Palaces of the Catherine era. Attachments for the Great Catherine Palace

The Grand Palace of Tsarskoye Selo is a baroque masterpiece created by Bartolomeo Francesco Rastrelli for Elizabeth Petrovna. During the Great Patriotic War, the palace was destroyed; to date, 32 of the 58 halls have been restored, including the Amber Room. Perhaps this is the most impressive Russian "remake".

// Part 27

1. At the heart of the central part of the palace are two-story "stone chambers" built in 1717-1724 by the architect Braunstein for Catherine I.

2. The modern palace was erected in 1748-1756 by the chief architect of the imperial court F.-B. Rastrelli.

3. Now there is a monument to the famous architect on the side of the building.

4. The facade of the palace is presented in the form of a wide azure ribbon with snow-white columns and gilded ornaments, which give the building a special chic.

5. The Palace Resurrection Church is located in the northeastern part of the building.

6. There is a building nearby, connected to the palace by an arch.

7. The front yard of the residence is limited by two circumferences, there is a parade ground in it. Along the edges are two yellow service (kitchen) buildings.

8. In order to get inside the palace in the summer, you need to stand in a forty-minute queue in the heat.

9. Waiting to look at the details of the building.

10. The last large-scale restoration of the building was more than ten years ago, now the facades are in need of cosmetic repairs.

11. Blue and "gold" colors faded.

12. The columns of the palace support the sculptures of the Atlanteans, their faces can only be seen when coming close to the building.

13. First of all, we get to front staircase, decorated with the sculpture "Awakening Cupid" of 1860.

14. The staircase was created under Catherine II by Charles Cameron in place of the Chinese Hall. In memory of this, the interior is decorated with vases and Chinese porcelain dishes.

15. The ceiling of the hall is decorated with paintings "Aeneas and Venus", "Jupiter and Callisto" and "The Judgment of Paris". They replaced canvases that died under collapsed ceilings during the war.

16. The stucco decoration of the walls and the caryatids framing the doorways were restored according to the discovered details and pre-war images.

17. A large clock has also been recreated.

18. Green dining room- part of the private quarters of Grand Duke Pavel Petrovich and his first wife Natalya Alekseevna, built under Catherine II on the site of an open terrace - a "hanging" garden.

19. Interior waiter's decorated with mahogany chairs, a Swedish chest of drawers of the second half of the 18th century and a sculpture by M.-A. Collot "Girl's Head" 1769.

20. Small White Dining Room in the private chambers of Elizabeth, Catherine II and Alexander I. Its interior was formed after a fire in 1820.

21. A copy of the painting "The Bathing of Venus" by K. Vanloo is installed in the ceiling plafond.

22. Located next door Chinese drawing room of Alexander I.

23. Its interior is distinguished by silk upholstery walls painted with watercolors in the Chinese style.

24. On the walls are portraits, including those of Emperor Peter II by I.-P. Luden.

25. Next - buffet, until 1761 it was part of the Lavatory on the half of Elizabeth Petrovna.

26. For the plafond, a painting by the 17th-century Italian artist P. da Cortona "Coral Fishing", transferred from the Hermitage funds, was used.

27. Cavalier dining room- a small hall, visually enlarged with mirrors and false mirrored windows.

28. On the tables are items of the famous "Order" sets, decorated with signs and ribbons of Russian orders.

29. The picturesque plafond in the center of the ceiling is decorated with a painting by an unknown Russian master of the middle of the 18th century on the plot of the ancient myth about the sun god Helios and the goddess of the morning dawn Eos, obtained from the funds of the Russian Museum.

30. White Front Dining Room was intended for ceremonial dinners and "evening meals" of Empress Elizabeth Petrovna in a narrow circle of close associates.

31. Green Stolbovaya under Catherine II, it served as a pantry, in which silverware and porcelain were stored. One of the multi-tiered tiled stoves with cobalt painting, columns and niches is located here. Similar stoves, created according to Rastrelli's sketches, were an integral part of all the halls of the front suite of the palace.

