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On his creative evening, the maestro demanded from Leps "talented youth"

Philip Kirkorov was itching almost like an old man because of the "thin" composition of participants creative evening in honor of the 80th anniversary of maestro Raimond Pauls - he ate all the bald head of the organizers. They were perplexed: Ani Lorak, Loboda, Leontiev, Leps, Allegrova, Malinin, Laima! Pugachev, after all! Apart from the very Solntselikiy! Wow - runny!

Raymond Pauls.

The king of pop, however, was not displeased with Alla, of course. Holy, holy! And the "fry", which, in fact, darted across the stage to the accompaniment of Maestro Pauls, now and then getting entangled under the feet of the stately procession of pop grandees, pop kings, queens, empresses, who arrived to honor the cult and one of the most brilliant pop composers of the last third of XX century.

The six-thousandth hall was packed to capacity, and given that the posters did not include Pugacheva, who agreed to participate in the event only in the third month of whims and doubts, when tickets were already sold out in full, it was clear that the viewer came to enjoy and nostalgia primarily under the imperishable the maestro's music in any of its incarnations. " Good songs do not age, they become classics, "- once said the Prima Donna, without whom, however, only a madman could imagine this event ...

The culprit of filov's anger turned out to be - oops! - the birthday boy himself. In an interview with MK, the master admitted: “I agreed with the proposal of Grigory Leps (to arrange an anniversary concert in Moscow) only on the condition that his production center will gather not only stars. I said: talented youth is absolutely necessary, because the future is youth ”.

Even though Mr. Leps seasons as a mentor of a talent show on TV and also rules his own competition "Highest Test"! Young people gathered more than enough. And if Maitre Pauls summoned the stars to the stage mainly short characteristics- "wonderful / wonderful singer / singer", then "our future" with fatherly warmth and detailed description each talent and vocal was represented by Sergei Zhilin, the head of the Jazz Band Phonograph, a musician and pedagogue, who - and this was evident - was not less mr Pauls stands up for fresh blood on the stage.

"Fresh Blood" was indeed vociferous, energetic, energetic. The "young" did their best, diligently removing the roulades of the pop imperishable - mostly from the Pugachev repertoire, thereby warming up the audience before meeting with the Most Important and Beautiful. Mariam Merabova, Vitold Petrovsky, Renata Volkievich, Georgy Yufa, Gleb Matveychuk are already known thanks to the rating TV contests and, in general, are quite talented. But the insidiousness of the compositions of Mr. Pauls and the train of their original performers is that the formula "the song is the theater" is not just beautiful phrase rather the quintessence of all pleasure. And at the climax "Don't listen to me / It's all stupid bravado / You know how I was waiting for you!" the viewer should feel with his skin not stupid bravado, but the hopeless drama of his whole life " strong woman who cries by the window. " And howl with her the wounded beluga ... So far, the "talented youth" has mastered only "stupid bravado", albeit very vociferously.

However, Olivia Krash (“I love you more than nature”), Sharif (“Two Swifts”) and Intars Busulis with the cover “I paint you” inherited from Jaak Yoala and rethought now with such a distinctive personality and vocal beginning that even Raymond himself could not get enough of it. “Who could have known when, at a concert in Riga before“ New Wave ”a few years ago, I first saw this modest and slightly awkward guy - as he seemed to me then - that such a wonderful singer would grow out of him!” - admired in a conversation with "MK" the usually reserved in emotions master.

However, the undoubted plus of the "youth" bloc was that the maestro and jazz band "Phonograph" with the orchestra had a happy opportunity to play with live sound to their best, since the "pop kings" and "empresses" apparently considered below their dignity and professionalism not only to be confused on the same stage with the "fry", but also to sing live. However, many phonograms were specially rewritten for this show and sounded very fresh, and the grand artists could completely reassure themselves that they sang, sang, sang "their own live" as much as any youth had ever dreamed of. Which is also true! Hazing, therefore, not only in the army ...

But the masters once again showed both the hall and the young growth - what is the school of survival, which they all went through in that era when Mr Pauls has already composed his hits, and Valery Leontyev, for example, “was still forbidden everywhere” - which was reminded by Philip Kirkorov, who performed the luxurious hit “Even If You Leave”, with which the “forbidden” Leontyev first appeared as a “random spectator from the audience” at Pugacheva at a concert at the Variety Theater.

