Essay on the topic: Onegin and Lensky, comparison of heroes. Comparison of Pushkin and Onegin Comparison of Lensky and Onegin portrait

In the novel "Eugene Onegin", alongside the main character, the author depicts other characters that help to better understand the character of Eugene Onegin. Among such heroes, first of all, we should name Vladimir Lensky.

According to the characterization of Pushkin himself, these two people are absolutely opposite: "ice and fire" - this is how the author writes about them. And nevertheless, they become inseparable friends, although Pushkin notes that they become such from "there is nothing to do."

Let's try to compare Onegin and Lensky. Are they so different from each other?

Why did they "converge"? It is better to present the comparison of heroes in the form of a table:

friendship

With all the differences in characters, temperaments and psychological type between Onegin and Lensky, one cannot fail to notice a number of similarities:

They are opposed to the nobility, both in the city and in the countryside;

They strive to find the meaning of life, not confining themselves to the "joys" of the circle of secular youth;

Broad intellectual interests - history, philosophy and moral questions, and literary reading.

Duel

The duel becomes a special tragic page in the relationship between Onegin and Lensky. Both heroes perfectly understand all the senselessness and uselessness of this fight, but neither was able to overstep the convention - public opinion. It was the fear of judgment from others that made the two friends stand at the barrier and aim the barrel of a pistol at the chest of their recent friend.

Onegin becomes a murderer, although according to the rules he does not commit murder, but only defends his honor. And Lensky goes to a duel in order to punish the universal evil, which at that moment, in his opinion, was concentrated in Onegin.

After the duel, Onegin leaves, he sets off to travel across Russia. He is no longer able to remain in that society, the laws of which force him to commit acts contrary to his conscience. It can be assumed that it was this duel that became the starting point from which serious changes in Onegin's character begin.

Tatiana Larina

The novel is named after Eugene Onegin, but in the text of the novel there is another heroine, which can be fully called the main one - this is Tatiana. This is Pushkin's favorite heroine. The author does not hide his sympathy: "forgive me ... I love my dear Tatiana so much ...", and, on the contrary, at every opportunity he emphasizes his disposition for the heroine.

A.S. Pushkin wrote about "Eugene Onegin" as follows: "I am not writing a novel, but a novel in verse - a devilish difference." This work stands apart from the other works of the poet and is one of the most important novels of the 19th century.

One of the key characters in the novel in verse are Eugene Onegin and Vladimir Lensky. At first glance, these are two completely different heroes, but if you look at them in more detail, you can easily notice that Vladimir is the most exact copy of Eugene before the illness of the soul.

The poet looks at the world as something beautiful, he does not see flaws, his young heart trembles at every philosophical thought about love and life. Lensky's soul is blind, in contrast to Onegin's critical gaze. But Eugene did not begin to express his point of view, as he saw that it was pointless, and the poet himself had to realize such a view of life in the 19th century.

I can call Evgeny's illness of the soul and in another way - boredom. He became bored and painfully hated by the whole secular society. Soon, he did not care at all about the opinions of others, when, for example, being late for the ballet, he imposingly entered the hall, critically examining those present. But Onegin treats the poet differently. We can say that he is more forgiving of his feelings and emotions. The hero calmly listens to Lensky's thoughts, even with a grain of irony, but still appreciates him for who he is. Soon, their relationship grew into friendship. Vladimir was the only person he knew in the village with whom one could talk about art, life, books and much more.

A clear difference between them can be seen in their thinking about love. The poet is a romantic hero, and love for him is the most important and great feeling, in which he so blindly believes. From the first day of his stay in the village, Vladimir was inspired by the thoughts of Olga Larina. He sees in her a kindred spirit, although in fact this is a rather stupid girl who did not even remember about her fiancé after his death.

Eugene does not believe in love. He is seductive with women, when Lensky in his place is shy with embarrassment. Onegin is quickly tired of being in love, does not believe in eternal sincere love. He believes that he is not capable of feelings, and immediately warns Tatyana about this. The hero speaks of this with care so that the girl does not feed herself with false hopes about his, at first glance, cute character.

