The names of the main characters are fathers and children. "Fathers and Sons": actors. "Fathers and Sons": the main characters and their description. How many characters are there in Turgenev's "Fathers and Sons"? The history of the creation of the novel "Fathers and Sons"

In 1862, Turgenev wrote the novel Fathers and Sons. During this period, a final break is outlined between the two social camps: the liberal and the revolutionary-democratic. In his work, Turgenev showed a man of a new era. This is a democrat-raznochinets Bazarov. Throughout almost the entire novel, Bazarov is accompanied by his friend Arkady. By origin, and by social status, they belong to different social classes. According to his convictions, Bazarov is "a democrat to the end of his nails." Friends study together at the university, and they are connected by several years of friendship.

At first, Arkady falls under the influence of Bazarov, he wants to be like Yevgeny, and at the same time he sincerely shares the views of an older and more authoritative comrade. Arkady is forced to join the nihilists by "young courage and youthful enthusiasm." But he is not guided by the ideas of Bazarov in life. They do not become an organic part of him, so he will so easily refuse them later. In the future, Bazarov says to Arkady: "Our dust will eat your eyes out, our dirt will stain you." That is, Arkady is not ready for the "tart, bitter bean life" of a revolutionary.

Bazarov, giving an assessment of the life of a revolutionary, is both right and wrong. Breaking the established foundations, traditions, views always provokes the fierce resistance of the old world, and the advanced fighters have a hard time. The revolutionary-democratic ideal of happiness is revolutionary activity for the benefit of the people, despite personal hardships.

Arkady, of course, is not ready for this, since he is, in the words of Yevgeny, "a soft liberal barich." In the "young fervor" the liberals do not go beyond a noble effervescence, and for Bazarov this is "trifles." The liberals do not "fight", but "think they are good fellows; the revolutionaries want to fight." Giving an assessment of Arkady, Bazarov identifies him with the entire liberal camp. Spoiled by life in a noble estate, Arkady "involuntarily admires himself", he is pleased to "scold himself." Bazarov is bored, he "needs to break others." Arkady only wanted to seem like a revolutionary, there was a lot of youthful posturing in him, but in his heart he always remained a "liberal nobleman."

But Arkady still does not understand this. For the time being, he considers himself a "fighter" and appreciates Bazarov for his willpower, energy, and ability to work. At the Kirsanovs' estate, Bazarov is initially welcomed cordially. Arkady asks his relatives to take care of Bazarov. But the revolutionary democratism of Bazarov absolutely does not fit with the liberal aristocracy of the Kirsanovs' house. He does not fit into their life of idleness. And here, on a visit, Bazarov continues to work. The way of life of friends on the estate is expressed by the author's phrase: "Arkady was a sybarite, Bazarov worked." Bazarov conducts experiments, reads special books, collects collections, treats village peasants. According to Bazarov, labor is a necessary condition for life. Arkady is never shown at work. Here, in the estate, Bazarov's attitude to both nature and the people is also revealed.

Bazarov considers nature not a temple, but a workshop, and the person in it is a worker. For Arkady, as well as for the rest of the Kirsanovs, nature is an object of admiration, contemplation. For Bazarov, this attitude means nobility. He objects to the prayerful contemplation of nature, meaningless from his point of view, enjoying its beauty. It requires an active relationship to nature, to the world around us. He himself. treats nature like a caring owner. Nature pleases him when he sees the fruits of active intervention in it. And here, too, the points of view of Arkady and Bazarov diverge, although Arkady has not yet spoken about this.

The attitude of Bazarov and Arkady is different both to love and to a woman. Bazarov is skeptical about love. He says that only a fool can feel free with a woman. But acquaintance with Odintsova changes his views on love. She impresses Bazarov with her beauty, charm, ability to behave with dignity and tact. A feeling for her arises when spiritual communication begins between them.

Odintsova is smart, able to understand Bazarov's originality. Eugene, despite outward cynicism, discovers in love both an aesthetic feeling, and high spiritual demands, and respect for the woman he loves. But Odintsova is essentially an epicurean lady. Peace is above all for her. Therefore, she extinguishes in herself the emerging feeling for Bazarov. And in this situation, Bazarov behaves with dignity, does not become limp and continues to work.

Arkady's acquaintance with Katya, Odintsova's younger sister, reveals that his ideal is "closer", that is, he is in the family, on the estate. Arkady realized that he was "no longer that arrogant boy", that he still "asked himself tasks that were beyond his power", that is, Arkady admits that the life of a revolutionary is not for him. Yes, and Katya herself says that Bazarov is "predatory", and Arkady is "tame".

Bazarov is close to serfs. For them, he is "his brother, not a gentleman." This is confirmed by Bazarov's speech, in which there are many folk proverbs and sayings, and his simplicity in communicating with ordinary people. Although the peasants on his father's estate treat Bazarov like a gentleman, in all other episodes of the novel for the people he is more "their own" than any of the Kirsanovs. Arkady to a greater extent remains for people a gentleman, a master. True, it also happens that some unfamiliar peasant mistook Bazarov for an eccentric when he wanted to "talk to the people." But this happened infrequently.

In addition, Bazarov is demanding, one might even say, too demanding of himself. He tells Arkady that "each person must educate himself." His commitment to nihilism leads to the fact that he begins to be ashamed of natural human feelings. He seeks to suppress their manifestations in himself. Hence some dryness of Bazarov, even in relation to the closest people. But to the question of Arkady, does Bazarov love his parents, he answers simply and sincerely: "I love you, Arkady!",

However, it should be noted that Bazarov's parents hopelessly "lagged behind" their son. They cannot go not only on a par, but also after him. True, this "backwardness" of the old Bazarovs does not deserve Enyushka's not entirely respectful, and sometimes - and simply indifferent - attitude towards them. Can old people be required to think and act like young people? Isn't it thanks to the efforts of his parents that Bazarov gets an education? In this case, Bazarov's maximalism looks very unattractive, Arkady loves his loved ones, but seems to be embarrassed by this love. Bazarov gives a well-aimed, exhaustive, but at the same time rather evil characterization of Arkady's father and uncle, to which Arkady objects, but somehow sluggishly. By this, he seems to support the point of view of Bazarov, who believes that a nihilist should not express his feelings. Arkady flared up only when Bazarov called his uncle an "idiot" behind his back. Perhaps it was at this moment that the first serious crack appeared in the relationship of friends.

It should be noted that Bazarov's nihilism, unfortunately, leads to the denial of old and new art. For him, "Raphael is not worth a penny, and they (that is, new artists) are no better than him." He declares that "it's stupid to play the cello at forty-four," and to read Pushkin in general "is no good at all." Art Bazarov considers a form of profit. For him, "a decent chemist is more useful than any poet," and art is not capable of changing anything in life. This is the extreme of Bazar's nihilism. Bazarov emphasizes the importance of scientists for Russia, since in science Russia at that time lagged behind the West. But Arkady really loves poetry, and he would read Pushkin if Bazarov was not around.

Arkady and Bazarov seem to oppose each other; at first this confrontation is completely imperceptible, but gradually, in the course of the development of the action, it intensifies and reaches an open conflict and a break in friendly relations. This is one of the aspects of the conflict nature of the novel, expressed by the method of contrast. Note that in this case it is no longer "fathers" and "children" that are in conflict, but, so to speak, "children" with "children". Thus, the break between Bazarov and Arkady is inevitable.

Arkady is not ready for the "tart, bitter bean life" of a revolutionary. Bazarov and Arkady say goodbye forever. Eugene parted with Arkady without saying a single friendly word to him, and to express them for Bazarov is "romanticism",

Arkady finds the ideal of life in the family. Bazarov dies, remaining true to his views. It is before death that the strength of his convictions is tested. Arkady did not instill nihilistic convictions. He understands that the life of a revolutionary democrat is not for him. Bazarov dies a nihilist, and Arkady remains a "liberal nobleman." And at the end of the novel, Arkady refuses to commemorate his former friend at the common table.

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The problem of generations is one of the eternal topics that are touched upon by literature, philosophy, psychology and other fields. The work "Fathers and Sons", the characters in which are designed to demonstrate this conflict, is immortal, because the ideas of Turgenev's novel are relevant to this day.

Features of the construction and plot of the novel

The specificity of Turgenev's work is in the saturation with the details of everyday life. The reader is immersed in the atmosphere of the natural course of life, simple events, unpretentiousness and everyday life. The situation of the novel is as follows: two comrades come to rest in the village. Rest, parental care surrounds young people. Arkady is engaged in “sybaritism”, having defended his diploma with honors. His friend - Bazarov - a student at a medical university - devotes time to experiments and experiments. The plot of the novel is embodied in the short but frequent travels of the characters: either the comrades are visiting Arkady's parents, or they leave for Bazarov's father's house, or they visit Anna Sergeevna, a woman they met at the ball.

Ivan Turgenev follows the advice of Anton Chekhov, who said that fiction should repeat life in a combination of complexity and "holy simplicity". It seems to the reader that the writer depicts an ordinary lunch or dinner, but at this time people find happiness or, on the contrary, lose the joy of life. The most significant events begin here - at the kitchen table.

Parents and children - a classic "eternal" theme"

There is an opinion in literary criticism that one of the central problems of Turgenev's novel is the eternal conflict between fathers and children. But in “Fathers and Sons” (it is not for nothing that the writer gave the work such a name), using the example of the difference between generations, the difference between moral standards and the depth of feelings is also demonstrated.

The Real Books website is glad to see you! We bring to your attention to get acquainted with Ivan Turgenev.

Parents are an expression of the most sincere, touching, selfless and sacrificial love. These are the parents of Bazarov - demanding nothing in return. Father and mother are old people who miss their son, because it has been three years since their child has not visited their father's house. However, the psychology of the son differs from that of the parents: despite the fact that Bazarov also loves his parents, the hero shows affection differently. Bazarov's feelings for his father and mother do not require constant communication and contact. The young man calmly enjoys the hospitality of the Kirsanovs, travels with his friend to the city, then visits the house of a new acquaintance in Nikolsky, returns to the estate of his friend, Arkady, and only after that he finally decides to visit his parents.

The image of the intelligentsia in Turgenev's novel

Postmodern literature focuses on the fact that works are multifaceted, multilevel constructions that take into account the needs and interests of representatives of different readerships. However, the trend towards diversity appeared earlier. The novel by Ivan Turgenev is an example of this, because you can read this text in different ways. Someone pays attention to the plot outline, someone - to political conflicts between the "left" and "right", between liberal democratic forces and conservatives, etc.

The intelligentsia is the younger generation, these are “children”. Conservatives, monarchists - this is the old generation, the "fathers". Some literary critics believe that the author made derogatory remarks about the older generation in the novel. Let us recall the image of Father Bazarov. This is a man of the old school, who, however, solely out of love for his son, out of a desire to be closer to Eugene, reads newfangled books, newspapers and argues in the context of new, liberal rhetoric. Meanwhile, this is only a mask, because the hero remains at the level of conservative ideas.

The 1850s went down in the history of Russia as a time distinguished by the consolidation of the disparate intelligentsia. The events of the novel take place some time before the abolition of serfdom, in the late 1850s. On the nose - the year 1861 and the revolution. The author's biography also influenced the general atmosphere of the novel.

During this period, the writer worked on the staff of Sovremennik, a well-known magazine in those years. In Turgenev's work, a transformation is also planned: from poetic texts to prose, from romanticism to realistic tendencies.

Changes also appeared in the social structure of the Russian Empire at that time: for example, a new system of so-called raznochintsy was born. These were people who could not be classified as nobles, merchants, philistines, artisans, etc. The origin of a person, therefore, ceases to play any role.

Dear you ours! We suggest that you familiarize yourself with which came out from under his pen in 1857 and, published in the Sovremennik magazine, delighted many writers, and also did not leave the readership indifferent.

The break with Sovremennik forced Turgenev to publish the novel in a conservative magazine. "Fathers and Sons" is published in "Russian Bulletin". A sharp controversy arises around the work immediately after publication. However, the debate is not about the literary side of the novel, but the political one: this is a polemic between the revolutionary democratic wing and the conservatives. In the end, the affair did not satisfy anyone - neither side. Meanwhile, the relevance of Turgenev's work cannot be denied, because the writer showed the causes of discord between generations, the motives for misunderstandings that arise between parents and children, as well as the disastrous consequences that this generational conflict leads to.

Thus, Turgenev's novel was published in 1862, and the reaction of literary critics and readers to the works was ambiguous. The palette of reviews for "Fathers and Sons" was diverse: from stormy admiration for the novel to its extreme rejection and even condemnation.

Analysis of the features of the central characters of "Fathers and Sons"

Ivan Turgenev uses the classic method: with the help of the characteristics of the characters, the behavior and decisions of the characters, the writer conveys to the reader the main ideas of the novel "Fathers and Sons". Therefore, it is necessary to turn to the analysis of the specifics of the characters in the work.

The main figures of Turgenev's work

Bazarov

Yevgeny Vasilievich Bazarov has already turned thirty. This is an adult man who has an established system of views on the world. Bazarov is a skeptic and even a nihilist. Eugene rejects established values, questions conservative ideals. Turgenev describes Bazarov as a hero distinguished by coldness, harshness, sarcastic and cynical character. Eugene discards all principles - as befits a nihilist. The hero gives the impression of an arrogant, self-confident, proud and arrogant person. Often these traits are defined by the belief in intellectual superiority over most of the environment.

The role of nihilism in the life of Bazarov

Turgenev himself admitted that he abandoned everything “artistic” when he worked on the image of Bazarov. The figure of Eugene is sharp and even somewhat unceremonious. Bazarov demonstrates the image of one of the political currents, which, among other things, inspired Turgenev to create the novel. The writer put the revolutionary-democratic ideas into the mouth of Bazarov. Revolutionary and reformist ideals are what distinguished the "new man" of the mid-19th century. On the other side of the board is the liberal-minded nobility.

Bazarov has an independent character, a skeptical attitude towards reality, independence of judgments and actions, an outstanding, original mind.

Biography, the origin of the hero also influenced the worldview system of Bazarov. Eugene was born into the family of a regimental doctor, so Bazarov was proud that his grandfather worked on the land along with the peasants. Bazarov also despises aristocrats, not hiding this position. Nihilism is felt in the speech of the hero, in the features of appearance, in manners and social position.

Bazarov's behavior is a frank challenge. The hero is deliberately careless, defiantly lazy, and in his speech he often uses common words. The whole appearance of Bazarov shows denial and protest against the authorities.

Kirsanovs

Nicholas

Father of Arkady Kirsanov. Turgenev describes Nikolai as perhaps the most positive character in the novel. The man is 44 years old, he is clean - in thoughts and in everyday habits. Nicholas is characterized by romance, calmness, balance. Kirsanov feels sincere love for his son. Nikolai's wife died, since then he has been a widow, in a depressed state after the death of his beloved wife. However, later Nikolai was lucky to meet Fenechka, a simple peasant woman, who eventually became his wife.

Arkady

The young man comes from a prosperous, wealthy noble family. Arkady is much younger than Bazarov: young Kirsanov recently turned 23 years old. Youth, naivety and sentimentality are features inherent in the image of Arkady. The young man is influenced by a comrade and friend - Evgeny Bazarov. Arkady graduated from the university, successfully defending his diploma. After that, both friends decided to stay with Kirsanov's parents. Arkady tries to inherit Bazarov in everything, but nihilism does not go well with the gentleness, generosity, kindness and romance of Arkady's nature. The young man is a fair, timid and chaste boy. Despite the fact that Arkady considers Bazarov an example, the young man still believes in true love.

One day, Arcadia meets Katya, a beautiful girl with whom Kirsanov develops a romantic relationship. Falling in love finally proves to Arkady that nihilism is not his philosophy. So the friendship between young Kirsanov and Bazarov is gradually declining.

Paul

The hero is 45 years old. Pavel is the brother of Nikolai Kirsanov and, accordingly, the uncle of Arkady. Once a man served as a guards officer. A hereditary aristocrat, Paul professes a system of views and beliefs characteristic of the aristocracy of that time. This means that Kirsanov is a supporter of liberal ideology. A typical nobleman, showing his actions and behavior pride and pride. Once Paul suffered because of unhappy love. After that incident, Kirsanov does not believe in love. He also acquired the traits of a misanthrope, a skeptic and a cynic. With relatives, Pavel practically broke off communication, having gone abroad.

"Fathers and Sons": figures of the second plan

Bazarov Sr.

Vasily Bazarov is an old man who is distinguished by good nature and simplicity. Bazarov Sr. shows love and respect for his son, being proud of how smart and educated Eugene is. Tries to inherit his son. Previously, Vasily Ivanovich served as a military doctor, but now Bazarov continues to practice medicine on a pro bono basis: he treats peasants who work for the Bazarovs on the estate. Vasily Ivanovich loves to talk, he tends to conduct "philosophical" conversations. The hero reads newfangled books and magazines, however, understanding very little from there.

A staunch conservative, Bazarov demonstrates his commitment to revolutionary democratic ideals in order to be closer to his son. The life of Bazarov Sr. is modest and simple.

Mother of Evgeny Bazarov

Arina Vlasyevna is a woman from the nobility who married a simple regimental doctor Vasily Bazarov. The estate in which the Bazarovs live is Arina's dowry. The woman is kind and sympathetic, but Arina Vlasyevna is distinguished by excessive piety and suspiciousness. Bazarova keeps the house in perfect cleanliness and tidiness, while the heroine herself is a model of accuracy, care and affection.

The woman dearly loves her son, trying to please Eugene in everything. Knowing that Bazarov is not a supporter of a demonstrative and open expression of emotions, he avoids his son, trying to have less contact with him. Unlike her husband, Vasily Ivanovich, she cannot understand Yevgeny and his worldview.

Anna Odintsova

Anna Sergeevna is only 28 years old, but the woman has already managed to become a widow. Anna is arrogant and cruel. The writer describes the heroine as an unhappy woman, because Odintsova does not know love and has never had sincere feelings for anyone. Accustomed to a luxurious life, a proud and arrogant beauty builds relationships based on calculation. Hosted by Bazarov and Arkady Kirsanov.

Katia

Katerina is the beloved of Arkady Kirsanov. The girl was raised by her older sister. The young heroine is distinguished by a meek and calm character. Katya is smart, kind, a girl has an inherent attachment to nature, a love of music. Meanwhile, Katerina's sister is strict and principled, the older sister's character is much stronger than Katya's. Therefore, the heroine is afraid of her sister.

Victor

Viktor Sotnikov is described by Turgenev as coming from a noble family, who, meanwhile, hides his origins out of shame. Sotnikov does not have a great mind, he rather imitates authorities, inherits fashion, than is a legislator of innovations. The character of the hero is weak, too soft and cowardly. In behavior, Sotnikov is characterized by vulgarity and stupidity, importunity and thoughtless adoption of everything new. Victor wants glory at any cost: in this, the hero resembles Herostratus, a character of ancient legends who became famous for burning down the temple of Artemis.

Bazarov for Sotnikov appears as a mentor and teacher. However, after marriage, Victor falls under the heel of his wife and leaves his former hobbies.

Avdotya

The author depicted Avdotya Kukshina as a landowner, showing interest in new trends. Kukshina is friends with Bazarov, Kirsanov and Sotnikov. Avdotya takes in the marginal intelligentsia at home and positions herself as an emancipated woman. The appearance of the heroine maintains a deliberately careless, and the behavior of a woman is distinguished by swagger - this Kukshina considers a sign of progressive views.

bauble

bauble- some feminine ideal. A simple, pure, meek and gentle girl, about whom the reader does not get too much information. Naturalness, comfort, a tendency to spend time at home and with family - these are some of the features of Fenichka. As a result, the peasant girl becomes the wife of Nikolai Kirsanov.

Dunya

Fenechka's maid helping the girl in caring for the baby. A simple, naive and unpretentious peasant woman, Dunya loves fun and laughter. Although at home, while performing household duties, the heroine shows strictness and discipline.

Peter

Petya serves with Pavel Ivanovich Kirsanov. Peter positions himself as a smart and enlightened person, although the hero is a stupid, ignorant and dark young man. However, this does not prevent Peter from being proud and narcissistic.

Nellie

Princess R., or Nelly, is the same unfortunate love of Pavel Kirsanov. The author says little about Nelly, which makes the heroine mysterious and enigmatic. In the eyes of the reader, the princess appears as an eccentric woman, under the influence of which young minds easily fall. But one day Pavel Ivanovich finds out that Nelly has died: from that moment on, life loses its former meaning and color for Kirsanov.

The novel Fathers and Sons was written by Turgenev in 1862. This work is not so much about the conflict of generations, but about another "extra" person. Bazarov became such.

The main characters of the novel "Fathers and Sons":

Evgeny Vasilyevich Bazarov He is a tall man with dark blond, long hair. "Wonderful fellow, so simple," according to Arkady. The aristocratic nature of Pavel Petrovich was outraged by Bazarov's perfect swagger. Not only was this doctor's son not shy, he even answered curtly and reluctantly, and there was something rough, almost impudent, in the sound of his voice. Although he is trying to work, he is doing some experiments, but there is no definite goal behind them. His nihilism is a mask behind which he hides from the reality of modern life. He does not love anyone, is not ready to make anyone happy. Knowing that they were waiting for him at home, he was in no hurry to go home, he stayed first with the Kirsanovs, then with Odintsova. Bazarov does not create anything, he almost destroyed life in the Kirsanov family when, without thinking about the moral side of his act, he began to seduce Fenechka. He aroused a feeling of love in the heart of Odintsova, but immediately retreated. He looked at women as females who serve to satisfy physiological needs, and denied love. But when he fell in love, he got scared and ran away. His own parents felt like they were on a volcano next to him, not daring to speak to him again, or express their feelings. He simply uses his friends. “A nihilist is a person who does not bow to any authority, who does not accept a single principle on faith, no matter how respected this principle is,” Arkady explains the principles of nihilism to Pavel Petrovich.

True, we must give him his due, in the duel he behaved nobly, examining and bandaging the wound of Pavel Petrovich.

Nikolai Petrovich Kirsanov- a gentleman of about 40 years old, a widower, the owner of an estate of 200 souls. His father wanted to give him to military service, but he was a coward. And when he was supposed to go to school, he broke his leg. Then his father "let him in civilian clothes", took him to study at the university. After the death of his parents, he married for love, and lived with his wife in love and harmony for 10 years. He dismissed his peasants before the legal abolition of serfdom, organized a farm, but things were not going well. Lacked experience, ability to manage people.

Arkady Nikolaevich Kirsanov- the son of Nikolai Petrovich, a "candidate" who graduated from the university. For some time he fell under the influence of Bazarov, whom he admired, and believed that he was right in everything. But returning to his native element, home, he becomes more and more himself. He loves both his father and the aristocratic uncle, and protects him from Bazarov's attacks. Arkady fell under the influence of Bazarov, deep down remaining the same. He did not so much share his worldview as simply imitate it. And as soon as he broke up with Bazarov, he became the same. This is confirmed by Katya's words that Arkady was under the influence of Bazarov, and "the old traces of ... a satirical direction" were preserved in him.

Arkady is increasingly arguing with Bazarov, and once it almost came to a fight.

Pavel Petrovich Kirsanov - 45-year-old man in an English suit. Despite the fact that Pavel Petrovich did not live in the capital, but only in the village, he retained his old habits. He paid a lot of attention to his toilet and his appearance. Once it was a handsome man. His face still retained remnants of its former beauty. Gray hair was cut short. The face was bilious, but without wrinkles. Especially good were clear, black eyes. He retained his youthful slenderness.

Pavel Petrovich disliked Bazarov, who denied traditions, life principles, medicine, and the state. Skirmishes and disputes often broke out between them.

Once Pavel Petrovich was happily in love, But his beloved left him. After some time, Pavel Petrovich found out about her death. In the depths of his soul, he kept the memory of this love. One fine day, he noticed that Fenechka looked like Princess R. - the subject of his love and admiration. He noticed that Bazarov began to show signs of attention to Fenechka, and, considering himself insulted, challenged Bazarov to a duel, where he was wounded.

Katerina is a positive character. Turgenev draws her kind and modest, smart and meek, afraid of her older sister.

Prokofich- a servant in the Kirsanovs' house. An elderly man of sixty years old, white-haired, thin and swarthy, with thick eyebrows on his face, dressed in a brown tailcoat with copper buttons and a pink handkerchief around his neck. He spoke impressively.

Fenechka - a young woman of twenty-three years old, all white and soft, with dark hair and eyes, with plump, childlike lips and delicate hands. Fenechka was modest, to the point of bashfulness. She was a housewife, like her mother. Fenechka loved both her baby Mitya and Nikolai Petrovich.

Princess R. she was known in society as a frivolous coquette, was fond of all kinds of pleasures, loved to dance until she dropped, turned the heads of the men whom she received before dinner in the twilight of the living room. At night she prayed, wept, or read the psalter. Externally, Princess R. was an interesting, well-built woman. Her head was adorned with a golden, heavy braid. The look of her gray eyes was "quick, deep, carefree to the point of daring and thoughtful to the point of despondency - a mysterious look." Often she behaved incomprehensibly to others.

Matvey Ilyich Kolyazin- a relative of Arkady on the mother's side, was also from the "young". He was 40 years old and preparing to become a state-level official. He was vain, high opinion of his own person. At the same time, he tried to look simple, “his boyfriend”: he looked approvingly, listened condescendingly, and laughed good-naturedly. But at the same time, any official could make a fool of him and twist ropes out of him. Kolyazin was a clever and cunning courtier. He knew how to turn his personal affairs with extraordinary dexterity, and in this he had no equal.

Avdotya Nikitishna (or Evdoksia) Kukshina- an emancipated lady, with a small and nondescript figure, an unpleasant, somewhat dissatisfied expression on her face. She considered herself good-natured and simple, nevertheless, in all her actions, unnaturalness, falseness were visible.

Sitnikov - young progressive of small stature. Bazarov was clearly not happy with meeting him. His face was pleasant, but his expression showed anxiety and dullness. He looked intently and restlessly. The same anxiety was heard in his laughter.

Anna Sergeevna Odintsova - tall statuesque woman. From the face of her gentle and soft power. The look was calm and intelligent. Anna Sergeevna was in her 29th year. She was at ease with people, and it didn’t matter who it was: a dignitary or a young, unknown gentleman. She loved luxury, was rich and independent. And that's why I didn't really want to do anything. She went through life without a struggle, without any special aspirations.

