Lilu costume 5 element for girls. Fifth Element: Costume History. Zorg Corporation logo on notice of resignation

• Own production. We have been working since 2007.
• The staff employs 25 craftsmen.
• We send 40-50 life size puppets per month all over Russia
• Great discounts for wholesalers
• We can sew a doll within 5 days - the fastest time in Russia
• Our dolls always match the agreed layout
• The heads of our dolls are made very convenient for use.
• All products are made of quality materials and are very easy to clean
• We use dense foam rubber and expanded polystyrene, which helps the dolls to have the necessary shapes
• We always have more than 100 dolls Available - a doll can leave for you today
• The shoes of our dolls with polyurethane soles are the only ones in Russia

Delivery:

Delivery throughout Russia. Delivery cost from 1000 rubles.

Delivery to other countries is possible. The cost in this case is negotiated individually.

How to make an order:

At first we choose a character, which is a symbol or mascot, we determine the mood and appearance of the doll and create a layout or choose a photo that meets the ideas

After this, we sign an agreement, terms, issue an invoice

Later we sew all the details of the doll and, at the last stage, arrange a fitting with a photo session and video sequence, where the last edits are provided,

At the end we send you a doll, you receive it, and everyone is happy.

How to pay:

1. In cash at the office of the company.
2. To the card of Sberbank
3. By bank transfer to the settlement account of the organization.

To issue an invoice, we need to get the details of the organization from you. VAT is not paid due to the application of the simplified taxation system.

You can get additional information by contacting our managers.

This film, filled with humor and unexpected plot twists, is so loved by the audience that they do not stop watching it over and over again. But many interesting details go unnoticed!

Factrum invites its readers to take a closer look at some of the scenes.

1. At the beginning of the film, each hieroglyph has 5 lines, and on the tattoo of Leela - 6

Was that intended? Kinolyap? We can only guess.

Photo source: Fishki.net

2. "Present" time is incorrectly calculated

1914 + 300 = 2214.

3. By the way, March 18 is the birthday of Luc Besson

4. The rabbi, cardinal and priest simply rest behind Cornelius's back.

Why bother when they can decide everything.

5. Adorable cat rug in Korben's apartment

6. An empty box of Gemini croquettes, the product that sponsored Corben's trip to Floston Paradise

8. Judging by the thick lenses in the glasses, this specialist has big vision problems, although he himself can create a person in the laboratory out of nothing!

Maybe glasses are just part of his style?

9. The statue of Atlas from the film is very similar to the one that stands in the Rockefeller Center

10. Based on these plaques in the film, McDonald's has 65 trillion customers.

McDonald's stopped counting the number of visitors served in 1994, three years before the film's release. At that time, the number had stopped at 99 billion.

11. Cornelius has a wide variety of religious paraphernalia at home.

A person with ambiguous religious views!

12. During a telephone conversation, Korben touches the garland with the Earth, and Finger begins to talk about saving the planet

An interesting hint ...

13. Korben reads the manga "Sanctuary"

14. Zorg Corporation logo on notice of resignation

It turns out that Korben worked as a taxi driver for the worst bad guy.

15. Brooklyn Bridge behind Mr. Kim's flying boat

Corben lived somewhere in Brooklyn.

16. This funny resemblance to Star Wars!

For the first time, Coco Chanel started designing costumes for artistic productions in 1924: after meeting the collective of Diaghilev's Russian Seasons, at the suggestion of Jean Cocteau, she created costumes for the Blue Express ballet. The skirts presented there with a length just above the knee were recognized as a great liberty, which, however, did not prevent Chanel from using this length for her clothing collections, which were no longer intended for the stage, but for life.

Collaboration with Cocteau was not limited to the "Blue Express", and in 1930 Chanel began designing costumes for the protagonist of Cocteau's film "Blood of a Poet", which, despite a vague plot and low quality, would later become legendary. The style of the outfits in the film does not in any way echo the style of the collections produced by her atelier of that time, and at the same time there is something elusive in them, reminiscent of Chanel. The main role in "Blood of a Poet" was played by Vogue's favorite model Lee Miller, who turned into an actress only for this film.

Coco Chanel costumes for the Blue Express ballet, 1924

Lee Miller in the movie "The Blood of a Poet"
Lee Miller in the movie "The Blood of a Poet"

After Blood of a Poet, Chanel did not participate in such projects until the late 50s, when French director Louis Malle commissioned her to create the image of Jeanne Moreau in the film Lovers.

