middle of the 17th century to the 30s of the 19th century. The main characters, on whose shoulders Marquez shouldered all the hardships of that period, are the generation of the Buendía clan. The summary of "One Hundred Years of Solitude" can be expressed in just a few phrases, while individual dialogues, heroes' love stories and mystical digressions are of greatest value to the reader.

The novel is based on a consistent description of the life of members of the same clan. Their family tree begins with the birth of the family of Ursula Iguaran and José Arcadio Buendía. Further, their life is closely intertwined with the description of the activities of their grown children (second generation) - named after the father of Jose Arcadio, Colonel Aureliano Buendía, Amaranta and Rebeca.

The third generation - illegitimate children of previous family members, it was the most significant in number. Colonel Aureliano alone had 17 children from different women!

The fourth and fifth generations of the genus do not participate in events as clearly as the first three. By that time, it is increasingly difficult for the reader to distinguish between the characters, since they are all named after each other.

The founders of the Buendía clan

“One Hundred Years of Solitude” - what is this book about? This question torments everyone who has read it. The symbolism of the work is hidden inside the smallest details of the everyday life of individual characters in the novel. In order to get closer to solving this phenomenon, let's try to understand the personalities of the founders of the genus, which Gabriel Marquez tells about. One Hundred Years of Solitude begins with the marriage of José Arcadio and the inimitable Ursula, who was his first cousin.

Their union was crowned with fears of relatives that their children could be born like piglets, because it is not customary to create a union within an existing family.

Ursula, aware of the consequences of incest, was determined to remain innocent. Jose Arcadio does not want to hear anything about such nonsense, but his young wife is adamant. For a year and a half they have been fighting at night for the right to keep their vows. An unfortunate incident changed the situation dramatically. Once they began to mock Jose Arcadio as a man, hinting at his marital failure. The proud representative of Buendía kills the abuser with a spear and, having come home, forces Ursula to fulfill her marital duty. But since then, the spirit of the offender begins to haunt them, and Jose Arcadio decides to settle in a new place. Having left the place acquired with his wife, they set off in search of a new home. So over time, the emergence of a new town of Macondo takes place in front of the reader.

Jose and his Ursula represent two opposite poles. He is eaten from the inside by a passion for knowledge of the world, attracted by the mystical teachings of wizards and healers. Trying to combine science and magic in his mind, he never cope with this task and goes crazy. Ursula is like the core of this kind. She unquestioningly performs the same tasks as her ancestors, not wanting to change her views on the current situation.

Jose Arcadio Jr.

A summary of "One Hundred Years of Solitude" is impossible without mentioning the representatives of the second generation. The firstborn of Ursula and José Arcadio is named after his father. He inherited from him a quarrelsome character and emotional soul. Because of his passion, he leaves his father's house after the nomadic gypsies. Returning many years later, he marries his distant relative, who had grown up by this time. He turned into a secretive and sullen youth. According to the plot of the novel, Jose Arcadio manages to save his younger brother from the hands of the invaders of the city, whose name is Aureliano Buendía. The hero died under mysterious circumstances.

Rebeca and Amaranta

The saga "One Hundred Years of Solitude", the content of which, of course, can confuse an inexperienced reader, would look mean if there were no descriptions of these two charming girls in his lines. Amaranta is the third child of Ursula and José Arcadio. Since the orphan Rebeca came to their house, they have become friends. Having reached adulthood, the girls fall in love with the same guy - the Italian Pietro.

The girls lose their friendship due to competitive hostility, but the Italian opts for Rebeca. After that, Amaranta is obsessed with the idea of ​​revenge on her sister and even tries to poison her. The long-awaited wedding between Pietro and Ursula's third daughter never took place due to constant mourning. Rebeca, annoyed by the unrequited love, finds solace in the arms of Jose Arcadio, the eldest son of the founder of the family. Contrary to Ursula's evil prophecies and the promise to expel them from the family, the young couple decides to get married. At this time, Amaranta realizes that she has lost all interest in Pietro. She renounces love and decides to die innocent, despite the numerous harassment from her fans. After the death of her husband, Rebeca decides to live locked up and never leave the house.

