Vasily svarog famous paintings. Illustrated Biographical Encyclopedic Dictionary. Leave a request for other works of the artist


Svetlana Luchkina

Double drawings - double standards ...


Does the artist have the ability to evaluate and analyze what he saw more accurately and more accurately than a common man in the street? .. Has the Master been given the ability to grasp characteristic features and details with a professional eye? .. Most likely, you will answer in the affirmative. After all, it is the visually obtained image that is transformed on paper into a work of art. And sometimes in ... incontrovertible proof.
Russian artist Vasily Semenovich Kurochkin, better known under the pseudonym "Svarog" (- the name of the god of heaven and heavenly fire in Slavic-Russian mythology), like any accomplished master, knew the value of his observation and loyalty to lines.
Svarog happened to live at a time when not only his professional reputation and public recognition, but also life itself depended on the accuracy of the lines and the general vision of the master. After graduating from college, in the 1900s. Svarog worked a lot in the genre of landscape and portrait. However, his most famous works of the pre-revolutionary period are associated with posters and magazine satirical graphics published in such St. Petersburg publications as Zhivopisnoe Obozreniye, Machine Gun, Spectator, Niva, and Sun of Russia. In the satirical drawings and caricatures of a still very young man, the hand of a discerning master of psychological portrait was felt. The first recognition was a prize at a competition organized by the editorial board of the "Sun of Russia" magazine for a series of illustrations for the novel "Living Corpse" by Leo Tolstoy. In the 1920s-1930s, Svarog published numerous drawings in the largest print media: Leningradskaya Pravda, Krasnaya Gazeta, then in Pravda, Izvestia, Komsomolskaya Pravda and other publications. The dry facts of the official biography quite eloquently speak of the brilliant career of Vasily Semenovich Svarog as an artist ideologically consonant with revolutionary Russia. He performs portraits of V. I. Lenin, I. V. Stalin, and their closest associates. Here are some titles of his works: "Red Guards with machine guns at Smolny" (1918), "Volkhovstroy" (1924), "Leningrad" (1925), "K. E. Voroshilov and A. M. Gorky in the dash of the CDKA "(1933)," Meeting the Chelyuskinites at the Belorussky railway station "(1934)," Chapaev in battle "(1936)," Voroshilov on a kayak "(1940)," I. V. Stalin and Children "(1937)," I. V. Stalin and members of the Politburo among children in the TsPKiO im. M. Gorky "(1939)," October Headquarters "(1940). Stepan Razin (1941), etc.



JV Stalin and members of the Politburo of the Central Committee of the All-Union Communist Party of Bolsheviks among children in the Gorky Central Park of Culture and Leisure in Moscow. The year is 1939.


However, possessing a true talent, Svarog, like many other masters of that time, who could now be called "engaged", worked with inspiration in officially discouraged genres ...
We have chosen to demonstrate the artist's professional vigilance a work that can hardly be called the most popular of his canvases from the point of view of academic art ... It is difficult to describe in aesthetically consistent language what exactly we see in front of us and what range of feelings we should experience. And yet look!


To draw this is his work, a 42-year-old artist, ran into the hotel "Internationale" (formerly "Angleterre") in the early December morning of 1925. Unfortunately, there is no exact information about who, why and under what circumstances summoned the artist to the hotel and how he became aware of the tragedy that had taken place. In the fifth issue, he made several drawings-portraits of Sergei Yesenin, lying on the floor at the feet of the district warden, scribbling with a pencil stub the illiterate Protocol, which he christened "the act."


Unlike the newcomer-precinct Vasily Semenovich at that time was already a well-known master with a solid artistic practice. In the same 1925 he received a silver medal at the World Exhibition in Paris for the album "January 9", for which he made 11 large drawings. In addition to the party elite, his gift was highly appreciated by the artistic community. By that time, behind him was the blessing of the great Russian artist Ilya Efimovich Repin and his recommendation to the Association of Itinerants. 10 years before the tragic drawing in Angleterre, Svarog was lucky to hear the enthusiastic exclamation of Ilya Efimovich Repin: "What heroes appear here!" The famous Russian artist was delighted when he saw the portrait of his son, Yuri Repin, painted by Svarog. It is unlikely that Nikolai Gorbov, who happened to be in the fifth issue in the role of a district warden on a whim, heard such responses addressed to him. But Svarog, who did not recognize amateurism, was most likely aware of his mission in "Angleterre" very clearly.
What, then, should we consider the sketch from Angleterre? .. Fact? Proof? Documentary evidence? It is difficult to dismiss some of the details of the drawing, which there is no reason to interpret as the author's exuberant imagination. We are talking about crossed legs, which could hardly be in a similar position with a body that has just been taken out of the loop; about torn, ragged clothes that bear traces of a fierce struggle ... An unambiguous understanding that the drawing does not fit well with the official version of the death of Sergei Yesenin appeared immediately. And not only among those who guessed about the murder, but also among those who knew the true state of affairs. And as a consequence of the "official version of the death of the poet" there was "an official version of the drawing of Svarog." It was this "smoothed", "buttoned" version that many readers and fans of Yesenin's work knew up to a certain point. There she is:


A similar variability can be traced in the second sketch by Vasily Semyonovich, made under the same circumstances. We are talking about the drawing of the head of Sergei Yesenin. Until recently, we could only see this version of the sketch:

And only quite recently, in 2008, the Moscow State Museum of S.A. Yesenin was presented with a genuine posthumous drawing-portrait of Sergei Yesenin, made by the artist Svarog on December 28, 1925. The drawing was donated to the museum by a professor at the University of Brussels, academician Jean Blankov. According to the Belgian scientist, Svarog gave the drawing to the French writer Henri Barbusse, who was an ardent admirer of the USSR.
The signature in French has been preserved under the picture: “Sergei Yesenin. The first sketch made after his death. "


The drawing differs from the Soviet version in that round-shaped black spots are depicted on the poet's temple - either caked blood or traces of wounds. On the original drawing, the spots are obvious and are neither a defect in the image, nor random "blots".
The significance of Svarog's drawings can hardly be overestimated, because these are unique documents showing the state of Sergei Yesenin's body immediately after its discovery. It was Svarog who reflected how the poet looked before replicated photographs by photographer Moses Nappelbaum. In the photographs of the "king of retouching" Yesenin's clothes have already been put in order, the blood has been washed away, the body has been transferred to the couch, etc.
Unfortunately, for the official investigation, the artist's drawings are just the artist's drawings. They cannot be considered carriers of information suitable for inquiry or investigative conclusions. The "official version" did everything to make Vasily Svarog's lively, screaming, creepy sketches become silent, impersonal evidence of the presence of a certain draftsman in a certain issue. And the "official version" would have a brilliant chance to explain all these spots on the temples, torn sleeves, unbuttoned trousers, crossed legs simply ... with fiction. A graphic metaphor. Emotional perception of reality by an impressionable person "from art". There would have been a brilliant chance if Vasily Semenovich had not explained everything himself!
His impressions of that morning, his conclusions about what exactly he saw in the "Angleterre" issue, he told his friend, journalist I. S. Kheissin:
“It seems to me that this Ehrlich gave him something for the night, well ... maybe not poison, but a strong sleeping pill. No wonder he "forgot" his briefcase in Yesenin's room. And he did not go home "to sleep" - with Yesenin's note in his pocket. He was spinning not in vain all the time nearby, probably their whole company was sitting and waiting for their hour in the neighboring rooms. The situation was nervous, there was a congress in Moscow, people in leather jackets walked all night in Angleterre. Yesenin was in a hurry to remove, so everything was so awkward, and many traces remained. The frightened janitor, who was carrying firewood and did not enter the room, heard what was happening, rushed to call the commandant Nazarov ... And where is this janitor now? At first there was a "stranglehold" - with his right hand Yesenin tried to weaken it, so the hand became numb in a convulsion. The head was on the arm of the sofa when Yesenin was hit above the bridge of his nose with the handle of the revolver. Then they rolled him into the carpet and wanted to lower him from the balcony, a car was waiting around the corner. It was easier to kidnap. But the balcony door did not open wide enough, they left the corpse by the balcony, in the cold. They drank, smoked, all this dirt remained ... Why do I think they rolled it into the carpet? When I was drawing, I noticed a lot of tiny specks on my trousers and a few in my hair ... they tried to straighten their hand and slashed the Gillette razor along the tendon of their right hand, these cuts were visible ... then they took everything away ... We were in a hurry ... They were “hanging” in a hurry, already in the middle of the night, and it was not easy on a vertical riser. When they ran away, Ehrlich stayed to check something and prepare for a version of suicide ... He put this poem on the table in a prominent place: "Goodbye, my friend, goodbye" ... A very strange poem ... "(Published in the newspaper "Evening Leningrad", 28.12.90).
After this story, I would like to cite only one quote by the art historian I.E. Grabar. A quote that quite exhaustively answers our question asked at the beginning of the article about the adequacy of the artist's perception of what he saw.

