Honestly about the crusaders: interesting facts about the crusades. Knightly coats of arms and their symbols


The mottos were, as it were, monuments to the courage, generosity and politeness of this or that knight and served as useful lessons for his posterity; these mottos were, as it were, an abbreviation of those rhymed tales composed by the troubadours who wandered from one castle to another; they sang these rhymed tales to the accompaniment of the harp, lyre, and other instruments of the minstrels; this, of course, was quite consistent with the spirit of chivalry. The motto was often some kind of proverb, consistent with the spirit and inclination of the knight who owned the coat of arms. Glory and love have also created many such mottos.

Mottos have always referred to some kind of emblem, and from this they received even greater strength. For example, they depicted an empty quiver and put the motto to it: "His arrows are in my heart"; or depicted a rosebud and to it the motto: "The less you show yourself, it becomes more beautiful"; a swallow that flew over the sea, and to it the inscription: "To find the sun, I leave the fatherland"; a shell facing the sun: "Her beauty descends from heaven"; when depicting an ermine, the motto was: "Better to die than to be ashamed" (the motto of Francis 1, Duke of Brittany); for a sunflower bud: "I will open my heart with the rays of my star"; if they depicted a pomegranate tree in bloom, they put the motto: "Every year a new crown"; a wounded lion, depicted asleep under a balsam tree, on which healing sap is dripping: "His tears heal me"; a lion fettered by a shepherd: "Subdued and terrible"; an eagle looking at the sun: "It is worthy of my reverence."

The motto was usually placed under the shield; it was, as it were, a memory of the glorious deeds of a person, of his heroism, generosity, mercy, or the same motto served to induce these valor to be exercised. The motto, as it were, explains the idea of ​​the coat of arms, or, better, the reason why this person received just such a coat of arms, and not another; the motto is at the same time the flesh and the spirit of the coat of arms. Mottos were often allegorical, and therefore there were mottos that consisted of only one letter. Their main merit was precisely in the sense that could be given to the motto; in general, all the mottos were distinguished by their brevity and expressiveness.

Representatives of a family, usually the oldest in the family, wore the so-called cri de guerre or cri d "armes over the coat of arms, that is, such an expression that was used in war by any noble knight to excite soldiers to battle or to victory; this famous clique, and distinguished him from other knights The French say: "Le cri suit la baniere" ("The cry follows the banner"). This means that the military signal is where the banner is, because it was the focus of military power, the center towards which the troops were striving, followed by all the soldiers with their hearts and eyes. Military cliques were known in ancient times; each knight, each commander had his own special cry assigned to him, with which he gathered his soldiers and with which he rushed into the bloodiest battle. Here are the most remarkable of the clicks. Gottfried of Bouillon said during the Crusades: "Dieu le veut!" ("It is so pleasing to God!") - and this conviction led both himself and his army. The French kings considered Saint Dionysius their patron, and therefore, leading their soldiers into battle, they repeated: "Montjoie et Saint Denis"; Montmorency repeated the following clique: “Dieu aide au premier baron Chretien” (“God help the first Christian baron”). The Bourbons, on the other hand, accepted the click: "Bourbon Notredame", or "Esperance". Among the English kings, Saint George was considered the patron saint, and therefore they said first: “St. Georges”, - and later: “God and my right!” (“God and my right!”).

In one of the legends of the Arthurian cycle, it is reported that the coat of arms of the Duke of Northumberland was a blue lion, and the motto was "With the blow of the lion's paw I win."

It is interesting that the images of animals and mythical monsters on the coats of arms often go back to the samples of the Scythian-Siberian animal style; therefore, the influence of the Great Migration of Nations is obvious here, but the later ties of Western Europe with the East also played a role.