Colonel Aureliano Buendía

In his novel, the writer did not neglect his second son, Jose Arcadio, the eldest. Marquez endows this hero with pensiveness and a philosophical nature. "One Hundred Years of Solitude" tells of Colonel Aureliano Buendía as a very sensitive person who spent her entire life in search of herself. His fate was twisty, but he left behind a generous legacy in the form of 18 children.

"One Hundred Years of Solitude": reviews

The irrefutable merit of the book is its timeless relevance. This novel does not lose its depth even at the peak of global changes in society, since the entire socio-psychological implication of this phenomenon is masterfully captured on its pages.

Readers say that while reading the book, one should not be distracted, since Marquez, with his inherent irony, managed to simplify things that are difficult to understand and complicate stupid details as much as possible. The narrative takes place on the borderline between reality and fiction. According to reviews, the lack of dialogues complicates the reading process. The repeated names of the main characters, as well as the consistent intertwining of their destinies in similar situations, sometimes baffle even the most vigilant and attentive readers.

People advise reading the novel "One Hundred Years of Solitude" when they are in adulthood. This will avoid misunderstanding of the described processes.

Who might like Marquez's One Hundred Years of Solitude?

This work is imbued with subtle humor and inimitable irony. The writer clearly pursued the goal not only to sanctify the historical events of the period described, but also to endow his heroes with the features of people who are able to cope with any changes. How much they succeeded is an open question, but one should not deny the fact that each character is spelled out with breathtaking accuracy, and his behavior masterfully conveys the character assigned to him. A summary of "One Hundred Years of Solitude" can be simultaneously contained in one sentence and at the same time there will not be enough days to tell what it is specifically about. This novel is rightfully located in the golden treasury of the literary fund and claims to be a solid top five.

It is impossible to answer unequivocally who would like this work. This is a fundamental historical novel with elements of Latin American folklore, the interweaving of mythical characters and a strictly observed chronological sequence. He is on the verge between the words of a madman and the thoughts of a philosopher. The main idea of ​​the novel is that a person can cope with all the vicissitudes of fate, but he should never give up before the fear of defeat and his own powerlessness. For those who know how to see beyond letters and can open their imagination towards feelings, the novel One Hundred Years of Solitude will seem like an indisputable diamond in a box of literary jewels. You now know what this book is about, and we hope that you have a desire to read it yourself.

Introduction

Rafael García Márquez is a Latin American Colombian writer. "Magic realism" is the main element of Marquez's work. Rafael García Márquez believed that our world is the present, in which the real is combined with fantasy. People just need not to close their eyes to what exists around. After all, our fictions are not the same, and fictions are our life.

Realism in literature is a true portrayal of reality.

"Magic realism" is realism, in which elements of the real and the fantastic, the everyday and the mythical, the real and the mental, the mysterious are organically combined. The magical realism inherent in Latin American literature.

Analysis of the novel by G. Marquez "One Hundred Years of Solitude". "The real fantastic" in the novel

The foundations of Latin American magical realism are the beliefs, thinking of pre-Columbian Indian civilizations, such as the Aztecs, Maya, Chibcha, Inca. Already in works with Indian roots, as if written by the Indians themselves, be they Spanish writers - historians, priests, soldiers, right after the Conquest, all the components of a wonderful reality are found.

As a child, Marquez lived in a house inhabited by eccentrics and ghosts, and transferred this atmosphere to the pages of his novels. The fantastic elements of magical realism may be internally consistent, but are never explained. Using the unusually colorful, local, sensual material of Latin American reality, the writer shows the universal realities of human existence. The past contrasts with the present, the astral with the physical. The characters contrast with each other. The magical realism of Marquez is characterized by unlimited freedom, merges the sphere of mundane life and the sphere of the innermost spiritual world.