“Svarog is characterized by“ a special exceptional love for the present day, vigilance for its phenomena, facts, people. Throughout his life, he did not miss a single any significant event, responding to it immediately, with lightning speed with his paintings. "

He responded to the death of the poet. Do you believe his response? ..

Journal "N.L.O. Incredible. Legendary. Obvious ”, March, 2010

Vasily Semyonovich Korochkin was born in the family of the peasant Semyon and the washerwoman Olga Vasilievna Korochkin, in which, in addition to him, there were two more sisters Anna (later a village teacher) and Nadezhda (in the future a seamstress). At two years old, he lost his father, the mother was engaged in raising children.
The desire to draw was observed in Vasily Semyonovich from an early age. Noticing him, the drawing teacher of the old Russian city school Chistyakov collected money from the city residents by subscription so that a talented child could continue his art education after graduation.
In 1896, at the age of thirteen, Vasily Semyonovich entered the Stieglitz St. Petersburg Art School of Technical Drawing and four years later successfully completed it. It was during the training that the artist's pseudonym - "Svarog" appeared.

  • Since 1900, Svarog has been collaborating with the St. Petersburg illustrated magazines "Picturesque Review", "Magic Lantern", "The Sun of Russia".
  • In 1911, V. S. Svarog was awarded the first prize at a competition organized by the editorial board of the "Sun of Russia" magazine for a series of drawings for Leo Tolstoy's "Living Corpse".
  • In 1915, V.S.Svarog met Yuri Repin and painted his portrait, which delighted his father, the famous artist Ilya Repin. This work allows Svarog to get close to the master, to be present at his portrait sessions.
  • In 1916, on the recommendation of Repin, he joined the Association of the Itinerants and exhibited his works at traveling exhibitions.
  • In 1916 Svarog paints "Portrait of a Mother" (oil on canvas). The painting won first prize at the Spring Traveling Exhibition.
  • In 1918, Svarog takes an active part in decorating Petrograd to celebrate the first anniversary of the October Revolution. The artist himself said that he "worked especially intensively, since great events demanded a great effort from everyone." At this time, he creates portraits of Karl Marx, Friedrich Engels, V. I. Lenin, M. S. Uritsky, V. V. Volodarsky.
  • From 1919 to 1922, due to a serious illness of his mother, Svarog spent in Staraya Russa. Here he organizes the People's House, creates amateur choral and orchestral circles, an art studio. During this period, Svarog creates many paintings dedicated to the city and its inhabitants - "Portrait of Vasya Ushakov", "Children" (exhibited at the Tretyakov Gallery), "Portrait of Valentina Kazarina", "Rogachevka" and others.
  • In 1923 he joined the Association of Artists of Revolutionary Russia.
  • In 1925, V. S. Svarog received a silver medal at the World Exhibition in Paris for the album "January 9", for which he made 11 large drawings.
  • After the Great October Revolution, the work of Svarog takes on a vivid political orientation. The artist himself calls his genre "political composition". Some paintings were made based on personal impressions, others on the basis of newspaper reports:
  • Taking a great interest in music, V. Svarog created a number of works united by this theme:
Andres Segovia
  • Svarog also painted portraits of the leaders of the party and government - V. I. Lenin, I. V. Stalin, K. E. Voroshilov, V. V. Kuibyshev.
  • In 1940, the Political Directorate of the Moscow Military District united professional military artists into the Grekov Studio of Military Artists on the basis of the Izomasterskiye amateur Red Army art. The studio was given the task of cultural and political education of soldiers, displaying the heroic combat path of the army. The head was appointed V. Svarog, who created a number of paintings on a military theme:

); E. Capital. The river darkened (No. 39, p.); K. Makovsky. Head (No. 40, p.); K. Gorbatov. Fish market on the Pskov River (No. 40, p.); S. Ivanov. "German!" (No. 49, p.); J. Brovar. Forest in winter dress. Northern Fish Factory (No. 49, p.); S. Devyatkin. In the tram (no. 50, p.) // Niva. SPb., A.F. Marx, 1912

V.M. Arnold. Joy to all those who grieve ( reg .); K.A. Veshchilov. Christmas meeting. - The old sweetheart. - (XVII century) (p.); V. Svarog. Fig. to the story of A.N. Budischeva "Riot of the Angels" (p.,); NS. Samokish. December 25, 1812 in St. Petersburg. Reading in the presence of Alexander I of the Imperial order to the troops about the expulsion of the enemy from the borders of Russia (page 5); P.M. Shkarin. Drawing (p. 7); IN AND. Zarubin. Christmas at the monastery (page 9); S. Zhivotovsky. Drawing (p. 10); A.V. Makovsky. On holidays (page 11); E. Samokish-Sudkovskaya. Fig. to the novel by T.L. Shchepkin-Kupernik "The Legend of the Precious Gift" (p.); Miss. Fig. to the story of A.M. Ossendovsky "The Mystery of the Old Theater House" (p.,); St. F. Kolesnikov. On Christmas night (page 15); Advertising of the insurance company "Russian Loyd" (St. Petersburg, Admiralteyskaya embankment, own house, No. 8) (s.) // Ogonek. Issue 52. SPB., S.M. Propper, December 25, 1912 (January 7, 1913)

Illustrated catalog of the XX exhibition in Moscow, in the halls of the Imperial Historical Museum. SPb. St. Petersburg Society of Artists. 1912

S.F. Kolesnikov. Home early in the morning! (with.); A.V. Makovsky. "The godfather grabbed, calling the goddaughter, and she is already dead ..." (page 5); V. Svarog. Fig. to the story of I.I. Yasinsky's "Dream of Gold" (p.,); A.B. Lakhovsky. Easter Procession on the Passion Route in Jerusalem (p. 10); A. Martynov. Fig. to the story of A.N. Budischeva "She" (p.,); A. Skryagin. Easter night on the deck of a warship (p.16) // Ogonyok. Issue 13. SPB., S.M. Propper, March 25 (April 7) 1912

Argus. Issue 9. SPb .; St. Petersburg, Gogol Street, 4. Tel .: edition - 495-52, offices - 615-62, 615-63; 1913 (Region, content ) (Ill .: I. Grandi, V. Svarog, S. Bolshakov, V. Belkin, A. Radakov)

Vlad. Arnold. Nativity (region); E.P. Samokish-Sudkovskaya. Thirty pieces of silver (page 1); V. Svarog. Fig. to the story of Al. Budishchev "Delirium of Mirrors" (p.,); A.V. Makovsky. Death penalty under Ivan the Terrible; A.F. Afanasyev. Frightened! (with.); Yu.Yu. Clover. Traffic fears; N.K. Kolmakov. Demons of fire (p.); Miss. Earthly love (p. 6); S. Lodygin. Fig. to A. Kondratyev's story "Eros in the Trap" (p. 7); O. Clover. Old portraits (page 8); S.F. Kolesnikov. Samum in Turkestan; NS. Samokish. On the battlefield (s.); AND I. Bilibin. The Red Maiden and the Serpent Gorynych (page 11); Yu Clover-son. At the bottom of the ocean (page 12); IN AND. Zarubin. Night fears (page 13); K.A. Veshchilov. Imagined! (page 14); F.I. Chaliapin. Renewal of "Pskovityanka" at the Imperial Mariinsky Theater (p. 17) // Ogonek. Issue 51. SPb .; Main Office and Editorial Office. St. Petersburg, Galernaya, 40; Printing house S.M. Propper. SPb., Galernaya st., P. d. No. 40; 5 kopecks in St. Petersburg. and provinces; December 22, 1913 (January 4, 1914)

Catalog of the exhibition of paintings, studies and sketches in Petrograd. Small. Konyushennaya st. No. 3, d. Swedish Church. [Pg.] Petrograd Society of Artists. 1914

Svarog, V.S. (Petrograd, B. Monetnaya, 13/9, apt. 27, tel. 429 - 98). No. 340. November. No. 341. Swamp. No. 342 Felling site. No. 343. Near Odessa. No. 344. Black Sea. No. 345. In the attic. No. 346. Etude // Supplement to the catalog of the Non-Party Society of Artists. III [exhibition]. 1914 - 1915. Petrograd. ... P.6

A. Chimkent. Strings hit. [Poetry]. Pg .; Rubicon. Petrograd, Troitskaya, 36, apt. 11. Tel. 569-03; Type of. Acc. Common Type of. Business in Petrograd. Rev. p., 7th company, 26; 80 K., 1915 ( Obl .: V. Svarog; tit .)