Pushkin really wrote an encyclopedia of Russian life. Every image, every character - everything is worked out with the utmost precision. The writer considered absolutely all the images of that century. Reading this novel in verse, you literally find yourself in that time and look at it from the perspective of different characters. Everyone has their own view of the world, and having considered everything, you have your own opinion on each situation considered in the novel "Eugene Onegin".

The source of the development of society at all times has been the displeasure of people with their own lives and social foundations. On the threshold of the nineteenth century in Russia, among the progressive noble youth, unconsciously, gradually began to feel dissatisfaction with the surrounding reality. Typical representatives of this circle are Eugene Onegin and Vladimir Lensky - the heroes of Alexander Pushkin's novel "Eugene Onegin".

The main common feature of Onegin and Lensky is their dissatisfaction with the noble society, although they received an upbringing typical of the nobility of that time. Torn away from Russian culture, brought up by French tutors, they did not have any serious purpose in life. Therefore, soon Onegin became disillusioned with the idle vanity of the world: "although he was an ardent rake, he finally fell out of love with abuse, and a saber, and lead," and "completely cooled off to life." Secular interests were also alien to Lensky: "he did not like feasts, he ran away from noisy conversation."

In the village, living among limited, self-righteous landowners and being superior to those around them by spiritual demands, they became friends, although they were opposite human natures. Onegin in his best years fell into a blues, was "indifferent to everything", Lensky - a lyrical nature, possessing "freedom-loving dreams", always "enthusiastic speech", he was a "admirer of Kant and a poet." Lensky considered poetry to be his element, while in Onegin Pushkin emphasizes "a sharp, chilled mind."

In Lensky's work, the poet notes a love for nature, "a noble aspiration of feelings and thoughts of young, tall, gentle, daring", "a thirst for knowledge and work and fear of vice and shame." For Onegin, upon arrival in the village, “for two days he seemed to have new secluded fields, the coolness of a gloomy oak forest, the murmur of a quiet stream, on the third - a grove, the hills did not occupy him anymore”, “hard work was sick to him,” and when he, “ yawning, he grabbed the pen, ”nothing came of it. Being an outstanding person by nature, Onegin cannot apply himself to anything in the society in which he is forced to live, and he himself suffers from this.

In Onegin, Pushkin emphasizes the ability to understand people, to be critical of them. He immediately understood Olga's ordinariness and at first glance appreciated the originality of Tatiana, highlighting it. her from the rest. The poet shows Lensky as a person who lacks knowledge and understanding of reality. "A dear ignoramus with his heart" - this is how Pushkin describes him. Lensky idealizes Olga, a simple girl. She takes her behavior after the ball for treason. This circumstance leads to an unreasonable duel and his death. But if Lensky behaves in connection with the duel like a sentimental youth, impractical about life; then Onegin, being a sober-minded person, “loving the young man with all his heart,” had to prove himself “a ball of prejudice ... but a husband with honor and intelligence”. But Onegin turned out to be below the prejudices of the society that had brought him up, he turned out to be an egoist and, frightened by the "whispering, the laughter of fools," he killed his friend. Onegin's false notion of noble honor pushed him to murder Lensky. Belinsky called Onegin a suffering egoist, an unwilling egoist, since his egoism is due to the upbringing he received in a noble society.

In the images of Onegin and Lensky, Pushkin showed the characteristic path, the inner life of a whole layer of young people in Russia at that time. Smarter, more sensitive, more conscientious, they could not find a calling in life and died out.

For us now, I mean my generation, it is not at all easier to find a vocation in life. In today's society of chaos and disorder, it is very difficult not to be wrong. It seems to me that every person is intended to create something in his life, to leave a mark, otherwise why are we humans created?

We must always remember this and strive for our vocation. Yes, it is difficult, it may be impossible, but I will try not to give up.

