When choosing paint for the interior, even for watercolor drawings, it's easy to make a mistake with the shade. Paper testers may not match the tone in reality.

Don't worry, there is a way to achieve the desired shade! Read on to find out what paints to mix to get Blue colour.

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Creating a classic shade

Unfortunately, no matter what components are mixed, without the primary tone itself it will not be possible to even come close to creating the required shade .

Red and yellow colors follow the same rule.

If the color in your palette is too dark, then white paint will help to lighten it a few tones.

If, on the contrary, you need to darken the shade, then you need to add more dark tones to the mixture - black, gray or brown.

Important! If you are mixing colors to create a small pattern in the interior, then you can mix them in a small bowl by hand. If you want to paint an entire wall, tint the ingredients in a bucket using a mixer.

How to maintain proportions

How to get blue color by mixing:

1. Get delicate ultramarine by mixing blue and white parts in a 3:1 ratio.
2. To create a shade with a slight blue, increase the portion of white color. The ratio of blue to white is 2:1.
3. To obtain a more transparent, light tone, mix them in equal proportions.

WITH Hello! The heavenly color is perfect for painting a boy’s nursery.

A turquoise tone will help you get a more saturated heavenly tone.

A complex recipe of three ingredients will help you create an aqua color. How to make blue using turquoise and white? Take 2 parts blue paint, 1 part white and turquoise. Enjoy the blue of the sea.

This is interesting! Red, blue, yellow are called primary, because by mixing other tones it is not possible to achieve the desired shade. Why do you need to know what colors need to be mixed to make blue? To achieve a play of shades and original texture, create artistic masterpieces.

Dark shade

In the case when you want to make the color darker, the mixing recipe is a little more complicated. It all depends on what the final result is and how rich the tone you are trying to achieve. How to successfully mix different tones to get a dark blue color:

1. You will need two paints: black and aquamarine. If the tone is made to decorate parts, then stir the mixture with a brush or stick in a small container. To paint walls, you need to tint the shade with a construction mixer, a special attachment for an angle grinder.
2. There are no exact proportions. Add black color to the base paint drop by drop or a few milliliters.
3. It is better to test the resulting mixture on a sheet of white paper and let it dry. If you are satisfied with the shade, then stop tinting. If not, add even more black.

Advice! Did it get dark? Lighten the mass by several tones using white. Stir in gradually so you don't have to add black again.

Violet

Ultramarine is similar to artificial, which does not occur in nature. Purple will help create paint the color of a dark sky. Magic coloring will help create an interesting tone that can be used to paint the ceiling in the nursery, and bright luminous star stickers will create an imitation of the night sky. How to get blue from purple:

1. Mix blue paint with purple in proportions 3:1.
2. For the ceiling, knead the dye with a construction hook for about 10 minutes.
3. Test the finished mixture on a small section of the wall. Do not forget that you need to apply the interior color in 2-3 layers.

A woman's favorite shade is royal ultramarine.

To get such a noble tone on the verge of night blue and sea wave, you need an acidic violet color or pink. The recipe is similar to the previous tinting:

1. You will need 2 tones: acid violet (pink) and ultramarine.
2. The proportions of blue and pink are 3:1. Sometimes you need a little more pink.
3. Evaluate the result by applying the dye to a small area.

Advice! To get purple, mix red and blue in equal proportions.

From yellow

To create an emerald blue color based on ultramarine, you need yellow. The resulting shade is similar to glitter precious stones. It is appropriate to use it for decorating small elements to create a fantastic picture. How to get blue from yellow:

1. Mix yellow and ultramarine colors in equal parts.
2. For a pastel look, add white. The proportion recipe depends on the desired degree of pallor.

Advice! To create a fantastic shimmery color, do not stir the paint too thoroughly. A lazy tinting method will create an interesting mother-of-pearl effect.

From green

Prussian blue is a favorite of designers not only for interior design, but also for clothing.

The deep color is associated with the depths of the sea and a distant galaxy. How to easily turn green into blue:

1. We combine two colors: aquamarine and green in equal parts.
2. Mix using a technique to ensure uniform texture.

Surprisingly, when adding a third white ingredient, the color does not fade.

How to make paint the right shade

What if there is no main color, but you need to make blue paint? An interesting tone, similar to sapphire shine, is obtained by mixing red and green. This tinting will not give pure ultramarine, but by adding black and white paint you can achieve interesting and unusual shades.