Argus. Issue 10. Pg., 50 kopecks., 1915 ( Obl ., content ) (Ill .: P. Buchkin, V. Svarog, L.K., I. Mozalevsky, S. Lodygin, P. Masing, V. Lebedev)

V.M. and drawings of the First Salon of Comedians. Petrograd. Type of. T-va "Ekatering. Pecs Delo, Ekatering., 7. 1915. P.27. ([The catalog is dedicated] ... to the "Artist-Soldier" alliance, which brings such energetic help to the wounded: before the infirmary [- on the battlefield - with its medical train] and after the infirmary [- with the distribution of benefits to those leaving the infirmary]. С.5

V.S. Svarog. Reconnaissance meeting (region) // Ogonek. Issue 45. Pg .; 7 kopecks in Petrograd and the provinces; 8 (21) November 1915

I.V. Lebedev (Uncle Vanya). Gladiators of our day. [Stories]. Drawings by artists S. Kolesnikov, S. Lebedev, I. Militsyn, A. Reno, V. Svarog and M. Stolyarov. Pg .; Rubicon. Petrograd, Troitskaya, 36, apt. 11. Tel. 569-03,257-64; Type of. Acc. Common Type of. Business in Petrograd. 7th company, 26; 1 p. 25 K., 1915 (V. Svarog ( reg .); tit .; S.F. Kolesnikov. Fig. to the stories "The Old Athlete" (p.,), "Revenge" (p.,,); S.P. Lebedev. Fig. to the stories "Murderer" (p.), "Negro" (p.), "Lady from the Lodge" (p.), "Benefit" (p.,,); M. Stolyarov. Fig. to the stories "Tinsel" (p.,,); A. Renault. Fig. to the story "The Terrible Savoyard" (p.,); I. Militsyn. Fig. to the story "The Beast from the Abyss" (p.,))

M. Avilov. Watchdog (No. 7, p.). From the army in the field (pictures) (No. 11, p.); M. Ivanov. “I am waiting for an answer” (No. 9, p.); A. Maksimov. Nevsky Prospect in St. Petersburg (18th century) (No. 9, p.); A. Sezko. Georgievsky cavalier in the village (No. 9, p.); V. Mazurovsky. Germans in Poland (No. 9, p.); I. Vladimirov. Cossacks over the Vistula (no. 10, p.). Home (p.). Intelligence (No. 13, p.). The harvest of death (no. 21, p.). Fight with a land battleship (No. 22, p.). Both were wounded (no. 46, p.); V. Dobrzhansky. Cavalry attack (No. 11, p.); G. Popov. Resurrection of Christ (No. 12, p.); S. Kolesnikov. At Easter in Galicia (no. 12, p.). Distribution of Easter gifts in the army (No. 13, p.). Quartermaster. Volunteer Kurdish (Turkish army) (No. 21, p.). Siberians on exploration (No. 50, p.); A. Novoskoltsev. Sergiy of Radonezh blesses Dmitry Donskoy to fight with Mamai (No. 21, p.). Metropolitan Philip's last minutes (No. 50, p.); G. Lukomsky. Kazimir town, Lublin province. House of Bishops on Senatorskaya Street; The city of Polotsk. Cathedral bell tower (No. 26, p.); Z. Marina. War (no. 27, p.); EAT. Cheptsov. They listen to news from the war (types of Kursk province) (No. 30, p.); HER. Lancer. Exhibition of drawings and sketches from the Caucasian front (No. 31, p.; No. 36, p.,,,,,; No. 44, p.); P.A. Selivanov. From a position (No. 33, p.); G. Stark. Comrades in arms (No. 47, p.); V. Novodvorsky. Before the enemy attack (No. 45, p.); V.E. Makovsky. The Germans withdrew (No. 46, p.); V. Svarog. Letter to the trenches (No. 48, p.); P. Buchkin. Fig. to I. Ostrovny's story "Gift" (№51, p.,,,,); P. Pershin. B. Christmas night. On the Caucasian front. Snowstorm in the Chorokh gorge (No. 51, p.); S. Lodygin. Fig. to the story of A.A. Dunin "Punishment" (№52, p.,,,) // Niva. Pg., A.F. Marx, 1915

N. Samokish. On the fly (region); V. Svarog. Fig. the story of A.I. Kuprin "Inexplicable" (p.,); E.P. Samokish-Sudkovskaya. Fig. to the verse by T.L. Shchepkina-Kupernik "Mother" (p.); M. Roshkovsky. Fig. to V. Voinov's story "Scsevola" (p.); S.V. Zhivotovsky. Fig. to Teffi's story "On Christmas" (p.); S.P. Lodygin. Fig. to the verse. G. Ivanov "The Magi" (p.); I. Myasoedov. Fig. (with.); V. Denis. Fig. to the verse. N. Agnivtseva "Devil and Dentist" (p.) // Ogonyok. Issue 52. Pg .; Edition: Petrograd, Admiralteyskiy Canal, no. 17, sob. etc .; Printing house S.M. Propper. Petrograd, Galernaya st., Sob. d., no. 40; 8 kopecks in Petrograd and in the provinces, at railway stations. dor. 10 kopecks; December 27, 1915 (January 9, 1916)

Svarog // Annibal L. (compiler). Exhibition catalog of illustrated editions. [Pg]. 1915. Nos. 77 - 112, 218, 219

V. Svarog. Regimental favorite ( reg .); O. Amosova. Fig. to the story of M.K. Pervukhina "Scarlet Blood" (p.,); Exhibition of the Itinerants in Petrograd (p.,. Ill .: 1. VE Makovsky. Latest news from the war. 2. VE Makovsky. Restaurant. 3. NP Bogdanov-Belsky. At the ferry. 4. VI Zarubin. The last clouds. 5. AV Makovsky. On the raid. 6. NK Bodarevsky. Artist of the Imperial Theaters L. Ya. Lipkovskaya. 7. AF Afanasyev. Solokha and the sexton); Exhibition of works of art in Petrograd in favor of disabled Poles (p., Ill .: 1. G. Max. St. Julia. 2. G. Semiradsky. Bathers. 3. St. Bacalovich. St. Peter, blessing Lygia and Vinicia in prison 4. August III (Saxon porcelain of the 18th century) // V. Bondi (ed.). Spark. Issue 11. Pg., SM Propper; Type SM Propper. Petrograd, Galernaya st. , house No. 40; 10 kopecks in Petrograd, 12 kopecks at the railway station; 13 (26 March) 1916

V. Svarog. German marauders in the spotlight (page 1); I. Myasoedov. Fig. to the story of A.A. Izmailov "Alphonse III" (p.,); [N.] Smazhuk. On the fly (p. 7); Exhibition painting of the Imperial Society of Russian Watercolors in Petrograd (c .. Ill .: VB Beringer. [Has Rus risen?]; IS Goryushkin-Sorokopudov. In monasteries in the far rear; FV Sychkov. In winter in the countryside; A.O. [A.F.] Maksimov. Court during the "Russian Truth"); V. Denis. A.I. Kuprin , cartoon (p. 14); V. Denis. A.A. Izmailov , cartoon (p. 14) // Ogonyok. Issue 4. Pg., S.M. Propper, January 24 (February 6) 1916

V.S. Svarog. No. 285. Portrait of Yu.I. Repin / Pictures of exhibitors // XLIV Traveling Exhibition of Pictures. Association of Traveling Art Exhibitions. 1916. [Pg. Fig. catalog]. Pg. Publication of the Artistic and Graphic Institution "Union". Petrograd, B. Kazachiy per., 11.. S.60

Svarog, Vasily Semenovich. (Nevsky 147). No. 445. Portrait // Spring Exhibition in the halls of the Imperial Academy of Arts 1916 2nd edition. [Catalog]. Petrograd. Rodnik printing house. Nevsky, 88.1916.S. 25, 38

Art auction at the "Exhibition of Illustrated Publications" arranged for the benefit of the Tatiana Committee. Petrograd.

V. Tikhov. Brittany (no. 4, p.); D. Kardovsky. Ball in Moscow in the twenties (No. 7, p.). Lieutenant General A.A. Mosolov, ambassador to the Romanian court (No. 7, p.). Portrait of A.V. Krivoshein (No. 7, p.); O. Della Vos Kardovskaya. Portrait of D.N. Kardovsky (No. 7, p.); E.I. The righteous. Lady with a powder box (No. 7, p.); P. Neradovsky. Portrait of Countess L.E. Komarovskaya (No. 8, p.); N.K. Roerich. Glow (No. 9, p.). Nikola (no. 22, p.); F. Sychkov. From school (No. 9, p.). Back at home (No. 41 - 43, p.); P. Buchkin. Portrait of the singer of folk songs Mezentsev, who was awarded for military services by the soldier Georgy (No. 10, p.). Meeting in the kitchen (No. 16, p.); N. Bazhin. In the porter's room for a newspaper (No. 10, p.). Early spring. Plyushkin's garden (No. 10, p.). Ilya Muromets and the coffin of Svyatogor (s.); V. Mazurovsky. Under the cover of crosses (No. 26, p.); I. Repin. Portrait of the artist V.S. Svarog (No. 27, p.). Poet-Futurist (No. 39, p.); Ap. Vasnetsov. Fig. to his own stories: "Adversary" (No. 28, p.), "Planida" (No. 29, p.), "Midnight Whirlwind" (No. 30, p.). On holidays in the old days. We came to visit (No. 51 - 52, p.); L. Sologub. Offensive. Crossing (No. 28, p.); A. Semyonov. Freedom Loan (No. 30, p.); V. Surenyants. Shah listens (No. 30, p.); I. Izhakevich. The vision of the warrior Pelgusius. Sts. Boris and Gleb are the night watchmen of Alexander Nevsky (no. 30, p.); M. Avilov. The soldiers leave the trenches, betraying their homeland to the enemy (No. 31, p.); I. Kolesnikov. Cows (No. 31, p.). Bazaar (No. 46 - 47, p.); V. Zarubin. After a thunderstorm (No. 31, p.); S. Kolesnikov. Rest (No. 31, p.); N. Dubovskaya. Sunset (No. 39, p.); V. Belyashin. Satan. Song of the Golden Calf (№41 - 43, p.); A. Isupov. In the infirmary. Interesting article (№41 - 43, p.); S. Vasilkovsky. Spring. Waiting for the ferry. In Galicia. By Vespers. A temple festival in Eastern Galicia. Bogatyr-stone. Skovorodino psalms (№44, p.,,,); D. Zhudin. Portrait (No. 46 - 47, p.); N. Feshin. Professor N.I. Kareev, author of "History of the Great French Revolution" (No. 48, p.); L. Pasternak. News from home. Before the exam (Luxembourg Museum in Paris). Etude. Portrait of Manfred K. L. N. Tolstoy among his family in Yasnaya Polyana. During the dinner. Self-portrait. Council of Artists at the School of Painting, Sculpture and Architecture in Moscow. At the assembly. (No. 48, p.,,,,,,); S. Lodygin. Fig. to V. Keler's story "Servant of the Dragon" (№51 - 52, p.,,) // Niva. Pg., A.F. Marx, 1917

Svarog, V.S. (Nevsky, 147). No. 455. In the city // Spring exhibition in the halls of the Imperial Academy of Arts in 1917. [Catalog]. Pg. Artist. - Graphic Studio and Printing. M. Pivovarsky. Petrograd, Mokhovaya [st.]. ... P.25, 38

V. Lebedev. Worker and peasant (Issue 1, p. 9). Military ship (Issue 34, p. 13); [D.] Shterenberg. At work (Issue 1, p. 12); S. Chekhonin. Fig. to Lunacharsky's drama "Faust and the City" (Issue 1, p. 14). [Portrait of a Woman with a Child] (Issue 9, p.8); N. Gadd. Harvest (Issue 2, p. 4). K. Boguslavskaya. Laundresses (Issue 8, p. 11). [P.] Miturich. Drawing (Issue 9, p.8). [K.] Kirsanov. At the factory (Issue 12, p.9). V. Svarog. Chinese Red Army (Issue 26, p. 7). N. Altman. Who was nothing will become everything (Issue 27, p. 1). I. Brodsky. "It takes courage, courage and only courage to defeat enemies." (Issue 27, p. 13). B. Grigoriev. “… To fight for the sacred right of the people! To the battle! Without hesitation, hurry, everything - there! .. " (Issue 33, p. 1) // A. Lunacharsky (ed.). Flame. Pg .; Petrograd Soviet of Workers' and Red Army Deputies; Printing house of the "Petrograd Soviet of Workers and Red Army Deputies". Petrograd, Galernaya, no. 40; 1918

Catalog of the XXXVIII exhibition of paintings by the Society of Russian Watercolorists in the halls of the Russian Society for the Encouragement of Arts (Morskaya, 38). 1918 [year]. Petrograd. 1918

L. Dietrich. Forgotten (No. 4, p.). Sphinx of the 20th century (No. 32, p.); N. Protopopov. Elegy (No. 4, p.). Study (No. 7, p.); V. Svarog. Portrait of the artist's mother (No. 6, p.). Portrait of the Artist's Wife (No. 6, p.). Reddish (No. 14, p.); I. Repin. Portrait of the cartoonist Re-mi (No. 7, p.). Portrait of the Artist's Brother (No. 29, p.); S. Lodygin. Fig. to V. Keler's story "Hashish" (No. 8, p.,; No. 9, p.,); S. Svetoslavsky. Cows in the spring (No. 11, p.); Albert Benoit. Spring. "Tears of Russia" (No. 13, p.). Wintering barges on Malaya Neva (No. 14, p.); A. Arkhipov. On a spring holiday (No. 13, p.); S. Zhukovsky. In the spring. The stream is bubbling (No. 13, p.). Easter table in an old estate (No. 16, p.). May (No. 19, p.); P. Buchkin. Portrait of the artist V. Kuznetsov (No. 7, p.). Moskvich (No. 14, p.). "Parliament" (No. 14, p.). F. Chaliapin. Portraits (No. 36, p.,,,; No. 37, p.,,,). L.M. Dobronravov (cartoon) (No. 37, p.); S. Vasilkovsky. Holy Thursday (no. 15, p.); V. Shukhaev. Carousel (No. 17, p.). Portrait of E.N. Shukhaeva (No. 17, p.); K. Petrov-Vodkin. Two (No. 17, p.); S. Chekhonin. Sorrow (No. 17, p.); M. Dobuzhinsky. Chernigov (No. 17, p.). Voronezh (No. 17, p.); B. Grigoriev. Portrait of the artist B.M. Kustodiev (No. 17, p.). Lady (No. 17, p.); A. Ostroumova-Lebedeva. View from my workshop (No. 17, p.); I. Grabovsky. Winter day in Petrograd (No. 22, p.); A. Schilder. On the Black Sea (No. 24, p.); F. Sychkov. Trinity day in the village (No. 25, p.); V. Zverev. Portrait of the Artist Yves. Kolesnikov (No. 27, p.); I. Kolesnikov. Bazaar (No. 28, p.); K. Gorbatov. Uglich (No. 30, p.). Ancient Pskov (No. 30, p.); G. Vereisky. The first woman doctor of history in Russia O.A. Dobiash-Rozhdestvenskaya (No. 30, p.); N. Altman. Poetess Anna Akhmatova (No. 31, p.); M. Bobyshev. Pierrot (No. 32, p.). Laundry bridge in Petrograd (No. 32, p.). Portrait of the artist E.A. Orlova (No. 32, p.); A. Rylov. Swans (No. 35, p.); I.I. Brodsky. Portrait of V.G. Korolenko (No. 37, p.); Ap. Vasnetsov. “By the side of the sea, a green oak ...” (No. 37, p.); K. Somov. Gallant conversation (№39, p.) // Niva. Pg., A.F. Marx, 1918

Catalog of the first state free exhibition of works of art. Petersburg. Palace of Arts (formerly the Winter Palace). 1919. [Pg.] 1919

Svarog, V.S. №№ 644 - 650 // Catalog of the exhibition of paintings by Petrograd artists of all directions. 1918 - 1923. [Pg.] Petrogubsorabis. Section of Fine Arts. Type of. At. V.P. them. T.I.R.V.Ts. ... P.17

Svarog, V.S. (Leningrad, Kuindzhi Island). No. 399. A country with a great future // Catalog of the VI-th exhibition of paintings "Revolution, everyday life and work". Moscow. Association of Artists of Revolutionary Russia at the Russian Academy of Arts. sciences. Russian Historical Museum. 1924.S. 24. (... ideological justification ... in art, we consider it a sign of the truth of a work of art ... Declaration of the AHRR. С.3).

Yu. Gorenko. Theater and art. "Products of pre-revolutionary quality." (At the spring exhibition of paintings) // Red Newspaper. Issue 108 (1853). L., Leningrad Soviet Rab., Cross. and Krasnoarm. Deputy .; Type of. them. Volodarsky. Fontanka, 57; 100,000 copies, 5 kopecks, May 14, 1924, p. 8

Mikhail Andreev. Anika the warrior. [Tale in verse]. Drawings by V. Svarog. [L.-M.], Rainbow; [L.], Lithograph of the State. Artistic-Industrial. College, Tel. 169-77; 10,000 copies, 85 kopecks, 1925

P. Arsky and Al. Dmitriev (author), V.M. Anderson (foreword). Volodarsky. (Materials for biography and characteristics). L., Gubkompom at the Leningrad Provincial Executive Committee, Leaders and Revolutionaries (series), 1925 (Region: P. Buchkin, Fig. In text: V. Svarog)

The eighth exhibition of paintings and sculptures of the AHRR "Life and everyday life of the peoples of the USSR": Directory-catalog / comp .: A.M. Skvortsov; Alphabetical index of exhibitors with biographical data of the main group of AHRR (pp. 72–85). - M.: AHRR; 1st Exemplary type. State Publishing House (Pyatnitskaya, 71), 1926. - Publishing House 2.– 500 copies - Obl ., tit .

The eighth exhibition of paintings and sculptures of the AHRR "Life and everyday life of the peoples of the USSR": Directory-catalog with illustrations / A.V. Lunacharsky. VIII exhibition AHRR (pp. 9–21); Alphabetical index of exhibitors with biographical data of the main group of AHRR (pp. 109–121). - L.: AHRR; Type of. Academy of Arts (V.O., Tuchkov per., 1), 1926 .-- 3 100 copies - Obl .: S. Pavlov; tit .

V.S. Svarog. (Rogova st., 4/5). No. 342. Portrait of L.S.V. No. 343. Portrait of E.A. B. No. 344. In the evening. No. 345. Interieur // Catalog of the exhibition of paintings by the A.I. Kuindzhi in the halls of the Society for the Encouragement of Arts. Leningrad. Academy Printing House Art. Leningrad. IN. Tuchkov per., 1.1927.

Svarog, V.S. (Leningrad, Rakov st., 4-5). No. 55. The attack on Kronstadt by British high-speed motor boats on the night of August 17-18, 1919 (... The attack was carried out simultaneously with the raid<…>seaplanes ... p.57) //The tenth exhibition of the AHRR with the participation of artists from associations, dedicated to the tenth anniversary of the Workers 'and Peasants' Red Army:. - M.: AHRR; 7th printing house "Iskra Revolution" Mospoligraf (Arbat, Filippovsk., 13), 1928, Pp. 57, 135, 180 (ill.) ... - Index of illustrations (pp. 239–243); 4,200 copies - Obl ., tit ... - ... At the end of 1926, a special commission was formed<…>funds were released, art materials were discharged from abroad ... P.34.

Jn. Gryaznov. Callus seekers. A story about the deeds and adventures of the Krasnoborsk children. Drawings [and cover] V. Svarog. L., Krasnaya Gazeta; Typ. "Krasnaya Gazeta" them. Volodarsky, Leningrad, Fontanka, 57; 10,000 copies, 1 rub. 50 kopecks, 1928

Catalog of the exhibition of paintings of the Society. A.I. Kuindzhi in the halls of the Academy of Arts. Leningrad. 1928

Svarog, V.S. Robinson ("Dowry"); Disregard for the poor ("The Thunderstorm"); Landowners' servants from serfs ("Wolves and Sheep") // Yu.M. Yuriev, S.A. Ostrovsky (son of a writer), G.T. Sinyukhaev. (Editorial team). Old life in the works of A.N. Ostrovsky. [Album of pictures]. Leningrad. Publication of the A.N. Ostrovsky. Leningrad department. Printing house "Goznak", Moscow and type. them. Evgenia Sokolova, Leningrad, pr. Kr. Komandirov, 29. 1929. (... The entire album depicts everyday life under tsarism ... [С.5])

Svarog, Vasily Semyonovich. No. 207 - 214. [incl. No. 207. Portrait of the poet V.V. Voinova. No. 208. Portrait of the guitarist A. Segovia. No. 209. Portrait of the artist F. Scholte.] // Catalog of the exhibition of paintings by the section of watercolors of the Society for the Encouragement of Arts. Leningrad. 1929.S. 12

V.S. Svarog. No. 111. Murder of a political exiled by an escort // Catalog of artistic open letters. - M.: Museum of the Revolution S.S.S.R. (Moscow, Tverskaya, 59); "Mospoligraf", 13 type-zinc. (Petrovka, 17), 1930, p. 6. - 8,000 copies. - Obl .

Vasily Semyonovich Svarog (born in 1883). No. 242. Grain state farm "Giant". B. aqu. No. 243. Combines. 1930. H. 93x150. No. 244. 1905 Black Hundred. 1930 H. 40x61. No. 245. 1st Horse. 1930 H. 94х181. No. 246. Town. 1930 H. 62x100. No. 247. Portrait sketch. 1930 56x106. No. 248. Workshop. Plywood. 51x61 (oval). No. 249. The incineration of partisan Sergei Lazo by the interventionists in the firebox of a paravoz, April 4, 1920 in Vladivostok. 1930 H. 62x100. No. 250. Barricades. B. // Catalog of the 1st exhibition of the "Union of Soviet Artists" Society from April 15, 1931. The fourth exhibition of the [ALL-ARTIST]. M. All-Russian cooperative partnership "Artist". Moscow. Kuznetsky Most, 11. Type of. Publishing house of the All-Union Central Council of Trade Unions. Moscow, Krutitsky Val, 18.. P.63 - 64

Svarog, V.S. Painting and graphics: №122. Night plowing. H. 71x108. Poster: # 11. Comrade, prepare yourself like a Bolshevik for shock sowing / / Traveling exhibition catalog: Painting, drawing, graphics, poster, textiles: Sverdlovsk, Magnitogorsk, Omsk, Novosibirsk, Kuzbass, Semipalatinsk, Alma-Ata, Tashkent, Samarkand, Rostov n / Don, Krasnodar, Grozny, Novorossiysk, Gigant state farm , Minsk, Smolensk / station. Art .: N. Maslenikov. The third is mobile (pp. 3–12). - [M.]: VK T-in "Artist" (Moscow, Kuznetskiy most, 11); Type of. gas. "Pravda" (Moscow, Tverskaya, 48), 1931, p. 26, 30. - In the supervisor: Art Sector of the RSFSR People's Commissariat for Education and the All-Russian Cooperative Company "Artist"; 6,000 copies, 50 kopecks. - Obl ., tit .

Svarog, Vasily Semyonovich. (Moscow, Myasnitskaya, 21, apt. 34). No. 1939. Black Hundred. 1930 - oil on canvas Moose. Roar. No. 1940. Portrait of Kuibyshev. 1932 - oil on canvas // Artists of the RSFSR for 15 years: Catalog of the anniversary exhibition: Painting, graphics and sculpture: / com. articles: M.P. Arkadiev, Igor Grabar, N. Punin. - L.: State. Russian Museum; Type of. them. Volodarsky (Leningrad, Fontanka, 57), 1932, p. 85... - 10,000 copies. - Obl ., tit .

Svarog, V.S. No. 409. Soldiers (Group portrait of Kalmyks- heroes of the civil war). No. 410. M. Gorky and K. Voroshilov in the shooting gallery of the CDKA. No. 411. Death of Comrade Kalandarashvili in Yakutia// Art exhibition of the 15th years of the Red Army: Painting, sculpture, graphics: [Catalog; 517 # #]. - L.: LOSSKHIZO; 21 types. OGIZ RSFSR them. Yves. Fedorova (Leningrad, Zvenigorodskaya, 11), 1933, S. 50 ... - At the region: Russian Museum. 1933-1934; Exhibition stamp (on the cover) slave. B.V. Shchuko; Chairperson: A.I. Ugarov; Architect-dec. exhibition design: E.I. Krshizhanovsky, V.N. Taleporovsky, B.V. Shchuko; 2,000 copies - Obl ., tit .; poster .

V. Svarog. No. 496. Death of Comrade Kalandarishvili in Yakutia. (Death of Kalandarashvili. Yakutia. 1920) ([С.320] ill.). No. 497. Fighters. (Group portrait of Kalmyks [-] heroes of the civil war). No. 498. M. Gorky and K. Voroshilov in the shooting range of the CDKA // Art exhibition "15 years of the Red Army": Painting, graphics, sculpture, textiles, decorative arts, art of Palekh and Mstera: [Publ.1: Catalog; 674 №№] / editorial board .: Trofimov V.K., Enchelik I.I., Slavinsky Yu.M., Perelman V.N., Ryazhsky G.G .; Art .: Art exhibition "15 years of the Red Army" (S.XIX – XXIX). - M.: Vsekohudozhnik; Type of. gas. "Pravda" (Moscow, Gorky st., 48), 1933, p. 208. - In the supervisor: Exhibition Committee of the RVS of the USSR; On the countertitle: Catalogs of art exhibitions. Issue 35. All-Russian Cooperative Union of Fine Arts Workers; 4,000 copies, 7 rubles. - Obl ., back : A.D. Goncharov; counter-title .

V.S. Svarog. No. 48. Kaliayev throws a bomb into the carriage led. Prince Sergei Romanov in Moscow in 1905, No. 111. Murder of a political exile by an escort // Catalog of art open letters and art publications. M. Museum of the Revolution of the USSR. Moscow, st. Gorky, 59. 13 typographic-zincography Mosoblpoligrafa, Petrovka, 17. 1933. P.6, 7. (... The artistic postcards issued by the Museum of the Revolution of the USSR are one of the most easily perceived and accessible to the broad masses of methods of propaganda of political knowledge. of all political education organizations, both in the city and in the countryside, is the distribution among the broad workers and working people of our illustrative publications ... C.2)

Hood. V.S. Svarog. No. 18. Militarized stable. [... Osoaviakhimovtsy are actively fighting for the combat "Horse for the Red Army" ...] // Defense exhibition of Osoaviakhim, dedicated to the 15th anniversary of the Red Army. Catalog of the exhibition of painting, graphics and sculpture. Moscow. Central Council of Osoaviakhim. Type of. International Agrarian Institute. 1933.S. 14

V.S. Svarog. M. Gorky and K.E. Voroshilov in the shooting gallery of the CDKA "[ill. in the album] // V.K. Trofimov (ed. Interst. St.). Art exhibition - XV years of the Red Army. [Album]. Moscow. OGIZ. IZOGIZ. Type of. "Gudok", Moscow, st. Stankevich, 7. 1934. (The greatest victory was achieved on the isofront: the "Art Exhibition - 15 Years of the Red Army" was organized [... The exhibition] marks the onset of the heyday, greatness, triumph of socialist culture, [... for art workers ... At a time when [...] bourgeois ideologists wander like shadows, entangled in contradictions, we [...] create the greatest works of art ... under the direct leadership of the leader of the Red Army, a friend of artists KE Voroshilov ... . Trofimov, head of the Central Museum of the Red Army. Art - for the defense of the USSR). (Put into production on 8 / XI-33, Signed for printing on 10 / XI-33)

Svarog V.S. Comrade Voroshilov brought weapons to workers from Finland to Lugansk; October Headquarters (meeting of the military revolutionary center - Comrades Stalin, Sverdlov, Dzerzhinsky, Bubnov, Uritsky); Soldiers (group portrait of Kalmyks - heroes of the civil war); Death of Comrade Kalandarishvili in Yakutia; The feat of the Kalmyk woman Norma Shapshukova in the battle with the whites; State farm "Gigant"; TT. Voroshilov and Grkiy in the shooting gallery of the CDKA; Schmidt O.Yu. - Head of the expedition on "Chelyuskin"; A.P. Bobrov - pom. the head of the expedition on "Chelyuskin"; Meeting of the heroes of the Arctic and the Soviet Union in Moscow; Kuibyshev V.V. // Red Army in the visual arts. Exhibitions of art reproductions. [Avenue]. Leningrad. Moscow and Leningrad Unions of Soviet Artists. ... P.34, 38, 46, 53, 57, 69, 75, 89, 90. ([In order to] ... actively serve the viewer ... 270 [reproductions] of paintings ... a traveling large-circulation exhibition ... completely replace the originals ... P.93, 94 , 95)

Svarog, Vasily Semyonovich, b. 1883 - Moscow. No. 775. Drawings from the series "Decembrists" (MR). No. 776. Drawings from the series "1905" (МР) / Exhibition catalog. Graphics // Bubnov A.S. (Chairman of the Government Commission of the Exhibition, interst. Art.). (Jury members: L.A. Bruni, E.A.Katsman, V.V. Lebedev, D.I.Mitrokhin, I.I.Nivinsky, A.D. Chegodaev, A.M. Efros, etc.). Artists of the RSFSR for 15 years (1917 - 1933). Painting. Sculpture. Poster. Caricature. Graphics. Moscow. All-artist. 1934.S. 60. (... "The movement towards socialism" in the field of art is uneven ... The exhibition ... testifies to the turn towards the positions of the working class on the part of the vast majority of artists ... A huge impetus for this is the historical decision of the Central Committee of the party on April 23, 1932 ... Soviet artists are firmly taking on the most important tasks deployed socialist offensive ... P.6, 7, 8)

Svarog. "Turksib" / Participants of the 1st flight and the works presented by them // A. Khalatov, Vikt. Perelman (authors of interst. Articles). Transport artists. (Collection of articles on the 1st and 2nd flights). Moscow. NKPS. All-artist. 1934.S. 15. (About a year ago, the NKPS, supported by Gudok and MOSSKh, laid the foundation for attracting artists to work [...] on transport topics. [...] The socialist reconstruction of railway transport, traction and carriage facilities is not sufficiently reflected; reflects the themes of railway personnel - studies, circles, etc. ... С.3, 4)

Svarog, V.S. No. 323. Soldiers (group portrait of Kalmyks- heroes of the civil war). No. 324. K.E. Voroshilov and A.M. Gorky in the shooting gallery of the CDKA. No. 325. Death of Comrade Kalandarashvili in Yakutia// Art exhibition: 15 years of the Red Army: Painting, sculpture, graphics: [Catalog; 421 No.] / holes. ed .: E.A. Zvinogrodskaya. - Kharkov: House of the Red Army. K.E. Voroshilov; Labor. UNPK (Kharkiv, May 1 st., No. 19), 1935, p. 26... - 2,000 copies. - Obl .: A.D. Goncharov; tit .

S. Mogilevskaya. Camp on an ice floe. [About Chelyuskintsy for children. M.], Detizdat, Exemplary type. and the book factory of the Publishing House of Children's Literature of the Central Committee of the Komsomol, 25,000 copies, 3 rubles. 60 k., 1935 (Portraits: Svarog and Katsman)

[List of participants, works (p.,,)] // Soviet Arctic and Soviet North in visual arts. M., MSSKh; Type of. Central Organ of the USSR NGO "Krasnaya Zvezda". M. Dmitrovka, 16; 1,000 copies, 2 rubles 50 K., 1935 ( Obl ., tit .; Ill .: M.M. Beringov. The beginning of the Kola Bay ; NS. Bom-Grigorieva. Khibiny experimental field . Hanged to dry nets ; N.M. Grigoriev. At the helm ; F.P. Reshetnikov. Meeting on an ice floe ; A.A. Rybnikov. Tiksi bay in a blizzard )

Exhibition of works by Moscow artists: [In favor of the Fund for Public Aid to Children and Women of Heroic Spain: Booklet]. - M.: Orgburo of wives of artists and sculptors: Moscow Regional Union of Soviet Artists: All-Russian Cooperative Union of Fine Arts Workers; Type of.« Moskompromprint» ( Rozhdestvensky Boulevard, 22), 1936. - 1,500 copies. Obl .

V. Svarog. Sergo Ordzhonikidze at Lenin's in Razliv in 1917 (fig., p. 2) // N. Vengrov (editor-in-chief), A. Barto, S. Marshak, L. Kassil, V. Smirnova, A. Stepanova, N. Shifrin (editorial board). Murzilka. Issue 4. M .; Detizdat of the Central Committee of the Komsomol. Moscow. M. Cherkassky, 1. Tel. 1-5-42; type of. "Beep". Moscow, st. Stankevich, 7; 200,000 copies, 1937 (Obl .: R. Barto. Comrade Ordzhonikidze with the guys )

V. Svarog. Maxim Gorky and Klim Voroshilov in the shooting range of the Central House of the Red Army // L. Kassil (editor-in-chief), A. Barto, S. Marshak, L. Kassil, V. Smirnova, A. Stepanova, N. Shifrin (editorial board). Murzilka. Issue 6. M .; Detizdat of the Central Committee of the Komsomol. Moscow. M. Cherkassky, 1. Tel. 1-5-42; type of. "Beep". Moscow, st. Stankevich, 7; 200,000 copies, 50 kopecks, 1937, p. 10 ( Obl .: E. Afanasyeva)

L.V. Rosenthal (comp.). The first exhibition of watercolor paintings by Moscow artists [in the All-Artist Hall. Kuznetsky Most, 11]. Catalog. M.-L., Art, All-Union Committee for Arts; Typo-lithograph them. Vorovskogo, st. Dzerzhinsky, 18; 1 200 copies, 1 rub., 1937 ( Obl .)

V.S. Svarog. "K.E. Voroshilov and A.M. Gorky in the shooting gallery of the Central House of Artists. Oil, 1933 [Fig. in edition] // A. Tikhomirov. The Red Army and the Navy in Soviet Painting. M.-L. Art. Type of. publishing house "Art" "Red printer", Moscow, st. October 25, d. 5. 1938. (... Heroism and Stalin's vigilance make our army invincible ... The resolution of the Central Committee of the CPSU (b) on perestroika [...] of April 23, 1932 ... created a single channel [...] for the formation of the style of socialist realism. [ ...] After the resolution [...] it became clear that the division of artists into dozens [... groups ...] was an obstacle. [...] It became clear that the healthy asset of Soviet artists was already united ... P.3, 10)

V. Kostin (comm. St.). All-Union Exhibition of Young Artists [dedicated to the twentieth anniversary of the Komsomol]. Exhibition catalog. M., Committee for Arts under the Council of People's Commissars of the USSR, State Tretyakov Gallery, 1939 [Galushkina, 1965, p.279]

