Expand horizons, teach to see the beautiful in ordinary people and events of everyday life.

• Expand horizons, teach to see the beautiful in ordinary people and events of everyday life.
• Give the concept of "household genre".
• To acquaint with the works of Russian painters Fedotov P.A. and Perova V.G., Reshetnikova P. and Plastova A.
• Lead moral education through the perception of paintings of the everyday genre.
• To activate thought processes and the ability to conduct a conversation.

In the visual arts, on the basis of the subject, the images are distinguished -

• In the visual arts, on the basis of the subject, the images are distinguished -
• portrait, still life, landscape.

HOUSEHOLD GENRE of fine art for everyday (usually contemporary) private and public life. The tasks of the everyday genre include not only a reliable image of the relationships and behavior of people seen in life, but also the disclosure of the inner meaning and social content of everyday everyday phenomena.

• HOUSEHOLD GENRE of fine art for everyday (usually contemporary) private and public life. The tasks of the everyday genre include not only a reliable image of the relationships and behavior of people seen in life, but also the disclosure of the inner meaning and social content of everyday everyday phenomena.

What artistic image did Perov want to convey in his paintings?

• What artistic image did Perov want to convey in his paintings?
• What is the main idea behind these 2 paintings?
• It was through compositional tie the artist builds the right one plot since the plot contains a compositional center (which directs the viewer's gaze to the main event, subsequently expressing the idea of ​​composition in it) and complementary parts that contribute to the definition of the compositional center.
• The law of the subordination of the secondary to the main requires the artist to arrange objects in the picture in such a way that one object attracts attention to itself through the others, so that all objects are turned to the main thing.

Before us is a typical post-war apartment. This can happen both in Moscow and in Vladivostok. The situation is not rich, for sure all family members are in front of us - the war left them without a father, the main breadwinner, and all the care of the maintenance of three children fell on the shoulders of the mother - a young woman who was pretty exhausted by life.

• Before us is a typical post-war apartment. This can happen both in Moscow and in Vladivostok. The situation is not rich, for sure all family members are in front of us - the war left them without a father, the main breadwinner, and all the care of the maintenance of three children fell on the shoulders of the mother - a young woman who was pretty exhausted by life.

• The center of attention is the boy himself, and three "rays" are directed towards him, three different attitudes towards him. Of course, the biggest "aggressor", so to speak, is the excellent sister. She is a diligent student, she is a pioneer, she is very responsible for her studies and for everything connected with her. We can see how neatly she is dressed, how neatly she puts her textbooks, everything in its place. In her gaze, one can clearly see reproach, discontent. Rather, the sister treats the boy not as a brother, but as a disciple who does not fulfill his duties.

Next to my mother, as if in contrast, the youngest son is depicted on a bicycle. Cheerful, full of strength, he looks at his brother with a grin, with malice. Dog. She ran to the boy and jumped on him in a friendly way, she is glad for his arrival, she loves him, and she has no idea what he got there. You can still fix it, the main thing is that there is a desire. If we look at the boy's face, we will see that it expresses sadness, bitterness, shame, he stands with his shoulders down, and he is even ashamed to look his family in the eyes.

• Next to my mother, as if in contrast, the youngest son is depicted on a bicycle. Cheerful, full of strength, he looks at his brother with a grin, with malice. Dog. She ran to the boy and jumped on him in a friendly way, she is glad for his arrival, she loves him, and she has no idea what he got there. You can still fix it, the main thing is that there is a desire. If we look at the boy's face, we will see that it expresses sadness, bitterness, shame, he stands with his shoulders down, and he is even ashamed to look his family in the eyes.

Plastov's canvases are full of life-affirming power. Through color and thanks to color, he fills his paintings with a lively, quivering feeling. The artist says: “I love this life. And when from year to year you see her ... you think you need to tell people about it ... Our life is full and rich, there are so many amazingly interesting things in it that even ordinary everyday affairs of our people attract attention, shake the soul. It is necessary to be able to see, notice ”.

• Plastov's canvases are full of life-affirming power. Through color and thanks to color, he fills his paintings with a lively, quivering feeling. The artist says: “I love this life. And when from year to year you see her ... you think you need to tell people about it ... Our life is full and rich, there are so many amazingly interesting things in it that even ordinary everyday affairs of our people attract attention, shake the soul. It is necessary to be able to see, notice ”.