Ah, dear Alexander Sergeevich! Has your pen written something more perfect than the living and eternal novel "Eugene Onegin"? Didn't you put most of yourself, your violent inspiration, all your poetic passion into it?

But haven't you, oh, immortal classic, cheated by saying that Onegin has nothing to do with you? Are not his character traits peculiar to you? Isn't it your "blues" on it, isn't it your disappointment? Is it not your "black epigrams" that he scribbles to his enemies?

And Lensky! Really, how he looks like you, in love, young! On you - another, on that you, whom you did not dare to reveal to the world clearly ...

Lensky and Onegin ... The comparative characteristic of both of them is yours, oh immortal Alexander Sergeevich, a colorful and lively portrait on the wall of poetry. Do you agree with the idea of ​​such audacity?

However, be that as it may, allow, in view of your silence, each admirer of your genius to draw their own conclusions, letting their own fantasy fly.

We will compare and contrast the two striking heroes of "Eugene Onegin", barely touching the edges of your personality. In order to avoid obsessive parallels between you, sir, and the characters in your poem, we will make every effort to make a dry statement of their striking characteristics.

So, Onegin. Handsome, smart, stately. In the description of his Petersburg daily routine, my dear Alexander Sergeevich, we find your lines about no less than three hours he spent at the mirrors in pretense. You even compare him to a young lady dressed like a man hurrying to a ball. Perfume, lipstick, fashion haircut. Dandy, pedant and dandy. Always elegant in clothes. And, by the way, it will be said, nails, sir ... He, like you, sir, spends a lot of time at the dressing table, caring for them.

Alas, all the actions he performs on himself in order to be attractive are just a tribute to a secular habit. He has long cooled to the opposite sex, disappointed in love. He doesn't want to please women at all. Not! Love has long been replaced by the "art of seduction", which, however, does not bring any satisfaction.

Social events have long lost all taste for him. He often goes to balls, but out of inertia, out of boredom and nothing to do. The social circle is boring to him. I'm sick and tired of everything! But, not knowing another life, he continues to drag out the usual way of life. No friends, no love, no interest in life.

The way of thinking, the perception of Onegin - you, Alexander Sergeevich, subject everything to the merciless "Russian blues", or depression. Immeasurable inner emptiness, lack of dreams, boredom, joylessness. At the same time, the liveliness of a cold, sober mind, the absence of cynicism, nobility.

You emphasize its prosaic nature by the inability to "distinguish ferrets from iambis", and their preference for Scott Smith, with his political economics books, only confirms the presence of unpoetic exact thinking.

Lensky is different!

What evil muse visited you, Alexander Sergeevich, when you brought together your so different heroes in friendly ties? Could the relationship between Lensky and Onegin not lead to tragedy? Your Lensky ...

Handsome, but beautiful differently than Onegin. You give him the natural beauty of his facial features, long, dark, curly hair. With the inspired look of a poet and a living, warm heart, open to the world.

Vladimir Lensky is sensitive to the perception of nature and the universe as a whole. “Suspecting miracles” in everything, he understands and feels the world in his own way. Idealist, the right word!

The eighteen-year-old dreamer in love with life piously believes in the existence of his soul mate, which is waiting for him and languishing. In faithful, devoted friendship and "sacred family", as you, venerable Alexander Sergeevich, have deigned to name the Holy Trinity.

Describing the relationship between Onegin and Lensky with your own pen, you compare them with the union of water and stone, flame and ice, poetry and prose. How different they are!

Lensky and Onegin. Comparative characteristics

It pleased you, master of the muses, to play these two beautiful youths in a sad game that to this day prompts the reader to sprinkle tears on the pages of your great novel. You bring them into friendship, first "from nothing to do", and after a closer one. And then cruelly ...

No, better in order. So, they are getting closer: Lensky and Onegin. Comparative characteristics of these two, so characteristic of your, Alexander Sergeevich, time of heroes, can be complete only when describing their friendship.