E. Melikadze, P. Sysoev. Soviet painting. [Brief biographies of artists and reproductions of paintings. M.], Art; 21st type. OGIZ'a trust "Poligrafkniga" them. Yves. Fedorov. Leningrad, Zvenigorodskaya, 11; 5,000 copies, 30 p. in the lane, 1939 ( Obl ., tit .: Ill .: M.I. Avilov. Capturing a saboteur ... 1938; S.Ya. Adlivankin. Dance in the steppe ... 1934; F.V. Antonov. Rest of collective farm youth ... 1935; K.F. Bogaevsky. Dneprostroy. 1930; Coast of Crimea. 1935 ; F.S. Bogorodsky. Found a friend ... 1932-1933; I.I. Brodsky. Portrait of I.V. Stalin ... 1932; A.P. Bubnov. Whites in the city ... 1934; P.V. Williams. Portrait of People's Artist L.M. Leonidova ... 1933; T.G. Gaponenko. Tatar courtyard. Bakhchisarai... 1928; K.F. Yuon. Parachutist ... 1936; B.N. Yakovlev. Alloy ... 1937; V.N. Yakovlev. Bathing of the Red Navy ... 1938; O.D. Yanovskaya. The drummer's box at the Bolshoi Theater . 1937; content )

Tikhomirov A.N. The Red Army in the visual arts. Moscow - Leningrad. Art. 1939

Hood. Svarog. No. 607. Meeting V.I. Lenin and I.V. Stalin after the illegal return of V.I. Lenin in Ptrograd in early October. No. 365. Nikolay Shchors in battle. No. 565. People's Commissar of Defense of the USSR - Marshal of the Soviet Union K.E. Voroshilov. No. 577. I.V. Stalin at the Extraordinary VIII Congress of Soviets on the draft Constitution of the USSR // Catalog of photographic reproductions from historical paintings. Historical photo library of the Institute. M. People's Commissariat for Education of the RSFSR. Research Institute of Local History and Museum Work. Moscow, corner. Pskov and Eletskiy per., No. 4/12. Typo lit. Tsentrosoyuz. 1939. P.34, 38, 54, 55. (... [The methodological office of the institute collected] 650 negatives from the best paintings and sculptures of historical content [... for mailing] prints [...] on white or gray mat, or without [it ]… C.3.)

Svarog V.S. K.E. Voroshilov on vacation in Sochi. 1935, oil on canvas // I.F. Titov (ed.). Soviet artists on the day of the sixtieth birthday of K.E. Voroshilov. Exhibition of painting, graphics and sculpture. February 4, 1941 [Catalog. M.], Organizing Committee of the Union of Soviet Artists of the USSR; Type of. "Red printer" State. publishing house "Art". Moscow, st. October 25, 5; circulation 400 copies,, p.24 (... This exhibition is a modest tribute to love, devotion and gratitude to K.E. Voroshilov - a sensitive companion of artists, a friend of Soviet realistic art ... p.8)

M. Sokolnikov (foreword), E.A. Vishnyak, E.P. Makarova (compilers). Vasily Semyonovich Svarog. 1883 - 1946. Exhibition catalog. M. Soviet artist. Main Directorate of Fine Arts Institutions of the Committee for Arts under the Council of Ministers of the USSR, the Organizing Committee of the Union of Soviet Artists of the USSR, etc. 1948

Sysoev P.M., Shkvarikov V.A. (compilers). Masters of Soviet Fine Arts. Works and autobiographical sketches. Moscow. Art. 1951 p. 495 - 502

Vl. Zeidan (comp.). Catalog of the exhibition of works by Vasily Svarog (1883 - 1946). Riga, State Museum of Latvian and Russian Art, Department of Arts under the Council of Ministers of the Latvian SSR, organizing committee of the Union of Soviet Artists of the USSR, printing house "Soviet Latvia", 1952 (Vaslija Svaroga. Darbu izstādes. Katalogs. Riga, Valsts Latviešu un krievu mākslas muzejs, tipografija "Sovetskaja Latvija", 1952)

Klimova M. Vasily Semyonovich Svarog. 1883 - 1946. M. Art. Mass library. 1952

Igor Grabar (ed. Comm. St.), Yu.B. Vasiliev (artistic books), I.N. Matveeva (editor). V.S. Svarog. Moscow. Soviet artist. 1955

Sokolova N.I. (ed.), Sopotsinsky O.I., Tolstoy V.P., Kolpinsky Yu.D., Chegodaev A.D. (authors). Soviet art 1917 - 1957. Painting. Sculpture. Graphics. [Anniversary album]. M. Art. 1957

A. Borodulya. The artist of sparkling talent [Svarog V.S.] // Novgorod. Issue 7. [Novgorod]. 1958.S. 120 (121) - 125

Galushkina A.S., Korovkevich S.V., Smirnov I.A. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1917 - 1932 Directory. Vol. 1. Moscow. Soviet artist. 1965

A.S. Galushkina, E.A. Speranskaya (scientific ed.), L.V. Andreeva, E.A. Speranskaya, I.M. Bibikova, A.I. Bolotova, O.I. Gaponova, Yu.M. Zabrodin, O.P. Lazarev, H.M. Reichenstein, I.T. Rostovtsev (author-comp.). Mass agitation art of the first years of the October Revolution. Exhibition catalog. M., Soviet artist, Union of Artists of the USSR, State Tretyakov Gallery, State Russian Museum, Museum of the Great October Socialist Revolution, Institute of Arts of the Ministry of Culture of the USSR, 5,000 copies, 89 books, 1967

Galushkina A.S., Smirnov I.A., Speranskaya E.A. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1933 - 1940 Directory. T.2. Moscow. Soviet artist. 1967

Galushkina A.S., Smirnov I.A. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1941 - 1947 Directory. T.3. Moscow. Soviet artist. 1973

Svarog V.S. No. 458. A group of soldiers of the 10th Little Russian Regiment in a bayonet battle near Novo-Alexandria on October 11, 1914 (1916). No. 478. The gun of the 29th artillery brigade fires direct fire near the village of Gross-Iodub. October 23, 1914 (1914). No. 620. Soldiers of the 14th Siberian Rifle Regiment attack the Austrians near the village of Podolia across the Orzhets River on February 11, 1915 (1915). No. 738. Soldiers of the 22nd Siberian Rifle Regiment go into a bayonet attack on the German trenches. May 1915 (1916). No. 876. A group of lancers of the 1st Ulansky Petrograd regiment put the enemy to flight and seizes the documents left by him. September 1915 (1916) // Abolskaya T.I. (ed. com. article, compiler), Sotnikov A.A. (Colonel, General Editor). Catalog of drawings from the [Leningrad] Military-Historical Museum of Artillery, Engineering Troops and Signal Corps. Book II. L. 1973.S. 232, 237, 274, 306, 343, 746

Bolotova A.I., Galushkina A.S., Zakharova D.V. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1948 - 1953 Directory. T.4. Moscow. Soviet artist. 1975

Manin V.S., Antonova K.F., Atsarkina E.N., Volodarsky V.M., Goldstein S.N., Nemirovskaya M.A., Rostovtseva I.T. (editors), Gofman I.M. (author of the article). Self-portrait in Russian and Soviet art. Exhibition catalog. Moscow. Soviet artist. 1977

Bolotova A.I., Galushkina A.S., Rostovtseva I.T., Savelova E.V. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1954 - 1958 Directory. T.5. Moscow. Soviet artist. 1981

M. Feldman. Friendship sealed by creativity. [Memories of V.S. Svarog and V.V. Kuibyshev] // Art. Issue 6. Moscow. 1982.S. 45 - 48

Svarog, Vasily Semyonovich. K.E. Voroshilov and A.M. Gorky in the shooting gallery // Drawing and watercolors // A.D. Fatyanov (comp.). Irkutsk Regional Art Museum. Soviet art. Painting, sculpture, drawing and watercolors. Catalog. Irkutsk. 1982.S. 264 11 .: G. Orlova. Tapestry "Salute" (1985))

Severyukhin D.Ya., Leikind O.L. (compilers). The Golden Age of Artistic Associations in Russia and the USSR. Directory. St. Petersburg. Chernyshev's publishing house. 1992

Hubertus Gassner. [Album-catalog]. Düsseldorf - Bremen, Interartex - Eddie Temmen, 1994

Barenbaum I.E. (author of the article), Soskin L.M. Publishing stamps of Petrograd - Leningrad. Moscow. New World, Book. 1995

Svarog (Korochkin) V.S. // E.K. Resina (scientific ed.), R.G. Badin, T.I. Karandasheva, T.A. Reznik, E.K. Resina (comp.). Russian pre-revolutionary and Soviet painting in the collection of the National Art Museum of the Republic of Belarus. Catalog. In 2 volumes. Vol. 2: K - Ya. Minsk, Publishing house Belarus, shooting gallery. 1,000 copies, 1997, pp. 260 - 261

Matthew Cullerne Bown. A Dictionary of Twentieth Century Russian And Soviet Painters. 1900 - 1980s. Izomar Limited. London. 1998

Romanov G.B. Association of Traveling Art Exhibitions. 1871 - 1923 Encyclopedia. St. Petersburg. St. Petersburg Orchestra. 2003

Vern G. Swanson. Soviet Impressionist Painting. Woodbridge (Suffolk, England), Antique collectors' club, 2nd ed., 2008

Rubinchik A.L. Painting of socialist realism in Soviet postcards. Album catalog. Moscow. Magma. 2008

Gogolitsin Y. (author of the article), Berezovskaya K. (compiler). The city, familiar to tears ... City landscape from private collections (Vasiliev AA, Kantina BE, Shabtai von Kalmanovich, Magitson VA, Rybakova Zh.B., Paleyevs, Rusakovs, Chudnovskys, etc.). Catalog. St. Petersburg. K Gallery. 2009

V.S. Svarog (Korochkin). Painter, graphic artist // V. Lenyashin (scientific editor of the volume). Painting. First half of the 20th century. Catalog. T.13. S - Ya. [SPb.], Palace Edition, Russian Museum, Almanac (Issue 463), pp. 27 - 28 ( Obl ., tit .)