The concepts of domination and subordination, heraldic themes ... were looking for a generally accessible and at the same time vivid figurative refraction. "

Indeed, the image in the coat of arms of a dragon, a griffin, a lion, an eagle, a tour, accompanied by mottos like "Beware this is me", "Fear the black bull", etc. were supposed to characterize the power of its bearer, instill fear not only in an unarmed villan, but also in a serious adversary.

MOTTO, INSCRIPTIONS, EMBLEMS IN LATIN LANGUAGE

A genio lumen

From genius - light

Aliis inserviendo consumor

Serving others, I spend myself

Aliis lucens uror

Shining on others, I burn

(Suggested as a medical motto by Van Tulpius, a 17th-century Dutch physician.)

Alterius non sit qui - suus esse potest

Who can belong to himself, let him not belong to another

(Motto of Paracelsus)

Amor librorum nos unit

We are united by the love of books

(The motto of the book publishers)

Annuit coeptis. Novus ordo seclorum; MDCCLXXVI

He (God) blesses our deeds. A new order of the ages is foreseen; 1776

(Inscription on the dollar, surrounding Masonic symbols, and the date of the adoption of the Declaration of Independence of the United States)

Arduus animo vincit et prodest

The strong in spirit win and benefit

(Inscription on the book of the lawyer Prudin de Saint-Maury, 16th century; anagram of the author's name)

A realibus ad realiora!

From real to super real!

(The slogan of the Russian Symbolists, put forward by Vyacheslav Ivanov)

Caveat emptor!

Let the buyer beware!

(Inscription on product labels)

Citius, altius, fortius!

Faster, higher, stronger!

(Olympic motto adopted by the IOC in 1913)

Concordia res parvae crescunt

Small deeds grow by consent

(Book sign of the Elsevirs, XVI century)

De omnibus dubito

I doubt everything

(Principle of the philosopher Descartes, 17th century)

Dulce et decorum est pro patria mori

It is sweet and honorable to die for the fatherland

(Inscription on the graves of warriors who died in battle; quote from Horace)

E pluribus unum

Of the many - unity

USA motto, inscription on the dollar. Source: Cicero "On Responsibilities"

Ego, qui nemini cedo et qui a nemine docere possum

I, who is not inferior to anyone in anything and who has no one and nothing to learn

(This is how the lawyer Charles Dumoulin, 16th century, inscribed his books)

Enigma sui temporis

The mystery of its time

(Inscription on the grave of Kaspar Hauser, the foundling described in the play Kaspar by Peter Handke, 1967)

Estote prudentes sicut serpentes

Be wise aki serpents

(Proposed as a motto of medicine I. Froben, XV century. Source: Gospel)

Et unum sint!

May all be one!

(Call from the encyclical of Pope John Paul II)

Feci quod potui, faciant meliora potentes

I did my best, let others do better

(With these words the Roman consuls ended their report)

Fiat institia et pereat mundus!

May justice be done, even if the world perishes!

(Motto of the German Emperor Ferdinand I, XVI century)

Fluctuat nec mergitur

It will be unsteady in the future, but unsinkable

(Inscription on the coat of arms of Paris under the image of a boat)

Fortiter ac firmiter

Strong and strong

(Inscription on the emblem of the tea merchants)

Forluna et casus, vulgo vulnerabile Nomen. Esto procul, tantum nomen inanemihi

Fate and chance are lovely concepts to the plebs. Stay further away from them, for me it's empty

Gens una sumus

We are one tribe

(Motto of FIDE, Msjlunarol Chess Federation)

Hic jacet ...

Here rests ...

(Epitaph)

Hic locus est ubi mors gaudet succurrere vitae

This is the place where death willingly helps life

(Inscription at the Paris Anatomical Theater)

In hoc signo vinces

Sim win

(That is, "You will win under this banner"

In sources about Emperor Constantine)

Ingenio vivitur, caetera mortis erunt

Live by talent, other - dead

(The motto on the books of the Shakespearean era)

I nvia virtuti nulla est via

There are no impassable paths for valor

(Motto of the great anatomist Vesalius, XVI century)

Ite ad vendentes!