What genre of fine art were we talking about?

• What genre of fine art were we talking about?
• Explain the concept of "genre".
• What artists have worked in this genre?
• Name the painting that impressed you the most and explain why.

Household genre
- genre of fine arts,
dedicated to everyday private and
public life

Mostly everyday scenes are depicted on
canvases of painters, but they can be seen in
graphics, and sculpture.
Everyday events captured by artists
different eras, introduce us to the life of people
of bygone times.

Already in art
Ancient egypt
there are household
scenes in painting, and
in sculpture, and even on
fragments of ceramic
vessels, surface
which
ancient egyptian
artists
used for
creating sketches.

The genre reached its heyday in the European
art in the XVI-XVII centuries.
"Svidnitsa", 1656

Family concert, 1666

"An old woman making scrambled eggs"

"Rural dinner"

Gallant scene
- genre in the fine and decorative arts of the 18th century,
specializing in plots from the secular (in
particular - court) life.
A kind of genre.

The gallant scene always portrays a relaxed
communication of two or more persons (most often - on
background of a fantastically beautiful landscape). It may
to be a conversation, a game, a walk, a dance.
The heroes of the paintings, like nature, against the background of which
unhurried action unfolds, always beautiful and
harmonious (from the point of view of customers "gallant
scenes "- aristocrats).

The basic principle of the masters of the gallant scene -
image of perfectly beautiful people in
an atmosphere of serene and absolute happiness.

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The presentation on the topic "Household genre in painting" (Grade 5) can be downloaded absolutely free of charge on our website. Project subject: MHK. Colorful slides and illustrations will help you engage your classmates or audience. To view the content, use the player, or if you want to download the report, click on the corresponding text under the player. The presentation contains 15 slide (s).

Presentation slides

Slide 1

Household genre

Completed by: Afanasiev Victor

Slide 2

Household genre in Russia.

In the seventies of the XIX century, a new creative association, independent of the Academy of Arts, arose - the Association of Traveling Art Exhibitions. The organization of the Itinerants very soon turned into the largest center of the artistic life of Russia, into a stronghold of a new realistic direction in painting, and the Imperial Academy of Arts, although it remained the official governing body in the field of art, increasingly lost its authority and this role of the main center.

Slide 3

Slide 4

In their work, the Wanderers, on the basis of a realistic method, deeply and comprehensively reflected the contemporary life of the working people of Russia. The genre of everyday life was the leading one in their work. An important place among them was also occupied by the art of portraiture, remarkable for the richness of its social and psychological characteristics. Many of the works of the Wanderers are devoted to Russian history, in which their attention was especially drawn to the dramatic popular movements. These works were marked by the depth of historical knowledge of the past. In their landscape works, the Wanderers turned to simple, common motives of their native nature, creating paintings imbued with patriotic feelings and great social content. A significant number of the works of the Itinerants reproduced images of folk art and literature. By truthfully depicting events and scenes from life, in their works they passed judgment on the surrounding reality, denounced the cruel oppression of the people. At the same time, the Itinerants showed the heroic struggle of the people for social and national liberation, wisdom, beauty, the strength of a man of labor, the diversity and poetic charm of their native nature.

Slide 5

With their creativity, the Itinerants actively participated in the broad general democratic movement of the era, in the struggle of progressive social forces against the autocracy and the remnants of serfdom in tsarist Russia. That is why the Itinerants were supported by the advanced part of society. During the 70s and 80s of the 19th century, the work of the Itinerants deepened and improved. Their organization grew stronger, gaining more authority and popularity among the general public.

Slide 6

From the very beginning of his independent creative activity, Perov took the path of social satire, which was widely developed in his art. Perov entered painting as a genre painter. In his early works, he used the achievements of his predecessor, the founder of critical realism in painting - P.A.Fedotov, whose works for the first time explain the social meaning of the depicted phenomena, Fedotov was Perov's predecessor in his views on the tasks of art. Perov posed in his work a new, most urgent problem of his time, connected with the situation of the peasants. Neither Fedotov nor Perov's other predecessor, Venetsianov, touched on this problem.

