How to draw a portrait with a pencil diagram. How can novice artists learn to draw portraits of people correctly with a pencil? We draw a portrait of a person with a pencil step by step from different angles: full face, profile and turning the head

The first thing to do is draw an oval for the HEAD, not the oval of the face and not the opened cranium, but the COMPLETE head. To be more precise, the head looks like an upside-down egg.

Exactly in the middle we draw a vertical, straight line (axis of symmetry). She will help us draw symmetrically all parts of the face.

A portrait with one eye larger than the other and at different heights will look strange. Brrrrr... Therefore, we will align everything relative to the middle of the face.

Divide the length of the entire head into two equal parts. Draw a horizontal line. On this line we will draw the eyes, but a little later. First, let's find the location of all the other parts.

At the top of the head we make a notch that defines the hair growth line, i.e. This is where the forehead will begin. We do this approximately “by eye”. The remaining part will be the face.

Divide the length of the face into three equal parts. The first line, as I said, is the beginning of the hair, the second is the eyebrows, the third is the edge of the nose.

On the line of the eyes, the one that is exactly in the middle of the HEAD, draw eyes. Please note that the distance between the eyes is equal to the length of one eye.

Our pupils are not located exactly in the middle of the eye, but are slightly hidden under the upper eyelid.

Draw the nose. We have already decided on the length, all that remains is to decide on the width. Typically, the width of the wings of the nose is equal to the distance between the eyes. Don't forget to check the symmetry of your face i.e. measure the distance from the right and left sides to the line in the middle.

If you are starting from scratch - complete zero, like me, and wanted to learn how to draw with a pencil - read the chronicle of a lazy, mediocre artist. Last time I drew while still at school. I drew like everyone else, averagely.

How can you draw with a pencil after 50 hours of practice?, and how to learn it. I started drawing from scratch. I did not draw regularly, on average 15 minutes a day, for six months. And you can learn in a couple of months, drawing 60 minutes a day!

Drawing - copying skill

I started drawing the following drawings in the belief that I was mediocre at drawing. But since I know that almost everything I know about myself is not true. I decided to double-check myself: do I really have crooked hands or did I suffer that much at school?

Sphere

The main element of drawing. Draw the shadows and penumbras of the sphere.

The time indicated is based on reading the textbook. Drawing itself takes half as much time.

Cube

Basic building brick of any design.

Cube Modifications

Drawing texture with a pencil

Flags and rose

Drawing cubes - advanced level

Drawing spheres - advanced level

From this stage you obliged to buy shading - paper pencil. In previous tutorials I blended with my finger, then blended with #3.

All the magic of penumbra: volume, small shadows in the corners, when drawing an eye and a portrait - thanks to shading. It's like your drawing ability is multiplied by three! You'll be amazed when you compare your results.

Flags, scrolls

Cylinders: volcano, cup

Drawing a living tree

Room in perspective

Street in perspective

Drawing in central perspective: castle, city

Inscription in perspective

Learning to draw a portrait

Learn to draw a hand

Exam: first portrait!

Drawing people is much more difficult than roses or anime. The face cannot be distorted - every mistake is immediately noticeable. You need to learn to draw people when you feel confident that you can draw a recognizable outline and sketch of a face.

Portraits cannot be drawn quickly; diligence and care are required. This is the portrait I ended up with of my wife:

Learn to draw pictures from scratch

I painted eight paintings in a total of 24 hours, half the time. I also practiced with a pencil for one day. You can learn to draw to the same results, even if your hands are growing out of your ass, in 50–150 hours. In terms of TV series, this is 2-3 seasons of Dr. House.

Vasya Lozhkin took 6 hours to paint his first acrylic painting, “And I Like You.” I didn’t know what acrylic was and how to use it. I also held a brush for the first time since school.

Kneading the desired shade is not easy. To give up everything because it wasn’t working out – I wanted to do it every half hour. We need a person who will support. I went to study at an art studio and painted under the supervision of an artist. A year later, I took online drawing lessons a couple of times from the same teacher.

I learned to draw with a pencil, and the skill turned out to be complex. I picked up a brush for the first time since school and painted. 6 long hours, a little crooked, but how great! Now I can give an extraordinary gift - draw a picture for a friend, a bookmark in a notebook, a caricature for work. I even made a small cartoon.