Go to the sellers!

(He wrote above the entrance to his library by the humanist Scaliger so that his books would not be stolen)

Labor omnia vincit

Labor conquers everything

(Source: Virgil's Georgics)

Mente et malleo

With mind and hammer

(Motto of the mining industry, geological congresses)

Mens agitat molem

Thought moves mass

(Source: Virgil's Aeneid; used as the motto of libraries and book publishers)

Nil adsuetudine maius

Nothing Stronger than Habit

(From a trademark of cigarettes)

Non multa, sed multum

Not much, but a lot

(That is, not much in quantity, but a lot in value; the motto of scientists)

Non refert quam multos, sed quam bonos habeas

It is important not how many books you have, but how good they are.

(The motto of the newspaper "Ex libris", supplements to the "Nezavisimaya Gazeta". Source - Seneca)

Non solus

Not alone

(The motto on the Elsevier typographic sign; depicts an elm entwined with grapes, which the philosopher picks)

Per terras, per coelestas, per arem, per maria

Through lands, through heavens, through deserts and seas

(New York Academy of Sciences motto)

Prudens magis quam loguax

More wise than verbose

(Signed under the image of an owl, typographic mark by G. Zuccarello)

Quantum est quod nescimus ...

How much we don’t know yet!

(Motto of the Dutch librarian Gainzius, 17th century)

Quem si quis abstulerit, morte moriatur in satagine coquatur; caducus morbus instet eum, et febres; et rotetur, et suspendatur. Amen.

The one who steals it, let him die a terrible death, boil him in a hellish cauldron; to hurt him with epilepsy and fever; may he be quartered and hanged. Amen.

(Inscription on a 13th century book, preserved in the British Museum)

Requiescat in pace! abbreviated R.I.P.

May it rest in peace!

(Latin gravestone inscription)

Res sacra miser

Unhappy is holy

(Inscription on the building of a charitable society in Warsaw)

Sapere aude!

Dare to be wise!

(The motto of the philosopher Kant, the motto of the school in Manchester, etc. Source: "Messages" by Horace)

Scientia est potentia

Knowledge is power; in science - power

(Source: "New Organon" F. Bacon, XVII century)

Scientia vincere tenebras

To conquer darkness with knowledge

(Motto of the University of Brussels)

Scio me nihil scire

I know that I know nothing

(The formula for Socratic wisdom is given in the Apology of Socrates by Plato)

Silentium!

Silence!

(Inscription in the dining room of the Capucian monastery)

Sine ira et studio

Without anger and addiction

(The motto of the "Nezavisimaya Gazeta". Source - the ancient Roman historian Tacitus)

Sit tibi terra levis

May the earth be easy for you

(The usual form of Latin grave inscriptions)

Sub rosa

Under the rose

(That is, secret. The ancient Romans had a rose as an emblem of secrecy; if a rose was hung over a banquet table, it meant that what was said here should be kept silent. Subsequently, the rose was depicted on the ceiling of the meeting room, as well as on the lattice of the Catholic confessional)

Summa cum pietate

With the greatest respect

(Formula of Dedication to Someone)

Sustine et abstine!

Withstand and abstain!

(The motto of the ancient Greek Stoics. Source: Epictetus)

Tantum possumus, quantum scimus

We can as much as we know

(The motto of naturalists. Source: F. Bacon, "On the dignity and growth of sciences")

Tibi et igni

To you and fire

(I.e. read and burn)

Totus mundus agit histrionem

The whole world is playing a comedy

(Inscription on the pediment of the Shakespeare's Globe Theater)

Ultimam cogita!

Think about the last hour!

Ultima forsan

Maybe this is your last (hour)

Ultima multis

For many - the last (hour)

(Christian inscription on the dial of the watch)

Ubi vita, ibi poesis

Where there is life, there is poetry

(The motto of the Russian critic N.I. Nadezhdin, XIX century)

Virtute et constantia

With valor and constancy

(Malta motto)

Vita sine liberate, nihil

Life without freedom is nothing

(Romain Rolland motto)

Vivere est cogitare

To live is to think

(Voltaire's motto. Source: "Tusculan Conversations" by Cicero)

Vivere est militare

Live means fight

(Seneca's motto, "Moral Letters to Lucilius")

Vulnerant omnes, ultima necat

Everyone hurts, the last (hour) kills

(Inscription on the dial of a tower clock in the Middle Ages)

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Noble mottos

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The origin of the coats of arms

Coats of arms originate in the most ancient times. These are a special kind of symbolic signs by which the leader, tribe, people were recognized during the battle. Coats of arms were not invented out of vanity alone; they can be considered nothing other than a fair reward for personal merits. These special symbolic signs distinguished both individuals and tribes, cities, kingdoms, peoples; coats of arms differed noble from ignoble, noble from ignorant. But most of all, especially during military operations, the coats of arms served to distinguish between friends and foes; according to the coats of arms, the scattered troops gathered in one agreed place.

Symbols of coats of arms

But the symbolic military signs, often used as symbols or as decorations, were not exactly what they used to call coats of arms, that is, the constant distinctions of the noble origin of a person and the heritage accorded to one or another clan. Such a meaning of the coats of arms is an institution of a later time, which, according to Marchangy (in his “Gaule poetique”), can be attributed to the time of the Crusades.
Ladies have always had a special respect for the courage and courage of men, and in order to express their surprise and respect, they embroidered various glorious and expressive symbols not only on the furniture of their castles, but also on the clothes of their fathers, brothers and husbands. On the fences there were also images of these symbolic signs; they were painted on ceilings and walls, on shields and on grave monuments, they were consecrated in churches; during festivities they served as the best decoration for the banquet hall; they were worn on their robes by squires, pages, soldiers and all the faces of the knightly castle. All these different signs of knightly exploits formed a special hieroglyphic language.

The cross is simple, double, entwined, serrated, serrated, made of chopped, a cross of flowers flaunted everywhere in various forms and was a symbol of the holy goal for which the crusades were undertaken. Laseped, in his History of Europe, says: “The palm tree resembled Idumea; arch - taken or defended bridge; a tower - a castle taken by an assault; helmet - weapons of a formidable and courageous enemy; star - a night battle by the light of the moon and stars; the sword is an ordinary battle; crescent - the defeat of the Muslim; lance, bandage, fence, two stripes converging at an angle - barriers taken and destroyed; lion or tiger - fearless valor; eagle - high valor and courage. This is where the system of origin of coats of arms began ”.

Such coats of arms, approved and bestowed by the sovereign, never changed and became the inalienable property of the family and clan. There were a special kind of people whose duties were to study these differences and in particular to observe the implementation of the established rules regarding the integrity and invariability of the coat of arms; such people were called heralds, and the knowledge necessary to perform such a duty was called heraldry.

For coats of arms on shields, two metals were used (gold - the color yellow - and silver - the color white), four colors or colors (blue, green, red and black), two furs (ermine and squirrel). In addition, heraldry assigns special names and meanings to flowers. So, blue is called azure and means air, green - jasper, red - fire and black - earth. Some writers have also given these metals and colors a symbolic meaning. In their opinion, gold is an emblem of wealth, strength, loyalty, purity, constancy; silver - innocence, purity; blue is an emblem of greatness, beauty, clarity; red - courage, courage, fearlessness; green - hope, abundance, freedom; black - modesty, education, sadness. The field of the shield was divided into several sections by horizontal, vertical and diagonal lines; in these offices were placed paints and symbols; they sometimes corresponded to each other and were wavy, grooved, chopped off, tied, intertwined, intertwined, and so on. Other figures were depicted outside the field of the coat of arms; There were three kinds of decorations: decorations at the top, on the sides and around.

Above the coat of arms, crowns, hats, helmets, imprints, crests, sometimes a motto or a war cry and windrelets were depicted. The latter comes from the French word le bourrelet - it was a flagellum made of fabric, stuffed with wool, which was put on a helmet. It was painted with the same colors as the shield; in the coats of arms of simple, untitled nobles, such a windbreak, or flagellum, was called a fresco. Helmets and shishaks were painted on the coats of arms either in profile, or face-to-face with a visor lowered, with a half-open or with a completely raised visor and with a greater or lesser number of bars on it, depending on the dignity and antiquity of the origin of the genus. The crest was the uppermost part of the embellishment of the coats of arms; it was made up of all kinds of flowers, figures and feathers, animals, trees and other things. It was also customary to place slogans and slogans above the coat of arms. On the sides were images of angels, people, gods, monsters, lions, leopards, unicorns, trees and other objects; such figures were called supporters. There were also other decorations assigned to famous titles and denoting special dignities.

In order to correctly explain the coat of arms, it is necessary to study its background, on which the figures are engraved or drawn, and then the figures themselves. In heraldry, the background is called the field, and the figures are called signs. The field of the coat of arms is always covered with one of the metals, furs or non-ferrous; followed by the main figure, or the main sign; the colors or colors of the signs are the same as the color or paint of the field, except when a natural color is required.

Coats of arms of Prussia and Mecklenburg

The basis of heraldry is the following rule: if the field is covered with some kind of paint or fur, then the figures, or signs, must be covered with metal; and vice versa, if the field is covered with metal, then the figure, or sign, is covered with paint or fur. This rule is explained as follows: you cannot put metal on metal and paint on paint. To do otherwise is to completely pervert the science of heraldry.

Coat of arms of Margrave Joseph Schwarzenberg

The upper part in the coat of arms is called the head (le chef), and the lower part is called the foot (la pointe). Everything placed in the coat of arms embraces the following: first, all kinds of weapons; secondly, not only all kinds of animals, but even birds, fish and insects - in a word, from an elephant to an ant; thirdly, all kinds of plants, from oak to the simplest wildflower; fourthly, everything shiny - from heavenly bodies to metals and stones that are in the bowels of the earth; fifth, all mythical and fantastic creatures, for example, monsters, vultures, phoenixes, two-headed eagles, and so on. If animals are depicted on the coats of arms, they always look to the left.

Arma carlo alberto

In addition, symbols of religion are also depicted on the coats of arms; but most often the cross is depicted in a variety of forms, as mentioned above. Reading the coat of arms means explaining the coat of arms. To do this, you must first name the field, then the sign and its color, while using a well-known formula. Coats of arms represent the greatest variety, and, of course, each sign has its own symbolic meaning.

Heraldry experts have divided the coats of arms into several categories so as not to get confused in this labyrinth of all kinds of coats of arms. Let us examine these categories in order.

1) Assigned coats of arms (armoiries de concession). Often, as a reward for some special feats, the sovereigns bestowed their coat of arms to the distinguished one or added new honorary emblems to his former coat of arms.

3) Coats of arms of corporations (armoiries de communaute). These are the coats of arms of various institutions in Western Europe: archdioceses, bishoprics, chapters, universities, societies, companies and corporations.

4) Protection emblems (armoiries de patronage). Often, officials who ruled regions, knightly castles and the like added various emblems to their family crests as a sign of their advantage, their rights and dignity, which they received from their patrons.

5)Family coats of arms (armoiries de famille). Such coats of arms are inherited and serve to distinguish one house or one surname from another.

6) Coats of arms for matrimony (armoiries de d'alliance). These are coats of arms, when surplus attributes are inserted into the main coat of arms to denote family ties, when one surname through marriage comes into kinship with another genus.

