Cartoon face emotions. How to draw human emotions? Expression of feelings on paper, features of facial expressions, step-by-step sketches and step-by-step instructions. How to draw contempt, arrogance

We will look at the most common emotions, which are used when creating anime characters.

Emotions:

calm state without showing any emotion. This condition emphasizes a straight mouth.

Smile. This state is emphasized by the mouth drawn with a slightly curved line.

Joy. The lower eyelid of the eye covers the bottom of the iris. The mouth is shaped like an inverted "D".

Laugh. The eyes are closed in an upward arc. The mouth is similar in shape to an inverted "D", only now it is larger in size.

Tears of happiness. Eyebrows lowered. The eyes are drawn with large pupils in the corners, which protrude small droplets of tears. The mouth is shaped like an inverted "D".

Trembling, slight trembling due to overflow of feelings. The pupils are dilated and they have a glare in the form of a star-shaped rhombus. The upper lip is shaped like an inverted "Z".

Impatience. Eyebrows raised up. Eyes closed, eyelid down. A droplet is drawn near one eye. The mouth is slightly open and a small cloud comes out of it (this is how we show that the hero exhaled air)

Irritation. The eyebrows are still furrowed, lowered by the ends to the bridge of the nose. The mouth curved up.

severe irritation. Eyebrows are lowered down and small wrinkles are created between them. A semblance of an X is formed on the forehead. The mouth is open.

malice. Very strong irritation. Eyebrows are lowered even more down and wrinkles are created between them. The pupils are constricted. The mouth is very open and fangs are visible. On the forehead, you can also draw a semblance of one or two X's as desired.

dumbfounded. Upper eyelids straight lines. The ends of the eyebrows are raised up. The pupils of the eyes are large without the iris. Mouth in the form of a triangle. A drop is drawn on the side.

severe stupefaction. Eyebrows raised up. The eyes are drawn in a circle. The mouth is very open.

fright. The ends of the eyebrows are raised up. Pupils are reduced. The lower eyelid is straight. Mouth in the form of an uneven oval (as if involuntarily opened). Strokes under the eyes, and a drop of sweat.

Disappointment. Eyebrows raised. Eyes sparkle with tears. The mouth is arched.

Cry. Eyebrows raised up. Tears come from the eyes. The mouth is open. Instead of tear lines, you can also draw droplets.

Cry. Eyebrows raised up. The eyes are screwed up. The mouth is wide open. Instead of tear lines, you can also draw droplets.

strong crying. Eyebrows raised up. The eyes are screwed up. The mouth is wide open and fangs are visible. There are lines and droplets of tears coming from the eyes.

Emotion of puzzlement, reflections. One eyebrow is raised, the other is lowered. The eyes look to the side or up. Mouth in the form of an inverted "V".

Astonishment. Eyebrows up. The eyes are wide, but the pupils are small. The mouth is very open.

Strong surprise. There are no eyebrows. The eyes are drawn with a very large circle, and the pupils are dots. The mouth is very open.

Fatigue. Upper eyelids straight lines. Pupils in the form of dots. Streaks under the eyes indicating bruising or bags. The mouth curved up.

Disgust. Eyelids and eyebrows are straight lines. The pupils are small. Mouth at the bottom of the face, in the form of a wave.

How to draw emotions. Emotions in a pencil portrait

In this lesson, we will look at how a person's face will change, expressing various emotions. When expressing early emotions, the look changes, pupils (shrink or expand), ears rise, lips stretch in a smile or vice versa narrow, and so on :) Below are the stages of writing a portrait of a person filled with emotions such as happiness, fear, contempt or hatred, anger or anger

How to draw fear, how to draw fear with a pencil.

We start the drawing with an axial thin line, immediately determine the dimensions of the head.

Divide the center line into three equal parts

With light lines we define the tip of the nose, the direction of the eyebrows, the curvature of the eyes.

With the help of hatching draw eyebrows, pupils. My eyes will be slightly widened (from fear:)

Using hatching, we sculpt the shape of the nose

We draw hair and ears to our character, apply shading to them

We draw a mouth that will be skewed, thereby the emotion of fear will be transmitted. When a person is afraid of something, a wrinkle forms between the eyebrows. We apply hatching to the entire surface of our drawing. Everything, from the image a frightened person is looking at you

how to draw happiness on a person's face

We start the drawing by drawing an axial thin line with a pencil, determine the dimensions of the head

We divide the center line into three equal parts as in the previous stage

Define the shape of the head with a light line

Strongly without pressing the pencil, draw the eyebrows, nose, determine the shape of the eyes

With the help of hatching draw eyebrows, pupils. The eyes will be as narrow as possible. When a person smiles, wrinkles form around

We draw a mouth, slightly noticeable dimples will appear on the cheeks, pronounced cheeks will appear. We draw ears. Using hatching, we sculpt our entire head.