32.

33. In portrait hall ceremonial images of royalty were displayed. Today, in addition to portraits, you can see one of the dresses of the Empress.

34. The ceiling of the hall is decorated with a painted ceiling "Mercury and Glory" transferred from the ceiling.

35. The first in a series of the most impressive halls of the Tsarskoye Selo Palace - picture room area of ​​180 m².

36. Picturesque canvases are placed in it according to the principle of trellis hanging. Placing works on the wall, Rastrelli took into account, first of all, their size and color scheme: separated from each other by a narrow gilded baguette, the paintings merge into a single colorful “carpet”.

37. The plafond "Olympus" is in harmony with the general color of the walls - a copy of the plafond of the Jordan Stairs of the Winter Palace.

38. Big hall, or Light Gallery - the most significant front room of the palace, designed by the architect F.-B. Rastrelli in 1752-1756.

39. Its area is more than 800 m².

40. The alternation of large windows with mirrors visually expands the boundaries of the hall.

41. Sculptural and ornamental carving, covering the planes of the walls with a continuous pattern, was made according to the sketches of Rastrelli and the models of the sculptor-decorator Dunker by 130 Russian carvers.

42. The original ceiling painting was painted in 1752-1754 according to a sketch by the Venetian artist D. Valeriani. It consisted of three independent compositions depicting the Allegory of Russia, the Allegory of Peace and the Allegory of Victory.

43. In the 1790s, due to the deformation of the ceilings, the ceiling of Valeriani was removed to the palace storerooms, and in 1856-1858 the artists F. Wunderlich and E. Franchuoli created a new composition "Allegorical depiction of Science, Art and Diligence." This ceiling was lost during the war.

44. In the 1950s, during the restoration, the side parts of the old ceiling, the Allegory of Peace and the Allegory of Victory, were discovered, which were considered lost. It was decided to recreate the ceiling of Valeriani, returning the surviving compositions to Tsarskoye Selo. The central part was restored from sketches and descriptions made by Valeriani himself, as well as from a drawing by Stackenschneider in 1857.

45. amber room rightfully called one of the wonders of the world. Initially, this interior was created for the Prussian Queen Miria-Charlotte, but in 1716 Frederick William I was presented to Peter the Great, but only under Elizabeth found a place in the old Winter Palace. With her, the precious panels on the hands (!) were transferred to Tsarskoye Selo. Rastrelli installed them in the middle tier of the walls, separated by pilasters with mirrors and decorated the room with gilded carvings. Where there was not enough amber, fragments of the walls were covered with canvas and painted “under amber” by the artist Belsky. After the capture of Pushkin by German troops, the panels were removed by the Kunstkommission team and until 1944 were exhibited in the Königsberg Castle. During the retreat of the Germans, the panels were again dismantled, packed in boxes and taken out in an unknown direction.

46. ​​The restoration of the room began in 1979. In 2000, the Russian-made chest of drawers of the late 18th century and the Florentine mosaic "Touch and Smell", which were part of the original decoration of the room, were returned to the museum, discovered in Germany. By 2003, the decoration of the hall was completely restored.

47. In an inconspicuous corridor of the palace there is a picture depicting the palace in a horrific state in 1944. It reminds us of the enormous damage that military action can do to history and culture.

Attraction Great Peterhof Palace ... Wikipedia

Attraction Grand Tsaritsyno Palace ... Wikipedia

This term has other meanings, see Gatchina Palace (Faberge egg). Palace Castle Great Gatchina Palace ... Wikipedia

Coordinates: 55°45′00.58″ s. sh. 37°36′56.74″ E  /  ... Wikipedia

Palace Catherine Palace Golovinsky Palace ... Wikipedia

Palace Great Catherine's Front facade Country Russia ... Wikipedia

The House of Rear Admiral Mekenzie, or the Catherine Palace, is one of the first stone buildings built in Sevastopol. It was located on Ekaterininskaya Square (now Nakhimov Square). June 1, 1783, the first head of the Black Sea Fleet, Rear Admiral ... ... Wikipedia