This "school of survival", apparently, still keeps our megastars in good shape, which many "young talents" will envy. And, if Valery Yakovlevich can easily be compared with the indefatigable Mick Jagger, then, looking at the cheerful Lyme in an amazing tailcoat, Marlene Dietrich is increasingly remembered ... “Yes, there were people in our time, not like the current tribe!”, - the poet would say , just by looking at Irina Allegrova ...

And who did not have enough costume drive and visual courage, as, for example, Grigory Lepsu and Ani Lorak, they did not hesitate to play music - they rolled out their band among the music stands and the Yellow Leaves rumbled so loudly that poor Raymond opened his mouth with a comatose he leaned his elbows on the lid of the piano, having stopped playing, because anyway, behind the rolling riffs of almost heavy rock, no one would have heard the timid tapping on the keys. But then, for some reason, Mr. Leps stepped on the same Pugachev rake, deciding to play an encore in his turn, and although it was enchanting in Leps way, in this interpretation it was very much like the monotonous howling of a muezzin from a minaret, after which I did not want to summon the artist for an encore at all.

A simple props were brought to the stage - a table, a mirror, a pair of hairpieces and something like galoshes. “You don’t even need to introduce her…”, - Raymond Pauls started his short announcement and did not have time to finish… The air in the hall vibrated with the enthusiastic howl of a many-thousandth throat. Alla, although she left the stage as an active guest performer, nevertheless from time to time pleases her people with another coming. And this coming every time is worth its weight in gold. The secret hope of "getting rich" was, of course, concealed by everyone who bought a ticket for Pauls's anniversary. And he made the right decision. The Pugachev jackpot fell out for everyone!

Alla on high heels (sorry, not in louboutins!) And in delightful black leggings (or as they are now called in a fashionable way?), A real model appeared before the eyes of the flock. But knowledgeable fans were worried - she has bo-bo legs, and she is on stiletto heels! But the Diva stoically carried the Living Legend cross the whole song through, swinging her legendary slender legs on stiletto heels along and across the wide stage, showed everyone the excellent form and sat down to the second song at the table. It was then that the true purpose of the galoshes became clear. Pinning curly hairpieces to her head and changing shoes, she created an image for the hit "Hey, you are up there!"

To the fact that from her with Pauls the "golden fund" was already shown by other participants of the anniversary, the Prima Donna also added "Without me" and the hit of all times and peoples (including Japanese, Korean and Vietnamese) "Million of red roses”, And to make the holiday a success, she presented the audience with two novelties, which turned the maestro's jubilee into an event of an extraordinary scale. More precisely - not entirely new, but rather - a forgotten rarity ("Yesterday's Performance" on the verses of Ilya Reznik) and unreleased ("Do not Leave Me"). The latter - to the verses of the poet Andrei Voznesensky. “This is my favor to him,” the prima donna grieved.

The rehearsal of this song in Alla's old apartment on Tverskaya remained in the singer's amateur newsreel and was even shown on TV somehow, but she never performed it publicly - not only because of "disorder", but also because of past cracks in the relationship with Pauls, which is why the maestro gave "the right of the first night" to the then young and beginning Valentina Legkostupova. Many in those days did not understand why Alla was so upset with the young “raspberry-berry”, but now a lot is becoming clear ...

However, in Valentina's performance, even hints of that power and passion, which were obvious even on Alla's amateur rehearsal shooting, disappeared, and they did not even remember the song. Now Pauls' heartbreaking music, a pathetic text about “the land piercingly loved” and the heartbreaking prophecy of the Living Legend “I won't die for you, I will become a handful of earth” drove the audience into a daze, from which they had to get out only with the help of a million scarlet roses.

And not only in figurative song, but also in direct physical sense- in the finale, the whole scene was made with huge baskets with huge purple roses. They were brought into the hall by trucks all day, and all the aisles and passages were blocked. “Here, of course, there are not a million roses, but everything is for you! From us, dear Raymond! ”Alla said, modestly hiding the breadth of her nature from the audience, for the phrase“ from us ”was actually just a figure of speech. Pugacheva, although she was a guest diva at the maestro's evening, could not, of course, let everything take its course, “turned on” her own direction, and bought fifteen hundred (!) For her own money, plus, of course, one rose, so that the holiday would have an unforgettable ending ...

"The concert has come to an end, but the work of this man cannot come to an end!" new meeting"In thirty years" ...

“A Million Scarlet Roses” and “Maestro”, “Vernissage” and “It's Not Evening Yet”, “Love the Pianist” and “Old Clock” ... Who does not know the melodies of these songs, written by Raymond Pauls?