So, contradictions are encountered, as the English proverb says. At first, they are boring to each other due to the dissimilarity of judgments. But a little later this difference turns into a magnet attracting opposites. Each thesis becomes the cause of lively disputes and discussions between friends, each dispute turns into a subject of deep thought. Perhaps none of them accepted the position of a comrade, but they also retained interest and respect for the flow of someone else's thought. Listening to Lensky, Onegin does not interrupt him with youthful naive judgments, poems and ancient legends. Disappointed realist, he is in no hurry to reproach Vladimir for idealizing people and the world.

Similarity of heroes

Daily joint horse rides, dinners by the fireplace, wine and conversations bring young people closer together. And at the same time, over time, similarities between Onegin and Lensky are revealed. By endowing them with such striking features, you, the lord of the pen, pull them out of the usual circle of rural communication, with boring conversations about the kennel, your own relatives and other nonsense. The education of the main characters, which is one of the few common traits for both of them, makes them yawn in the circle of the rural nobility.

Two destinies, two loves

Onegin is five or six years older than Lensky. This conclusion can be reached, proceeding from the precious Alexander Sergeevich, indicated by you, his twenty-six years at the end of the novel ... When, kneeling, he cried for love at her feet ... at Tatyana's feet ... But, no. Everything in order.

Oh, the great connoisseur of the human soul, oh, the subtlest psychologist of deep feelings! Your pen reveals to Onegin's dead soul the bright, pure ideal of the young maiden - Tatyana Larina. Her young, tender passion is poured out before him in a frank letter, which you ascribe to him to preserve for the rest of his life as evidence of the possibility of sincerity and beauty of feelings in which he no longer believed. Alas, his moping, callous heart was not ready to reciprocate. He tries to avoid meeting Tatiana after talking with her, in which he denies her high feelings.

In parallel with this discordant love, you develop the feelings of Vladimir Lensky for Tatiana's sister - Olga. Oh, how different these two loves are, like Lensky and Onegin themselves. A comparative description of these two feelings would be superfluous. The love of Olga and Vladimir is full of chaste passion, poetry, and youthful inspiration. The naive Lensky, sincerely wishing his friend happiness, is trying to push him into Tatyana's arms, inviting him to her name day. Knowing Onegin's dislike of noisy receptions, he promises him a close family circle, without unnecessary guests.

Revenge, honor and duel

Oh, how much effort Eugene makes to hide his mad indignation when, having agreed, he gets to a provincial ball with many guests, instead of the promised family dinner. But more than that, he is outraged by Tatyana's confusion when he sits in a place prepared for him in advance ... opposite her. Lensky knew! Everything is rigged!

Onegin, really, did not want what your implacable pen, Alexander Sergeevich, prepared when he took revenge on Lensky for his deception! When he carried his beloved Olga into his arms in a dance, when he whispered his liberties in her ear, he portrayed a gentle look. Cynically and shortsightedly appealing to the jealousy and contempt of the young poet, he obediently followed the fate destined by you for both of them. Duel!

In the morning at the mill ...

Both have already moved away from stupid grievances. Both were already having difficulty finding a reason for a duel. But nobody stopped. Pride is to blame: no one intended to be considered a coward by refusing to fight. The result is known. The young poet was defeated by a friend's bullet two weeks before his own wedding. Onegin, unable to indulge in memories and regrets about the death of the only person close to him, leaves the country ...

Upon his return, he will fall in love with the matured and blossoming Tatiana, only now the princess. Kneeling before her, he will kiss her hand, pray for love. But no, it's too late: “Now I have been given to another and I will be faithful to him forever,” she will say, crying bitterly. Onegin will be left completely alone, face to face with memories of love and a friend killed by his own hand.