It was thanks to Marquez's novel "One Hundred Years of Solitude" that magic realism became known to the whole world.

The author recalled: “I don’t know why, but our house was something like a consultation on all the miracles that happened in the city. Whenever something happened that no one understood, they turned here, and usually the aunt gave answers to Any questions. ”So then (we are talking about the case when a neighbor brought an unusual egg with a growth) she looked at the neighbor and said:“ Oh, but these are basilisk eggs. Light the hearth in the yard ... "I believe that it was this naturalness that gave me the key to the novel" One Hundred Years of Solitude ", where the most monstrous, the most incredible things are told with the same equanimity with which my aunt ordered to burn a basilisk egg in the yard - a creature that no one knew anything about. " In a sense, the novel One Hundred Years of Solitude brought Marquez's childhood to the pages of the book. The natural and the unusual, the ordinary and the miraculous, joining together, constitute the essence of his work. Marquez tells about the familiar and the miraculous, strives to make the incredible believable, to put it on a par with the ordinary and thereby make the incredible ordinary. This is a parable about an absolutely real life filled with miracles that a person has forgotten how to see because of his "glasses of everyday life."

The ingenious combination of a fairy tale, parable, prophecy and deep philosophy in one novel is one of the components that brought Marquez the worldwide fame of the titan of world literature and the Nobel Prize.

The novel "One Hundred Years of Solitude" is the story of six generations of the Buendía clan, culminating in the death of the last representative of this clan. This novel is a traditional modern family chronicle, and the centenary history of the town of Macondo, and a reflection of the peculiarities of life in Latin America. The novel begins in the 1830s. and covers a hundred-year history of the development of the town, Colombia, Latin America, all mankind on the example of one kind. The artistic concept of Marquez includes the idea of ​​the unnaturalness of loneliness, its destructiveness for the individual. The first generation of the heroes of the novel, dating back to the early 19th century, is imbued with Renaissance hedonism and adventurism. Then, in the life of the next generations of the family, features of gradual degradation appear.

Time in the novel does not rise up, does not go either linearly or in a circle (it does not return to normal), but moves in a coiling spiral, history goes backwards, regresses. Playing with time, the manifestation of reality through the unusual movement of time is a characteristic feature of magical realism.

In One Hundred Years of Solitude, we see not only an image of everyday life, social conditions and mythology of America: it also contains something that is much more difficult to transfer into fictional narrative - the image of the moral restlessness of the American, an accurate portrait of alienation that corrodes the individual, family and the collective life of our countries. This shows the relevance of the works of Marquez in our time. He deliberately relies not on the elite, but on the mass reader - it is no coincidence that he turned to writing scripts for television series.

The culmination of the tragedy in the novel is the depiction of the shooting scene at the end of the "banana fever" era of three thousand strikers. When one of the heroes (Jose Arcadio), who miraculously escaped and got out from under the corpses, tells about what happened, no one believes him. It is characterized by the lies of the authorities about the fate of three thousand strikers and the laziness and lack of curiosity of the mind of the people, who do not want to believe in the obvious and believe in the official statements of the government.

The hurricane destroys Macondo - the world that Marquez created. This is the last miracle of the novel. The death of Macondo is apocalyptic, but this death promises the emergence of something new.

The reading of “One Hundred Years of Solitude” was by chance. I probably would never have gotten to this book myself, but I could not refuse to read it.

And now to the point. I have not yet met a smoother storytelling. There are no explosions or decay in it. The story is like a calm water surface. All vibrations occur within you. On the one hand, it's hard to force yourself to read an absolutely smooth novel, but something forces you to move on along the canvas of the plot.

The canvas of the plot .. This is not a simple chain of events, but the chain mail of characters, destinies, dawn and dusk of generations, which are intertwined with the intricacies of a difficult fate. This is both a plus (many stories are woven into a single pattern) and a minus (a large number of characters and it is not always possible to immediately determine who they are talking about) of this book.