What is the Grand Kremlin Palace- In Russia, Dmitry Medvedev, who was elected President of Russia on March 2, will take office on Wednesday. The Grand Kremlin Palace (BKD) serves as the grand residence of the head of state. It hosts the inauguration ceremonies of the President, ... ... Encyclopedia of Newsmakers

Palace Palace of Grand Duke Alexei Alexandrovich ... Wikipedia

Catherine Park in Tsarskoye Selo is one of the five parks in the city of Pushkin. The Catherine Park directly surrounds the Great Catherine Palace, making up the palace and park ensemble with it. Consists of a regular Old Garden and landscape ... ... Wikipedia

Books

• Grand Kremlin Palace
• Grand Kremlin Palace , . The Grand Kremlin Palace, built in the middle of the 19th century according to the design of the famous Russian architect K. A. Ton, is one of the most interesting monuments of the Moscow Kremlin. The front rooms are…

The Catherine Palace is one of the largest.

- the former imperial palace. Located in the modern city of Pushkin (formerly Tsarskoye Selo), 25 kilometers south of St. Petersburg. The city of Pushkin itself is part of the Pushkinsky district of St. Petersburg.

The exposition of the Catherine Palace (until 1910 - the Great Tsarskoselsky) Palace-Museum covers almost 300 years of history of the outstanding monument and introduces the work of architects who participated in its construction and decoration in the 18th-19th centuries, as well as the achievements of restorers who revived the palace after the Great Patriotic war. Of the 58 halls of the palace destroyed during the war, 32 have been recreated.

In 1717, when St. Petersburg was being created on the banks of the Neva, in Tsarskoye Selo under the guidance of architect I.F. Braunstein began the construction of the first stone royal house, which went down in history under the name "stone chambers". In August 1724, as a sign of the completion of construction, a festival was held in the palace, during which "thirteen cannons were fired three times." The ceremony was attended by the king and major statesmen. At that time, the palace was a small two-story structure typical of Russian architecture of the early 18th century.

During the reign, at the end of 1742 - beginning of 1743, it was decided to expand the building according to the project of M. G. Zemtsov (1688-1743), but the death of the architect prevented the implementation of the plan. After Zemtsov, work in Tsarskoe Selo was carried out by A. V. Kvasov (1720 - after 1770) and his assistant G. Trezzini (1697-1768), but already in May 1745 Trezzini was replaced by the famous architect S. I. Chevakinsky (1713-1780) , who supervised construction in Tsarskoye Selo until the early 1750s.

From the end of 1748 to 1756, the construction of the Tsarskoye Selo residence was headed by the chief architect of the imperial court F.B. Rastrelli (1700-1761). On May 10, 1752, Elizaveta Petrovna signed a decree on the overhaul of the old building, and already on July 30, 1756, Rastrelli demonstrated his new creation to the crowned customer and foreign ambassadors.

The palace, built in the Baroque style, delighted with its size, powerful spatial dynamics and "picturesque" decor. The wide azure ribbon of the facade with snow-white columns and gilded ornaments looked festive.

Rastrelli decorated the palace facades with figures of Atlanteans, caryatids, lion masks and other stucco decorations, made according to the models of the sculptor I.F. Dunker (1718-1795). Five gilded domes of the Palace Church towered above the northern building, and above the southern one, where the front porch was located, there was a dome with a multi-pointed star on the spire. It took about 100 kilograms of pure gold to gild the exterior and interior decorations. At the same time, the front parade ground was finally decorated, fenced with palace wings and one-story service buildings located in a semicircle - circumferences.

Just as luxuriously Rastrelli decorated the apartments of the palace. The Ceremonial enfilade created by him, decorated with gilded carvings, was called "golden". The enfilade arrangement of halls, not known in Russia until the middle of the 18th century, was also introduced by Rastrelli in other palaces, but only in Tsarskoe Selo the length of the front rooms was equal to the length of the entire building - from the Main Staircase to the Palace Church.