First painting: pastel, acrylic, gouache and oil. All the equipment is made from scratch, and there’s no shame in hanging it on the wall.

How to learn to draw correctly - algorithm

Learning to draw with a pencil is the basis: demolish angles, line sizes, maintain proportions. Just learn not to be afraid to draw. Master the initial level, and then it will only get more fun and easier.

How to learn to draw

Let's draw with a simple pencil .

A fundamental drawing tool. Almost all illustrations, sketches and paintings are drawn first in pencil. Then it is rubbed down to barely visible lines, or we paint on top with paints. Errors are easily corrected. #1 for beginners.

Let's draw gel pens.

A simple tool for drawing in color. The drawing technique is similar to the technique of drawing with a pencil - after all, it is a pen, not a brush. You can correct errors only in Photoshop.





We draw with felt-tip pens. Analogues: markers and professional “copies”.

More variety of colors than gel pens. The set will cost less. After 1–2 years, the markers dry out and you need to buy a new set.





The felt-tip pens saturate the paper a little and it begins to become limp, which is why I don’t like drawing with them. You can draw 2-3 times and the line becomes more saturated, you can draw penumbra.

We paint with watercolors.

Cheap materials, and familiar from school. They are diluted with water, so the new layer of paint blurs the previous one. It is difficult to master how she will behave. From scratch, on your own, it’s not easy to learn how to draw details. The advantage is accessibility.

• We draw with gouache.

  Matte color, thicker than watercolor, is also diluted with water. Great for beginners: it's easier to correct inaccuracies than watercolor. Cheap material.

  
  

• Let's draw acrylic paints .

  The most affordable professional material. Acrylic dries quickly, 5-15 minutes. It is easy for them to apply a second coat and correct flaws. If it is of high quality, it is resistant to water.

  Acrylic paint on canvas. You can also draw anything: a wall, a stool, a cup, a helmet, an ashtray, a T-shirt, photo frames. I recommend then opening the work with varnish from a can.

  

• Let's draw pastel – dry and oil.

  The technique of drawing with pastels is unusual - you need to draw with crayons, rubbing them on paper.

  
  

  The technique of drawing with oil pastels is similar to drawing with pencils, but has its own characteristics.

  
  

• Painting with oils.

  Complex professional paints. Durable, but you can’t buy cheap ones - they crack.

  It takes a long time to dry, about 2–10 days. This is a plus - you can always remove a layer, finish drawing, shade. But there is also a minus, you need to very carefully apply a layer on top so as not to spoil what you have. I do not recommend using them for beginners.

  

Can you learn to draw with a pencil? . Find “Why?”, buy a textbook and draw for fun. In a month, you will be surprised at your abilities.

SAMPLE PHOTO

When I am given the task of drawing a picture from a photograph of a portrait, I choose a self-portrait. It's always better to draw from life as and when you can, in photographs the picture can sometimes be distorted. However, it is not always possible or convenient to force people to pose, and this is where photographs definitely help. I tried to choose the most interesting photo, I don’t look much like myself here, but I really like the bright sunshine here, so I choose this photo! (Fig. 1)

SKETCH

I don’t always start with a sketch, but when I have to draw from a photograph (and, in fact, a self-portrait), it helps to be a little more accurate. Sometimes I start with something I just outline general forms and lines, but in in this case, I just started with a very simple sketch.

It is needed in order to correctly measure the main facial features: eyes, nose, mouth, etc. And another layer with just lines over all parts of the face, then duplicated. (Fig. 2-3)

(Straight lines can be drawn by holding down the Shift key while drawing a line with a brush) After that, I roughly draw in the rest by eye. You can use custom meshes if you prefer, but I personally try to keep things simple and perfect on a basic sketch. At this stage, the drawing looks lousy, of course, but the base is already ready, so you can move on to coloring!

BRUSHES

There is a huge amount various brushes on the Internet and, although some of them, in my opinion, are very good, there is nothing better than a regular round brush. This is what I'll be using, the basic hard round brush that comes with all versions of Photoshop. (Fig. 4)

BASIC COLORS

When it comes to choosing colors when drawing from a photo, I think it's best to leave the thought of using a Color picker. Photos may be very mosaic and colors may be distorted. random selection colors won't give you a real idea of ​​tones, especially when it comes to skin, for example! Therefore, use only your abilities and experiment, trying to achieve the most approximate result, and here getting to the point is not the most important thing.