Slide 7

Historical topics have been of interest to Perov for a long time. It is known that while still at the School of Painting and Sculpture, he made sketches for Stepan Razin. Now, many years later, having approached the creation of a historical painting as a mature master, Perov set a very difficult task - to write a triptych in which he intended to unfold the history of the Pugachev uprising. In the first picture of the triptych, he wanted to reveal the reasons for the uprising, in the second - to depict the uprising itself, and in the third - to convey the reprisals against the landowners. But from the whole triptych he managed to paint only the third picture - "Pugachev's trial".

Historical themes in Perov's paintings.

Slide 8

The large multi-figure painting "Nikita Pustosvyat" (1881) testifies to the great work of the artist in the field of historical painting. But, taking on a plot from the movement of schismatics at the turn of the 17th-18th centuries, which united various opposition groups, Perov was also unable to give a satisfactory solution to his task, although, perhaps, he came a little closer to the embodiment of his plan. And yet, despite the setbacks, Perov was the only one of the entire galaxy of contemporary painters to correctly understand the problem of historical painting. He sought to show the people as the driving force of history. Perov did not succeed, but he outlined the ways to solve this problem - and this is his great merit.

Slide 9

Perov's significance in the history of Russian painting is enormous. He was one of the first artists to speak out against the blatant lawlessness and oppression in which the Russian peasantry was in post-reform Russia. Exposing the ulcers of the social system of tsarist Russia, Perov mercilessly denounced everything that oppressed the people and humiliated their human dignity. Having enriched almost all genres of painting, he outlined the ways for their further development. With his deep ideological purposefulness, Perov sets an example of patriotic service to his homeland, to his people. His art excites the modern Soviet viewer with its depth of thought and high skill.

Slide 10

The artist always combined his creative work with active social activities. It was he who initiated the creation of an organization of artists of a new type - the Association of Traveling Art Exhibitions. The idea of ​​such an organization originated in Myasoedov back in 1867, when he was abroad and had the opportunity to observe the activities of European artists in organizing traveling exhibitions, held mainly for commercial purposes.

Slide 11

On November 29, 1871, the first traveling art exhibition was opened in St. Petersburg, which was then shown in Moscow, Kiev and Kharkov. Myasoedov presented at this exhibition the painting "The Grandfather of the Russian Navy. (The Boat of Peter I)" (1871), in which the solution of the historical theme is given in everyday life.

Slide 12

Creativity Myasoedov.

The study of the life of the Russian peasantry leads Myasoedov to plots that tell about ancient beliefs and customs, their role in the life of the people. So, in the painting "Plowing" (1876), an old ritual action is shown: peasants plow the village from evil spirits, harnessing naked girls to the plow.

Slide 13

1878-80 Myasoedov is working on two versions of "Drought", which presents a prayer service in the field. In parallel, there are searches in the field of historical themes: the artist paints the picture "The Self-Burners" (1882-84), the plot of which is in a very close connection with previous genre paintings.

Slide 14

By the early 1880s. a new stage is outlined in the work of Myasoedov. In the landscape "The Road in the Rye" (1881), the simplicity and expressiveness of the motive are striking: the figure of a lonely wanderer receding to the horizon among the endless rye field. The artist, as it were, opens up the possibility of a more generalized, monumental solution to a genre painting, which was fully manifested in "Kutsy" (1887). The author sings here the joyful side of life, conveys the beauty of peasant labor, its measured, harmonious, almost musical rhythm. The very dimensions of the canvas (159x275 cm) testify to the importance of the theme of the painting for the artist. At the same time, its solution is not devoid of certain contradictions. Having completely abandoned the critical principle, the artist thereby abandoned the basic principle of the artistic system of the 1870s.

Slide 15

Not having mastered the new figurative language and not being prepared to perceive the artistic ideas of a new generation of painters, Myasoedov was among those representatives of the Association of Traveling Art Exhibitions, who at the turn of the 1880s and 1890s. did not want to admit young artists into their ranks. The last years of the artist's life did not contribute anything significant to his work.

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Try to speak confidently, fluently, and coherently.

Try to enjoy the performance so you can be more relaxed and less anxious.

Irina Condrico
Drawing in the preparatory group "Over a cup of tea"

Theme: "Per with a cup of tea»

Goals:

Learn to use different visual means to get an expressive image; harmoniously place the elements of the picture on a sheet of paper;

Develop a sense of composition;

To foster love and respect for the family, its traditions.

