The image of Tatiana Larina. The image of Tatyana Larina in the novel “Eugene Onegin The character of the main character

Tatiana in the novel in verse by A.S. Pushkin's "Eugene Onegin" is truly the ideal of a woman in the eyes of the author himself. She is honest and wise, capable of ardent feeling and nobility and devotion. This is one of the highest and most poetic female images in Russian literature.

At the beginning of the novel, Tatyana Larina is a romantic and sincere girl who loves solitude and seems a stranger in her family:

Dick, sad, silent,
As a forest doe is fearful,
She is in her family
She seemed like a stranger to a girl.

Of course, in the Larins' family, where serious and deep experiences are not honored, no one understood Tanya. Her father was unable to understand her passion for reading, and her mother herself did not read anything, but she heard about books from her cousin and loved them in absentia, at a distance.

Tatiana grew up as a stranger to Larin. No wonder she writes to Onegin: "Nobody understands me." She is brooding, reads a lot, partly romance novels and shaped her idea of ​​love. But real love does not always look like love stories from books, and men from novels are extremely rare in life. Tatiana seems to be living in her own imaginary world, conversations about fashion are alien to her, games with her sister and friends are completely uninteresting to her:

She was bored and sonorous laughter,
And the noise of their windy pleasures ...

Tatyana has her own idea of ​​an ideal world, of a beloved man, who, of course, should look like a hero from her favorite novels. Therefore, she imagines herself for him to match the heroine of Rousseau or Richardson:

Now with what attention is she
Reads a sweet novel
With what lively charm
Drinks seductive deception!

Having met Onegin, the naive girl saw in him her hero, whom she had been waiting for so long:

And she waited ... Eyes were opened;
She said: it's him!

Tatiana falls in love with Onegin from the first minutes and cannot think of anything but him:

Everything is full of them; all the virgin is cute
Incessantly by magic power
Confirms about him.

In Tatyana's thoughts, Onegin has little in common with a real man: he appears to the girl in love as an angel, then a demon, or Grandison. Tatiana is fascinated by Eugene, but she herself "painted" his image for herself, in many ways anticipating events and idealizing her lover:

Tatiana loves not jokingly
And indulges unconditionally
Love is like a sweet child.

Tatiana is a romantic and naive girl with no experience in love affairs. She is not one of those women who know how to flirt and flirt with men and she takes the object of her love very seriously. In her letter to Onegin, she honestly admits her feelings for him, which speaks not only of her sincerity, but also of inexperience. She did not know how to hypocrite and hide her feelings, did not want to intrigue and deceive, in the lines of this letter she bared her soul, confessing to Onegin her deep and true love:

Another! .. No, no one in the world
I would not give my heart!
That in the above is destined advice ...
That is the will of heaven: I am yours;
My whole life has been a pledge
The faithful meet with you;
I know you were sent to me by God
Until the grave, you are my keeper ...

Tatiana "entrusts" her fate to Onegin's hands, not knowing what kind of person he is. She expects too much from him, her love is too romantic, too sublime, the image of Onegin, which she created in her imagination, does not correspond much to reality.

Nevertheless, Tatyana adequately accepts Onegin's refusal, she silently and attentively listens to him, not appealing to his pity and not begging for reciprocal feelings. Tatiana speaks of her love only to the nanny; none of her family anymore knows about her feelings for Onegin. With her behavior, Tatyana commands respect from readers, she behaves with restraint and decent, does not hold any grudge against Onegin, does not accuse him of unrequited feelings.

The murder of Lensky and the departure of Onegin deeply hurt the girl's heart, but she does not lose herself. During long walks, she reaches Onegin's estate, visits the library of an empty house, and finally reads those books that Eugene read - of course, not romance novels. Tatiana begins to understand the one who has settled in her heart forever: "Is he really a parody?"

At the request of the family, Tatiana marries an "important general", because without Onegin, "all the lots were equal to her." But her conscience does not allow her to become a bad wife, and she tries to correspond to the status of her husband, especially since her beloved man gave her fair advice: "Learn to rule yourself." It is precisely this, the famous socialite, the impregnable princess, that Onegin sees her upon returning from his voluntary exile.

However, even now her image in the work remains the image of a beautiful and worthy girl who knows how to remain faithful to her man. In the finale of the novel, Tatiana opens up before Onegin from the other side: as a strong and majestic woman who knows how to "dominate herself", which he himself taught her in his time. Now Tatyana does not follow her feelings, she restrains her ardor, remaining faithful to her husband.

The novel in verse "Eugene Onegin" is a favorite work of Alexander Pushkin, the creation of which he devoted about nine years. In it, the author examines the question of the intellectual life and moral quest of the Russian noble intelligentsia of the 20s of the XIX century. The famous Russian literary critic V. G. Belinsky called the novel "Eugene Onegin" "an encyclopedia of Russian life." Some of the images presented in the work were completely new in Russian literature of that time. This is the image of Tatiana Larina. Everything in it is new, even the name:

For the first time with such a name

The tender pages of the novel

We willfully sanctify.

Pushkin, working on the novel "Eugene Onegin", admired a wonderful girl coming to life under his pen. On many pages he involuntarily admits: "... I love my dear Tatiana so much! ..", "Tatiana, dear Tatiana! Now I shed tears with you ..." So, Tatiana Larina is the beloved heroine, the "sweet ideal" of the poet , the personification of his Muse.

In the novel, we first meet Tatiana at her parents' estate. She is completely unlike her sister Olga - neither externally nor internally:

She was called Tatiana,

Not her sister's beauty,

Nor the freshness of her ruddy

She would not have attracted the eyes.

Pushkin does not pay attention to appearance, but rather shows inner beauty, strength of feelings, originality, "sweet simplicity". Tatiana is in many ways similar to other girls - she also believes in "the legends of the common people of antiquity, and dreams, and card fortune-telling, and the predictions of the moon." But since childhood, there is a lot in her that distinguishes her from others:

Dick, sad, silent,

As a forest doe is fearful,

She is in her family

She seemed like a stranger to a girl.

From an early age, she is distinguished by daydreaming, lives a special inner life, spends a lot of time talking with a nanny, the most dear, close and beloved person. She tries to understand her surroundings early, but does not find an answer with her elders. And then she turns to books, devoting whole nights to reading:

She liked novels early;

They replaced everything for her ...

Pushkin many times emphasizes how Tatiana loves nature, winter, sledding. Russian nature, the world of the countryside, so pleasing to the heart of Pushkin himself, the tales of the nanny, the old customs observed in the family, made Tatiana a "Russian soul". The author notes her spirituality, poetry. It was not without reason that V. Belinsky called Tatiana "a genius of nature."

In books and dreams, she always sees interesting people whom she wants to meet in her life. And, meeting for the first time Onegin, so unlike those around him, Tatiana sees in him her “hero”, falls in love with him. She decides to open her feelings to Onegin in a letter.

Tatyana's letter is an impulse, confusion, passion, longing, a dream, and at the same time it is all genuine. Even in our time, it is not customary for a girl to be the first to open her love. At the time of Pushkin, such an act was considered completely indecent. But the author defends Tatiana, he believes that

... in sweet simplicity

She knows no deception

And he believes in his own dream ...

But Eugene replies to Tanino's letter with moralizing, and all the illusory dreams and hopes of the poor girl dissolve like smoke.

When Tatyana becomes a noble lady, she recalls her old rural life with sadness and longing:

The excitement of the light hates;

She's stuffy here ... she's a dream

Strives for the life of the field,

She is ready to give

All this rags of masquerade

All this shine and noise and fumes

For a shelf of books, for a wild garden ...

Tatiana is unhappy in her marriage, fame, WEALTH, a worthy place in society do not bring her satisfaction. Her purity, depth, spiritual beauty, high moral strength - all this is alien to the world around her, where something completely different is appreciated. The author emphasizes that the girl was devoid of coquetry and pretense - qualities that he did not like so much in women. We meet the old Tanya in an explanation with Onegin. She is sincere with Eugene, feeling a kindred spirit in him, but refuses him:

I love you (why dissemble?),

But I am given to another;

I will be faithful to him forever.

This is true pride, eternal loyalty. Tatiana appears in the novel as a symbol of loyalty, kindness, love. The heroine of the novel "Eugene Onegin" with her rich inner world has a serious impact on the modern generation. And although many years have passed since the creation of the novel, the character traits of Tatyana Larina are appreciated in our time and will always be appreciated

A short essay-reasoning on the topic: The image of Tatiana in the novel "Eugene Onegin". My favorite hero of the novel: "Tatiana, dear Tatiana"

Pushkinskaya Tatyana Larina is almost the most striking female image in Russian literature. Many other writers will later write off her character traits for their heroines: Tolstoy (Natasha Rostova), Dostoevsky (Sonya Marmeladova), Turgenev (Liza from "Noble Nest"). This speaks to the unique "national" character of the image. Belinsky called her "an exceptional, deep nature", Dostoevsky supported this idea, saying that Pushkin would have acted more correctly if he had titled the novel with the name of Tatyana, and not Onegin, "for she is undoubtedly the main heroine of the poem." The author himself admires it, absolutely not hiding it: "Forgive me: I love so much / my dear Tatiana!" What was it that so many men found in her, and what Onegin did not see?

"Not her sister's beauty,
Nor the freshness of her ruddy
She would not have attracted the eyes.
Dick, sad, silent,
Like a forest doe, fearful ... "

This is how Pushkin draws a portrait of Tatyana. She is inconspicuous, unprepossessing, quiet and calm. Men do not look at her, and ladies do not see her as a worthy rival, although they consider her "very good". Perhaps they meant that she is beautiful by nature, but does not lead to the proper, in their opinion, care. But she doesn't need all of this. Since childhood, Tatiana was not interested in dolls, fashionable things, or jewelry, “she didn’t play with the burners,” but loved to spend time alone, thoughtfully sitting by the window, contemplating nature, listening to horror stories from the nanny and reading romantic books. The latter just “replaced everything for her”, taking her to the world of dreams and dreams, which was a mile more for Tanya than the present.

Hiding from everyone alone with books and thoughts, she, without realizing it, nurtured strength of character and learned the wisdom of life. However, this made her a naive toy in the hands of Onegin. The very fact that she was the first to write the letter testifies to the simplicity of her soul and independence from the opinion of the world, because it was not appropriate for a girl in those days to show her feelings in front of a man. Without knowing enough of real life, the heroine believed that the book world of Richardson and Rousseau was real, and the people in it were just as romantic and bright. The rest of the heroes consider Tatyana to be old-fashioned for their time: by name, clothes, occupations, values, but Pushkin shows that she is the brightest and wisest of them. Lensky is ardent and naive, Olga is dissolute and empty, Onegin is cunning and careless, and she is restrained, honest, smart, simple and noble, although at first she seems like a gray mouse. Even her naivety vanishes after Onegin's refusal. Tatiana marries out of convenience, still harboring feelings for Eugene, but later refuses him in order to keep a strong family: "But I am given to another / and I will be faithful to him forever." But she could have run away from the general ...

All this allows us to call her a “sweet ideal”, because the image of Tatiana keeps in itself eternal moral values: loyalty, devotion, honesty, wisdom, readiness for self-sacrifice, naturalness, simplicity. Her inner core is strong and unshakable, she will never deceive even a loved one. Pushkin saw in this image traits of his own character, and his friends confirmed this. That is why she became his beloved heroine, perhaps even an unattainable peak: he treated her with trepidation and love, as the ideal of a woman. And many have recognized this ideal. Therefore, the image of Tatyana Larina is one of the brightest not only in Eugene Onegin, but in all Russian literature.

In Alexander Pushkin's novel "Eugene Onegin", of course, Tatyana Larina is the main female character. The love story of this girl was later sung by both playwrights and composers. In our article, the characteristics of Tatyana Larina are built from the point of view of her assessment by the author and in comparison with her sister Olga. Both of these characters are shown in the work as completely opposite natures. Of course, we must not forget about the romance line of the novel. In relation to Onegin, the heroine also shows us certain aspects of her character. We will analyze all these aspects further so that the description of Tatyana Larina is as complete as possible. First, let's get to know her sister and herself.

You can talk about the main character of the novel for a very long time and a lot. But the image of her sister - Olga Larina - Pushkin showed quite succinctly. The poet considers her virtues to be modesty, obedience, innocence and gaiety. The author saw the same character traits in almost every village young lady, so he makes it clear to the reader that he is bored with describing her. Olga possesses a banal country girl. But the author presents the image of Tatyana Larina as more mysterious and complex. If we talk about Olga, then the main value for her is a cheerful, carefree life. She, of course, contains Lensky's love, but she does not understand his feelings. Here Pushkin is trying to show her pride, which is absent if we consider the character of Tatyana Larina. Olga, this simple-minded girl, is unfamiliar with the difficult mental work, therefore she took the death of the groom lightly, quickly replacing him with the "love flattery" of another man.

Comparative analysis of the image of Tatyana Larina

Against the background of the village simplicity of her sister, Tatyana seems to us and the author to be a perfect woman. Pushkin declares this quite bluntly, calling the heroine of his work "a sweet ideal." A brief description of Tatyana Larina is inappropriate here. This is a multifaceted character, the girl understands the reasons for her feelings and actions, and even analyzes them. This proves once again that Tatiana and Olga Larins are absolute opposites, although they are sisters and were brought up in the same cultural environment.

Author's assessment of Tatiana's character

What is the main character Pushkin presents to us? Tatiana is inherent in simplicity, leisurely, thoughtfulness. The poet pays special attention to such a quality of her character as belief in mysticism. Signs, legends, changes in the phase of the moon - all this she notices and analyzes. The girl is very fond of guessing, and also attaches great importance to dreams. Pushkin also paid attention to Tatyana's love for reading. Raised on typical women's fashion novels, the heroine sees her love as if through a book prism, idealizing her. She loves winter with all its faults: darkness, twilight, cold and snow. Pushkin also emphasizes that the heroine of the novel has a "Russian soul" - this is an important point in order for the characterization of Tatyana Larina to be as complete and understandable to the reader.

The influence of village customs on the character of the heroine

Pay attention to the time in which the subject of our conversation lives. This is the first half of the 19th century, which means that the characteristic of Tatyana Larina is, in fact, the characteristic of Pushkin's contemporaries. The character of the heroine is closed and modest, and reading her description given to us by the poet, it can be noted that we practically do not learn anything about the girl's appearance. Thus, Pushkin makes it clear that it is not external beauty that is important, but internal character traits. Tatiana is young, but looks like an adult and mature personality. She did not like children's games and playing with dolls; she was attracted by mysterious stories and love suffering. After all, the heroines of their favorite novels always go through a series of difficulties and suffer. The image of Tatiana Larina is harmonious, subtle, but surprisingly sensual. Such people are often found in real life.

Tatyana Larina in a love relationship with Eugene Onegin

How do we see the main character when it comes to love? She meets Eugene Onegin, already being ready for a relationship internally. She "is waiting ... for someone," Alexander Pushkin cautiously points out to us. But do not forget where Tatyana Larina lives. The characteristics of her love relationship also depend on the strange village customs. This is manifested in the fact that Eugene Onegin visits the girl's family only once, but around the people are already talking about engagement and marriage. In response to these rumors, Tatyana begins to consider the main character as an object of her sighs. From this we can conclude that Tatyana's experiences are far-fetched, artificial. She carries all her thoughts in herself, longing and sadness live in her soul in love.

The famous message of Tatiana, its motives and consequences

And the feelings turn out to be so strong that there is a need to express them, continuing the relationship with Eugene, but he no longer comes. It was impossible for a girl to take the first step in accordance with the requirements of the etiquette of those times, it was considered a frivolous and ugly act. But Tatiana finds a way out - she writes a love letter to Onegin. Reading it, we see that Tatiana is a very noble, pure person, high thoughts reign in her soul, she is strict with herself. Evgeny's refusal to accept her love for a girl, of course, is discouraging, but the feeling in her heart does not go out. She tries to understand his act, and she succeeds.

Tatiana after unsuccessful love

Realizing that Onegin prefers fast hobbies, Tatiana goes to Moscow. Here we already see a completely different person in her. She overcame in herself a blind unrequited feeling.

But in Tatiana she feels like a stranger, she is far from his fuss, brilliance, gossip and attends dinners most often in the company of her mother. Unsuccessful made her indifferent to all subsequent hobbies of the opposite sex. That solid character that we observed at the beginning of the novel "Eugene Onegin", towards the end of the work is shown by Pushkin broken and destroyed. As a result, Tatyana Larina remained a “black sheep” in high society, but her inner purity and pride could help others see her as a true lady. Her detached behavior and, at the same time, her unerring knowledge of the rules of etiquette, politeness and hospitality attracted attention, but at the same time forced her to stay at a distance, so Tatiana was above gossip.

The ultimate choice of the heroine

Towards the end of the novel "Eugene Onegin" Pushkin, completing the plot, gives his "sweet ideal" a happy family life. Tatyana Larina has grown spiritually, but even in the last lines of the novel, she confesses her love to Eugene Onegin. At the same time, this feeling no longer dominates her, she makes a conscious choice in favor of loyalty to her lawful husband and virtue.

Onegin also draws attention to the "new" for him Tatiana. He does not even suspect that she has not changed, she simply "outgrew" him and "got sick" with her old painful love. Therefore, she rejected his advances. This is how the main character of Eugene Onegin appears before us. Her main character traits are strong will, self-confidence, kind character. Unfortunately, Pushkin showed in his work how such people can be unhappy, because they see that the world is not at all what they would like. Tatyana has a difficult fate, but her craving for personal happiness helps her overcome all adversity.

The image of Tatyana Larina in Pushkin's novel "Eugene Onegin"

Belinsky called Pushkin's novel "Eugene Onegin" "the most sincere work" of Alexander Sergeevich. And the author himself considered this novel his best creation. Pushkin worked on it with great enthusiasm, giving all his soul to creativity, all of myself. And, undoubtedly, the images of the main characters of the novel are very close to the author. In each of them, he reflected some of his own inherent features. They became almost dear to Pushkin. The closest to the author is the image of Tatiana, who, in essence, is the ideal of a Russian woman for Pushkin. This is exactly how he imagined a true Russian woman: sincere, fiery, trusting and, at the same time, possessing spiritual nobility, a sense of duty and a strong character.
In the portrait of Tatyana, Pushkin gives not an external appearance, but rather an internal portrait of her: "... Dika, sad, silent ...". This is an atypical image that attracts not with its beauty, but with its inner world. Pushkin emphasizes the difference between Tatyana and Olga:

Not her sister's beauty,
Nor the freshness of her ruddy

She would not have attracted the eyes - he says about Tanya and then repeats more than once that Tatiana is ugly. But the image of this meek, pensive girl attracts the reader and the author himself with her charm and unusualness.
In the second chapter of the novel, we meet a girl whose favorite circle of life is nature, books, a village world with stories the nanny's tales, with her warmth and cordiality.

