Lev Anninsky: “You need to know your national code. Lev Anninsky

Born April 7, 1934 in Rostov-on-Don. Parents: Alexander Anninsky and Anna Alexandrova. Father by origin a Cossack from the village of Novo-Anninskaya. Mother - from the city of Lyubech. The parents of L. Anninsky turned out to have a common path: an educational program - a national education. Having received higher education, both fell into the field of education. The father of the university teachers moved to the producers of Mosfilm. In 1941 he went missing at the front. Mother remained a chemistry teacher at the technical school for the rest of her life.

As a child, Leva went to kindergarten. Parents were at work or on business trips, and most time he spent in kindergarten or in the yard. V adolescence on the worldview, by his own admission, was influenced by anyone: myths Ancient Greece, historical novels, who remained on their father's shelf (Stevenson, Ebers, Antonovskaya, etc.), then - Gorky, Tolstoy, Pisarev, Belinsky. Prone by nature to logic and systematics, in choosing life guidelines, he relied more on instinct and intuition. I got acquainted early with the works of philosophers, including Kant and Hegel, and came to the assumption that Marxism is an iron cage in which it is safe and through the bars "look wherever you want." Then the cell ceased to exist: he read Berdyaev, Shestov, Rozanov, Bulgakov, Fedorov, Fedotov.

At the Komsomol age, out of mischief and curiosity, he began to look into churches. There was an incomprehensible feeling of happiness flooding the soul, and in any church: Orthodox, Catholic, Protestant. However, the epidemic of baptisms did not succumb and did not become believers.

Graduated Faculty of Philology Moscow State University. There was no choice of profession - there was a choice of specialty, which became Russian literature. Back in the 8th grade, from the first compositions, Leo decided to deal with her and only her. And in any professional capacity. If he didn't become literary critic I would have become a language teacher. He was ready to do anything: read, work in a museum, library - just to be in the realm of Russian texts.

Oddly enough, his first own publication was in the genre of caricature. The drawings were published in the university newspaper and in the Moskovsky Komsomolets newspaper. The first text that went to print appeared in the same university newspaper in the fall of 1956. It was a review of the famous publication of that time - Vladimir Dudintsev's novel "Not by Bread Alone". What followed was a series of "editor teams" and an exhausting litigation for every word in every publication. Since then, L. Anninsky has published about two dozen books and five thousand (!) Articles. However, he considers the thirteen-volume Genealogy, compiled for daughters and not intended for publication, to be the most significant of all that was written.

After graduating from the university, he was assigned to graduate school. He withstood the competitive exams, but then he was told that the situation had changed and now they only take graduate school from production. This happened in the autumn of 1956 - after the events in Hungary, where the "counter-revolution" was started by writers. Therefore, in the USSR it was decided to "improve the ideology." Instead of writing a dissertation, L. Anninsky began to write captions for photographs in a magazine " Soviet Union", from where six months later he was fired for "incompetence." I had, in his words, "to go to the literal worker", which determined the whole future creative way future critic.

Try, embrace, conjugate and reconcile. Understand everyone, maintain inner balance, give " human face"to what fate gave; not to succumb to any poison, confusion, self-deception, to gain secret freedom - such tasks were set by L. Anninsky for himself. His mischief was to be published in parallel in two mutually exclusive magazines of that time: in October and Novy Mir" He succeeded only once, but he was scolded here and there.Gradually, he understood, and even got used to the fact that everything is insoluble, the pain is unquenchable, the scores are irreducible.

L. Anninsky admitted that he always felt natural in the center public life, absolutely fitting in both his state and behavior in the "social context", but he never tried on any "movements" and "parties". Not excluding the only one through which "all paths were opened" earlier. As a child, he was a happy pioneer. The best impressions of youth were associated with the Komsomol: student collective farm brigades, propaganda trips, wall printing, and sports. But he did not want to join the party. And he didn't join. Then, in 1990, when all those who had joined scattered ran out of the party, he said "thank you" to himself that he did not have to run away.