Lovers was followed by Alain René's Last Year in Marienbad, which was released in 1961. Then Chanel was 77 years old, but she still released collections and willingly agreed to cooperate. The film turned out to be like a dream, as the director intended, largely thanks to the avian costumes of the main character: from any movement, the feathers on the sleeves and collars sway and hypnotize the viewer.

Jeanne Moreau in the movie "Lovers"
Still from the film "Last year in Marienbad"Still from the film "Last year in Marienbad"Still from the film "Last year in Marienbad"

In 1962, Chanel took part in the creation of the film Boccaccio-70, glued together from four separate fragments from different directors. Chanel created the costumes of the main character of the third part - it was directed by the Italian Luchino Visconti. The designer had to not only dress the 23-year-old actress Romy Schneider, but also, if at all possible, teach her the laws of French elegance. It seems that the idea was a success: in some scenes, Schneider, in the famous Chanel jacket and with a string of imitation pearls, is indistinguishable from a regular client of the atelier on rue Cambon.

Romy Schneider in the movie Boccaccio 70Romy Schneider in the movie Boccaccio 70Romy Schneider in the movie Boccaccio 70Romy Schneider in the movie Boccaccio 70

In 1971, Coco Chanel died, but her fashion house remained in demand not only among clients, but also among directors. Chanel's new designer Karl Lagerfeld, known for his irresistible desire to get involved in everything, must have been very happy to create costumes for nearly a dozen little-known French films.

Christian Dior

In the early 1940s, Christian Dior, who was then creating his own perfume laboratory, was already a famous designer and worked in the fashion house Lucien Lelong. At the same time, he first tried himself as a costume designer in walk-through paintings such as "Love Letters" and "Column Beds". But already in 1947 his legendary collection was released, which marked the beginning of the new look style, and Christian Dior had famous fans. One of them, actress and singer Marlene Dietrich, will be associated with almost all further activities of Dior in the cinema.

Actress and singer Marlene Dietrich

Marlene Dietrich in the movie "Stage Fear"
Marlene Dietrich in the movie "Stage Fear" Marlene Dietrich in the movie "There is no highway in the sky"
Marlene Dietrich in the movie "There is no highway in the sky"

After the shooting of the historical film Paris Waltz, where Dior was responsible for the costumes of the era of Napoleon III, in the same 1950 Hitchcock's Fear of the Stage was released, where Marlene Dietrich plays the main role and wears only Christian Dior. In addition to dresses, trousers and jackets appear on the actress, which became a real turning point in the history of women's fashion. The following year, Dior again sews costumes for the new film "There is no highway in the sky" - Dietrich's outfits finally confirm the dominance of the new look in Europe and America.

Ava Gardner fitting Christian Dior
Ava Gardner in the movie Little Hut

Another muse and close friend of the designer was actress Ava Gardner. She is absolutely different from Marlene Dietrich, and for her Dior creates more feminine dresses that emphasize the figure not with the help of a corset and fluffy skirts, but due to the texture of the fabric. In 1957, a few months before his death, Christian managed to work with Gardner as a costume designer in the film "Little Hut".

Hubert de Givenchy

Perhaps no designer has such a muse as Hubert de Givenchy. Acquaintance with the actress Audrey Hepburn happened on the set: Givenchy created costumes for the heroine Hepburn in the film "Sabrina", which was released in 1954. The designer received an Oscar for the design of Sabrina's dresses, and the actress Audrey Hepburn has always remained a client of his fashion house.

The next time they happened to meet on the set of the movie "Funny Face" in 1957, where Hepburn again starred. By that time, she had been sewing casual clothes only for Givenchy for three years and decided to invite a designer to create outfits for the new film.

Audrey Hepburn in the movie "Funny Face"Audrey Hepburn in the movie "Funny Face"Audrey Hepburn in the movie SabrinaAudrey Hepburn in the movie Sabrina

In 1961, the Givenchy fashion house experienced a real triumph: the film "Breakfast at Tiffany's" was released, where Audrey Hepburn appears in that little black dress. Three versions of this dress were created for the film, all of which are now owned by private collectors. After "Breakfast at Tiffany's" those who knew nothing about the actress, and those who knew her, but did not know Givenchy, learned about Hepburn, also learned about Hepburn.

Another famous film, on the costumes for which Hubert de Givenchy worked, was the picture "How to Steal a Million" in 1966. The main role was predictably played by Audrey Hepburn: we remember her by the lace bandage over her eyes, which, as her heroine believed, made her look like a gangster.