I will be adding so much throughout the process. different colors that in the end it won't matter. The next step is to add some basic tones on the normal layer below the sketch (the sketch layer itself is switched to Multiply mode, which makes it almost transparent). (Fig. 5)

From now on, everything will be drawn on top of the sketch and the base colors already applied. In my work, I always merge layers as needed, so I don't have to get confused large quantities layers. Most of the time, though, I'll be adding new elements on separate layers. I'm not a purist! If something goes wrong, it won't be a disaster for me.

As for whether or not to use multiple layers in your work, it's entirely up to you, do what's comfortable for you personally. At this point I start adding base highlights to better define the lines of the face. (Fig. 6)

Don't worry if at this stage your drawing doesn't look like the original yet; It's still too early and things will look a lot better as we go along. In the meantime, everything looks pretty messy, the strokes are very noticeable and uneven, but it's all about finding the right colors and shapes. Try not to get hung up on softening the lines of the picture just yet.

COLORS

One of the most common questions I get is how I “know” what colors to choose. To be honest, I don't know, I just try to match them, and pay attention to the surroundings, and only then choose a specific color. Photography serves as a good assistant and is much easier to work with than relying on your intuition. However, in 90% of cases I am not completely satisfied with the result of the chosen colors and in the end I have to change them. The color palette chosen at the very beginning of the work and the one that turns out at the very end are two completely different things. So if you don't like the color you choose, don't worry. Photoshop is your friend and it definitely has its benefits. (Fig. 7-8)

One of the invaluable tools for me is Color balance. I usually duplicate the entire image and then adjust the colors if I don't like them, which is absolutely always the case. This tool is very useful if you want to change the colors of a painting slightly or significantly. It will also greatly help balance the colors if they don't quite go together. (Fig. 9)

You will probably notice how the tones in my drawing change throughout the work. Sometimes I change and undo changes in search of the desired effect. Yes, that’s how fickle I am!

Elaboration

When basic colors and the lights are installed, I spend the rest of the time working out the details. In this process I rarely get stuck in one area, I jump between in different parts drawing so that I don't get bored of working on the same thing for too long. This also helps when returning to previous areas to notice small defects and correct them. It is also obvious that the picture has become softer. At the very beginning everything was too rough, but we softened them as we worked through them. (Fig. 10-12)

LAYER MODES

During my work I used several different types layers. These are mainly the Normal and Overlay modes. I probably don't need to say anything about Normal mode, but Overlay is a very useful thing. This is very good way increasing contrast. My sample photo has a very bright light source. Therefore, during the drawing process, I applied a couple of layers in Overlay mode. I do right side facial skin much brighter, overlaying the same skin tone, but in Overlay mode. This really helps add contrast and the glow caused by the bright sunlight. This mode also helps add a very vibrant red/orange that comes through when the skin contrasts with the light.

The Opacity of layers always varies, it all depends on which level suits best. Constantly experiment with layers and choose what works! (Fig. 13-14)

The dark side of the face still looks flat compared to the lit side. To fix this, I will add a brighter tone to the layer in Overlay mode to highlight the structure of the face, cheeks, eyebrow area, etc. a little. I chose light green because when Blended the colors are very saturated. If I had chosen a skin tone, the result would have been bright orange. Green will not lead to such an effect, and will go well with the overall skin tone. (Fig. 15)

TURN!

Another way to control any minor errors is to rotate (Flip) the image. When working with a photograph, I know what the result will be, but it still wouldn’t hurt to unfold the drawing about once an hour.

Errors are always caught, so it's much easier to fix them as you go... instead of finding out when you're done that everything looks terrible when you rotate the image! (Image – Image rotation – Flip canvas horizontally) (Fig. 16)

MIXING

I'm pretty sure the most frequently asked question is about how I mix paints to create smooth transitions from one color to another. I always have a hard time answering this question because I never “actively” mix two colors. My method is to layer color on top, stroke by stroke, in different tones until they are almost invisible. (Fig. 17) I would not recommend blurring the colors; in my opinion this completely takes the life out of the painting and ends up making it look "messy" so don't be afraid if the image is a little rough, just keep working on it! Choose a tone that will go with both colors you want to combine, apply brush strokes and they will blend naturally. If you have difficulty, try using a brush with a softer edge. While I don't recommend using Airbrushes (again, it's everyone's choice!), soft-edged brushes can help blend colors. They can also be useful when you need to reduce the opacity of your brush a little. Sometimes 100% opacity can be overkill. While I almost always change my opacity from 100%, this is all about finding your method that will produce the best results.