Peru Lev Annensky owns the book: "The kernel of a nut. Critical essays(1965), "Betrothed to an idea. ("How the steel was tempered" by Nikolai Ostrovsky) "(1971)," Vasily Shukshin "(1976)," The thirties and seventies; literary-critical articles" (1977), "Hunting for a Lion (Leo Tolstoy and Cinematography)" (1980, 1998), "Leskov's Necklace" (1982, 1986), "Contacts" (1982), "Mikhail Lukonin" (1982) , "The Sun in the Branches (Essays on Lithuanian Photography)" (1984), "Nikolai Gubenko" (1986), "Three Heretics. Tale of Pisemsky, Melnikov-Pechersky, Leskov" (1988), "Culture" s tapesty "("Tapestry of Culture") (1991), "Elbows and Wings. Literature of the 80s: hopes, reality, paradoxes" (1989), "Ticket to Paradise. Reflections at the theatrical entrances" (1989), "Flying curtain. Literary and critical articles about Georgia" (1990), "Sixties and us. Cinematography that has become and has not become history" (1991), "Silver and black Russian, Soviet, Slavic, world in poetry Silver Age"(1997), "Bards" (1999) and others, as well as a series of articles in the periodical press, programs on the radio.
The literary process in Russia is the essence of L. Anninsky's life, his biography. In turn, this process is inextricably linked with tragic history our country. Lev Alexandrovich is a connoisseur of literature, a recognized critic, studies the process in all its many-sided unity. He believes that great Russian literature arose as a correlate Russian Empire. “First, literature brings a spiritual, “home” foundation under the fortress of the state (Derzhavin), then there comes a moment of balance between the personal and imperial principles (Pushkin, Tolstoy), then the personality begins to shake the state fortress and prophesies its death (Dostoevsky, Blok). Soviet literature - reaction to this plot: first, the personality is violently erased, dissolved in the state, merges with it; there is what is called the literature of the grand style. The moment of balance again turns into a violent rebellion of the personality against the suppression of it by the state, and there is a literature of tragic sound (from Mayakovsky to Mandelstam, from Sholokhov to Platonov and to Grossman).
Lives and works in Moscow.

Lev Anninsky - Betrothed with an idea (About the story "How the Steel Was Tempered" by Nikolai Ostrovsky)

L. Anninsky admitted that he always felt natural in the center of public life, absolutely fitting both in his state and behavior into the "social context", but he never tried on any "movements" and "parties". Not excluding the only one through which "all paths were opened" earlier.

Born April 7, 1934 in Rostov-on-Don. Parents: Alexander Anninsky and Anna Alexandrova. Father by origin a Cossack from the village of Novo-Anninskaya. Mother - from the city of Lyubech. The parents of L. Anninsky turned out to have a common path: an educational program - a national education. Having received higher education, both fell into the field of education. The father of the university teachers moved to the producers of Mosfilm. In 1941 he went missing at the front. Mother remained a chemistry teacher at the technical school for the rest of her life.

As a child, Leva went to kindergarten. His parents were at work or on business trips, and he spent most of his time in kindergarten or in the yard. In adolescence, by his own admission, anyone influenced the worldview: the myths of Ancient Greece, historical novels that remained on his father's shelf (Stevenson, Ebers, Antonovskaya, etc.), then - Gorky, Tolstoy, Pisarev, Belinsky. Prone by nature to logic and systematics, in choosing life guidelines, he relied more on instinct and intuition. I got acquainted early with the works of philosophers, including Kant and Hegel, and came to the assumption that Marxism is an iron cage in which it is safe and through the bars "look wherever you want." Then the cell ceased to exist: he read Berdyaev, Shestov, Rozanov, Bulgakov, Fedorov, Fedotov.

At the Komsomol age, out of mischief and curiosity, he began to look into churches. There was an incomprehensible feeling of happiness flooding the soul, and in any church: Orthodox, Catholic, Protestant. However, the epidemic of baptisms did not succumb and did not become believers.

Graduated from the Faculty of Philology of Moscow State University. There was no choice of profession - there was a choice of specialty, which became Russian literature. Back in the 8th grade, from the first compositions, Leo decided to deal with her and only her. And in any professional capacity. If he had not become a literary critic, he would have become a language teacher. He was ready to do anything: read, work in a museum, library - just to be in the realm of Russian texts.

Oddly enough, his first own publication was in the genre of caricature. The drawings were published in the university newspaper and in the Moskovsky Komsomolets newspaper. The first text that went to print appeared in the same university newspaper in the fall of 1956. It was a review of the famous publication of that time - Vladimir Dudintsev's novel "Not by Bread Alone". What followed was a series of "editor teams" and an exhausting litigation for every word in every publication. Since then, L. Anninsky has published about two dozen books and five thousand (!) Articles. However, he considers the thirteen-volume Genealogy, compiled for daughters and not intended for publication, to be the most significant of all that was written.