7) Coats of arms by succession (armoiries de succession).
In addition to the transition of coats of arms along a straight line of inheritance, coats of arms could be assigned to a person completely alien or not having direct inheritance rights; these coats of arms passed to such persons either completely, or were combined with their original coat of arms; but this always required the permission of the supreme power.

8) Coats of arms of choice (armoiries de choix). Persons who received the nobility for special services to the state, of course, did not have their own coat of arms and therefore chose a special kind of emblem that reminded them of the kind of activity or occupation in which they acquired this distinction for themselves.

But heraldic signs also come from a thousand other reasons. Sometimes they are used to denote merit; then, there were also such signs that meant either the pledge of zealous compassion, then the memories of the journey to holy places, then the vow, then the symbols of valor, talents and pleasures; two shaking hands meant agreement and loyalty, pillar and anchor - unshakable hope, a ball or loaves - charity, honeycombs - church holidays and hospitality.

The original signs of tenderness and love in French heraldry were the following: two cranes holding a ring or a myrtle branch in their beaks; heart pierced by an arrow; rings, a rose with or without thorns, a tree intertwined with ivy branches, and similar symbolic signs ”.

Cities borrowed their coats of arms and emblems from their inherent characteristics. So, for example, in Friesland, a low-lying country, there were water lily leaves and wavy bandages in the coat of arms. Bologna, where there are many swans on the waters, placed this bird on its coat of arms. As you know, the center of Paris has the shape of a ship, and therefore the coat of arms of the capital of France depicts a ship with sails down under a sky strewn with lilies.

The emblems in the coats of arms in Western Europe especially multiplied during internecine strife and crusades. The struggle that took place between Yorks and Lancaster, gave rise to two rivals - a white and a scarlet rose. The times of the League and Fronde gave rise to a lot of emblems in the arms of the French nobility in France. In the countries of Eastern Europe, incl. and Russia, were not slow to adopt the best traditions of heraldry. But thanks to the Crusades, many allegorical signs were introduced into the coats of arms. In a significant number of the coats of arms of the Crusaders, there are crosses, shells, birds without legs and beaks, and all kinds of coins. But the cross, which was depicted on the clothes of the participants in the crusades as a symbol of the holy purpose for which the campaign was undertaken, was depicted in most of the coats of arms and served as a kind of memory of these religious wanderings.

Selected passages from the long history of the Crusades. Who advised the knights to march to Jerusalem? Did women and children participate in the hikes? What are the crusaders doing now?

Peter's idea

The knights were advised to sew crosses on their clothes and to fight in hot, distant lands for the Holy Sepulcher, two people. The first who came up with this brilliant idea was a former military man who became a hermit monk, Peter of Amiens. Allegedly, he visited Jerusalem, saw how the Christian brothers were offending there, returned home and sounded the alarm. Peter walked around the cities, gathered crowds of people and beautifully proved to them that it was necessary to return the Holy Sepulcher, free Christians, and erase the Turks into medieval radioactive ash. For lack of decent entertainment, the media and the Internet, citizens listened to Peter with open mouths. The image of the holy fool beggar preacher had a very strong effect on those around him, and soon Peter became a real "star". People came in droves to touch him, take a piece of his clothes or a lock of hair as a souvenir, attributed healing properties to him and were ready to do whatever he said.

For dad!

Then Pope Urban II entered the game, who realized that Peter and his supporters could be used very profitably. According to another version, it was the other way around, that is, at first the Pope thought of the campaigns, and then Peter of Amiens supported him and began to work with the population. Officially, it is Urban II that is considered the main inspirer of the Crusades. Having estimated how much wealth could be taken out of the Holy Land and pondering ways to increase the shaky rating, the Pope on November 27, 1095 made a fiery speech in the city of Clermont in France about the need to send troops to the Holy Land and by force to snatch it from the tenacious clutches of the infidels.