For an evening in honor famous composer many distinguished guests gathered. Pauls' work this evening will be presented by Alla Pugacheva, Valery Leontyev and Laima Vaikule. On the stage there was an orchestra and a black grand piano, on which the maestro played. He himself led the program with his characteristic Baltic wit. The only decoration on the stage is the glowing autograph "R.Pauls".

According to Raymond Voldemarovich, the most difficult thing was to select three dozen out of four hundred songs. Announcing Laima to Vaikule, Pauls told how he, Reznik and Alla Pugacheva risked by releasing on the stage in the early 80s new star, whose hoarse voice and amazing plasticity were unusual for the then Russian public. At the concert, Lyme showed all her best numbers to the songs of Raymond Pauls - "Charlie", "It's not evening yet", "On Piccadilly Circus", "Blues". And she sang one of these songs lying on the piano, and Raymond, it seemed, played only for her. Several songs were performed by Valery Leontiev - "Love the Pianist", "Disappeared sunny days"," Cabaret ". Appearing on the stage, Alla Borisovna turned to Pauls and sang: “I can't believe my eyes! Have you really come? My God!". She also sang "Maestro", "A Million Scarlet Roses", "Ancient Clock" and other hits.

Laima Vaikule, Valery Leontyev, Maria Naumova, Normund Rutulis, Gunar Kalninsh, Guna Paula, the Kukushechka ensemble, Alla Pugacheva take part in the evening.

Genre: Concert

The plot is that ..

In the concert dedicated to the 80th anniversary of maestro Raimond Pauls, both the first performers of his songs and those who took over from them take part. The performances of the stars are accompanied by the "Phonograph-Sympho-Jazz" orchestra conducted by Sergei Zhilin. Worldwide famous composer, musician and public figure, the owner of the most honorary titles Raimonds Pauls was born in Riga, studied piano at the Latvian Conservatory, and even as a student he composed jazz compositions and the melodies of the songs became popular.

Its first collective is chamber pop group"Modo" - Pauls created in 1971. At the same time, the composer was actively writing music for performances and his first musical "Sister Carrie". In the 80s, Pauls began fruitful cooperation with famous Russian poets: Robert Rozhdestvensky, Andrei Voznesensky, Evgeny Yevtushenko and Ilya Reznik. As a result of this, songs appeared that brought the maestro great fame and love of the audience and became invaluable contribution to the fund of our musical culture.

Today they are just as loved and interesting to people of the XXI century, as well as to their first listeners. They were performed by Alla Pugacheva, Valery Leontiev and Laima Vaikule. Alla Pugacheva, Valery Leontiev, Laima Vaikule, Alexander Malinin, Grigory Leps, Irina Allegrova, Philip Kirkorov, Ani Lorak, Sergey Lazarev, Emin, Gleb Matveychuk, stars of the TV project "Voice" Intars Busulis, Sharif, Mariam Merabova maestro songs and many others accompanied by an orchestra conducted by Sergei Zhilin. The main stars of this evening will be the inimitable Raymond Pauls himself and his music, the secret of the birth of which no one has yet identified.

Original name:Jubilee evening of Raymond Pauls

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The Soviet Latvian composer Raimonds Pauls, who was born in Riga in January 1936, celebrated on one of the largest concert venues Russia "Crocus City Hall" its 80th anniversary festive concerts with friends.

People's Artist of the USSR and Minister of Culture of Latvia (1989-1993) prepared for the Moscow public a real 3-hour music festival full of hits and hits different years... Long before the beginning of the evening, hundreds of people pulled up to the hall, wishing to hear the maestro's magical melodies. The apple that evening had nowhere to fall, the hall was filled to capacity with both the country's elite and ordinary citizens, admirers of the composer's talent.

The jubilee festive evening, called "Holy Love for Music", was opened by the musical intro of the "Phonograph Symphonic Jazz" orchestra conducted by Sergei Zhilin to the accompaniment of Raymond Voldemarovich, who was seated at a black piano. " good evening... Thank you for coming to me today, this is very important to me. Why are you looking at me so sadly? Lyme told me that I was well preserved, "- in joking form Raimond Pauls greeted the hall of many thousands.

"I am very pleased that the program will start with my old friend Valery Leontyev ", - the composer announced the first guest. Tanned Leontiev began with an old retro-pop piece" Verooka ", and then performed with the support of his ballet" Dangerous ties"the composition" Cabaret ", transferring all spectators to the atmosphere of celebration and dancing. The central decoration in the form of a circle, vinyl record in the center jukebox, soon appeared before the audience as the Moon, commemorating the song "Eclipse of the Heart". The enchanting block of Leontyev's rooms ended with a truly warm and good song"Sunny Days Gone", which in the new arrangement acquired the shades of Latin music.

“With your permission, I want to invite an artist to the stage without whom I can’t imagine my life anymore. We will sing you our Vernissage,” announced Valery Yakovlevich, the crowning performance with Laima Vaikule, dressed in an extravagant black suit. The audience's applause drowned out the performance of the artists, and many women tenderly sang along to their beloved couple.

As you may have guessed, the audience was followed by a block of songs written by Pauls about the stylish and unique Latvian singer Laima Vaikule. Under the changing weather and seasons on the screens, the composition "It's not evening yet" was performed, which took the audience to 1987, and moments later the Latvian woman moved to the hero of the day, noting his special feeling for music and love for it. Not without the hit "I pray for you", as well as the kind and playful "Charlie", during which the funny eccentric Charlie Chaplin danced on the screen. It is worth adding that the Lyme numbers were supported vocal group"Acapella Express", the external fresh notes of reading the works loved by millions. The last surprise for the audience was the song "I went to Piccadilly" without which the maestro's jubilee evening could not do.

Another representative of the "first echelon" Russian stage became National artist Russia and Ukraine Alexander Malinin, who sang the romance "I'll Pick Up Music" for a ruptured heart and ligaments. Despite difficult character it is impossible not to recognize the performer's talent, there has never been such a vocal emotional performance that evening. "It is a great honor for me to perform your song today and I would like to centenary sing some more of your works ", - addressing the composer and leaving the hay said Alexander Nikolaevich.

Separate block anniversary evening was the performance of the participants of the TV project "Voice" different seasons... Renata Volkievich, who sang Alla Borisovna's "Antique Clock", Mariam Merabova, who sang very fervently and artistically Pugacheva's song "Return", as well as the Chechen singer Sharif, who recalled Pauls's work "Two Swifts", came to pay tribute to the talent and express their respect to Raymond Pauls. The block was completed by Gleb Matveychuk, who performed with the ballet and the song "Dance on the Drum", Olivia Crash with "I love you more than nature", Georgy Yufa with the life-affirming composition "The Way to the Light" and Vitold Petrovsky, who sang against the background of the night ocean, illuminated by the moon light, work "After the holiday".

All participants in the First Channel television project certainly have interesting and sometimes even unique vocal abilities. Their readings legendary songs the maestros were interesting and new in their own way, but they cannot yet compare with the old guard of the stage. Someone was hampered by excitement, someone else did not have enough charisma, and someone like Mariam Merabova gave 100% and got thunderous applause from the audience. In any case, I would like to note the merit of the mentor of artists Grigory Leps, who, even after the end of the show, helps talents find their viewer and gain experience.

Spectacular and stately Svetlana Loboda (Loboda), dressed in an evening golden dress and complementing the image with diamond earrings, sang the song "Fiddler on the Roof" in her characteristic unique manner, demonstrating her artistic form.

The pause of the evening before the appearance of the next guest of the Latvian performer Intars Busulis was filled with the instrumental number of Raymond Voldemarovich "A man in his prime", which delighted the audience with a beautiful piano piece... A video art of a silhouette of a couple circling in clouds of smoke and couples in love, hiding under umbrellas and soaring upward, accompanied Busulis's performances on the songs "I Draw You" and "Umbrella". To be honest, the artist was not pleasantly surprised, but the audience was looking forward to him and warmly greeted him with applause.

Only one singer of our stage, Irina Allegrova, could clearly sing "Let's Help God" majestically and imperially in the entourage of church stained-glass windows. “Dear you ours. I want to wish two things to this great master - longevity and that you will please us with your creativity for many more years,” the “empress” said at the end of the issue to Pauls.

An equally significant figure in the domestic show business appeared on the stage later - the pop king Philip Kirkorov triumphantly gathered a standing ovation from the audience after the performance "Even if you leave." “You do what few people have succeeded in - having the jazz essence of creativity, you create hits and hits that become truly popular. Could there be greater recognition of the composer?” - Philip Bedrosovich said leaving the stage with flowers.