We add a hairstyle to our character, dress him up. Our drawing is ready.

How to draw contempt, arrogance

As always, we start with the center line. Immediately determine the dimensions of the head of the model.

The center line is divided into three equal parts. This will be the level of the eyebrows and nose.

Draw the outline of the head with a pencil

We draw a nose and eyebrows, we outline a neck with a collar

We draw eyes. I want to draw attention to the fact that the cut of the eyes will be slightly narrowed. We immediately apply hatching to the gas, our drawing will begin to come to life.

We outline the folds at the eyes. Because when a person squints, a lot of folds form in him. We draw a mouth with slightly visible teeth. We outline the chin.

Draw hair and ears to our character

The final stage is to apply hatching to the entire surface of our drawing, the places where the shadow passes the hatching are applied more intensively. Our drawing is ready.

How to draw anger, anger in a portrait

We draw the center line where our head will be located

We divide the axis into three parts with a pencil. Parts must be equal

Light lines define the tip of the nose. With the help of hatching we draw eyebrows. The most important part of the face in this emotion is the eyebrows. They will have sharp outlines.

We draw eyes. Eyebrows will hang over the eyes. With the help of hatching we show the shape of the nose

We draw hair and ears.

We draw a mouth. The upper lip is almost invisible. The mouth will be compressed as much as possible. Let's do the shading. Our drawing is ready.

All drawing is ready! Before you is a man in anger drawn with a pencil

Depicting the emotions of anime is not at all difficult. In this lesson, you will highlight for yourself what we need to change in order to get this or that emotion, how to properly show and express the character.

Now we will look at how small details can dramatically change the character of our character.

When you understand what principle lies in the technique of drawing emotions, you can draw absolutely any character and show the emotions you want!

1. Calm, sweet smile

The smile is emphasized by bright highlights on the eyes and the arch of the mouth.

Unlike the previous emotion, here the drawing of the eyes has changed a little, and the arc of the mouth has changed dramatically (it has become more straight).

Differs from the first drawing in the shape of the mouth.

As if a slightly improved version of "joy", where the drawing of the eyes has changed dramatically.

As shown in the figure, the eyes are drawn with inverted arcs and dashes under them.

Rather, this emotion is something between embarrassment and disgust.

The eyes are more strict and the mouth is drawn with a "spring". The nose is not shown here.

There are already cardinal changes in the whole face as a whole.

The mouth occupies a large space and is already drawn more than just a line. The teeth are drawn with fangs. Lines are visible above the nose. Eyebrows curved down. Less glare in the eyes and pupils are darker, larger and virtually glare-free.

Everything, as in the previous case, only the emotions are less pronounced and closer to the normal state.

Mouth without fangs. The eyes are brighter and with more highlights.

Unlike the previous one, the mouth is drawn with an arc, the eyes are brighter.

The mouth is wide open, wide eyes, very small pupils, straight eyebrows, there are third-party dashes.

There are millions of eyes, mouths, noses, ears, chins in the whole world and each with its own characteristics. However, to make cartoon-style faces, you just need to understand the basics. In this tutorial, we will learn how to create emotions on the faces of cartoon characters in just a few steps.

human face behavior

Just like the tone of the voice, the facial expression lends itself to easy and quick change. Different expressions are not only the result of muscle contraction, but also the simultaneous action of one and the relaxation of opposite muscles. For example, when laughing and smiling, the same muscles are involved, only with different intensities.

If you are asked to describe what feelings are depicted below, what would you say?

Surely you will say that the boy is thinking about something. Not really. This image expresses a complete lack of expression, since none of the facial muscles are tense.

In fact, this facial expression people use 80% a day. When a person is alone, this is exactly the expression on his face, but when a person is in a company, listening or talking, usually his face expresses various emotions.

Primary emotions

Primary emotions are those emotions that arise on primary stimuli and people do not have sufficient control over them and their origin.

These basic emotions are expressed on our face regardless of culture, race or age. Below are the main ones:

• Happiness (1): The corners of the lips are raised up - the eyebrows are raised up - the eyes are wide open;
• Anger (2): The corners of the lips are lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are wide open;
• Fright (3): The corners of the lips (sometimes the entire line of the lips) are randomly lowered down - raised eyebrows of irregular shape - eyes are wide open;
• Sadness (4): The corners of the lips are lowered down - the tips of the eyebrows near the nose are raised up - the eyes with lowered eyelids.

These are the basic facial expressions and we use them most frequently throughout our lives. For a cartoon, it is generally necessary to develop other expressions based on the main ones.