Duels of the creator Onegin and quite pertinent parallels

You were reproached, my dear Alexander Sergeevich, for insufficient grounds for a duel between your heroes. Funny! Didn't your contemporaries draw parallels between these two youths with yourself? Didn't they note the similarities of such opposite Onegin and Lensky with your contradictory, dual nature? This borderline bifurcation into Lensky - an inspired poet, superstitious lyricist - and a secular rake, cold, tired Onegin ... did they not find it? To one you give your fiery genius, love, cheerfulness and, without knowing it, your own death. The other is given unhappy love, wanderings, alienation and, in the end, a long trip abroad, which you yourself so dreamed of. The characteristic of Onegin and Lensky is a comprehensive disclosure of yourself, isn't it? And if such an obvious similarity of both heroes with you, dear classic, was exposed by your contemporaries, did they not know what light, insignificant reasons for duels were enough for you yourself? And how many times in each week of your life have you played with death, fearlessly and indifferently gazing at the cold barrel in the hands of your enraged adversary?

A.S. Pushkin is the greatest writer and poet of the 19th century. Many wonderful works came out from under his pen. Eugene Onegin is considered the main work of Pushkin. The work reflects the peculiarities of the life of the noble youth of the XIX century.

Brief description of the work

"Eugene Onegin" is a novel in verse that amazes with its artistic perfection of style and form, lightness and beauty of language. It reveals the variety of problems that worried Russian society at the beginning of the 19th century. In portraying all the noble groups, Pushkin reflects the two most common problems of the time: idealistic escape from reality and disappointment.

The main characters of the work

Onegin and Lensky in the novel are among the "best people of the era." In their images, Pushkin reflected the very problems that were most relevant at the time. The heroes were not satisfied with either the brilliance that they considered cold and empty, or the miserable appearance and primitiveness of rural everyday life. Both characters strive to find meaning in life, something higher and bright. Eugene Onegin and Lensky stand out from the ordinary noble environment. Both of them are educated, smart, noble. The heroes are united by the breadth of interests and views. This is what brought them closer together and marked the beginning of friendship between them. Despite the differences in character, their mutual sympathy increased as the story progressed, and their communication became deeper. The conversations of the village landowners differed significantly from the conversations between Onegin and Lensky. An analysis of their behavior, aspirations and views allows us to understand that both heroes had an inquiring mind, sought to learn the meaning of life and touch all spheres of human existence. The author emphasizes that the disputes of the characters touch upon philosophical, moral, political problems that worried the progressive people of that era. Why, despite their similarity, did the duel between Lensky and Onegin happen? More on this later in the article.

Onegin and Lensky. Comparative characteristics

These two characters are central to the story. They are completely different, but at the same time they have a certain similarity. Their images are two paths followed by the best representatives of the landlord intelligentsia of the early 19th century. The development of relations between the main characters reflects the huge difference between them, shading not only the opposite of their traits, but also their attitude to reality and to the people around them. These two paths could end either in a life dead end, or in someone's death.

Vladimir

Poetic talent was present in Lenskoye, which opened up romantic moods in him. He sees the ideal even in the "empty" pretty Olga. Friendship with Onegin means a lot to Lensky. In the image of the image of Vladimir, a connection with the Decembrist trends is clearly visible, which gives reason to assume the likelihood of his rapprochement with the advanced noble intelligentsia, who was preparing the uprising of 1825, which gives him a chance to become the poetic voice of the people. Belief in friendship, freedom, love was the goal of life and the essence of Lensky.

Eugene Onegin

This hero received a classical aristocratic education. He was taught everything in jest, but despite this, Onegin received the knowledge he needed. In terms of mental development, he is much higher than his peers. Eugene is a little familiar with the works of Byron, has an idea of ​​the works of Smith. But all his hobbies do not raise fiery and romantic feelings in his soul. Onegin spends his best years, like many young people of his time: in theaters, at balls, in love affairs. But soon an understanding comes to him that this whole life is empty, envy, boredom and slander reign in the light, and people senselessly waste their time, wasting their inner strength on an imaginary brilliance. As a result, Onegin loses interest in life, falling into a deep blues because his sharp and cold mind is satiated with worldly pleasures.