After graduating from the university, he was assigned to graduate school. He withstood the competitive exams, but then he was told that the situation had changed and now they only take graduate school from production. This happened in the autumn of 1956 - after the events in Hungary, where the "counter-revolution" was started by writers. Therefore, in the USSR it was decided to "improve the ideology." Instead of writing a dissertation, L. Anninsky began to write captions for photographs in the Soviet Union magazine, from where he was fired six months later for "incompetence." It was necessary, in his words, "to go to the literal worker", which determined the entire further creative path of the future critic.

Try, embrace, conjugate and reconcile. To understand everyone, to maintain inner balance, to give a "human face" to what fate has given; not to succumb to any poison, confusion, self-deception, to gain secret freedom - such tasks were set by L. Anninsky for himself. His mischief was to be published in parallel in two mutually exclusive magazines of that time: in October and Novy Mir. He succeeded only once, but he was scolded here and there. Gradually, he understood, and even got used to the fact that everything is insoluble, the pain is insatiable, the scores are irreducible.

L. Anninsky admitted that he always felt natural in the center of public life, absolutely fitting both in his state and behavior into the "social context", but he never tried on any "movements" and "parties". Not excluding the only one through which "all paths were opened" before. As a child, he was a happy pioneer. The best impressions of youth were associated with the Komsomol: student collective farm brigades, propaganda trips, wall printing, and sports. But he did not want to join the party. And he didn't join. Then, in 1990, when all those who had entered scattered ran out of the party, he said "thank you" to himself that he did not have to run away.

Lev Annensky's books belong to Peru: "The Kernel of a Nut. Critical Essays" (1965), "Betrothed to an Idea. ("How the Steel Was Tempered" by Nikolai Ostrovsky) "(1971)," Vasily Shukshin "(1976)," Thirties-seventies; literary -critical articles" (1977), "Hunting for a Lion (Leo Tolstoy and cinema)" (1980, 1998), "Leskovskoye necklace" (1982, 1986), "Contacts" (1982), "Mikhail Lukonin" (1982), "The Sun in the Branches (Essays on Lithuanian Photography)" (1984), "Nikolai Gubenko" (1986), "Three Heretics. Tales of Pisemsky, Melnikov-Pechersky, Leskov" (1988), "Culture" s tapesty "(" Tapestry of Culture ") (1991), "Elbows and wings. Literature of the 80s: hopes, reality, paradoxes" (1989), "Ticket to Paradise. Reflections at the theatrical entrances" (1989), "Flying curtain. Literary-critical articles about Georgia" (1990), "People of the Sixties and Us. Cinematography, which has become and has not become history "(1991)," Silver and black. Russian, Soviet, Slavic, world in the poetry of the Silver Age" (1997), "Bards" (1999) and others, as well as a series of articles in the periodical press, radio programs.

The literary process in Russia is the essence of L. Anninsky's life, his biography. In turn, this process is inextricably linked with the tragic history of our country. Lev Alexandrovich is a connoisseur of literature, a recognized critic, studies the process in all its many-sided unity. He believes that great Russian literature arose as a correlate of the Russian Empire. “First, literature brings a spiritual, “home” foundation under the fortress of the state (Derzhavin), then there comes a moment of balance between the personal and imperial principles (Pushkin, Tolstoy), then the personality begins to shake the state fortress and prophesies its death (Dostoevsky, Blok). Soviet literature - reaction to this plot: first, the personality is violently erased, dissolved in the state, merges with it; there is what is called the literature of the grand style. The moment of balance again turns into a violent rebellion of the personality against the suppression of it by the state, and there is a literature of a tragic sound (from Mayakovsky to Mandelstam, from Sholokhov to Platonov and to Grossman).

Lives and works in Moscow.

Critic, writer, publicist

Born April 7, 1934 in Rostov-on-Don. Parents: Alexander Anninsky and Anna Alexandrova. Father by origin a Cossack from the village of Novo-Anninskaya. Mother - from the city of Lyubech. The parents of L. Anninsky turned out to have a common path: an educational program - a national education. Having received higher education, both fell into the field of education. The father of the university teachers moved to the producers of Mosfilm. In 1941 he went missing at the front. Mother remained a chemistry teacher at the technical school for the rest of her life.