Thoughtfulness, her friend
From the most lullaby days
Rural leisure flow
Decorated her with dreams.

Reading the novel, you can see that in those stanzas where Tatyana is talking, there is always a description of nature. It is not for nothing that Pushkin conveys Tanya's state of mind many times through the images of nature; he thereby emphasizes the deep connection that exists between the village girl and nature. For example, after Onegin's harsh preaching, "sweet Tanya's youth fades away: this is how the storm dresses the shadow of a barely born day." Tanya's farewell to her native places, native fields, meadows is accompanied by a tragic description of autumn:

Nature is tremulous, pale,
How the victim is magnificently removed ...

Tanya's entire inner world is in tune with nature, with all its changes. Such closeness is one of the signs of a deep connection with the people, which Pushkin greatly appreciated and respected. The Song of the Girls, consoling Tanya, affection for "Fillipyevna the gray-haired", fortune-telling - all this again tells us about Tanya's living connection with the folk element.

Tatyana (with a Russian soul,
Without knowing why)
With her cold beauty
She loved the Russian winter.

Loneliness, alienation from others, gullibility and naivety allow the "gentle dreamer" to confuse Onegin with the hero of the novel, to appropriate for herself "someone else's delight", "someone else's sadness."
But, seeing soon that the hero of her dreams is not at all what she imagined him to be, she tries to understand Onegin. The girl writes to Onegin an ardent, passionate letter and receives a harsh sermon in return. But this coldness of Eugene does not kill Tanya's love, the "strict conversation" in the garden only revealed to Tanya Onegin's hard-heartedness, his ability to ruthlessly respond to sincere feelings. Probably, the birth of “that indifferent princess”, which Onegin was amazed and wounded by in the eighth chapter, begins already here.
But, meanwhile, even Lensky's death did not destroy the deep feeling that Tatyana felt for Onegin:

And alone cruel
Stronger her passion burns,
And about Onegin distant
Her heart speaks louder.

Onegin left, and, it seems, irrevocably. But Tatiana, before visiting his house, continues to refuse everyone who woo her. Only after visiting the "young cell", seeing how and what Yevgeny lived, she agrees to go to the "bride market" in Moscow, because she begins to suspect something terrible for herself and for her love:

What is he? Is it an imitation?
An insignificant ghost, or else -
Muscovite in Harold's Cloak?
Interpretation of other people's quirks,
Words of fashionable lexicon?
Isn't he a parody?

Although the inner world of Eugene is not limited to the books that he read > Tanya does not understand this and, making erroneous conclusions, is disappointed in love and in her hero. Now she has a boring road to Moscow and a noisy bustle of the capital.
In the "district young lady" Tatiana "everything is outside, everything is at liberty." In the eighth chapter, we meet an indifferent princess, "the legislator of the hall." The former Tanya, in which “everything was quiet, everything is simple”, has now become a model of “impeccable taste”, a “faithful ingot” of nobility and sophistication.
But it cannot be said that now she is really an "indifferent princess", incapable of experiencing sincere feelings, and that not a trace remains of the former naive and timid Tanya. There are feelings, but now they are well and firmly hidden. And that "careless beauty" of Tatiana is a mask that she wears with art and naturalness. The light made its own adjustments, but only external ones, Tatyana's soul remained the same. That trusting "girl" who loves the "Russian winter", hills, forests, the village still lives in it, ready to give "all this shine, and noise, and fumes for the shelf of books, for the wild garden ...". Now the impetuosity and recklessness of feelings has been replaced in her by self-control, which helps Tanya to withstand the moment when the embarrassed, "awkward" Evgeny is left alone with her.
But all the same, Tatyana's main merit is the spiritual nobility of her truly Russian character. Tatiana has a high sense of duty and dignity, namelyso she found the strength to suppress her feelings and say to Onegin:

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