This is what God wants

To make people more willing to go on a hike, the pope promised everyone involved an immediate remission of all common sins, as well as remission of mortal sins at a significant discount, forgiveness of all debts, a 100% guarantee of going to heaven, the Christian analogue of 72 virgins, and, well, he promised gold and diamonds, which can be obtained in the Holy Land. The people, as well as high-ranking priests and statesmen liked the idea, the crowd shouted "Deus vult" ("This is what God wants") several times and began to gather for the campaign, which was scheduled for August 15, 1096.

Most unsuccessful hike

The most ardent followers of Peter could not wait for August 1096, they could not wait to start cutting the path with their father's sword to the treasures of the Holy Land and at the same time free the fellow Christians. The poorest and most sinful self-organized and moved towards the Holy Sepulcher. Many of the lower ones had no weapons or armor. It is said that about 30 thousand people were the first to go on the campaign, most of them were beggar peasants. The newly-minted crusaders took their families with them (that is, wives, children and the elderly also went to return the Holy Sepulcher) so as not to miss their relatives on the road. Not everyone managed to stock up on enough food. The fact is that in the crusading turmoil, the prices for what was needed for the campaign skyrocketed, so it was very difficult to buy even a medieval version of the doshirak. The local residents of the countries that met the peasants-crusaders on the way were reluctant to share food, which led to armed conflicts. The very first major battle with the enemy cost half the life of the detachment, children and women were captured and sold into slavery in Asian bazaars. Just a few dozen people got to the place. Peter, who led the "peasant campaign", survived and joined the first official crusade. By the way, when the crusaders went to the Holy Land, the cross was sewn on their chest, and when they returned, they sewn it on the back.

Children's crusade

Children did not stay away from the papal propaganda, and messengers of God began to appear throughout Europe. The boys allegedly whispered to the boys that they had the honor to lead their peers and go to reconquer Jerusalem. Rumors of miracles performed by the elect did their job, and the peers of the newly minted miracle workers fled from home and gathered in detachments. The true inspirers of these juvenile crusaders were the slave traders who hoped to sell a large shipment of European babies in the oriental bazaars. In fact, those who did not die on the road were loaded onto the ships of slave traders. The detachments of many thousands, led by the boy Nikolai (he was no more than 10 years old), who promised to reach the Holy Land "by sea like dry", having lost half on the road, reached the Italian port of Brindisi, but then they were not allowed to die for certain death. local bishop. Then the fanatical children went to the Pope with a request to bless them for the sacred massacre. Dad advised them to wait until they come of age. Even by medieval standards, children's crusades were game. By the way, it is believed that the participants in the campaign were not quite children, but young men and adolescents, but this fact does not become less of a game.

Hunger is not aunt

The first crusade, the siege of the Syrian fortress of Maar, the crusaders besiege it with their last strength, food has long ended, where you do not look everywhere is the desert. and now the Muslims surrender, however, on condition that the knights keep the inhabitants of the city alive. The Crusaders enter the city hoping to have a hearty meal, but it turns out that the Syrians have also been sitting for a long time without provisions. Christians, completely distraught with hunger and disappointment, begin to catch and fry the enemies, whom they recently promised to spare. Chroniclers of the first crusade describe terrible scenes of cannibalism, and Albert Aachensky writes that even dogs were allowed into the expense: "The crusaders did not limit themselves to eating only killed Turks and Saracens, they even ate dogs."

He will die from the sword

The crusaders tried to shed light of their true religion not only on Muslims, but also on everyone who came to hand. The Pope generally spoke rather vaguely in his famous speech about enemies. For example, he hinted that it would be good to plant Catholicism with a sword in the lands where any other religion is professed, and at the same time to eliminate pagans, Jews, Orthodox. Say, God approves this matter. So in 1096 the crusaders deviated from the route and staged the massacres of Jews in the cities of Germany. And from 1198 to 1411, the crusaders went to the pagan Slavic and Finnish tribes. In 1240, the knights-crusaders of the Livonian Order moved to Pskov and Novgorod, however, as is known, Alexander Nevsky prevented them from subordinating Russia to the Pope by defeating them on Lake Peipsi in 1242.