Useful video: how to mix colors

Combine combinations of warm shades with delicate pastels, blue tones with cold ones. Change the proportions to your liking; proper tinting is the key to successful repairs. Experiment and create your own color scheme!

Brown is a versatile color that has many possible uses, but it is not always found in art supply sets. Luckily, different shades of brown can be created by mixing the three primary colors: red, blue and yellow. Just mix these three primary colors and you get brown. You can also start with a secondary color, such as orange or green, and add a primary color to it until you get brown. To achieve the shade of brown you want, add more of one of the primary colors, use a little black, or mix two or more different shades.

Steps

Mix primary colors in equal proportions

Squeeze a small drop of each color onto the mixing surface. Place red, blue and yellow paints next to each other on a palette or piece of paper. Exact amount depends on how much brown paint you need. It is important that there is an equal amount of each paint.

• Leave some space between flowers. This empty space in the middle is where you will mix your different paints.
• To get brown from primary colors, you just need to mix them in equal quantities.

Advice: In principle, this combination can be used for oil sticks, watercolors or colored pencils, but the final color may not be uniform, since they are more difficult to mix.

Mix the colors completely. Run the tip of the palette knife along the inside edges of all three paints to bring them toward the center. Then use the flat bottom surface of the tool to mix the paints using increasingly wider circular movements. At the same time, you will notice that the mixture gradually acquires a rich brown color.

Add a little white to give the brown some depth. Once you have mixed the paints and got a brown color, add some white paint and continue mixing until it is completely gone. Be careful not to use too much white paint - generally no more than ⅓ of the total paint is needed.

How to get brown from secondary colors

1. Mix red and yellow together to make orange. Start with enough red paint and add yellow paint little by little until you reach a 1:1 ratio. At the same time, mix the paints until you get a dark orange color.

   • To make the brown color dark enough, you can use a little more red paint.

2. Mix orange with blue to get brown. Use a little less blue than orange - the proportion of blue paint should not exceed 35-40%. Mix the paints thoroughly until you get a chocolate brown color.

   Mix red and blue to get purple. Use these two colors in approximately equal proportions. The perfect combination of red and blue will produce violet, and if you deviate from the exact proportions, you will end up with purple or a similar red tint.

   • Getting the right purple color is quite difficult. If the final mixture has a reddish or bluish tint, add a little of the opposite color to achieve balance.
   • If you add too much blue paint, the purple color will be more difficult to correct. It is easier to achieve the right shade with an excess of red.

3. Add yellow paint little by little to the purple until you get a brown color. As you mix the paints, you will notice a dirty brown tint beginning to emerge. Continue adding yellow paint in small increments until you get the color you want.

   Mix blue and yellow to get green color. Squeeze out a large drop of blue and add yellow paint to it little by little. As with orange, you should start with the most saturated green and move towards the middle of the spectrum.

   • For best results, the green color should be closer to dark blue than light aquamarine.

4. Add the right amount of red paint to the green to get a brown color. Mix in just a little red at first and continue adding and stirring as needed to get more dark color. A mixture of green and red can range from an earthy olive brown to a warm burnt orange hue.

   • To get the most “real” brown color possible, the mixture should contain 33-40% red dye. If the proportion is equal, red will slightly predominate.

   Advice: The brown color obtained from a mixture of red and green is perfect for landscapes and images of nature.

   How to get different shades

   Add a little more red or yellow paint to give the brown a warmer tone. If you want to lighten or enhance the brown, simply add a small amount of one of the warm primary colors. Add paint in small portions and stir continuously until you get the desired shade.

While doing painting, painting or applied arts, you can often encounter the problem of a lack of one color or another. That’s when an entertaining and very useful science comes to our aid - colorism. For example, let's talk about paints.

What will you need for this?

• Paints (we'll see what's available in red and blue, you may need black and white).
• Brushes (the more, the better).
• Palette.
• Water or thinner for oil paints.

Whatever paints you paint - acrylic, oil or watercolor, you need to use it on a palette, and only then apply it to the drawing. In this case, you can adjust the intensity of the shade you need and correct it if necessary.

Paints, many were taught in art lessons in elementary school. But when we urgently need to “figure out” such a color, we frantically begin to mix all the shades in a row, getting a kind of dirty mass.

How to get purple color from paints in a few steps?