The next stage in the design of the ceremonial and residential halls of the palace dates back to the 1770s. The new owner of the residence, fascinated by ancient art, wished to decorate her apartments in accordance with fashionable tastes and entrusted them to the Scottish architect, an expert on ancient architecture C. Cameron (1743-1812). The interiors he created - the Arabesque and Lyon drawing rooms, the Chinese hall, the Domed dining room, the Silver Cabinet, the Blue Cabinet (Snuffbox) and the Bedchamber - were distinguished by their exquisite beauty, the rigor of decorative design and the special elegance of decoration. Unfortunately, these halls were destroyed during the Great Patriotic War and have not yet been restored.

The rooms intended for Grand Duke Pavel Petrovich (the future Emperor Paul I) and his wife, decorated by C. Cameron in the same years, are now recreated: the Green Dining Room, the Waiter's Room, the Front Blue Room, the Chinese Blue Living Room and the Bedchamber allow you to get acquainted with the unique interiors created by Scottish architect, whose work was so loved by Catherine II.

In 1817, by order (1769-1848), he created the Front Office and several adjacent rooms decorated in the same style - everything in these rooms was dedicated to glorifying the brilliant victories won by the Russian army in the Patriotic War of 1812.

The last chord in the enfilade of the palace was the Main Staircase, created in 1860-1863 by I. A. Monighetti (1819-1878) in the “second Rococo” style.

The Grand Palace of Tsarskoye Selo is a baroque masterpiece created by Bartolomeo Francesco Rastrelli for Elizabeth Petrovna. During the Great Patriotic War, the palace was destroyed; to date, 32 of the 58 halls have been restored, including the Amber Room. Perhaps this is the most impressive Russian "remake".

1. At the heart of the central part of the palace are two-story "stone chambers" built in 1717-1724 by the architect Braunstein for Catherine I.

2. The modern palace was erected in 1748-1756 by the chief architect of the imperial court F.-B. Rastrelli.

3. Now there is a monument to the famous architect on the side of the building.

4. The facade of the palace is presented in the form of a wide azure ribbon with snow-white columns and gilded ornaments, which give the building a special chic.

5. The Palace Resurrection Church is located in the northeastern part of the building.

6. There is a building nearby Imperial Lyceum connected to the palace by an arch.

7. The front yard of the residence is limited by two circumferences, there is a parade ground in it. Along the edges are two yellow service (kitchen) buildings.

8. In order to get inside the palace in the summer, you need to stand in a forty-minute queue in the heat.

9. Waiting to look at the details of the building.

10. The last large-scale restoration of the building was more than ten years ago, now the facades are in need of cosmetic repairs.

11. Blue and "gold" colors faded.

12. The columns of the palace support the sculptures of the Atlanteans, their faces can only be seen when coming close to the building.

13. First of all, we get to front staircase, decorated with the sculpture "Awakening Cupid" of 1860.

14. The staircase was created under Catherine II by Charles Cameron in place of the Chinese Hall. In memory of this, the interior is decorated with vases and Chinese porcelain dishes.

15. The ceiling of the hall is decorated with paintings "Aeneas and Venus", "Jupiter and Callisto" and "The Judgment of Paris". They replaced canvases that died under collapsed ceilings during the war.

16. The stucco decoration of the walls and the caryatids framing the doorways were restored according to the discovered details and pre-war images.

17. A large clock has also been recreated.

18. Green dining room- part of the private quarters of Grand Duke Pavel Petrovich and his first wife Natalya Alekseevna, built under Catherine II on the site of an open terrace - a "hanging" garden.

19. Interior waiter's decorated with mahogany chairs, a Swedish chest of drawers of the second half of the 18th century and a sculpture by M.-A. Collot "Girl's Head" 1769.

20. Small White Dining Room in the private chambers of Elizabeth, Catherine II and Alexander I. Its interior was formed after a fire in 1820.