Vasily Semyonovich Svarog(5 (15) March 1883, Staraya Russa - December 31, 1946, Moscow) - Russian and Soviet artist.

Biography

Vasily Semyonovich Korochkin was born on March 5 (15), 1883 in the town of Staraya Russa, Novgorod province (now Novgorod region) in the family of the peasant Semyon and the washerwoman Olga Vasilievna Korochkin. Vasily had two sisters: Anna (later - a village teacher) and Nadezhda (in the future - a seamstress). At two years old, he lost his father, the mother was engaged in raising children.

The desire to draw was observed in Vasily Semyonovich from an early age. Noticing him, the drawing teacher of the old Russian city school Chistyakov collected money from the city residents by subscription so that a talented child could continue his art education after graduation.

In 1896, at the age of thirteen, Vasily Semyonovich entered the Stieglitz Central School of Technical Drawing in St. Petersburg and four years later successfully completed it. It was during the training that the artist's pseudonym - "Svarog" appeared.

In the third year of study, before the next exam, he was tasked to paint a picture on the theme "The God of Heavenly Fire Svarog" - a deity in the mythology of the Western Slavs. Well, our Vasya went to fantasize - he painted the sun, stars, lightning, flashes of the northern lights, dawns, rainbows, and in this sparkling environment - the face of a deity. The picture was a success, but the examiners said: “Korochkin, did you look in the mirror when you wrote to Svarog? Exactly like you ”. From that day on, we jokingly began to call him Svarog. He's used to the nickname.

  • Since 1900, Svarog has been collaborating with the St. Petersburg illustrated magazines "Picturesque Review", "Magic Lantern", "The Sun of Russia".
  • In 1911, V. S. Svarog was awarded the first prize at a competition organized by the editorial board of the "Sun of Russia" magazine for a series of drawings for Leo Tolstoy's "Living Corpse".
  • In 1915, V.S.Svarog met Yuri Repin and painted his portrait, which delighted his father, the famous artist Ilya Repin. This work allows Svarog to get close to the master, to be present at his portrait sessions.
  • In 1916, on the recommendation of Repin, he joined the Association of the Itinerants and exhibited his works at traveling exhibitions.
  • In 1916 Svarog paints "Portrait of a Mother" (oil on canvas). The painting won first prize at the Spring Traveling Exhibition.
  • In 1918, Svarog takes an active part in decorating Petrograd to celebrate the first anniversary of the October Revolution. The artist himself said that he "worked especially intensively, since great events demanded a great effort from everyone." At this time, he creates portraits of Karl Marx, Friedrich Engels, V. I. Lenin, M. S. Uritsky, V. V. Volodarsky.
  • From 1919 to 1922, due to a serious illness of his mother, Svarog spent in Staraya Russa. Here he organizes the People's House, creates an art studio, amateur choral and orchestral circles, an amateur opera theater, where Dargomyzhsky's Rusalka, Rachmaninov's Aleko, Gounod's Faust, etc. were staged. During this period, Svarog creates many paintings dedicated to the city and its inhabitants - "Portrait of Vasya Ushakov", "Children" (exhibited at the Tretyakov Gallery), "Portrait of Valentina Kazarina", "Rogachevka" and others.
  • In 1923 he joined the Association of Artists of Revolutionary Russia.
  • In 1925, V. S. Svarog received a silver medal at the World Exhibition in Paris for the album "January 9", for which he made 11 large drawings.
  • After the Great October Revolution, the work of Svarog takes on a vivid political orientation. The artist himself calls his genre "political composition". Some paintings were made based on personal impressions, others on the basis of newspaper reports:

Self-portrait. 1926. Tretyakov Gallery

Vasily Semyonovich Korochkin was born in the family of the peasant Semyon and the washerwoman Olga Vasilievna Korochkin, in which, in addition to him, there were two more sisters Anna (later a village teacher) and Nadezhda (in the future a seamstress). At two years old, he lost his father, the mother was engaged in raising children.
The desire to draw was observed in Vasily Semyonovich from an early age. Noticing him, the drawing teacher of the old Russian city school Chistyakov collected money from the city residents by subscription so that a talented child could continue his art education after graduation. In 1896, at the age of thirteen, Vasily Semyonovich entered the Stieglitz St. Petersburg Art School of Technical Drawing and four years later successfully completed it. It was during the training that the artist's pseudonym - "Svarog" appeared:
"H in the third year of study, before the next exam, he was assigned to paint a picture on the theme "The God of Heavenly Fire Svarog" - a deity in the mythology of the Western Slavs. Well, our Vasya went to fantasize - he painted the sun, stars, lightning, flashes of the northern lights, dawns, rainbows, and in this sparkling environment - the face of a deity. The picture was a success, but the examiners said: "Korochkin, did you look in the mirror when he wrote Svarog? Exactly like you." From that day on, we jokingly began to call him Svarog. He's used to this nickname ... "

I.E. Repin. Portrait of the artist V.S. Svarog (1915)


Repin Ilya Efimovich

Illustration source: Repin Ilya Efimovich. Sketches, graphics, sketches, portraits. MCF, IDDK. 2000.



Svarog V.S. SOLOISTS. (1910-e)
From here: http://www.shishkin-gallery.ru/auction_20100522_lot66.html#bottom


Self-portrait with torban, 1923. State Russian Museum, St. Petersburg

Posthumous portrait of Yesenin returned to Russia

Svarog wrote such "political compositions":


1939. I.V. Stalin and members of the Politburo among children in the TsPKiO im. Gorky


K.E. Voroshilov and A.M. Gorky in the shooting gallery of the CDKA. Central Museum of the Soviet Army
From here: http://otkritka-reprodukzija.blogspot.ru/2008/05/1883-1946.html

But this too:

Portrait of P.I. Tchaikovsky. 1940. Moscow. Concert Hall. P.I. Tchaikovsky

Portrait of the People's Artist of the USSR, Academician I.E. Grabar. 1942 State Tretyakov Gallery

Guitarist ... 1940. Ryazan Regional Art Museum, Ryazan, Russia.

Portrait of Andres Segovia

By the way, Svarog himself sang beautifully and played music!

And he also wrote this:


City ". 1931. Old Russian Museum of Local Lore, Hall of V.S. Svarog.

Landscape. 1932.


Turksib. 1934.

Original taken from oxxik to Staraya Russa. Picture gallery

As I told you yesterday, in Staraya Russa is now functioning Museum of local lore andKart innayagallery cities. My post today will be about her, about an art gallery, the entire space of which is dedicated to the work of Vasily Svarog and his followers. The first art gallery in the history of Staraya Russa was opened at the initiative of the artist Svarog in 1922. The events of the following decades, especially the Great Patriotic War, caused serious damage to the culture of the city. Much had to be re-created, including the art collection. Only in 1974, after a long hiatus, the Old Russian Picture Gallery was reopened. It was placed in the Church of the Presentation of the former Spaso-Preobrazhensky monastery. It was conceived as a gallery of fellow countrymen.

Vasily Semenovich Svarog (Korochkin) was born in 1883 in Staraya Russa. He received his art education in St. Petersburg at the Baron Stieglitz School of Technical Drawing. The style of Svarog the painter was formed under the influence of Russian pictorial realism at the turn of the XIX-XX centuries.

An important period of Svarog's work began in 1929 after moving to Moscow, where he created dozens of huge canvases depicting the leaders of the revolution, which brought him official recognition and material well-being. Svarog became one of the chroniclers of Stalin's time. These works are still kept in central museums, in the storerooms of the Ministry of Culture of the Russian Federation. They are part of our history.

However, the best that was created by Svarog in 1930-1940 in painting is not associated with the doctrine of socialist realism, but reflects the personal artistic predilections of the master, his deep knowledge of the traditions of Russian art of the "Silver Age". It is these works that occupy most of the exposition of the Old Russian Picture Gallery. These are portraits and interiors, surprisingly free, saturated with air, rich in the play of light, distinguished by the accuracy of psychological characteristics and depth.

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