Modern crusaders

The Order of the Holy Sepulcher of Jerusalem still exists today. That is, the crusaders roam among us. The order dates back to 1099. The main goal of the order is to support Catholics in the Holy Land. For example, Catholic churches, schools, hospitals are being built there with the money of the order. At one time a member of the order was the Hungarian composer Liszt, the first chancellor of the FRG Adenauer, kings and queens of many European countries. The Crusaders even have their own website, and their headquarters are in Rome in the Palazzo della Rovere. To become a crusader, you must receive the Order of Merit before the Jerusalem Order of the Holy Sepulcher. It is awarded to people of impeccable moral character who are involved in charity work. The motto of the Order is "Deus vult".

Tell me the mottos of medieval knights!

  1. for the homeland! For Stalin!
  2. ***

    "Representatives of a family, usually the oldest in the family, wore over
    coat of arms so-called cri de guerre or cri darmes, that is
    expression which was used in war by any noble knight for
    excitement of warriors to battle or to victory; this famous clique, or cry,
    distinguished him from other knights. The French say: Le cri suit la baniere
    (The cry follows the banner). This means that the military signal is where
    banner, because it was the focus of military power, the center, to
    which the troops sought, followed by all the warriors with their hearts, and
    eyes. Military cliques were known in ancient times; everyone has it
    knight, each commander had his own special cry assigned to him,
    with whom he gathered his warriors and with whom he threw himself into the bloodiest
    the fight. Here are the most remarkable of the clicks. Gottfried of Bouillon during
    Crusades said: Dieu le veut! (God pleases so much!) - and this
    conviction led both himself and his army. With this click he led
    their warriors into battle with the infidels; this click inspired them, lifted their spirits and
    instilled in them courage and courage. French kings considered a saint
    Dionysius as their patron, and therefore, leading their soldiers into battle, they
    repeated: Montjoie et Saint Denis; Montmorency repeated the following click:
    Dieu aide au premier baron Chretien (God help the first
    Christian baron). The Bourbons, on the other hand, took the click: Bourbon Notredame, or
    Esperance. Among the English kings, Saint George was considered the patron saint, and
    therefore they said first: St. Georges, - and later: God and my right!
    (God and my right!). "

    "Heraldic mottos. The knight's coat of arms and motto were one whole. A short phrase was supposed to explain the idea of ​​the emblem.

    Image "Empty Quiver" - Motto: "His arrows in my heart"
    Image "A swallow that flies over the sea" - Motto: "To find the sun, I leave the fatherland"
    Image "Ermine" - Motto: "Better to die than disgrace"
    Image "The Lion Shackled by the Shepherd" - Motto: "Subdued and Terrible"
    Image "Eagle looking at the sun" - Motto: "He alone is worthy of my reverence"
    Image "Rosebud" - Motto: "Shown less, it becomes more beautiful."

    "An approximate translation of knightly mottos:

    1. I serve - to the Fatherland, I answer - to God.
    2. Dignity and nobility.
    3. Conscience and discipline.
    4. To be, not to seem.
    5. Honor, but not honor.
    6. Honor is more precious than life.
    7. An honest death, but not a shameful life.
    8. I win, but I don't take revenge.
    9. Stingy in needs, generous in giving.
    10. Generosity and justice.
    11. Courtesy and peacefulness.
    12. Bliss in fidelity.
    13. Dignity in the ministry.
    14. Serve, but not serve.
    15. Should - so you can.
    16. I compete, but do not envy.
    17. I am led by love, I am purified by kindness.
    18. Evil retribution, good reward.
    19. The word is stronger than stone.
    20. Blow for blow.
    21. Victory or death.
    22. Faithfully and truly.
    23. Beat noisy, speak softly.
    24. One for all, all for one.
    25. The word is silver, silence is gold "

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