Audrey Hepburn in Breakfast at Tiffany'sAudrey Hepburn in Breakfast at Tiffany'sAudrey Hepburn in Breakfast at Tiffany'sAudrey Hepburn in Breakfast at Tiffany's Audrey Hepburn in the movie How to Steal a MillionAudrey Hepburn in the movie How to Steal a Million

Yves Saint Laurent

Designer Yves Saint Laurent often created costumes for theatrical performances, which cannot be said about movies. However, on his account the clothes of the heroes of two legendary paintings of two legendary Frenchmen: Luis Bunuel and Claude Lelouch.

In 1966, Bunuel invited Yves Saint Laurent to shoot "Beauty of the Day," where the fashion designer met Catherine Deneuve (repeating the story of Hepburn and Givenchy). For the surreal film, Saint Laurent dressed Deneuve in clothes from his 1966 ready-to-wear collection. And in 1967 he had to create costumes for Annie Girardot, Yves Montana and Candice Bergen - the actors of the film "Live to Live" by the iconic director Claude Lelouch, who, in order to repeat the deafening success of "Men and Women" love.

Catherine Deneuve with director Luis Bunuel on the set of "Beauty of the Day"
Catherine Deneuve in the movie "Beauty of the Day"
Catherine Deneuve in the movie "Beauty of the Day"Catherine Deneuve in the movie "Beauty of the Day"Catherine Deneuve in the movie "Beauty of the Day"

Shot from the film "Live to Live"

Paco Rabanne

If you are shooting a science fiction or a film about the world of the future, you cannot do without the help of Paco Raban. They started talking about Raban in the 60s, when one after another he released collections from "modern materials": metal, plastic, paper. Since then, he never once turned to the classics and continued to experiment. In parallel with the release of seasonal collections in 1967 and 1968, Rabanne created metal swimwear for Adventurers Robert Enrico and the legendary Jane Fonda costumes for Roger Vadim's Barbarella. In the same 1967, the designer created several memorable costumes for Audrey Hepburn, who starred in the movie "Two on the Road".

Ralph Lauren

In the mid-1970s, Ralph Lauren took part in two film projects as a costume designer. I must say that the tasks in these two films were completely different. The first picture is the next adaptation of Scott Fitzgerald's novel The Great Gatsby. Lauren's task was to create men's suits in the spirit of the 1920s: it was necessary to show the gangsters at a social reception and in the light of the hearth. Lauren's impeccable suits and soft jumpers fit perfectly.

In 1977, the second film was released, on the costumes for which Lauren worked - "Annie Hall". It was Woody Allen's first "near-serious" movie starring him and Diane Keaton. Lauren dressed a man and a woman in almost identical things, so it is not always clear whether we have a pair of main characters in front of us, or two Woody Allen.

Still from the movie "Annie Hall"
Still from the movie "Annie Hall"
Still from the movie "Annie Hall"Still from the movie "Annie Hall"Still from the movie "Annie Hall"Still from the movie "Annie Hall"Shot from the movie "The Great Gatsby"

Giorgio Armani

If you take and count how many things by the Italian designer Giorgio Armani were used in the filming of various films at least in the 1990s, the number will tend to infinity. After Armani worked in 1980 on the image of Richard Gere, who played the main role in American Gigolo, the designer began to be turned to as a specialist in men's wardrobe. Armani jackets, trousers, shirts separately and all together have appeared in so many action films and melodramas that it is impossible to count. However, very rarely Armani acted as the designer of the entire wardrobe, as in the movie "Darling" in 2004 (Giorgio Armani created all 38 pieces of clothing for the actor Kevin Kline and several dresses for Ashley Judd as Linda Porter). More often than not, he only added basic details like turtlenecks and jackets for Sean Connery in 1993's Rising Sun. Armani clothing was also worn by Liv Tyler in Escaping Beauty (1995) and the heroes of The Untouchables (1987). Only James Bond remained unconquered: contrary to expectations, Agent 007 never appeared in Armani in any episode (so far he wears only Brioni).

Richard Gere in the movie American GigoloKevin Kline in the movie "Darling"
Sean Connery in the movie Rising Sun

Jean-Paul Gaultier

Over the past twenty years, Jean-Paul Gaultier has made perhaps the greatest contribution to the creation of costumes for films. It is not known how the process of developing outfits for other designers is going, but sketches drawn by Gaultier, selections of fabrics, drawings and photographs from the shooting are enough for entire exhibitions. And the films with which Gaultier collaborates become cult by themselves.