Integration of educational areas: cognition, communication, art. creativity, f. K., socialization, reading x / l.

Planned results: use different visual means to obtain an expressive image; harmoniously place the elements of the picture on a sheet of paper.

Equipment: white sheets of A4 paper, paints, pencils, napkins, a brush for each, sets of tea pairs, paintings.

During the classes:

1. Organizational moment

The teacher reads a poem: If someone gets sick with a disease, you can take tea. Tea of ​​all drugs is more useful, it helps against diseases. Tea refreshes us in the heat, and warms us in cold weather, And drowsiness will overcome and argue with fatigue. Will crush any ailment, Tea for health is the best friend!

Since olden times in Russia, tea has always been revered, and Cup him was the adornment of any conversation, meeting. Table tea was with a magnificent samovar, gingerbread, aromatic jams. They drank tea in the morning, in the evening, drank when he felt sad, drank and had nothing to do, and just like that. They drank with milk, lemon, jam, and most importantly - with pleasure.

2. Conversation on the topic:

Guys, what should you do before eating? (To wash hands.)- Why do you need to wash your hands before eating? (Germs live on dirty hands.)- And what manners at the table do you know? (At the table, you cannot talk, push, etc.)

Today in our class we will draw a cup of tea.

- Guys, look at the tea sets that I brought you to class. How do they differ from each other? (Form, ornament, handle.) Consider ornamental illustrations. For drawing cups you can use any ornament, you can come up with your own ornament.

To start drawing our cup of tea, outline the location cups on a sheet, to Cup was located in the center.

3. Finger gymnastics

The gnomes began to invite guests. (With the index finger of your right hand, press in turn on the pads of the fingers of your left hand) The gnomes began to treat the guests. (The same, but vice versa) Each guest got a jam. (Each finger of the right hand alternately rubs with a pad on the thumb of the same hand. At the same time, the fingers of the left hand do the same) Fingers stuck together that treat. (Sequentially, starting with the big one, "Glue" corresponding fingers on both hands) Firmly pressed palm to palm. (Press your palms together) Guests can't even take spoons! (Raise your shoulders, slightly spread your elbows to the sides - "Be surprised")

3. Practical work

Now, try to show in your drawings, Cup of tea... The teacher clarifies the children's ideas that everything in the plot should be connected with each other.

4. Lesson summary

Who wants to tell you that drew? Who, whose work liked the most? Find the tidiest tea pair with beautiful ornaments.

Thank you for your work!

1 of 15

Presentation on the topic: Household genre in painting

Slide No. 1

Slide Description:

Slide No. 2

Slide Description:

Household genre in Russia. In the seventies of the XIX century, a new creative association, independent of the Academy of Arts, arose - the Association of Traveling Art Exhibitions. The organization of the Itinerants very soon turned into the largest center of the artistic life of Russia, into a stronghold of a new realistic direction in painting, and the Imperial Academy of Arts, although it remained the official governing body in the field of art, increasingly lost its authority and this role of the main center.

Slide No. 3

Slide Description:

Slide No. 4

Slide Description:

In their work, the Wanderers, on the basis of a realistic method, deeply and comprehensively reflected the contemporary life of the working people of Russia. The genre of everyday life was the leading one in their work. An important place among them was also occupied by the art of portraiture, remarkable for the richness of its social and psychological characteristics. Many of the works of the Wanderers are devoted to Russian history, in which their attention was especially drawn to the dramatic popular movements. These works were marked by the depth of historical knowledge of the past. In their landscape works, the Wanderers turned to simple, common motives of their native nature, creating paintings imbued with patriotic feelings and great social content. A significant number of the works of the Itinerants reproduced images of folk art and literature. By truthfully depicting events and scenes from life, in their works they passed judgment on the surrounding reality, denounced the cruel oppression of the people. At the same time, the Itinerants showed the heroic struggle of the people for social and national liberation, wisdom, beauty, the strength of a man of labor, the diversity and poetic charm of their native nature.

Slide No. 5

Slide Description:

Household genre in Russia. With their creativity, the Itinerants actively participated in the broad general democratic movement of the era, in the struggle of progressive social forces against the autocracy and the remnants of serfdom in tsarist Russia. That is why the Itinerants were supported by the advanced part of society. During the 70s and 80s of the 19th century, the work of the Itinerants deepened and improved. Their organization grew stronger, gaining more authority and popularity among the general public.