As a child, Leva went to kindergarten. His parents were at work or on business trips, and he spent most of his time in kindergarten or in the yard. In adolescence, by his own admission, anyone influenced the worldview: the myths of Ancient Greece, historical novels that remained on his father's shelf (Stevenson, Ebers, Antonovskaya, etc.), then - Gorky, Tolstoy, Pisarev, Belinsky. Prone by nature to logic and systematics, in choosing life guidelines, he relied more on instinct and intuition. I got acquainted early with the works of philosophers, including Kant and Hegel, and came to the assumption that Marxism is an iron cage in which it is safe and through the bars "look wherever you want." Then the cell ceased to exist: he read Berdyaev, Shestov, Rozanov, Bulgakov, Fedorov, Fedotov.

At the Komsomol age, out of mischief and curiosity, he began to look into churches. There was an incomprehensible feeling of happiness flooding the soul, and in any church: Orthodox, Catholic, Protestant. However, the epidemic of baptisms did not succumb and did not become believers.

Graduated from the Faculty of Philology of Moscow State University. There was no choice of profession - there was a choice of specialty, which became Russian literature. Back in the 8th grade, from the first compositions, Leo decided to deal with her and only her. And in any professional capacity. If he had not become a literary critic, he would have become a language teacher. He was ready to do anything: read, work in a museum, library - just to be in the realm of Russian texts.

Oddly enough, his first own publication was in the genre of caricature. The drawings were published in the university newspaper and in the Moskovsky Komsomolets newspaper. The first text that went to print appeared in the same university newspaper in the fall of 1956. It was a review of the famous publication of that time - Vladimir Dudintsev's novel "Not by Bread Alone". What followed was a series of "editor teams" and an exhausting litigation for every word in every publication. Since then, L. Anninsky has published about two dozen books and five thousand (!) Articles. However, he considers the thirteen-volume Genealogy, compiled for daughters and not intended for publication, to be the most significant of all that was written.

After graduating from the university, he was assigned to graduate school. He withstood the competitive exams, but then he was told that the situation had changed and now they only take graduate school from production. This happened in the autumn of 1956 - after the events in Hungary, where the "counter-revolution" was started by writers. Therefore, in the USSR it was decided to "improve the ideology." Instead of writing a dissertation, L. Anninsky began to write captions for photographs in the Soviet Union magazine, from where he was fired six months later for "incompetence." It was necessary, in his words, "to go to the literal worker", which determined the entire further creative path of the future critic.

Try, embrace, conjugate and reconcile. To understand everyone, to maintain inner balance, to give a "human face" to what fate has given; not to succumb to any poison, confusion, self-deception, to gain secret freedom - such tasks were set by L. Anninsky for himself. His mischief was to be published in parallel in two mutually exclusive magazines of that time: in October and Novy Mir. He succeeded only once, but he was scolded here and there. Gradually, he understood, and even got used to the fact that everything is insoluble, the pain is insatiable, the scores are irreducible.

L. Anninsky admitted that he always felt natural in the center of public life, absolutely fitting both in his state and behavior into the "social context", but he never tried on any "movements" and "parties". Not excluding the only one through which "all paths were opened" before. As a child, he was a happy pioneer. The best impressions of youth were associated with the Komsomol: student collective farm brigades, propaganda trips, wall printing, and sports. But he did not want to join the party. And he didn't join. Then, in 1990, when all those who had entered scattered ran out of the party, he said "thank you" to himself that he did not have to run away.

Lev Annensky's books belong to Peru: "The Kernel of a Nut. Critical Essays" (1965), "Betrothed to an Idea. ("How the Steel Was Tempered" by Nikolai Ostrovsky) "(1971)," Vasily Shukshin "(1976)," Thirties-seventies; literary -critical articles" (1977), "Hunting for a Lion (Leo Tolstoy and cinema)" (1980, 1998), "Leskovskoye necklace" (1982, 1986), "Contacts" (1982), "Mikhail Lukonin" (1982), "The Sun in the Branches (Essays on Lithuanian Photography)" (1984), "Nikolai Gubenko" (1986), "Three Heretics. Tales of Pisemsky, Melnikov-Pechersky, Leskov" (1988), "Culture" s tapesty "(" Tapestry of Culture ") (1991), "Elbows and wings. Literature of the 80s: hopes, reality, paradoxes" (1989), "Ticket to Paradise. Reflections at the theatrical entrances" (1989), "Flying curtain. Literary-critical articles about Georgia" (1990), "People of the Sixties and Us. Cinematography, which has become and has not become history "(1991)," Silver and black. Russian, Soviet, Slavic, world in the poetry of the Silver Age" (1997), "Bards" (1999) and others, as well as a series of articles in the periodical press, radio programs.

The literary process in Russia is the essence of L. Anninsky's life, his biography. In turn, this process is inextricably linked with the tragic history of our country. Lev Alexandrovich is a connoisseur of literature, a recognized critic, studies the process in all its many-sided unity. He believes that great Russian literature arose as a correlate of the Russian Empire. “First, literature brings a spiritual, “home” foundation under the fortress of the state (Derzhavin), then there comes a moment of balance between the personal and imperial principles (Pushkin, Tolstoy), then the personality begins to shake the state fortress and prophesies its death (Dostoevsky, Blok). Soviet literature - reaction to this plot: first, the personality is violently erased, dissolved in the state, merges with it; there is what is called the literature of the grand style. The moment of balance again turns into a violent rebellion of the personality against the suppression of it by the state, and there is a literature of a tragic sound (from Mayakovsky to Mandelstam, from Sholokhov to Platonov and to Grossman).

Lives and works in Moscow.

Literary critic; born April 7, 1934; Graduated from the Faculty of Philology of Moscow State University. M. V. Lomonosov in 1956, candidate of philosophical sciences; area of ​​professional interests: problems Soviet literature, literary process in Russia,… … Big biographical encyclopedia

- (b. 1934) Russian critic, essayist, literary critic. Considers works of literature, cinema, theater, photography, etc. as an expression of the spiritual state of society. The books are devoted to Soviet multinational literature (Kernel nut, 1965, ... ... Big encyclopedic Dictionary

- (b. 1934), critic. In numerous, often polemical and paradoxical articles devoted to Russian and national literatures Soviet period(books "Nut Kernel", 1965; "Betrothed to an Idea", 1971, about N. A. Ostrovsky; ... ... encyclopedic Dictionary

ANNINSKY Lev Alexandrovich- Anninsky Lev Alexandrovich, real name Ivanov Anninsky (born April 7, 1934), Soviet film critic. In 1956 he graduated from Moscow State University. Published on cinema issues since 1955. Author of many works on topical issues literature and modern ... ... Cinema: Encyclopedic Dictionary

- (real name Ivanov Anninsky; born 1934) - Russian. critic. He began to publish in 1956. Author of the book. "Nut kernel. Critical essays", 1965, "How steel was tempered" by Nikolai Ostrovsky, 1971, articles about Russian. owls. lit. re and owls. and abroad. cinema … Encyclopedic Dictionary of Nicknames

Anninsky, Lev Alexandrovich Lev Anninsky Birth name: Lev Alexandrovich Anninsky Date of birth: April 7, 1934 (1934 04 07) (76 years old) Place of birth: Rostov-on-Don Citizenship ... Wikipedia

Lev Alexandrovich (born 1934), critic, essayist, literary critic. Articles of various genres (in periodicals since 1956) and books are devoted to Soviet multinational literature (Nut kernel, 1965; Betrothed with an idea, 1971 about N.A. Ostrovsky; Elbows and ... ... Russian history

Anninsky L. A.- ANNINSKY Lev Alexandrovich (b. 1934), critic, essayist, literary critic. Articles of various genres (in periodicals since 1956) and books are devoted to owls. multinational litre (Kernel of a nut, 1965; Betrothed with an idea, 1971 - about N. A. Ostrovsky; ... ... Biographical Dictionary

Nikolai Aleksandrovich Estis b. August 8, 1937, Moscow Russian and German artist. In 1958 he graduated from the Moscow Art and Graphic School. Participates in exhibitions since 1960, the first solo exhibition in 1966 (Moscow). ... ... Wikipedia

Books

• Revelation and Concealment, Anninsky Lev Alexandrovich. The work of the famous literary critic Lev Aleksandrovich Anninsky, probably, cannot be fully called simply literary criticism. The classics of Russian literature seem to be descending from ...
• Red Age. Epoch and its poets. In 2 books. Book 1. Silver and black. Copper pipes, Anninsky Lev Alexandrovich. The two-volume book of the famous critic and literary critic Lev Anninsky contains about fifty creative biographies Russian poets of the twentieth century. It can, of course, be used as a guide to…