21. A copy of the painting "The Bathing of Venus" by K. Vanloo is installed in the ceiling plafond.

22. Located next door Chinese drawing room of Alexander I.

23. Its interior is distinguished by silk upholstery walls painted with watercolors in the Chinese style.

24. On the walls are portraits, including those of Emperor Peter II by I.-P. Luden.

25. Next - buffet, until 1761 it was part of the Lavatory on the half of Elizabeth Petrovna.

26. For the plafond, a painting by the 17th-century Italian artist P. da Cortona "Coral Fishing", transferred from the Hermitage funds, was used.

27. Cavalier dining room- a small hall, visually enlarged with mirrors and false mirrored windows.

28. On the tables are items of the famous "Order" sets, decorated with signs and ribbons of Russian orders.

29. The picturesque plafond in the center of the ceiling is decorated with a painting by an unknown Russian master of the middle of the 18th century on the plot of the ancient myth about the sun god Helios and the goddess of the morning dawn Eos, obtained from the funds of the Russian Museum.

30. White Front Dining Room was intended for ceremonial dinners and "evening meals" of Empress Elizabeth Petrovna in a narrow circle of close associates.

31. Green Stolbovaya under Catherine II, it served as a pantry, in which silverware and porcelain were stored. One of the multi-tiered tiled stoves with cobalt painting, columns and niches is located here. Similar stoves, created according to Rastrelli's sketches, were an integral part of all the halls of the front suite of the palace.

32.

33. In portrait hall ceremonial images of royalty were displayed. Today, in addition to portraits, you can see one of the dresses of the Empress.

34. The ceiling of the hall is decorated with Yusupov Palace with a picturesque plafond "Mercury and Glory".

35. The first in a series of the most impressive halls of the Tsarskoye Selo Palace - picture room area of ​​180 m².

36. Picturesque canvases are placed in it according to the principle of trellis hanging. Placing works on the wall, Rastrelli took into account, first of all, their size and color scheme: separated from each other by a narrow gilded baguette, the paintings merge into a single colorful “carpet”.

37. The plafond "Olympus" is in harmony with the general color of the walls - a copy of the plafond of the Jordan Stairs of the Winter Palace.

38. Big hall, or Light Gallery - the most significant front room of the palace, designed by the architect F.-B. Rastrelli in 1752-1756.

39. Its area is more than 800 m².

40. The alternation of large windows with mirrors visually expands the boundaries of the hall.

41. Sculptural and ornamental carving, covering the planes of the walls with a continuous pattern, was made according to the sketches of Rastrelli and the models of the sculptor-decorator Dunker by 130 Russian carvers.

42. The original ceiling painting was painted in 1752-1754 according to a sketch by the Venetian artist D. Valeriani. It consisted of three independent compositions depicting the Allegory of Russia, the Allegory of Peace and the Allegory of Victory.

43. In the 1790s, due to the deformation of the ceilings, the ceiling of Valeriani was removed to the palace storerooms, and in 1856-1858 the artists F. Wunderlich and E. Franchuoli created a new composition "Allegorical depiction of Science, Art and Diligence." This ceiling was lost during the war.

44. In the 1950s, during restoration Mikhailovsky Castle the side parts of the old plafond, "Allegory of Peace" and "Allegory of Victory", were found, which were considered lost. It was decided to recreate the ceiling of Valeriani, returning the surviving compositions to Tsarskoe Selo. The central part was restored from sketches and descriptions made by Valeriani himself, as well as from a drawing by Stackenschneider in 1857.

45. amber room rightfully called one of the wonders of the world. Initially, this interior was created for the Prussian Queen Miria-Charlotte, but in 1716 Frederick William I was presented to Peter the Great, but only under Elizabeth found a place in the old Winter Palace. With her, the precious panels on the hands (!) were transferred to Tsarskoye Selo. Rastrelli installed them in the middle tier of the walls, separated by pilasters with mirrors and decorated the room with gilded carvings. Where there was not enough amber, fragments of the walls were covered with canvas and painted “under amber” by the artist Belsky. After the capture of Pushkin by German troops, the panels were removed by the Kunstkommission team and until 1944 were exhibited in the Königsberg Castle. During the retreat of the Germans, the panels were again dismantled, packed in boxes and taken out in an unknown direction.