In the image of a Greek goddess, the Ukrainian diva Ani Lorak appeared on the stage, singing a very responsible and emotional piece "Love Has Come". The tense vocal cords and face of the artist showed how difficult it was to perform a song by Robert Rozhdestvensky and Raymond Pauls, it was necessary to live it with all her heart and soul, which the 2008 Eurovision participant managed to do. The surprises did not end there, soon Grigory Leps appeared on the stage, singing with Ani the duet "Yellow Leaves", which were originally sung by Margarita Viltsan and Oyars Grinbergs.

Having presented the maestro with a bouquet of scarlet roses, Grigory now solo in his ultrasonic manner sang Alla Pugacheva's song "For an encore", which tells about the artist's life, and the lines of Andrei Voznesensky, "I will sing for you for an encore, not my song, but my life."

The evening was already drawing to a close and many no longer hoped to see the woman who sings, to whom Raymond Pauls wrote his best songs... It was Alla Pugacheva who gave the maestro his diamond melodies, his love, a part of his life. With her appearance with a bouquet of flowers, the hall froze, forgetting even about the standing ovation and applause, wondering which piece the legend will perform. In a typical theatrical manner, the Prima Donna opened her block with the work "Yesterday's Performance", which later merged into the playful and playful "Business Time". And Alla turned the second number into a whole theatrical scene with false hair, funny black glasses and changing shoes in front of the viewer. On the screens at this time, with all their might, multicolored alarm clocks were bursting, reminding that it was time for business and an hour for fun.

Prima looked gorgeous, no one could miss Pugacheva's slender legs in leather pants and a toned figure, we're not talking about a young face. Singing also the hit "Without me, you, my beloved", Alla took the floor: "The songs that I sang are the children of two maestros - Raymond Pauls and Ilya Reznik. But I have a debt to another author Andrei Voznesensky, whose song I have I don’t know why I ignored it for years. Now I want to pay tribute to the person who is no longer with us, and sing the song "Do not leave me."

The final chord of the evening with the bowing out of all the participants of the anniversary evening was, perhaps, main job Pauls, known and performed in many languages ​​of the world - Alla Borisovna's song "A Million Scarlet Roses". It was very symbolic that the artists went to the birthday man not empty-handed, but with baskets of red roses covering the stage with flowers, just like in the line from the work - "as a continuation of the dream, the square is full of flowers."

It was an enchanting and colorful concert by the truth of the cult composer and musician Raymond Pauls, who presented the artists and the audience with hits that have passed the most important test in their life - time. Of the more than 500 pieces written by the maestro, almost 50 have become songs for decades, not a single generation listened to and fell in love with the melodies of the Latvian. The work of Raymond Voldemarovich has become an invaluable contribution to cultural fund country, in the history of the Soviet and Russian music, stage. In this reportage, we wrote about the creations of a man-era, a man who is sacredly in love with music and who has given her her whole life.

We will add that soon the TV version of the concert will be shown on the air by Channel One.

Photo report of the concert of Raymond Pauls in Crocus city Hall from February 26, 2016:

The first performers of his songs and those who took over from them will take part in the concert dedicated to the 80th anniversary of maestro Raimonds Pauls.

The performances of the stars will be accompanied by the Phonograph-Sympho-Jazz Orchestra conducted by Sergei Zhilin.
The world famous composer, musician and public figure, holder of the most honorable titles, Raimonds Pauls was born in Riga, studied at the Latvian Conservatory in the piano class.

Even as a student, the jazz compositions and melodies of songs composed by him became popular.

Pauls created his first collective - the chamber variety group Modo - in 1971.

At the same time, the composer was actively writing music for performances and his first musical Sister Carrie.

In the 80s, Pauls began fruitful cooperation with famous Russian poets: Robert Rozhdestvensky, Andrei Voznesensky, Evgeny Yevtushenko and Ilya Reznik.

As a result, songs appeared that brought the maestro great fame and love of the audience and became an invaluable contribution to the foundation of our musical culture.

Today they are also loved and interesting to people of the XXI century, as well as to their first listeners.
Alla Pugacheva, Valery Leontiev, Laima Vaikule, Alexander Malinin, Grigory Leps, Irina Allegrova, Philip Kirkorov, Ani Lorak, Sergey Lazarev, Emin, Gleb Matveychuk, stars of the TV project Voice Intars

Busulis, Sharif, Mariam Merabova and many others will perform the maestro's songs accompanied by the orchestra conducted by Sergei Zhilin.

The main stars of this evening will be the inimitable Raymond Pauls himself and his music, the secret of the birth of which no one has yet identified.

VIDEO: Anniversary concert of Raimonds Pauls