Gauthier got his first experience as a costume designer in 1989, when he was invited by Peter Greenaway to shoot the film "The Cook, the Thief, His Wife and Her Lover." Gaultier had to bring to life the director's plan, who divided the scene in the film by color: the characters are dressed in costumes that match the color of the room. If now it is not difficult to do it using computer technology, then Gaultier had to sew the same dress in several versions and colors.

Jean-Paul Gaultier and Peter Greenway

A scene from the movie "The Cook, the Thief, His Wife and Her Lover"
A scene from the movie "The Cook, the Thief, His Wife and Her Lover"
A scene from the movie "The Cook, the Thief, His Wife and Her Lover"

The next director to call Gaultier was Pedro Almodovar. For his film "Kika" created costumes for Gianni Versace, and Gaultier had to work with only one heroine - of course, the main one. For Victoria Abril, who played the role of the journalist who is filming the show "The Worst of the Day", the designer constructs grotesque outfits, hinting at a constant work with blood and violence.

In 1995, director Jean-Pierre Jeunet turns to Gaultier for help: he asks the designer to dress the entire cast of City of Lost Children from head to toe, most of whom, of course, are children. The director's idea was that the time of the action is not known to the viewer: it is only clear that everything is not happening now, but when exactly is not clear. This film no longer required, as in Kik, plastic spatter of blood and bursting breasts, and Gaultier had to try to keep the clothes from looking boring. In the film, there is a hint of the designer's favorite Breton strip: the costumes of many children turned out to be striped.

Pedro Almodovar, Victoria Abril and Jean-Paul GaultierShot from the film "Kika"
Shot from the film "Kika"Shot from the film "Kika"
Shot from the movie "City of Lost Children"
Shot from the movie "City of Lost Children"
Shot from the movie "City of Lost Children"

In 1997, Luc Besson's The Fifth Element came out and almost immediately became a legend. Milla Jovovich, tied like a mummy with elastic bands, Bruce Willis in a tight orange T-shirt; Gary Oldman, more like Hitler if he was a fashion designer and wore striped pajamas; Chris Tucker in a skirt, just like Gaultier himself - these and other images in the film were invented and embodied by Jean-Paul Gaultier. Even the McDonald's workers of the future got their uniforms.

Shot from the film "The Fifth Element"
Shot from the film "The Fifth Element"Shot from the film "The Fifth Element"
Shot from the film "The Fifth Element"

It is difficult to find a person who has not watched the cult film "The Fifth Element" at least once in his life. Jean Paul Gaultier was the costume designer for this painting and designed about 1000 models! The designer is known for his outrageousness, creativity, artistry, as well as elements of subtle self-irony and hooliganism. For the movie "The Fifth Element" this is what was required.

So, Milla Jovovich appeared on the screens, tied like a mummy with elastic bands, then courageous Bruce Willis in a tight orange T-shirt with a neckline on the back. Gary Oldman, as the villainous Zorgan, was the prototype for Hitler and wore striped black and white rubber pajamas. And what were the costumes of Chris Tucker - a leopard suit or a suit with roses captivated the audience.

In the first episodes, the main character Leelu was dressed in a suit made of white elastic bandages. She later donned a cropped white tank top, gold-tone leggings, an orange rubber band in the shape of suspenders, and combat boots. Leelu's costume perfectly complemented the image of her heroine.

Interestingly, after the film adaptation of the action movie, many designers, inspired by Leelu's costume, created similar dresses with bandage elements.

Many people remember Bruce Willis as the courageous Korben Dallas in an orange jersey, but few people know that he had a feminine neckline on his back.

The American musician Prince was originally invited to play the role of the extravagant Ruby Rose. The singer found Gaultier's sketches too feminine and turned down the role, but Chris Tucker happily agreed to take part in the filming. And he did the right thing!

tumblr.com, site

The role of the eccentric tyrant businessman Zorgan in a rubber suit went to Gary Oldman.

The supporting characters also received luxurious costumes. The stewardesses aboard the ship appeared in white wigs and blue low-cut uniforms.

And this is what the opera singer, blue-skinned alien Diva Plavalaguna looked like.

Even the McDonald's workers of the future received their own unique uniforms.

While I was writing this text, I wanted to watch the film again, and you?