46. ​​The restoration of the room began in 1979. In 2000, the Russian-made chest of drawers of the late 18th century and the Florentine mosaic "Touch and Smell", which were part of the original decoration of the room, were returned to the museum, discovered in Germany. By 2003, the decoration of the hall was completely restored.

47. In an inconspicuous corridor of the palace there is a picture depicting the palace in a horrific state in 1944. It reminds us of the enormous damage that military action can do to history and culture.

July 4th, 2014 , 10:32 am

The Grand Palace of Tsarskoye Selo is a baroque masterpiece created by Bartolomeo Francesco Rastrelli for Elizabeth Petrovna. During the Great Patriotic War, the palace was destroyed; to date, 32 of the 58 halls have been restored, including the Amber Room. Perhaps this is the most impressive Russian "remake".

1. At the heart of the central part of the palace are two-story "stone chambers" built in 1717-1724 by the architect Braunstein for Catherine I.

2. The modern palace was erected in 1748-1756 by the chief architect of the imperial court F.-B. Rastrelli.

3. Now there is a monument to the famous architect on the side of the building.

4. The facade of the palace is presented in the form of a wide azure ribbon with snow-white columns and gilded ornaments, which give the building a special chic.

5. The Palace Resurrection Church is located in the northeastern part of the building.

6. There is a building nearby Imperial Lyceum connected to the palace by an arch.

7. The front yard of the residence is limited by two circumferences, there is a parade ground in it. Along the edges are two yellow service (kitchen) buildings.

8. In order to get inside the palace in the summer, you need to stand in a forty-minute queue in the heat.

9. Waiting to look at the details of the building.

10. The last large-scale restoration of the building was more than ten years ago, now the facades are in need of cosmetic repairs.

11. Blue and "gold" colors faded.

12. The columns of the palace support the sculptures of the Atlanteans, their faces can only be seen when coming close to the building.

13. First of all, we get to front staircase, decorated with the sculpture "Awakening Cupid" of 1860.

14. The staircase was created under Catherine II by Charles Cameron in place of the Chinese Hall. In memory of this, the interior is decorated with vases and Chinese porcelain dishes.

15. The ceiling of the hall is decorated with paintings "Aeneas and Venus", "Jupiter and Callisto" and "The Judgment of Paris". They replaced canvases that died under collapsed ceilings during the war.

16. The stucco decoration of the walls and the caryatids framing the doorways were restored according to the discovered details and pre-war images.

17. A large clock has also been recreated.

18. Green dining room- part of the private quarters of Grand Duke Pavel Petrovich and his first wife Natalya Alekseevna, built under Catherine II on the site of an open terrace - a "hanging" garden.

19. Interior waiter's decorated with mahogany chairs, a Swedish chest of drawers of the second half of the 18th century and a sculpture by M.-A. Collot "Girl's Head" 1769.

20. Small White Dining Room in the private chambers of Elizabeth, Catherine II and Alexander I. Its interior was formed after a fire in 1820.

21. A copy of the painting "The Bathing of Venus" by K. Vanloo is installed in the ceiling plafond.

22. Located next door Chinese drawing room of Alexander I.

23. Its interior is distinguished by silk upholstery walls painted with watercolors in the Chinese style.

24. On the walls are portraits, including those of Emperor Peter II by I.-P. Luden.

25. Next - buffet, until 1761 it was part of the Lavatory on the half of Elizabeth Petrovna.

26. For the plafond, a painting by the 17th-century Italian artist P. da Cortona "Coral Fishing", transferred from the Hermitage funds, was used.