The purple color itself is secondary; in order to get it, we need to mix two primary, primary colors - red and blue.

Take a little red into your palette and add about the same amount of blue. Mix the paints thoroughly. You will get a basic one. Most likely, it will not suit you, and you will have to “modify” it.

• In order to get a lighter shade of purple, you need to add white.
• If mixed purple paint with white, you can also get purple. Depending on the amount of white, you will get purple shades of varying intensity.
• A soft purple hue can be obtained by mixing pink paint with blue.

There is another way to get purple from paints. To get a muted purple color, you need to mix black paint with any cold paint. For example, it could be alizarin red. You will get exactly purple, it will not be very bright and chromatic.

There is one more important point in how to get purple from paints. The richness of the hues of the outgoing colors will play a big role in this. In an example it would look like this: a scarlet shade of red + light blue paint will give you a purple color with a beautiful burgundy tint. Or if you mix red with dark blue, you get a rich purple color, very close to eggplant.

If you work in watercolor and do not use white, adjust the saturation or pallor of the color using the amount of water.

And if you prefer to work with gouache, do not forget that when it dries it becomes several shades lighter, and you need to achieve a darker purple color.

Be sure to change, wipe or wash your brushes with each set of paint, then you will be pleased with your experiments.

Well, now you know how to make purple. And the situation will no longer take you by surprise.

The color mixing table allows you to learn how to get the right one when mixing two or more colors and shades.

This table is used in various fields art - fine art, modeling, and others. Can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Color mixing chart 2

Mixing paints
black= brown+blue+red in equal proportions
black= brown+blue.
gray and black= blue, green, red and yellow are mixed in equal proportions, and then one or the other is added by eye. it turns out we need more blue and red
black= it turns out if you mix red, blue and brown
black=red, green and blue. You can additionally add brown.
bodily= red and yellow paint... just a little bit. After kneading, if it turns yellow, add a little red, if a little yellow paint turns pink. If the color turns out to be very saturated, add a piece of white mastic and mix again
dark cherry= red + brown + a little blue (cyan)
strawberry= 3 parts pink + 1 part red
Turkiz= 6 parts sky blue + 1 part yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 part red + a little black
rust color= 8 hours orange + 2 hours red + 1 hour brown
greenish= 9 hours sky blue + a little yellow
dark green= green+a little black
lavender=5 parts pink + 1 part purple
bodily= a little copper color
nautical=5h. blue+1 hour green
peach=2h. orange + 1 tsp. dark yellow
dark pink=2h. red+1 hour brown
Navy blue=1h. blue+1h. Sereneviy
avocado= 4h. yellow + 1 part green + a little black
coral=3 hours pink + 2 hours yellow
gold= 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 part purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red and blue, with red predominating
Pistachio paint obtained by mixing yellow paint with a small amount of blue

Knowledge of color mixing options can be useful not only in professional activity artists. Individual design of a living space often poses the question to the designer of how to achieve this or that interesting undertone. The proposed combination options and color mixing table will help you get desired effect.

Everyday life is filled with a wide range of different colors. To get the right one, you need to know the intricacies of combination.

Blue, red and yellow paint are the three pillars on which a wide palette of halftones rests. It is impossible to form these colors by mixing other colors. At the same time, combining them with each other gives an unusually large number of combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of paint added to another, the resulting result approaches one or another original color. One of the most famous examples is the mixing of blue and yellow, resulting in the formation of green. The resulting result, when adding new portions of yellow paint, will gradually change, getting as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are located close to each other on the color wheel produces a paint that does not have a pure tone, but has an expressive chromatic hue. Combining colors that are on opposite sides of the chromatic circle will result in an achromatic tone. An example is combining orange or purple with green. That is, a mixture of colors located closely in the color wheel gives a rich chromatic shade; the maximum distance of colors from each other when mixed leads to a grayish tone.

When individual paints interact, they give an undesirable chemical reaction, which can result in cracking of the decorative layer. In some cases, the resulting background may darken or turn grey. A good example is the mixture of white lead and red cinnabar. Attractive pink color It gets darker over time.

It is optimal when the impression of multicolor is achieved by mixing a minimum number of colors. At the same time, it is important to consider which paints, when mixed with each other, give a lasting result, and which ones are unacceptable to combine. The knowledge gained allows us to eliminate paints that fade or darken in the future from work.