Questions of good and evil in the relationship of the main characters

Among the intelligentsia of that time, Rousseau's treatise (a writer and French philosopher) "The Social Contract" was very popular. It touched upon the most important social problems. The most pressing issue was the state structure. The problem of the relationship between the authorities and the people, who had the right to overthrow the government, which violated the agreement between the state union and the community of citizens, was revealed. What existed created both political and economic difficulties in Russia. Progressive-minded representatives of the nobility tried to find a solution to the existing problems by improving and introducing methods of agriculture, using machine technology. Onegin and Lensky, who would not be complete without specifying their type of activity, also pondered this question. The first was the owner of waters and factories, and the second was a wealthy landowner. Ethical issues, issues of good and evil were often at the center of attention of young people. Moral theoretical principles, refracted in the characters of the characters, determine both their views and their actions.

The tragedy of the relationship of the central characters

Onegin and Lensky, whose comparative characteristics cannot do without mentioning their personal qualities, were of different ages. Vladimir is younger, his ardent soul has not yet been spoiled by life. He is looking for beauty everywhere. Onegin, who had long gone through everything, listened to Lensky's passionate speeches with a smile, trying to restrain his irony. For Vladimir, friendship was an urgent need. Onegin, on the other hand, was "friends for the sake of boredom." But Eugene develops a special affection for Vladimir. Analyzing the duel between Lensky and Onegin, one cannot fail to note the priorities that are quite clearly traced in each of them. So, the more experienced protagonist, despite his contempt for the light, treasured his opinion, was afraid of reproaches and ridicule. Perhaps it was because of this false sense of honor that Onegin accepted Lensky's challenge. Vladimir, on the other hand, defended the purity of his romantic ideas from his friend's skepticism. Perceiving Onegin's unsuccessful joke as betrayal and treason, Lensky challenges him to a duel.

Death of Vladimir

Onegin and Lensky, whose comparative characteristics show the essence of the differences in their views, in the course of the development of the plot from the best friends turned into enemies. The first, having received the challenge and realizing the senselessness of the fight itself and his own wrongness, accepts it. The murder of Vladimir turns Yevgeny's whole life upside down. He is no longer able to be in those places where the tragedy occurred. Tormented by remorse, Onegin begins to rush around the world. However, as you can see further, changes are taking place in his soul: he becomes more sensitive and responsive to people, his heart opens to love. However, here too he will be disappointed. Comparing all the events, we can conclude that all his misfortunes are payback for a life lived without a goal.

conclusions

It can be said with certainty that Lensky's death is symbolic. Involuntarily, it leads to the idea that a romantic, a dreamer, an idealist - a person who has not cognized reality, must certainly perish when faced with it. At the same time, such skeptics as Onegin remain alive. They cannot be accused of ignorance of reality or idealism. Onegin knows life very well, knows how to understand people well. However, what did this knowledge give him? Apart from disappointment and blues, unfortunately, nothing. The awareness of his superiority over others puts a person on a rather dangerous path, which ultimately leads to disunity with the world and selfish loneliness. The surviving Onegin is of little use to society and does not become happy.

Conclusion

In his novel, Pushkin showed reality as it was at that time. His work warns that in a society that is rotting from the inside out, only mediocre people, whose interests are small and very limited, can find happiness. "Extra people" - Eugene Onegin and Lensky (an essay on this topic is included in the school literature course) - are unhappy in this life. They either die or continue to live devastated and disillusioned. Even high position and education do not give them happiness, do not make their path easier. Realization of their own mistakes comes to them too late. However, it is difficult to blame the heroes themselves. Their life takes place in the conditions of light, which dictates its own rules and puts them in certain conditions. Their characters are formed from birth under the influence of what is happening around them. As Pushkin himself says, it was only the environment that made Onegin and Lensky, essentially noble, intelligent people, unhappy and disillusioned.