27. Cavalier dining room- a small hall, visually enlarged with mirrors and false mirrored windows.

28. On the tables are items of the famous "Order" sets, decorated with signs and ribbons of Russian orders.

29. The picturesque plafond in the center of the ceiling is decorated with a painting by an unknown Russian master of the middle of the 18th century on the plot of the ancient myth about the sun god Helios and the goddess of the morning dawn Eos, obtained from the funds of the Russian Museum.

30. White Front Dining Room was intended for ceremonial dinners and "evening meals" of Empress Elizabeth Petrovna in a narrow circle of close associates.

31. Green Stolbovaya under Catherine II, it served as a pantry, in which silverware and porcelain were stored. One of the multi-tiered tiled stoves with cobalt painting, columns and niches is located here. Similar stoves, created according to Rastrelli's sketches, were an integral part of all the halls of the front suite of the palace.

32.

33. In portrait hall ceremonial images of royalty were displayed. Today, in addition to portraits, you can see one of the dresses of the Empress.

34. The ceiling of the hall is decorated with Yusupov Palace with a picturesque plafond "Mercury and Glory".

35. The first in a series of the most impressive halls of the Tsarskoye Selo Palace - picture room area of ​​180 m².

36. Picturesque canvases are placed in it according to the principle of trellis hanging. Placing works on the wall, Rastrelli took into account, first of all, their size and color scheme: separated from each other by a narrow gilded baguette, the paintings merge into a single colorful “carpet”.

37. The plafond "Olympus" is in harmony with the general color of the walls - a copy of the plafond of the Jordan Stairs of the Winter Palace.

38. Big hall, or Light Gallery - the most significant front room of the palace, designed by the architect F.-B. Rastrelli in 1752-1756.

39. Its area is more than 800 m².

40. The alternation of large windows with mirrors visually expands the boundaries of the hall.

41. Sculptural and ornamental carving, covering the planes of the walls with a continuous pattern, was made according to the sketches of Rastrelli and the models of the sculptor-decorator Dunker by 130 Russian carvers.

42. The original ceiling painting was painted in 1752-1754 according to a sketch by the Venetian artist D. Valeriani. It consisted of three independent compositions depicting the Allegory of Russia, the Allegory of Peace and the Allegory of Victory.

43. In the 1790s, due to the deformation of the ceilings, the ceiling of Valeriani was removed to the palace storerooms, and in 1856-1858 the artists F. Wunderlich and E. Franchuoli created a new composition "Allegorical depiction of Science, Art and Diligence." This ceiling was lost during the war.

44. In the 1950s, during restoration Mikhailovsky Castle the side parts of the old plafond, "Allegory of Peace" and "Allegory of Victory", were found, which were considered lost. It was decided to recreate the ceiling of Valeriani, returning the surviving compositions to Tsarskoe Selo. The central part was restored from sketches and descriptions made by Valeriani himself, as well as from a drawing by Stackenschneider in 1857.

45. amber room rightfully called one of the wonders of the world. Initially, this interior was created for the Prussian Queen Miria-Charlotte, but in 1716 Frederick William I was presented to Peter the Great, but only under Elizabeth found a place in the old Winter Palace. With her, the precious panels on the hands (!) were transferred to Tsarskoye Selo. Rastrelli installed them in the middle tier of the walls, separated by pilasters with mirrors and decorated the room with gilded carvings. Where there was not enough amber, fragments of the walls were covered with canvas and painted “under amber” by the artist Belsky. After the capture of Pushkin by German troops, the panels were removed by the Kunstkommission team and until 1944 were exhibited in the Königsberg Castle. During the retreat of the Germans, the panels were again dismantled, packed in boxes and taken out in an unknown direction.

46. ​​The restoration of the room began in 1979. In 2000, the Russian-made chest of drawers of the late 18th century and the Florentine mosaic "Touch and Smell", which were part of the original decoration of the room, were returned to the museum, discovered in Germany. By 2003, the decoration of the hall was completely restored.

47. In an inconspicuous corridor of the palace there is a picture depicting the palace in a horrific state in 1944. It reminds us of the enormous damage that military action can do to history and culture.