The table of unwanted mixtures below will help reduce the risk of erroneous combinations:

Having tried the examples given in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the three primary colors and is necessarily present even in minimal sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1:1 ratio. There are other options for getting red when mixing paints:

The main red is located in the center. Next are the options for mixing. The next circle is the result of combining the first two colors. In conclusion, color options are presented when added to last result red, black or white paint.

Blue and its shades

Blue is considered a primary color, so to form all its shades you will need blue paint.

Attention! No combination of other colors produces a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called “royal”, and comes with acrylic paints Often the main color is ultramarine, which has a bright dark shade with a purple undertone. A lighter effect can be achieved by mixing blue and white in a 3:1 ratio. Increasing the white leads to a lighter tone, up to a sky blue. If you want to achieve a moderately rich result, dark blue paint is mixed with turquoise.

Let's look at what colors need to be mixed to get shades of blue:

• The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. Adding white paint will result in a lighter shade while reducing the brightness due to the combination of the 3 elements.
• The creation of “Prussian blue” is carried out by mixing 1 part of the main blue and adding 1 part of a composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
• Combining blue and red in a 2:1 ratio produces blue with a hint of purple. Adding white allows you to lighten a dark and rich tone.
• Royal blue is distinguished by its brightness; a similar effect is achieved by mixing the main blue with mangento pink in equal parts. An admixture of white traditionally brightens the result.
• Combination with orange gives a gray mass. Replacing orange with brown in a 1:2 ratio to the base creates a dark color with a complex gray-blue tint.
• The formation of dark blue occurs with the help of an admixture of black in a ratio of 3:1.
• You can create a blue tone yourself by mixing the main color with white.

A small table of combination options is presented below:

Green color palette

Solving the problem of how to get green if it is not in the set is quite simple: combine yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements, performing the function of darkening or lightening. Black and white paint plays this role. The olive and khaki effect is achieved by mixing two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: intense tones of the source materials guarantee a bright result.

If green is obtained by mixing, then all subsequent undertones will be duller. Therefore, it is better to experiment with the range of green if you initially have a ready-made primary color. There are many combination options:

• A combination of blue and yellow in equal proportions produces a grassy green.
• Increasing yellow to 2 parts and adding 1 part blue results in a yellow-green effect.
• An experiment on the contrary in the form of a blue-yellow proportion of 2:1 will allow you to obtain a blue-green tone.
• If you add ½ part of black to the previous composition, you will achieve a dark green effect.
• A light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
• For a similar light green shade, but a cool tone, you need to take yellow, blue and white bases in a 1: 2: 2 ratio.
• Dark olive color is formed by mixing equal parts of yellow, blue and brown paint.
• The gray-brown tone is obtained from similar elements in a ratio of 1:2:0.5.

The expressiveness of the green color is directly dependent on the original elements; accordingly, the brightness of the halftones is based on the saturation of the green. The graphic palette gives a clear idea of ​​the mixing options:

As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding base, white or black paint.

Other combination options

There are many other techniques to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where you plan to apply the paint. The simplest option is to mix snow-white basic basis with yellowish. For example, yellowish ocher or a minimal amount of strontium is added to white. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink tint indicates a correctly diluted solution. A cotton swab, brush or sponge is moistened with the resulting composition, after which the surface of the paper is treated.

Advice! For double-sided tinting, the sheet can be dipped in a container with a solution of potassium permanganate for a couple of minutes. After drying, it will acquire the desired ivory effect.

There are also several ways to get black:

• by mixing three basic colors red, blue and yellow;
• when combining cyan, magenta and yellow;
• a combination of green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

• How to get raspberry color: the base is blue with the addition of red, white and brown.
• You can get turquoise color, whose second name is aquamarine, by mixing blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright ones.
• How to get yellow? It is a basic color and cannot be obtained by combining other colors. Something similar to yellow can be created watercolor paints when combining green and orange or red. But it is impossible to achieve purity of tone in this way.
• How to get a brown tint? To do this you will need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10:1), then the volume is gradually increased until an orange tone is obtained. After which they proceed to the introduction of the blue element, 5-10% of the total volume will be enough. Minor adjustments to proportions will produce a wide variety of brown effects.
• Combining black and white elements in different proportions gives a diverse range of gray tones.

As you can see, there are options to achieve the desired effect in creative process an innumerable variety of designs. The information presented will be supplemented by a table with options for mixing colors and video: