Characteristics of Tatiana Larina. The image of Tatiana Larina in the novel "Eugene Onegin Tatiana in the story of Eugene Onegin

Tatiana in the novel in verse by A.S. Pushkin's "Eugene Onegin" is truly the ideal of a woman in the eyes of the author himself. She is honest and wise, capable of ardent feeling and nobility and devotion. This is one of the highest and most poetic female images in Russian literature.

At the beginning of the novel, Tatyana Larina is a romantic and sincere girl who loves solitude and seems a stranger in her family:

Dick, sad, silent,
As a forest doe is fearful,
She is in her family
She seemed like a stranger to a girl.

Of course, in the Larins' family, where serious and deep experiences are not honored, no one understood Tanya. Her father was unable to understand her passion for reading, and her mother herself did not read anything, but she heard about books from her cousin and loved them in absentia, at a distance.

Tatiana grew up as a stranger to Larin. No wonder she writes to Onegin: "Nobody understands me." She is brooding, reads a lot, partly romance novels and shaped her idea of ​​love. But real love does not always look like love stories from books, and men from novels are extremely rare in life. Tatiana seems to be living in her own imaginary world, conversations about fashion are alien to her, games with her sister and friends are completely uninteresting to her:

She was bored and sonorous laughter,
And the noise of their windy pleasures ...

Tatyana has her own idea of ​​an ideal world, of a beloved man, who, of course, should look like a hero from her favorite novels. Therefore, she imagines herself for him to match the heroine of Rousseau or Richardson:

Now with what attention is she
Reads a sweet novel
With what lively charm
Drinks seductive deception!

Having met Onegin, the naive girl saw in him her hero, whom she had been waiting for so long:

And she waited ... Eyes were opened;
She said: it's him!

Tatiana falls in love with Onegin from the first minutes and cannot think of anything but him:

Everything is full of them; all the virgin is cute
Incessantly by magic power
Confirms about him.

In Tatyana's thoughts, Onegin has little in common with a real man: he appears to the girl in love as an angel, then a demon, or Grandison. Tatiana is fascinated by Eugene, but she herself "painted" his image for herself, in many ways anticipating events and idealizing her lover:

Tatiana loves not jokingly
And indulges unconditionally
Love is like a sweet child.

Tatiana is a romantic and naive girl with no experience in love affairs. She is not one of those women who know how to flirt and flirt with men and she takes the object of her love very seriously. In her letter to Onegin, she honestly admits her feelings for him, which speaks not only of her sincerity, but also of inexperience. She did not know how to hypocrite and hide her feelings, did not want to intrigue and deceive, in the lines of this letter she bared her soul, confessing to Onegin her deep and true love:

Another! .. No, no one in the world
I would not give my heart!
That in the above is destined advice ...
That is the will of heaven: I am yours;
My whole life has been a pledge
The faithful meet with you;
I know you were sent to me by God
Until the grave, you are my keeper ...

Tatiana "entrusts" her fate to Onegin's hands, not knowing what kind of person he is. She expects too much from him, her love is too romantic, too sublime, the image of Onegin, which she created in her imagination, does not correspond much to reality.

Nevertheless, Tatyana adequately accepts Onegin's refusal, she silently and attentively listens to him, not appealing to his pity and not begging for reciprocal feelings. Tatiana speaks of her love only to the nanny; none of her family anymore knows about her feelings for Onegin. With her behavior, Tatyana commands respect from readers, she behaves with restraint and decent, does not hold any grudge against Onegin, does not accuse him of unrequited feelings.

The murder of Lensky and the departure of Onegin deeply hurt the girl's heart, but she does not lose herself. During long walks, she reaches Onegin's estate, visits the library of an empty house, and finally reads those books that Eugene read - of course, not romance novels. Tatiana begins to understand the one who has settled in her heart forever: "Is he really a parody?"

At the request of the family, Tatiana marries an "important general", because without Onegin, "all the lots were equal to her." But her conscience does not allow her to become a bad wife, and she tries to correspond to the status of her husband, especially since her beloved man gave her fair advice: "Learn to rule yourself." It is precisely this, the famous socialite, the impregnable princess, that Onegin sees her upon returning from his voluntary exile.

However, even now her image in the work remains the image of a beautiful and worthy girl who knows how to remain faithful to her man. In the finale of the novel, Tatiana opens up before Onegin from the other side: as a strong and majestic woman who knows how to "dominate herself", which he himself taught her in his time. Now Tatyana does not follow her feelings, she restrains her ardor, remaining faithful to her husband.

In the novel "Eugene Onegin" Pushkin managed to present all the diversity of life in contemporary Russia, to depict Russian society "in one of the most interesting moments of its development", to create typical images of Onegin and Lensky, in whose person the "main, that is, the male side" of this society. “But the feat of our poet is almost higher in that he was the first to reproduce, in the person of Tatyana, a Russian woman,” wrote Belinsky.

Tatyana Larina is the first realistic female image in Russian literature. The outlook of the heroine, her character, mental makeup - this weight is revealed in the novel in great detail, her behavior is psychologically motivated. But at the same time, Tatiana is the poet's "sweet ideal", the "novel" embodiment of his dream of a certain type of woman. And the poet himself often talks about this in the pages of the novel: “Tatiana's letter is before me; I cherish it ... "," Forgive me: I love my dear Tatiana so much! " Moreover, the personality of the heroine, to a certain extent, embodied the attitude of the poet himself.

Readers immediately felt these author's accents. Dostoevsky, for example, considered Tatyana, and not Onegin, to be the protagonist of the novel. And the writer's opinion is quite reasonable. This is a whole nature, outstanding, exceptional, with a truly Russian soul, with a strong character and spirit.

Her character remains unchanged throughout the novel. In various life circumstances, Tatyana's spiritual and intellectual horizons expand, she gains experience, knowledge of human nature, new habits and manners characteristic of another age, but her inner world does not change. “Her portrait in childhood, painted so masterfully by the poet, is only developed, but not changed,” wrote V. G. Belinsky:

Dick, sad, silent,

As a forest doe is fearful,

She is in her family

She seemed like a stranger to a girl ...

Child herself, in a crowd of children

I didn't want to play and jump

And often all day alone

She sat silently by the window.

Tatyana grew up as a thoughtful and impressionable girl, she did not like noisy children's games, funny entertainment, she was not interested in dolls and needlework. She loved to dream alone or listen to the babysitter's stories. Tatyana's only friends were fields and forests, meadows and groves.

It is characteristic that, describing village life, Pushkin does not depict any of the "provincial heroes" against the background of nature. Habit, "prose of life", preoccupation with household chores, low spiritual needs - all this left its mark on their perception: local landowners simply do not notice the surrounding beauty, as Olga or old woman Larina does not notice it,

But Tatyana is not like that, her nature is deep and poetic - she is given to see the beauty of the surrounding world, it is given to understand the "secret language of nature", it is given to love God's light. She loves to meet the "dawn sunrise", with her thoughts to be carried away to the shimmering moon, to walk alone among the fields and hills. But Tatyana especially loves winter:

Tatiana (Russian soul.

Without knowing why)

With her cold beauty

I loved the Russian winter

Frost in the sun on a frosty day,

And the sleigh, and the late dawn

Shining pink snows

And the darkness of Epiphany evenings.

The heroine thus introduces the motive of winter, cold, ice into the narrative. And winter landscapes then often accompany Tatiana. Here she is wondering on a clear frosty night for baptism. In a dream, she walks "through a snowy clearing," sees "motionless pines" covered with clumps of snow, bushes, rapids covered by a blizzard. Before leaving for Moscow, Tatiana is "afraid of the winter path." VM Markovich notes that the "winter" motive here "is directly close to that harsh and mysterious sense of proportion, law, fate, which made Tatyana reject Onegin's love."

The heroine's deep connection with nature persists throughout the entire story. Tatiana lives according to the laws of nature, in complete harmony with her natural rhythms: “It's time to come, she fell in love. Thus, the seed of Spring that has fallen into the earth is revived by fire. " And her communication with the nanny, her faith in the "traditions of the common people of antiquity", dreams, fortune telling, omens and superstitions - all this only strengthens this mysterious connection.