There are two more expressions that complement the group of basic ones:

• Surprise (5): Small and half-open mouth - eyebrows raised above an irregular shape - eyes wide open;
• Nonsense! (6): The corners of the lips are randomly lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are closed.

"Why was it necessary to separate these two emotions from the first group?"

Simple: these expressions are variations of the expressions of the first group.

Now, you might be wondering why there are so few basic forms of emotional expression? It's very simple: there are primary colors that can be mixed to create others, just as there are primary emotions that can be mixed to create other secondary expressions! Just take a look:

Note that to create a sleepy expression, we took the eyebrows from the expression of happiness and mixed them with almost closed eyes of sadness. Cool, isn't it?

family emotions

The fun doesn't end! A family of emotions consists of those emotions, for the construction of which it is necessary to change only one component in the previous one.

Note that only the mouth has been changed in the drawing. We can express two different feelings, starting from the basic (“nonsense!” - “something smells bad”).

Here is another example ("surprise" - "fear"):

Here, too, only the mouth has been changed.

This time we use the mouth and eyes to get another version of the same primary emotion ("surprise" - "confused").

We can extract the third emotion from the secondary:

Fantastic, isn't it? It's entirely possible that you'll end up with dozens or even hundreds of possible emotional faces for your design by applying these techniques!

The physical side of emotions

Primary emotions and physical state of the concept are very close. One form of emotion can mean another.

Note that physical emotion stems from the primary. Fatigue comes from sadness.

We can amplify the emotion simply by adding an additional element - drops of sweat (“hot”):

Let's see another example of a physical reaction. This time our character is being electrocuted! In short: completely lost control over the reaction!

We exaggerated the mouth expression to get the desired result.

Note that primary emotions are dominant. Shock, even when uncontrollable, is a variant of fear.

Intensity and additional elements

Depending on the intensity of the emotion expression, we can create very interesting results:

In addition to intensity, we can insert additional elements into the image to increase emotion. In the first image, let's add a few drops of sweat to emphasize the fear. In the second case, we add a language.

Back to fear. Let's adjust the image to explore a more intense sense of panic!

We increase the eyes of the character and close his face.

Angle changes

To achieve a stronger impact, you can change the viewing angle of the scene.

Note that when placing the corner of the stage from top to bottom, it creates an impression of inferiority for our character. In contrast, by positioning the camera from bottom to top, we make our character more menacing! The prominent chin and taunt help create the perfect atmosphere for threatening!

In cartoon style, menacing characters tend to have large chins, weak characters have large eyes but smaller jaws, and the mouth is always very close to the chin.

Try to apply these methods in your projects and you will see!

Playing with social stereotypes and context

To make our characters more stereotypical, we can add some elements that reinforce the context of the scene.

Notice the drunk has messy hair, an unshaven look, heavy eyelids, and one tooth sticking out of his mouth. The patient has a large nose and considerable age, eyes are closed and saliva is visible when coughing.

Here is another example. The picture below can be applied in several contexts. The man on top is in pain, the man below is furious.

Let's change the picture. Let's add tears to two characters and cloth in the hand of one of them and they will cry.

Facial Signals

People use facial expressions to convey certain signals to other people.

Below is an illustrative example of signal exchange. The heartthrob directs his gaze to the girl. Did she fall in love with him?

Let's look at another example. A common cartoon scene: a sweet girl who always gets what she wants.

Let's change the context. We have only changed the direction of the eyes. This detail made the girl more shy.

Conclusion

If you have difficulty expressing the feelings and emotions of your characters, then the best way to achieve results is to train in the perception of the emotions of other people.

We hope you are motivated to explore the expression of different emotions. And remember that for caricatures you need to exaggerate the expressions and understand the basics of their instantaneous formation.

Translation - Duty.

Example? Please.

Bruce Willis - sideways glance, asymmetrical grin. Marilyn Monroe - raised chin, squinted eyes, parted mouth. Try to mentally imagine that the faces of these people will take on each other's expressions, they will seem strange and completely unfamiliar.

Facial expressions really express the character of a person. There are many books on how different emotions affect facial muscles. For example, "Body Language" by Allan and Barbara Pease or Paul Ekman is the first thing that comes to mind (not including anatomy for artists, of course). If you want to draw emotional portraits, information about the work of the muscles of the face will not be superfluous at all.

And for those who would like to try their hand at the image emotions already now, I would advise you to start with sketches and quick sketches. And for starters, I suggest you watch one lesson on this topic:

The lesson was prepared by the artist Olenchinkova Tatyana.

Emotions attract attention, it's hard not to agree with that!

Here are some more image examples for inspiration. emotions in the paintings of the great masters:

Repin, "The Cossacks write a letter to the Turkish Sultan"

Ribera, "Hawkweed"