HAIR

Using the same standard round brush, create basic form hair. Then, in the same manner, we begin to apply lighter tones. I don't draw the hair as a group of hairs, instead I create curls and try to represent as closely as possible the natural position and formation of the strands. Then I add individual hairs just to give the hair a fuller effect. (Fig. 18-20)

I added another layer in Overlay mode and filled it with a light brown color, which will give the hair a beautiful shine from where the sunlight hits it. After this there is a process of coloring and repetition. Just keep adding strands, highlights, and a few stray hairs until you get the finished image.

FINAL TOUCHES/DETAILS

Adding the finishing touches always takes me most the entire drawing process. This is also a process that cannot be left to the “last” stages. I work on details throughout the entire work on the painting, it is a very smooth process for me and very enjoyable, I really love details! This is where everything unnecessary is cut off.

For me, the process of detailing is the process of bringing order to lines, such as, for example, a jawline against a dark background of hair. At this stage I can also pay more attention to the details of the eyes, eyebrows, nose and lips, etc. I use the same brush, just smaller. And I usually zoom in a lot when I'm working on details like this. After these procedures, the image becomes noticeably cleaner and much easier to work with further. (Fig. 21-22)

CHANGES

You may have noticed that there are some differences in my work from the original. The first change concerns the hair. In fact, they looked absolutely terrible! I wasn't too keen on drawing hair like this, so use your artist rights. If you think something should be changed, change it! After all, this is just a sample and not an instruction that needs to be followed immediately. Here you will see other changes made. (Fig. 23-24)

Below are enlarged cutouts. (Fig. 25-26) At this stage the work is almost complete. I cropped the image a bit and tried to add some brighter colors, pinks and blues, to bring out the blue eyes and the subtle pink tint to the skin. I probably don’t need to say that this is not in the sample photo, but I just do it the way I like.

Drawing a portrait For a beginning artist it seems an incredibly difficult undertaking. Often, beginners rush to create a portrait without studying its basic principles and techniques. Each face drawing ends in disappointment, which can lead to a complete loss of interest. You shouldn’t give up, because every portrait painter started by studying the basic rules, practiced them, made dozens of mistakes and eventually achieved positive results. Now we'll figure it out drawing a portrait with a pencil, its features and rules. They will help you achieve accuracy, and most importantly, realism and high quality of the portrait.

There are three main positions in which a face can be positioned in a portrait

1. Full face– a straight position of the head, in which the entire face and its features are visible. The head is not tilted, so the ears are not completely visible.

2. Profile– lateral position of the head, in which only half of the face is visible. This is the left or right part on which the eye, ear, half of the nose and mouth are located.

3. Three quarters– this is the position between the full face and the profile. Usually one side of the face is completely visible, while the other side is only slightly visible.

Features of the position in profile and full face, their standard parameters

Full face:

1. The pupils are located strictly in the middle of the face. If you divide the face horizontally into two parts, you can see that the eyes, or rather the pupils, will be at the level of the line.
2. The tip of the nose is located in the middle of the face, between the eyebrows and chin.
3. The mouth line is located between the tip of the nose and the chin.
4. The height from the hairline to the edge of the top of the head is equal to the height from the pupils to the tip of the nose.
5. The width of the face is measured by the horizontal width of five eyes. The height from the chin to the lower lip is one eye (vertically rotated).
6. The upper part of the ear is located at eye level, and the lower part is the tip of the nose.

Profile:

1. The ear is on midline, which splits the head in half.
2. The base of the nose is located in the middle of the face.

Let's discuss the parts of the face. Each person has their own individual shape and size, but everyone has a similar structure. Let's figure out what structure certain parts have and how to do it correctly.

Eye:

1. Its corners have different heights. Usually the outer part is located higher than the inner one.
2. The iris of the eye is not completely visible when a person looks straight ahead. It is only fully visible when a person looks down.
3. The eyelashes that are located on top are longer than the bottom ones.
4. Always draw the iris and pupil. The eye looks quite artificial and cartoonish when one of these parts is missing.

