The Master and Margarita, the tragic love of the Master and Margarita in conflict with. The Love of the Master and Margarita The Tragedy of the Love of the Master and Margarita

So that the path of true love is wide.
W. Shakespeare
G. Bulgakov believed that it was love and hate, courage and excitement, the ability to appreciate beauty and kindness. But love ... she, above all. Bulgakov wrote the heroine of his novel with Elena Sergeevna, the beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps most of him, the Master, a terrible burden, became his Margarita.

The story of the Master and Margarita is not one of the lines of the novel, but its main theme. All the events, all the diversity of the novel, converge to it. They did not just meet, fate pushed them at the corner of Tverskaya and the lane. Love struck both like lightning, like a Finnish knife. “Love jumped out in front of us, like a murderer jumping out of the ground in an alley ...” - this is how Bulgakov describes the origin of love in his heroes. Already these comparisons foreshadow the future tragedy of their love. But at first everything was very calm.
When they first met, they spoke as if they had known each other for a long time. Love broke out violently and it seemed that it should burn people to the ground, but she turned out to be homely and calm.

In the basement apartment of the Master Margarita, wearing an apron, ran the household while her beloved was working on a novel. The lovers baked potatoes, ate them with dirty hands, laughed. It was not sad yellow flowers that were placed in the vase, but roses, beloved by the two of them. Margarita was the first to read the already finished pages of the novel, hurried the author, predicted fame for him, constantly called him the Master. The phrases of the novel, which she especially liked, she repeated loudly and melodiously. She said that in this novel her life. This was an inspiration for the Master, her words strengthened his self-confidence.

Bulgakov very carefully and chastely talks about the love of his heroes. He was not killed by the dark days when the Master was defeated. Love was with him even during the serious illness of the Master. started when the Master disappeared for many months. Margarita tirelessly thought of him, not for a moment did her heart part with him. Even when it seemed to her that her beloved was gone. The desire to know at least something about his fate wins over the mind, and then the diabolism begins, in which Margarita takes part. In all diabolical adventures, she is accompanied by the loving gaze of the writer. The pages dedicated to Margarita are a poem in the name of her beloved, Elena Sergeevna. He was ready to make "his last flight" with her. So he wrote to his wife on a donated copy of his collection "Diaboliad".

With the power of her love, Margarita returns the Master from non-existence. Bulgakov did not come up with a happy ending for all the heroes of his novel: as it was before the invasion of the satanic company in Moscow, it remains so. And only for the Master and Margarita, Bulgakov, as he believed, wrote a happy ending: they will have eternal peace in the eternal home, which the Master was given as a reward.

Lovers will enjoy the silence, those they love will come to them ... The Master will fall asleep with a smile, and she will forever protect his sleep. “The master silently walked with her and listened. His restless memory began to fade, ”this is how this tragic love ends.
And although in the last words - the sadness of death, but there is also a promise of immortality and eternal life. It comes true today: the Master and Margarita, like their creator, is destined for a long life. Many generations will read this satirical, philosophical, but most importantly - lyric-love novel, which confirmed that the tragedy of love is a tradition of all Russian literature.

In the novel "The Master and Margarita" unites, it would seem, such that it is impossible to combine: history and fantasy, reality and myth, funny and serious. But when reading the novel, you understand that it is impossible to write it differently, because it represents three worlds - biblical antiquity, Bulgakov's contemporary reality and the fantastic reality of the diaboliad.

At first it seems that the connection of these worlds is conditional. The novel about Pilate and Yeshua Ha-Nozri is just a novel within a novel, like a form. But over time, it turns out that the deep meaning is in how the chapters that talk about biblical antiquity are connected with the present. The center of the life of any society is the mentality built on the laws of morality. When you watch the life of Soviet society, described by Bulgakov, it seems that people have forgotten about moral rules. So, about the events of the first century, it is intended to remind people of the eternal laws of being. Nothing has lost relevance since that time. Cowardice is still considered a disadvantage that pulls along. Change remains change.

And now people strive for goodness and justice. True, sometimes only for themselves. But it seems that this is what unites all three worlds: faith in the law of justice, the inevitability of punishment for evil. So, good and evil is the measure of the human society of the individual. Just for evil and return for good serves the author as the engine of the entire plot. There is something reckless about trying to solve the eternal problem of the struggle between good and evil by bringing Satan into it. So another world is added to reality, quite fantastic at first glance. But through him the real world is freed from sneaks, like Aloyzy Magarych, or slanderers and bribe-takers, drunkards and liars. The reader understands Margarita, who, having turned into a witch, takes revenge on Latunsky's critics by committing a real pogrom in his apartment.

The return of the Master to his house with Margarita and the preservation of his novel seem to be witchcraft obtaining justice - “manuscripts do not burn!” In reality, all the worlds are united. Nevertheless, the existence of the world of biblical antiquity, as well as the fantasy world of Woland, fills modernity with new content. Life is not so easy, but there is an eternal law of justice and goodness that governs human actions and the development of all mankind.

Reflecting on the theme of love in The Master and Margarita, the reader, in my opinion, involuntarily comes to the conclusion that this is the most beautiful and tragic story of the life of two lovers. For this feeling in Bulgakov is something earthly and extraordinary at the same time. It is both suffering and happiness.
Love comes to the master as a sudden gift of fate, deliverance from constant loneliness. The story of his and Margarita's feelings is amazingly beautiful: “Follow me, reader! Who told you that there is no true, true, eternal love in the world! let the liar cut out his vile tongue! Follow me, my reader, and only me, and I will show you such love!” Bulgakov seems to be looking forward to the joy of telling about beautiful and inspiring love, love at first sight, "as soon as it happens in novels."
A woman in a black spring coat, who carried “disgusting, disturbing, yellow flowers” ​​in her hands, attracts the attention of the Master with an unusual loneliness in her eyes. Just now they were walking completely alien to each other along the crowded Tverskaya like many other people and suddenly found themselves alone in a dull alley where there was not a soul ...
“Love jumped out in front of us,” the hero recalls, “like a murderer jumping out of the ground in an alley, and hit us both at once. This is how lightning strikes, this is how a Finnish knife strikes! This is what the Master says about the feelings that arose between him and Margarita.
It is surprising that in this whole story about an ordinary street acquaintance there is not a single banal, hackneyed intonation. A low, broken female voice will be heard: “Do you like my flowers?” And the unexpectedly direct, laconic answer of the Master: "No." Two lonely people, as if waiting for this meeting for a long time, do not need to pretend at all. And mimosa branches fly into the nearest ditch, and Margarita, fleeing a hateful life with her husband, to whom she does not have any feelings, finds her short-lived happiness with the Master. Now there are two of them, and nothing can be scary to them while they are together.
In my opinion, the tragedy of the Master's love is that he cannot be happy with Margarita during his lifetime. His novel, which was never accepted by the public, brings him many misfortunes. Now the Master is forced to fear not only for his life, but also for the fate of his beloved.
Margarita cannot save the Master from the troubles and suffering that threaten him. But as long as there is strength, she seeks to fight his terrible and incomprehensible disease, poisoning their whole life. What is this disease? “Coldness and fear, which became my constant companion,” he tells Ivan, “driven me to a frenzy”, “... fear possessed every cell of my body.”
Masters are overcome by gloomy forebodings. On dark autumn evenings, longing comes to him and constantly torments him. It is at this moment that he throws the manuscript of his novel into the fire. And only Margarita can alleviate his suffering, only she is able to support his will to live and not let the weak flame of hope die out. And this woman grabs the remains of a charred manuscript from the oven in order to save the life of the best part of the Master's soul - his novel.
Margarita resists this numbness of the soul, she does not want to come to terms with the death of the Master. Fear, inspiring humility and impotence, she tries to dispel and overcome with her courage and loyalty. Loudly she conjures fate: “For what is this, for what? But I will save you, I will save you. And so that this prayer would not be in vain, so that this promise would come true, the author turns to a different reality, which Berlioz and others like him so vehemently deny.
But the one who loves must share the fate of the one he loves, the book says. And Margarita shares the fate of the Master to the end, dying in an instant with him. Bulgakov returns three times to this fateful moment. He tells us how, by the spell of magic, once again with the Master in his apartment, the happy Margarita drinks Falerno wine with her lover, poisoned by Azazello and instantly transporting the heroes to another world.
But, as if not satisfied with this conditionally poetic picture, Bulgakov also gives another, less beautiful and more accurate version of the death of both. At that moment, when the patient, placed in the 118th room of the Stravinsky Clinic, died in his bed, at that very moment, on the other side of Moscow in a Gothic mansion, she left her room to call the housekeeper Natasha, and suddenly fell, clutching her heart, Margarita Nikolaevna.
Bulgakov shows us, the readers, that true love exists, but, unfortunately, it very often faces cruel reality and is forced to fight for its existence. This is the tragedy of true love.

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Russian writers

In the novel "The Master and Margarita" the themes of history and religion, creativity and everyday life are closely intertwined. But the most important place in the novel is occupied by the love story of the master and Margarita. This storyline adds tenderness and poignancy to the work. Without the theme of love, the image of the master could not be fully revealed. The unusual genre of the work - a novel within a novel - allows the author to both distinguish and unite the biblical and lyrical lines, to develop them fully in two parallel worlds.

fatal meeting

Love between the master and Margarita broke out as soon as they saw each other. “Love jumped out between us, like a killer jumping out of the ground ... and hit us both at once!” - this is how the master tells Ivan Bezdomny in the hospital, where he ends up after the rejection of his novel by critics. He compares the surging feelings with lightning or a sharp knife: “This is how lightning strikes! This is how the Finnish knife strikes!

The master first saw his future beloved on a deserted street. She attracted his attention because she "carried in her hands disgusting, disturbing yellow flowers."

This mimosa became, as if a signal to the master, that in front of him was his muse, with loneliness and fire in his eyes.

Both the master and the unhappy wife of a rich but unloved husband, Margarita, were completely alone in this world before their strange meeting. As it turns out, the writer was previously married, but he does not even remember the name of his ex-wife, about whom he does not keep in his soul, neither memories nor warmth. And he remembers everything about Margarita, the tone of her voice, the way she spoke when she came, and what she did in his basement room.

After their first meeting, Margarita began to come every day to her lover. She helped him in the work on the novel, and she herself lived by this work. For the first time in her life, her inner fire and inspiration found their purpose and application, just as the masters listened and understood for the first time, because from the first meeting they spoke as if they parted yesterday.

The completion of the master's novel was a test for them. But already born love was destined to pass it, and many other tests, in order to show the reader that a true kinship of souls exists.

Master and Margarita

The true love of the master and Margarita in the novel is the embodiment of the image of love in the understanding of Bulgakov. Margarita is not just a beloved and loving woman, she is a muse, she is the inspiration of the author and his own pain, materialized in the image of Margarita the Witch, which in righteous anger destroys the apartment of an unjust critic.

The heroine loves the master with all her heart, and seems to breathe life into his small apartment. She gives her inner strength and energy to the novel of her lover: “she sang and loudly repeated certain phrases ... and said that her life was in this novel.”

The refusal to publish the novel, and later the devastating criticism of the passage, it is not known how it got into print, hurts both the master and Margarita equally painfully. But, if the writer is broken by this blow, then Margarita is seized by insane rage, she even threatens to "poison Latunsky." But the love of these lonely souls continues to live its own life.

Test of love

In The Master and Margarita, love is stronger than death, stronger than the master's disappointment and Margarita's anger, stronger than Woland's tricks and the condemnation of others.

This love is destined to pass the flame of creativity and the cold ice of critics, it is so strong that it cannot find peace even in heaven.

The heroes are very different, the master is calm, thoughtful, he has a soft character and a weak, vulnerable heart. Margarita is strong and sharp, more than once describing her, Bulgakov uses the word "flame". Fire burns in her eyes and brave, strong heart. She shares this fire with the master, she breathes this flame into the novel, and even the yellow flowers in her hands resemble lights against the background of a black coat and a slushy spring. The master embodies reflection, thought, while Margarita embodies action. She is ready for anything for the sake of her beloved, and sell her soul, and become the queen of the devil's ball.

The strength of the feelings of the master and Margarita is not only in love. They are so close spiritually that they simply cannot exist separately. Before their meeting, they did not experience happiness, having parted after - they would not have learned to live separately from each other. Therefore, probably, Bulgakov decides to end the life of his heroes, in return giving them eternal peace and solitude.

conclusions

Against the backdrop of the biblical story of Pontius Pilate, the love story of the master and Margarita seems even more lyrical and poignant. This is love for which Margarita is ready to give her soul, since she is empty without a loved one. Being insanely lonely before their meeting, the heroes gain understanding, support, sincerity and warmth. This feeling is stronger than all the obstacles and bitterness that befalls the fate of the main characters of the novel. And it is this that helps them to find eternal freedom and eternal rest.

The description of love experiences and the history of the relationship of the main characters of the novel can be used by students of grade 11 while writing an essay on the topic “Love of the Master and Margarita”

Artwork test

From that very night, Margarita for a long time did not see the one for whom she wanted to leave her husband, leaving everything behind; one for which she was not afraid to ruin her own life. But neither in her nor in him did something disappear big the feeling that arose at the first chance meeting. The master, being in a clinic for the mentally ill, did not want to tell Margarita about himself, fearing to hurt her, to destroy her life. She desperately tried to find him. Their life was destroyed by the same unnatural order, which not only did not allow art to develop, but also did not allow people to live in peace, roughly penetrating even where there is no place for politics. Bulgakov did not accidentally choose a similar plot for the novel.

He himself experienced a lot in life. He was familiar with the mediocre insulting reviews of critics in the newspapers, where his name was declined undeservedly, he himself could not find a job, realize his potential.

But Bulgakov did not end his novel with the separation of the Master and Margarita. In the second part, love finds a way out of the dirt of the surrounding reality. But the way out the same was fantastic, since the real one was hardly possible. Without regret and without fear, Margarita agrees to be the queen at Satan's ball. On the the same she took a step only for the sake of the Master, about whom she never stopped thinking and about whose fate she could learn only by fulfilling Woland's conditions. Being a witch, Margarita took revenge on the critic Latunsky, who did a lot to destroy the Master. And not only Latunsky received what he deserved in the course of the development of the plot of the novel. For her service, Margarita received what she had dreamed of for so long. The main characters were together. But they would hardly be able to live in peace in the atmosphere of the then reality. Obviously, therefore, according to the fantastic plan of the writer, they leave the same peace, finding peace in another.

The master could not win. By making him a winner, Bulgakov would have violated the laws of artistic truth, betraying his sense of realism. But from the final pages of the book does not breathe pessimism. Let us not forget those views that were pleasing to the government. In addition, envious people appeared among the critics and writers of the Master, striving by all means to prevent the recognition of the new author. These people, for whom it was most important to receive material benefits from their position in society, did not strive and could not create anything worthy of the high artistic level that the Master achieved in his novel. Their articles came out one after another, each time becoming more and more offensive. The writer who lost hope task his subsequent literary activity, he gradually began to feel more and more depressed, which affected his mental state. Driven to despair, the Master destroyed his work, which was the main work of his life. All this deeply shocked Margarita, who admired the work of the Master and believed in his great talent.

The situation that knocked the Master out of his normal state was noticeable everywhere, in various spheres of life. Suffice it to recall the barman "with fish of the second freshness" and gold tens in hiding places; Nikanor Ivanovich, chairman of the housing association, who settled for large finance evil spirits in the house on Sadovaya Street; the entertainer of Bengal, narrow-minded, dim-witted and pompous; Arkady Apollonovich, chairman of the acoustic commission of Moscow theaters, often secretly from his wife spending time with a pretty actress; morals existing among the population of the city. These manners dazzling appeared at the performance arranged by Woland, when the inhabitants greedily grabbed those flying from under the dome finance, and the women went down to the stage for fashionable rags, which could be obtained free of charge from the hands of foreign magicians. The Master encountered these morals very closely when he had a friend - Aloisy Mogarych. This man, whom the Master trusted and whose intelligence he admired, denounced the Master in order to move into his apartment. This denunciation was enough to ruin a man's life. Some people came to the Master at night and took him away. Such cases were not uncommon at the time.

Mikhail Afanasyevich Bulgakov repeatedly addressed the topic - the artist and society, which found its deepest embodiment in the writer's main book. The novel "The Master and Margarita", on which the author worked for twelve years, remained in his archive and was first published in 1966-1967 in the magazine "Moscow".

In this book, happy freedom of creativity and at the same time the severity of the compositional, architectural design reign. There the great ball of Satan rules, and the inspired Master, a contemporary of Bulgakov, describes his immortal novel. There, the procurator of Judea sends Christ to be executed, and nearby, quite earthly citizens, inhabiting Sadovye and Bronny streets of the 20-30s of our century, fuss, fawn, adapt, betray. Laughter and sadness, joy and pain are mixed together there, as in life, but in that high degree of concentration that is available only to a fairy tale, a poem. "The Master and Margarita" is a lyrical-philosophical poem in prose about love and moral duty, about the inhumanity of evil, about true creativity, which is always overcoming inhumanity, always an impulse towards light and goodness.

The main characters of the novel - the Master and Margarita - live in an atmosphere of some kind of emptiness and grayness, from which both are looking for a way out. This outlet for the Master was creativity, and then for both of them it was love. This big the feeling filled their lives with new meaning, created around the Master and Margarita only their little world, in which they found peace and happiness. However, their happiness was short-lived. It lasted only as long as the Master was writing his novel in a small basement, where Margarita came to see him. The Master's first attempt to publish the finished novel brought him great disappointment. Even more disappointment awaited him after some editor printed a large excerpt from the work. The novel about Pontius Pilate, which has moral and artistic value, was doomed to condemnation. He could not fit into that environment of literature, where above all was not the talent of the writer, but his political views; on the ground, the Master left a student, his sight Ivan Ponyrev, the former Homeless; on earth, the Master has left a novel that is destined for a long life. Bulgakov's novel gives rise to a sense of the triumph of justice and the belief that there will always be people who stand above baseness, vulgarity and immorality, people who bring goodness and truth to our world. Such people above all put love, which has great and beautiful power.