Tatyana's attitude to nature is akin to ancient paganism, in the heroine the memory of her distant ancestors, the memory of the family, seem to come to life. “Tatiana is all dear, all from the Russian land, from Russian nature, mysterious, dark and deep, like a Russian fairy tale ... Her soul is simple, like the soul of the Russian people. Tatiana is from that twilight, ancient world where the Firebird, Ivan Tsarevich, Baba Yaga were born ... ”- wrote D. Merezhkovsky.

And this “call of the past” is expressed, among other things, in the inextricable connection of the heroine with her family, despite the fact that there she “seemed like a stranger to a girl”. Pushkin depicts Tatiana against the background of the life history of her family, which acquires an unusually important meaning in the context of comprehending the fate of the heroine.

In her life story, Tatiana, not wanting to, repeats the fate of her mother, who was taken to the crown, “without asking her advice,” while she “sighed for another, Who with her heart and mind she liked much more ...”. Here Pushkin seems to anticipate Tatyana's fate with a philosophical remark: "A habit from above has been given to us: it is a substitute for happiness." They may object to us that Tatiana is deprived of a spiritual connection with her family (“She seemed like a stranger to her family in her own family”). However, this does not mean that there is no connection of an inner, deep, that very natural connection that is the very essence of the heroine's nature.

In addition, Tatiana was raised by a nanny from childhood, and here we can no longer talk about the absence of a spiritual connection. It is to the nanny that the heroine confides in her heartfelt secret by handing over the letter to Onegin. She recalls the nanny with sadness in St. Petersburg. But what is the fate of Filipievna? The same marriage without love:

"But how did you get married, nanny?" -

So, apparently, God told me to. My Vanya

I was younger, my light,

And I was thirteen years old.

The matchmaker went for two weeks

To my family, and finally

My father blessed me.

I cried bitterly with fear

They unraveled my braid with a cry,

Yes, they took me to church with singing.

Of course, the peasant girl is deprived of freedom of choice here, unlike Tatyana. But the very situation of marriage, its perception are repeated in the fate of Tatiana. Nurse "So, apparently, God ordered" becomes Tatiana "But I was given to another; I will be faithful to him forever. "

The fashionable hobby for sentimental and romantic novels also played an important role in the formation of the heroine's inner world. Her very love for Onegin is manifested "in a bookish way", she arrogates to herself "someone else's delight, someone else's sadness." The men she knew were not interesting to Tatiana: they "imagined so little food for her exalted ... imagination." Onegin, however, was a new man in the "wilderness of the countryside." His mystery, secular manners, aristocracy, indifferent, bored look - all this could not leave Tatyana indifferent. “There are creatures in whom fantasy has a much greater influence on the heart than how they think about it,” wrote Belinsky. Not knowing Onegin, Tatiana imagines him in the images of literary heroes well known to her: Malek-Adel, de Dinard and Werther. In essence, the heroine loves not a living person, but the image created by her “rebellious imagination”.

However, gradually she begins to discover the inner world of Onegin. After his harsh preaching, Tatiana remains at a loss, resentment and bewilderment. Probably, she interprets everything she heard in her own way, realizing only that her love was rejected. And only after visiting the “fashionable cell” of the hero, looking into his books, which keep the “sharp mark of nails,” Tatiana begins to comprehend Onegin's perception of life, people, and fate. However, her discovery does not speak in favor of the chosen one:

What is he? Is it an imitation

An insignificant ghost, or else

Muscovite in Harold's cloak,

Interpretation of other people's quirks,

Full vocabulary of fashionable words? ..

Isn't he a parody?

Here the difference in the outlook of the heroes is especially vividly exposed. If Tatiana thinks and feels in line with the Russian Orthodox tradition, Russian patriarchy, patriotism, then Onegin's inner world was formed under the influence of Western European culture. As V. Nepomniachtchi notes, Eugene's office is a fashionable cell, where instead of icons there is a portrait of Lord Byron, on the table is a small statue of Napoleon, the invader, conqueror of Russia, Onegin's books undermine the basis of the foundations - faith in the Divine principle in man. Of course, Tatiana was amazed, discovering not only the unfamiliar world of someone else's consciousness, but also a world deeply alien to her, basically hostile.

Probably, the ill-fated duel, the outcome of which was the death of Lensky, did not leave her indifferent. A completely different, non-bookish image of Onegin was formed in her mind. Confirmation of this is the second explanation of the heroes in St. Petersburg. Tatiana does not believe in the sincerity of Evgeny's feelings, his persecutions offend her dignity. Onegin's love does not leave her indifferent, but now she cannot answer his feelings. She got married and devoted herself entirely to her husband and family. And an affair with Onegin in this new situation is impossible for her:

I love you (why dissemble?),
But I am given to another;
I will be faithful to him forever ...

A lot was reflected in this choice of the heroine. This is the integrity of her nature, which does not allow lies and deceptions; and the clarity of moral concepts, which excludes the very possibility of causing grief to an innocent person (husband), frivolously dishonoring him; and book-romantic ideals; and faith in Destiny, in the Providence of God, implying Christian humility; and the laws of popular morality, with its unambiguous decisions; and unconscious repetition of the fate of the mother and nanny.

However, in the impossibility of uniting heroes, Pushkin also has a deep, symbolic implication. Onegin is a hero of "culture", of civilization (moreover, of the culture of Western European, which is alien to the Russian people in its very essence). Tatiana is a child of nature who embodies the very essence of the Russian soul. Nature and culture in the novel are incompatible - they are tragically separated.

Dostoevsky believed that Onegin now loves in Tatiana “only his new fantasy. ... Loves fantasy, but he himself is a fantasy. After all, if she follows him, then tomorrow he will be disappointed and will look at his infatuation with mockery. It has no soil, it is a blade of grass carried by the wind. She [Tatiana] is not like that at all: in her despair and in the suffering consciousness that her life has perished, there is still something solid and unshakable on which her soul rests. These are her childhood memories, memories of her homeland, rural wilderness, in which her humble, pure life began ... "

Thus, in the novel "Eugene Onegin" Pushkin presents us with "the apotheosis of the Russian woman." Tatiana amazes us with the depth of nature, originality, "rebellious imagination", "mind and will of the living." This is a whole, strong personality, capable of rising above the stereotyped thinking of any social circle, intuitively feeling the moral truth.

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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows us to slightly open the veil of unexplored life searches and aspirations. The image of Tatyana Larina is perfect for this role

Family and childhood memories

Tatyana Larina by her origin belongs to the nobility, but all her life she was deprived of an extensive secular society - she always lived in the village and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died not young. "He was a simple and kind gentleman."

The girl's mother is called Polina (Praskovya). She was given out as a girl under duress. For some time she was depressed and tormented, experiencing a feeling of attachment to another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana also has a sister, Olga. She is not at all similar in character to her sister: gaiety and coquetry are a natural state for Olga.

An important person for the formation of Tatiana as a person was played by her nanny Filipyevna. This woman is a peasant by origin and, perhaps, this is her main charm - she knows a lot of folk jokes and stories that so entice inquisitive Tatyana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Name selection and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatiana. The fact is that for the high society of that time, the name Tatiana was not characteristic. This name at that time had a pronounced common character. In Pushkin's drafts, there is information that the heroine originally had the name Natalya, but, later, Pushkin changed his mind.

Alexander Sergeevich mentioned that this image is not devoid of a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find a prototype of Tatiana.

Opinions were divided on this issue. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the tenacity of Tatyana's character in the second part of the novel.

The next person with similarities to Tatyana Larina is the sister of Pushkin himself, Olga. By her temperament and character, she ideally fits the description of Tatiana in the first part of the novel.

Tatyana also has a certain similarity with Natalia Fonvizina. The woman herself found a huge resemblance to this literary character and expressed the opinion that she was the prototype of Tatyana.

An unusual assumption about the prototype was expressed by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatiana is very similar to Pushkin himself. This similarity is especially evident in the 8th chapter of the novel. Kuchelbecker asserts: "the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling."

The question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a girl of marriageable age.
The opinions of the researchers of the novel on the issue of the girl's year of birth were divided.

Yuri Lotman claims that Tatiana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatiana was much younger. Such reflections are prompted by the nanny's story that she was married at the age of thirteen, as well as the mention that Tatyana, unlike most girls at her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl should be much older than Lotman's estimated age. If the girl was born in 1803, then the concern of the girl's mother about the lack of options for marrying her daughter would not be so pronounced. In this case, a trip to the so-called "fair of brides" would not have been necessary.

Tatiana Larina's appearance

Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more concerned with the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blonde hair, a ruddy complexion. In contrast to this, Tatyana has dark hair, her face is too pale, devoid of color.

We suggest that you familiarize yourself with the characteristics of the heroes of the poem by Alexander Pushkin "Eugene Onegin"

Her look is full of despondency and sadness. Tatiana was too thin. Pushkin notes, "no one would call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society spent their free time at needlework. Girls, in addition, also played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves to listen to the scary stories of the nanny and sit for hours at the window.

Tatiana is very superstitious: "She was worried about the omens." The girl also believes in fortune-telling and that dreams do not just dream, they carry a certain meaning.

Tatiana is carried away by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not a love story, but a dream book “Martin Zadeka became later / Tanya's favorite”. Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to the question of interest to her: "joy / In all sorrows gives her / And sleeps with her forever."

Personality characteristic

Tatiana is not like most girls of her era. This also applies to external data, and hobbies, and character. Tatiana was not a cheerful and active girl, who was easily flirtatious. “Dika, sad, silent” is Tatiana's classic behavior, especially in society.

Tatiana loves to indulge in daydreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatiana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatiana is full of "perfection". This fact is in sharp contrast to the rest of the characters in the novel, which do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts in an outburst of emotions and feelings.

Tatyana Larina is capable of tender feelings not only towards Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, she has a feeling of love and tenderness in relation to her nanny.

Tatiana and Onegin

New people coming to the village are always of interest to the permanent residents of the area. Everyone wants to meet the newcomer, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Eugene's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, education and ability to conduct a conversation pleasantly amaze Tatiana, and not only her.

However, “early feelings in him cooled down”, Onegin “completely cooled off to life”, he was already bored with beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man, he seems to her descended from the pages of her books about love:

Tatiana loves not jokingly
And indulges unconditionally
Love is like a sweet child.

Tatyana suffers for a long time in anguish and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatiana writes a letter.

The letter has a twofold meaning. On the one hand, the girl expresses her indignation and grief at Onegin's arrival and her crush. She lost the peace in which she lived before and this leaves the girl perplexed:

Why did you visit us
In the wilderness of a forgotten village
I never knew you.
I would not know the bitter torment.

On the other hand, the girl, having analyzed her position, sums up: Onegin's arrival is her salvation, this is fate. By her character and temperament, Tatyana could not become the wife of any of the local suitors. She is too alien and incomprehensible for them - another thing is Onegin, he is able to understand and accept her:

That in the highest council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
The faithful meet with you.

However, Tatyana's hopes were not justified - Onegin does not love her, but just played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Evgeny is leaving.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is radically different from the Eugene, whom she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatiana's dream

Unpleasant events in the girl's life, associated with the lack of mutual feelings in the object of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, was preceded by a strange dream.

Tatiana has always attached great importance to dreams. This dream is doubly important for her, for it is the result of Christmas divination. Tatiana was supposed to see her future husband in a dream. The dream becomes prophetic.

At first, the girl finds herself in a snowy clearing, she comes to the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but seeing that the bear is not going to attack, but on the contrary, offers her his help, stretches out his hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatiana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, rip off her handkerchief, but Tatyana, seized with fear, runs forward. Deep snow does not allow her to escape and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries on.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears a noise of fun, but it reminds her of a commemoration. Strange guests are sitting at the table - monsters. The girl is dismantled and fear, and curiosity, she quietly opens the door - the owner of the hut turns out to be Onegin. He notices Tatiana and walks towards her. Larina wants to run away, but cannot - the door opens, and all the guests see her:

... fervent laughter
It rang out wildly; eyes of all,
Hooves, crooked trunks,
Crested tails, fangs,
Mustache, bloody tongues
Bone horns and fingers,
Everything points to her
And everyone shouts: mine! my!

The guests are calmed by the imperious host - the guests disappear, and Tatiana is invited to the table. Olga and Lensky immediately appear in the hut, causing a storm of indignation on the part of Onegin. Tatiana is terrified of what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain a virgin:
Have Kharitonya in the alley
The carriage in front of the house at the gate
Has stopped. To the old aunt,
Fourth year sick with consumption,
They have arrived now.

Aunt Alina happily received the guests. She herself could not get married at one time and lived all her life alone.

Here, in Moscow, Tatiana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile he does not take his eyes off her."

The age of the general, as well as his exact name, Pushkin does not give in the novel. Alexander Sergeevich calls the airman Larina General N. It is known that he took part in military events, which means that his career advancement could occur at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not feel a shadow of love in relation to this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - it was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his trip. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, over these two years, changes have occurred in the life of his relative:

“So you're married! I did not know the wound!
How long has it been? " - About two years. -
"On whom?" - On Larina. - "Tatiana!"

Onegin, who always knows how to restrain himself, succumbs to excitement and feelings - he is seized by anxiety: “Can she really be? But for sure ... No ... ".

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old ladies smiled at her;
The men bowed below
The girls passed quieter.

Tatiana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - this all surprises Onegin.

Tatiana, it seems, was not at all dumbfounded, unlike Eugene, by their meeting:
Her eyebrow did not move;
She did not even purse her lips.

Always such a brave and lively Onegin was confused for the first time and did not know how to speak to her. Tatyana, on the other hand, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene has been losing his peace. He realizes that he loves the girl. He comes to them every day, but he feels awkward in front of the girl. All his thoughts are occupied only by her - from the very morning he jumps out of bed and counts the hours remaining before their meeting.

But the meetings do not bring relief either - Tatiana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself in relation to her two years ago. Eaten by excitement, Onegin decides to write a letter.

Noticing a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his past recklessness.

Like Tatyana, Onegin entrusts her with the solution to the problem:
It's all decided: I'm at your will
And surrender to my destiny.

However, there was no answer. The first letter is followed by one more and another, but they remain unanswered. Days go by - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She looked a lot like the girl he had met two years earlier. An agitated Onegin falls at her feet, but

Tatyana is categorically disposed - her love for Onegin has not yet faded away, but Yevgeny himself ruined their happiness - he neglected her when she was not known to anyone in society, was not rich and was not "treated kindly by the court." Eugene was rude to her, he played with her feelings. Now she is another man's wife. Tatiana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another scenario is contrary to the girl's life principles.

Tatiana Larina assessed by critics

Roman A.S. Pushkin, "Eugene Onegin" has become the subject of active research and scientific-critical activity for several generations. The image of the main character Tatiana Larina caused repeated disputes and analyzes.

• Yu Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read the novels, recreated "a chain of reminiscences primarily from the texts of French literature."
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was Tatiana's letter. According to the critic, Pushkin himself until that moment did not realize the power generated by writing - he calmly read it, just like any other text.
  The style of writing is a little childish, romantic - it touches, because Tatiana had not known the feelings of love before that “the language of passions was so new and not accessible to the morally unrepentant Tatiana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her. "
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she instills them in herself and thinks that this is the truth. While analyzing the letter to Tatiana, the critic notes that Tatiana still realizes Onegin's lack of interest in her person, because she suggests that Onegin's visits will not be regular, this state of affairs does not allow the girl to become a "virtuous mother." “And now, by your grace, a cruel man, I must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of "redneck".
• F. Dostoevsky believes that Pushkin should have called his novel not by the name of Eugene, but by the name of Tatiana. Since this particular heroine is the main character in the novel. In addition, the writer notes that Tatiana has a much greater mind than Eugene. She knows how to do the right thing in the current situations. Her image is markedly hard. "The type is firm, standing firmly on its ground," Dostoevsky says about her.
• V. Nabokov notes that Tatiana Larina has become one of her favorite characters. As a result, her image turned "into a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatiana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga took a much more advantageous position in relation to her sister.

Lonely, “seemed like a stranger to a girl,” she did not like children's games and could sit in silence for days at the window, immersed in dreams. But outwardly motionless and cold, Tatiana lived a strong inner life. The "Scary stories of the nanny" made her a dreamer, a child "out of this world."

Avoiding naive village entertainment, round dances and games, Tatyana, on the other hand, gave herself up to folk mysticism with all her heart, her inclination to fantasize directly attracted to this:

Tatiana believed in legends
Common folk antiquity:
And dreams, and card fortune-telling,
And the predictions of the moon.
She was worried about the signs.
Mysterious to her all the objects
Proclaimed something
Forebodings pressed against my chest.

Suddenly seeing
Young two-horned face of the moon
In the sky on the left side,
She trembled and turned pale.
Well? she found a secret
And in the very horror she:
This is how nature created you,
I inclined to the contradiction.

From the nanny's fairy tales, Tatyana moved early to novels.

They replaced everything for her
She fell in love with novels
And Richardson and Russo ...

From a dreamer girl, Tatyana Larina became a “dreamy girl” who lived in her own special world: she surrounded herself with the heroes of her favorite novels and was alien to the village reality.

Her imagination has long been
Burning with bliss and longing,
Alkalo fatal food.
Long sincere longing
Her young breasts were pressed against her.
The soul was waiting for someone.

Tatiana Larina. Artist M. Klodt, 1886

A short essay-reasoning on the topic: The image of Tatiana in the novel "Eugene Onegin". My favorite hero of the novel: "Tatiana, dear Tatiana"

Pushkinskaya Tatyana Larina is almost the most striking female image in Russian literature. Many other writers will later write off her character traits for their heroines: Tolstoy (Natasha Rostova), Dostoevsky (Sonya Marmeladova), Turgenev (Liza from "Noble Nest"). This speaks to the unique "national" character of the image. Belinsky called her "an exceptional, deep nature", Dostoevsky supported this idea, saying that Pushkin would have acted more correctly if he had titled the novel with the name of Tatyana, and not Onegin, "for she is undoubtedly the main heroine of the poem." The author himself admires it, absolutely not hiding it: "Forgive me: I love so much / my dear Tatiana!" What was it that so many men found in her, and what Onegin did not see?

"Not her sister's beauty,
Nor the freshness of her ruddy
She would not have attracted the eyes.
Dick, sad, silent,
Like a forest doe, fearful ... "

This is how Pushkin draws a portrait of Tatyana. She is inconspicuous, unprepossessing, quiet and calm. Men do not look at her, and ladies do not see her as a worthy rival, although they consider her "very good". Perhaps they meant that she is beautiful by nature, but does not lead to the proper, in their opinion, care. But she doesn't need all of this. Since childhood, Tatiana was not interested in dolls, fashionable things, or jewelry, “she didn’t play with the burners,” but loved to spend time alone, thoughtfully sitting by the window, contemplating nature, listening to horror stories from the nanny and reading romantic books. The latter just “replaced everything for her”, taking her to the world of dreams and dreams, which was a mile more for Tanya than the present.

Hiding from everyone alone with books and thoughts, she, without realizing it, nurtured strength of character and learned the wisdom of life. However, this made her a naive toy in the hands of Onegin. The very fact that she was the first to write the letter testifies to the simplicity of her soul and independence from the opinion of the world, because it was not appropriate for a girl in those days to show her feelings in front of a man. Without knowing enough of real life, the heroine believed that the book world of Richardson and Rousseau was real, and the people in it were just as romantic and bright. The rest of the heroes consider Tatyana to be old-fashioned for their time: by name, clothes, occupations, values, but Pushkin shows that she is the brightest and wisest of them. Lensky is ardent and naive, Olga is dissolute and empty, Onegin is cunning and careless, and she is restrained, honest, smart, simple and noble, although at first she seems like a gray mouse. Even her naivety vanishes after Onegin's refusal. Tatiana marries out of convenience, still harboring feelings for Eugene, but later refuses him in order to keep a strong family: "But I am given to another / and I will be faithful to him forever." But she could have run away from the general ...

All this allows us to call her a “sweet ideal”, because the image of Tatiana keeps in itself eternal moral values: loyalty, devotion, honesty, wisdom, readiness for self-sacrifice, naturalness, simplicity. Her inner core is strong and unshakable, she will never deceive even a loved one. Pushkin saw in this image traits of his own character, and his friends confirmed this. That is why she became his beloved heroine, perhaps even an unattainable peak: he treated her with trepidation and love, as the ideal of a woman. And many have recognized this ideal. Therefore, the image of Tatyana Larina is one of the brightest not only in Eugene Onegin, but in all Russian literature.