Nose:

1. From the front view, the tip and wings of the nose are clearly visible, and the trunk is only depicted using shadows.
2. If you depict the nose in profile, you can only see the outline of one side and the nostril.
3. A difficult angle is considered to be three quarters. Here you need to be careful so that the nose looks natural. This angle combines “full face” and “profile”, so it is important to evenly highlight the contour, wings and tip.

Lips:

1. The mouth line that is in the middle will have a clearer appearance than the lip lines.
2. Draw the lips starting with the upper lip because the lower lip has a more simplified appearance. It won't be difficult to outline it in the end.
3. Usually upper lip thinner than the bottom.
4. The midline of the mouth will drop slightly towards the edge. Even if a person is depicted with a smile, the corners still first lower slightly, and then rise again.

Good day, friends!

Today we will learn how to draw a portrait of a person step by step, we will use the image as an example beautiful woman. In this article you will find tips that will certainly be useful for beginning artists.

Preparation

For any task you need the appropriate attitude, and to create a portrait of a person you need to have access to his physical appearance or photo. Even before you pick up a pencil, try to think through:

• what will the background be like?
• will there be anything depicted in the background;
• it will be horizontal or vertical format;
• and other important points.

Nature and light

Even if you are familiar with proportions human body, and are good at drawing abstract portraits, to achieve a portrait likeness you will definitely need nature. You can also use photographs as nature.

The image you will use as an example has one very important requirement - light. It is advisable that in the room or in the photograph there is one dominant light source. Simple lighting will allow you to show the volume correctly, without errors, especially if you have no experience. Lighting is not all we need - but the right, good light can help you a lot.

All guides are necessarily present here: line of symmetry, eyes, nose, eyebrows, mouth, etc. If you are not familiar with the proportions of the head, please look at our lesson:.

At this stage, we learn to draw a portrait rather roughly and not entirely accurately, but we must try to correctly convey all the shapes: nose, cheekbones, chin, and other features that are most prominent and characteristic of a given person. You can use a stroke to show falling shadows.

Drawing human ears

Some tips:

• If you draw with a pencil, make a rough sketch very lightly, so that you can then apply precise, beautiful lines on top.
• If you are creating a portrait in oil, then the sketch can be made on canvas with a small brush, indicating only the shape of the face and a few guide lines. It is not worth drawing in more detail, since a layer of oil will cover all your pencil lines. Proceed immediately to the next steps of working with paints.

We clarify all the lines, try to make a beautiful, clean sketch.

You can stop at approximately this sketch and then continue working in color.

Shadow and light: large brushes

Most The best way make the picture three-dimensional - First, darken it as much as possible; as you add light tones, it will become more and more voluminous.

First, the face needs to be “painted” sufficiently dark shade, sometimes you can even make a mulatto out of a person.

The dot shows the size of the brush in relation to the size of the head, and the color that will be used as the main one.

Drawing a parrot

Then take a shade lighter than the base color of the skin and go over large areas where the light falls.

You can repeat the application of shadows and light with a large brush several times. Try to avoid using thinner brushes for as long as possible. The transition from large brushes to thin ones should be gradual. For example, to work with paints: brush No. 20, then No. 16, then No. 12, 10, 6, 4.

A little more precision

In order to draw a portrait correctly, move away from the canvas every time you are going to use a different shade or develop new uniform. Take a break from work and look around more often, especially if you feel tired or confused.

We repeat the manipulation of applying shadow and light several times during work; gradually we can move on to smaller brushes, thus refining the image on the canvas. Naturally, this must be done consciously and accurately.

We refine the shadows, the dot shows the brush size and color

At the refinement stage, you can draw in the eyes a little. This way, your face will immediately come to life, and it will be easier for you to figure out what else you need to work on.

Dry brush technique in painting

Important tip: As an example, don't use models with a lot of makeup. This is very confusing, it is difficult to determine where the model actually has an eyelid and where the drawn arrow is; where the reflection is from artificial glitter, and where from the light source.

We add shadow, highlight, shine. We clarify the brightest highlights and the darkest shadows. In the example above, this is the shadow under the chin on the neck and along the contour of the face on the left side. We show the highlight on the hair in a lighter tone. Add a highlight on the right side of the nose, near the eye, and under the eyebrow.