The characters are worth dwelling on separately. The novel resembles the wheel of Samsara, and given the fact that all names are repeated and generations are superimposed on generations, this impression only gets stronger. The participants in the events live in this book. They are neither good nor bad. They live .. There is no customary good and evil, there is no struggle between good and evil. Even the civil war in. in the end. does not result in a war for ideals, but in the usual massacre for power. I noticed for myself that at the moment when the character is just being introduced into the story, the thought arises: “How can he be alone, what problems can he have? He should definitely be happy! ”. But the further the author reveals their soul and inner torment, the more you cannot decide on your attitude to the character. On the one hand, you move away from him due to his vices and actions, and on the other hand, you empathize with all the fibers of your soul for what he is experiencing inside himself. Due to this swing of emotions, you read on. Another factor that prevented me from abandoning the novel.

The novel raises and touches upon topics that are not openly discussed. But I must pay tribute to the author - he uses them masterfully. They are present not just to be, but to reveal the characters from all sides. There is no emphasis on them - they serve as decorations in which the heroes exist.

The main legend that goes through the entire book is that children with a pig's tail are born from unnatural family ties. That is, there is a degeneration of the genus. The basic idea of ​​loneliness is hidden behind this. All characters are lonely. No not like this. They are LONELY. They are looking for salvation from this difficult fate in spite of everything and common sense as well. Although we can observe that from generation to generation this brings nothing but problems and misfortunes, they stubbornly continue to walk in a circle of scattered rakes in an attempt to find that safe haven of peace of mind.

A touch of mysticism should be noted in a separate line. What are the shadows of ancestors walking around the house? How do you feel about allusions to the global flood? Or the supernatural powers of individual characters? But what is most interesting is that sometimes you don't even notice these manifestations! They are served with the sauce of everyday life and seasoned with routine. In theory, during the manifestation of mysticism, there should have been a storm of emotions and experiences among the characters, but no! This is presented in such a way that everything that is happening already does not seem mystic to the reader himself. It's just that the ghost of the deceased sits in your closet every day, what's the big deal?

And now I will try to summarize the canvas that I dashed off and that I could not express in words ..

The book is there. No matter how ridiculous it may sound. Say that everyone should read it? No I can not. To say that wasting time on it is pointless? Also no. I think everyone who reads it will find an echo of himself in it, and whoever does not find it, is a happy person. Truth be told, I'm not too fond of books that need to be read between the lines, but this novel is surprisingly stuck. The desire to discard the book alternated with drunken reading, and not a liking for the heroes - sympathy and sympathy. Well, the cherry on the cake is a sweet and sour feeling of melancholy ...

First generation

Jose Arcadio Buendía

The founder of the Buendía family is strong-willed, stubborn and unshakable. Founder of the city of Macondo. He had a deep interest in the structure of the world, sciences, technical innovations and alchemy. José Arcadio Buendía went crazy looking for the Philosopher's Stone and eventually forgot his native language, starting to speak Latin. He was tied to a chestnut tree in the courtyard, where he met his old age in the company of the ghost of Prudencio Aguilar, whom he had killed in his youth. Shortly before his death, his wife Ursula removes the ropes from him and frees her husband.

Ursula Iguaran

The wife of José Arcadio Buendía and the mother of the family, who raised most of the members of the clan, right up to the great-great-grandchildren. Firmly and strictly managed the family, earned a large sum of money making candy and rebuilt the house. At the end of her life, Ursula gradually goes blind and dies at the age of about 120 years. But besides the fact that she raised everyone and earned money, including baking bread, Ursula was almost the only family member who had a sound mind, business acumen, the ability to survive in any situation, rallying everyone and boundless kindness. If not for her, who was the core of the whole family, it is not known how and where the life of the family would turn.

Second generation

Jose Arcadio

Jose Arcadio is the eldest son of Jose Arcadio Buendía and Ursula, who inherited his stubbornness and impulsiveness from his father. When the gypsies come to Macondo, a woman from the camp who sees the naked body of Jose Arcadio exclaims that she has never seen such a large male penis like Jose's. The friend of the family, Pilar Turner, becomes the mistress of Jose Arcadio, who becomes pregnant with him. Ultimately, he leaves the family and goes after the gypsies. José Arcadio returns after many years, during which he was a sailor and made several round-the-world voyages. Jose Arcadio has become a strong and sullen man, whose body is covered with tattoos from head to toe. Upon his return, he immediately marries a distant relative, Rebeca (who was brought up in his parents' house, and managed to grow up while he sailed the oceans), but for this he is expelled from the Buendía house. He lives on the outskirts of the city near the cemetery, and, thanks to the machinations of his son - Arcadio, is the owner of all the land in Macondo. During the seizure of the city by the conservatives, Jose Arcadio saves his brother, Colonel Aureliano Buendía, from being shot, but soon he himself mysteriously dies.

Colombian Civil War soldiers

Colonel Aureliano Buendía

Second son of José Arcadio Buendía and Ursula. Aureliano often cried in the womb and was born with open eyes. From childhood, his predisposition to intuition manifested itself, he accurately felt the approach of danger and important events. Aureliano inherited thoughtfulness and a philosophical nature from his father, studied jewelry. He married the young daughter of the Mayor of Macondo - Remedios, but she died before reaching the age of majority. After the outbreak of the civil war, the colonel joined the Liberal Party and rose to the post of commander-in-chief of the revolutionary forces of the Atlantic coast, but refused to accept the rank of general until the overthrow of the Conservative party. Over the course of two decades, he raised 32 armed uprisings and lost all of them. Having lost all interest in the war, in the year he signed the Neerlandic Peace Treaty and shot himself in the chest, but miraculously survived. After that, the Colonel returns to his home in Macondo. From his brother's mistress, Pilar Ternera, he had a son, Aureliano José, and from 17 other women who were brought to him during military campaigns, 17 sons. In his old age, Colonel Aureliano Buendía was involved in the mindless manufacture of goldfish and died while urinating by the tree under which his father José Arcadio Buendía had been bound for many years.

Amaranta

Third child of José Arcadio Buendía and Ursula. Amaranta grows up with her second cousin Rebeca, they simultaneously fall in love with Italian Pietro Crespi, who reciprocates Rebeca, and since then she has become Amaranta's worst enemy. In moments of hatred, Amaranth even tries to poison her rival. After Rebeca marries Jose Arcadio, she loses all interest in the Italian. Later, Amaranta also rejects Colonel Gerineldo Márquez, remaining in the end an old maid. The nephew of Aureliano José and the great-nephew of José Arcadio were in love with her and dreamed of having sex with her. But Amaranta dies a virgin at a ripe old age, exactly as the gypsy predicted to her - after she finished embroidering the burial shroud.

Rebeca

Rebeca is an orphan who was adopted by José Arcadio Buendía and Ursula. Rebeca came to the Buendía family at the age of about 10 with a sack containing the bones of her parents, who were first cousins ​​of Ursula. At first, the girl was extremely timid, hardly spoke and had the habit of eating dirt and lime from the walls of the house, as well as sucking her thumb. As Rebeca grows up, her beauty captivates the Italian Pietro Crespi, but their wedding is constantly postponed due to many mourning. As a result, this love makes her and Amaranta, who is also in love with the Italian, bitter enemies. After José Arcadio's return, Rebeca defies Ursula's wishes to marry him. For this, a couple in love is expelled from the house. After the death of Jose Arcadio, Rebeca, embittered by the whole world, locks herself in a house alone under the care of her maid. Later, 17 sons of Colonel Aureliano try to renovate Rebeca's house, but they only manage to renew the facade, they do not open the front door. Rebeca dies at a ripe old age, with her finger in her mouth.

Third generation

Arcadio

Arcadio is the illegitimate son of José Arcadio and Pilar Turner. He is a school teacher, but takes over the leadership of Macondo at the request of Colonel Aureliano when he leaves the city. Becomes an oppressive dictator. Arcadio is trying to uproot the church, and persecution of the conservatives living in the city begins (in particular, Don Apolinar Moscote). When he tries to execute Apolinar for a malicious remark, Ursula whips him and seizes power in the city. Having received information that the forces of the Conservatives are returning, Arcadio decides to fight them with the forces that are in the city. After the defeat of the liberal forces, he was executed by the conservatives.

Aureliano Jose

The illegitimate son of Colonel Aureliano and Pilar Ternera. Unlike his cousin Arcadio, he knew the secret of his origin and communicated with his mother. He was raised by his aunt, Amaranta, with whom he was in love, but could not achieve it. At one time he accompanied his father on his campaigns, participated in hostilities. Returning to Macondo, he was killed as a result of disobedience to the authorities.

Other sons of Colonel Aureliano

Colonel Aureliano had 17 sons from 17 different women, who were sent to him during his campaigns "to improve the breed." All of them bore the name of their father (but had different nicknames), were baptized by their grandmother, Ursula, but were brought up by their mothers. For the first time, they all gathered together in Macondo, having learned about the anniversary of Colonel Aureliano. Subsequently, four of them - Aureliano Sad, Aureliano Rzhanoy, and two others - lived and worked in Macondo. 16 sons were killed in one night as a result of government intrigues against Colonel Aureliano. The only brother who managed to escape is Aureliano Lovers. He hid for a long time, in extreme old age he asked for asylum from one of the last representatives of the Buendia family - Jose Arcadio and Aureliano - but they refused him, because they did not find out. After that, he was killed too. All the brothers were shot at the ashen crosses on their foreheads, which Padre Antonio Isabel had painted for them, and which they could not wash off until the end of their lives.

Interactive exercise "Microphone".

V. Consolidation of knowledge, skills and abilities

About Jose Arcadio II and Aureliano II: "... the only thing that the twins have in common was the lonely look inherent in the whole family." About Rebecca: "She suffered and lived in poverty for many years, winning the privilege of being alone." About Mauricio: "He died old, completely alone."

The primary source of the mythological and fantastic beginnings for Garcia Márquez is the folk culture of the Caribbean zone of Colombia, where European, Indian and African traditions are mixed in their version of everyday folk Catholicism. In the novel One Hundred Years of Solitude, many myths and myths are freely turned around, which represent the deepest layer of the figurative-symbolic structure of the novel.

Hence the origins of the "magical realism" of the writer. Find in the text confirmation of the presence in the work of Marquez such signs of "magical realism":

III. Updating basic knowledge

Target: to help students understand the ideological and artistic features of the work and "magic realism" as a literary trend; develop the skills of analyzing a literary work of a large volume, the ability to highlight important features, determine their role in a work, express and argue their thoughts; broaden the horizons of students; foster interest in literature, humanism, an active social position, a sense of their involvement in history and the future.

Filling out the questionnaire for the work "One Hundred Years of Solitude".

an appeal to folk mythology;

1. Work on the ideological and artistic features of the novel (in groups)

Organic combination of the everyday and the fantastic in the novel as characteristic features of "magical realism".

Using different sources and combining them in a peculiar way of the Colombian reality, transformed in the popular imagination, Garcia Márquez was able to touch upon individual archetypes of the national consciousness. “The writer uses mythological and fairy-tale motives as a kind of subtext, which allows to provide epic scale to the images of heroes, to take them beyond the boundaries of narrow national boundaries,” noted the literary critic V. Stolbov.

In fact, the fantastic rain that has been falling continuously in Macondo for four years, the rain of yellow flowers, the magical things of the Gypsy-fortune-teller Melquíades, who knows everything in the world and, to a certain extent, is one of the main characters of the novel, since from events in Macondo are spreading; with the decoding of the book - the history of Macondo, written by him, the village of Macondo itself ends - these and similar images, in fact, provide the novel of Garcia Márquez with a wide scale, epic character.