Slide No. 6

Slide Description:

From the very beginning of his independent creative activity, Perov took the path of social satire, which was widely developed in his art. Perov entered painting as a genre painter. In his early works, he used the achievements of his predecessor, the founder of critical realism in painting - P.A.Fedotov, whose works for the first time explain the social meaning of the depicted phenomena, Fedotov was Perov's predecessor in his views on the tasks of art. Perov posed in his work a new, most urgent problem of his time, connected with the situation of the peasants. Neither Fedotov nor Perov's other predecessor, Venetsianov, touched on this problem.

Slide No. 7

Slide Description:

Historical topics have been of interest to Perov for a long time. It is known that while still at the School of Painting and Sculpture, he made sketches for Stepan Razin. Now, many years later, having approached the creation of a historical painting as a mature master, Perov set a very difficult task - to write a triptych in which he intended to unfold the history of the Pugachev uprising. In the first picture of the triptych, he wanted to reveal the reasons for the uprising, in the second - to depict the uprising itself, and in the third - to convey the reprisals against the landowners. But from the whole triptych he managed to paint only the third picture - "Pugachev's trial". Historical themes in Perov's paintings.

Slide No. 8

Slide Description:

The large multi-figure painting "Nikita Pustosvyat" (1881) testifies to the great work of the artist in the field of historical painting. But, taking on a plot from the movement of schismatics at the turn of the 17th-18th centuries, which united various opposition groups, Perov was also unable to give a satisfactory solution to his task, although, perhaps, he came a little closer to the embodiment of his plan. And yet, despite the setbacks, Perov was the only one of the entire galaxy of contemporary painters to correctly understand the problem of historical painting. He sought to show the people as the driving force of history. Perov did not succeed, but he outlined the ways to solve this problem - and this is his great merit. Historical themes in Perov's paintings.

Slide No. 9

Slide Description:

Perov's significance in the history of Russian painting is enormous. He was one of the first artists to speak out against the blatant lawlessness and oppression in which the Russian peasantry was in post-reform Russia. Exposing the ulcers of the social system of tsarist Russia, Perov mercilessly denounced everything that oppressed the people and humiliated their human dignity. Having enriched almost all genres of painting, he outlined the ways for their further development. With his deep ideological purposefulness, Perov sets an example of patriotic service to his homeland, to his people. His art excites the modern Soviet viewer with its depth of thought and high skill.

Slide Description:

On November 29, 1871, the first traveling art exhibition was opened in St. Petersburg, which was then shown in Moscow, Kiev and Kharkov. Myasoedov presented at this exhibition the painting "The Grandfather of the Russian Navy. (The Boat of Peter I)" (1871), in which the solution of the historical theme is given in everyday life.

Slide No. 12

Slide Description:

Creativity Myasoedov. The study of the life of the Russian peasantry leads Myasoedov to plots that tell about ancient beliefs and customs, their role in the life of the people. So, in the painting "Plowing" (1876), an old ritual action is shown: peasants plow the village from evil spirits, harnessing naked girls to the plow.

Slide Description:

Creativity Myasoedov. By the early 1880s. a new stage is outlined in the work of Myasoedov. In the landscape "The Road in the Rye" (1881), the simplicity and expressiveness of the motive are striking: the figure of a lonely wanderer receding to the horizon among the endless rye field. The artist, as it were, opens up the possibility of a more generalized, monumental solution to a genre painting, which was fully manifested in "Kutsy" (1887). The author sings here the joyful side of life, conveys the beauty of peasant labor, its measured, harmonious, almost musical rhythm. The very dimensions of the canvas (159x275 cm) testify to the importance of the theme of the painting for the artist. At the same time, its solution is not devoid of certain contradictions. Having completely abandoned the critical principle, the artist thereby abandoned the basic principle of the artistic system of the 1870s.

Slide No. 15

Slide Description:

Not having mastered the new figurative language and not being prepared to perceive the artistic ideas of a new generation of painters, Myasoedov was among those representatives of the Association of Traveling Art Exhibitions, who at the turn of the 1880s and 1890s. did not want to admit young artists into their ranks. The last years of the artist's life did not contribute anything significant to his work.