Timofeich, paternal clerk of the Bazarovs. He was a real butler, sometimes more an aristocrat than his masters. A shabby and agile old man with time-faded, yellowed hair

Vasily Ivanovich, father of Bazarov — a tall, thin man, with tousled hair and a thin aquiline nose, dressed in an old military frock coat unbuttoned. Vasily Ivanovich looked like a son. Only the forehead is slightly lower and the mouth is wider. The floor is movable and a little fussy. In his youth he was a military doctor, and now sometimes he provided medical assistance to his peasants.

Arina Vlasevna, Bazarov's mother is a round, short old woman in a white cap and a short motley blouse with a trembling voice. She was a real Russian noblewoman. It seemed that she had come from the past: she was pious, strictly observed all fasts, did not eat veal and pigeons at all. She was afraid of the thunder of mice, snakes and other reptiles. She believed in legends, conspiracies, fortune-telling, dreams, brownies, goblin, and everything that the Russian village believed in. I read only 2 books in my life, and wrote two letters a year.

She knew a lot about household chores, but she didn’t do anything with her own hands. She was in her own way a kind and intelligent woman. With mother's milk, she learned that there are masters and people who must serve the masters. She did not shy away from servility and bows, but she was affectionate with people and always served the poor.

In her youth, Arina Vlasyevna received a good education at home. She played the clavichord and spoke French. She married not of her own free will, and therefore she gave all her unspent tenderness to her son, whom she loved, and at the same time, she was afraid. She shifted the management of the estate onto the shoulders of her husband and preferred not to interfere in anything.

In the novel, Bazarov dies after contracting typhus. By this, Turgenev wanted to emphasize that people like Bazarov have no future. Arkady marries Katya, and his father legitimizes his relationship with Fenechka. Pavel Petrovich goes abroad to end his days there.

Modern life is changing at an astonishing rate. And this acceleration was given around the 18th century, when science and industry began to develop. The 19th century is marked by changes in social consciousness. Young people thought differently than their parents. This was partly dictated by political and economic events, changes taking place in the life of the country, partly by the desire to assert oneself, to prove one's maturity. Hence the misunderstanding. But Bazarov was not a role model for young people. He denied art, religion, feelings between people, seeing only the material basis of human existence, and forgetting about the spiritual side, the one that distinguishes man from animals. And yet, denying love, he himself managed to fall in love.

Evgeny Vasilyevich Bazarov - nihilist, student, studying to be a doctor. In nihilism, he is Arkady's mentor, protesting against the liberal ideas of the Kirsanov brothers and the conservative views of his parents. Revolutionary democrat, raznochinets. By the end of the novel, he falls in love with Odintsova, betraying his nihilistic views on love. Love turned out to be a test for Bazarov. Dies of blood poisoning at the end of the novel.

Nikolai Petrovich Kirsanov - landowner, liberal, father of Arkady, widower. Loves music and poetry. Interested in progressive ideas, including in agriculture. At the beginning of the novel, he is ashamed of his love for Fenechka, a woman from the common people, but then marries her.

Pavel Petrovich Kirsanov - the elder brother of Nikolai Petrovich, a retired officer, an aristocrat, a proud, self-confident, ardent supporter of liberalism. Often argues with Bazarov about love, nature, aristocracy, art, science. Lonely. In his youth, he experienced a tragic love. He sees in Fenechka Princess R., with whom he was in love. He hates Bazarov and challenges him to a duel, in which he receives a slight wound in the leg.

Arkady Nikolaevich Kirsanov is a recent graduate of St. Petersburg University and a friend of Bazarov. Becomes a nihilist under the influence of Bazarov, but then abandons these ideas.

Vasily Ivanovich Bazarov - Bazarov's father, a retired army surgeon. Not rich. Manages his wife's estate. Moderately educated and enlightened, he feels that rural life has left him isolated from modern ideas. He adheres to generally conservative views, is religious, loves his son.

Arina Vlasyevna is Bazarov's mother. It is she who owns the village of the Bazarovs and 22 souls of serfs. A devout follower of Orthodoxy. Very superstitious. Suspicious and sentimental-sensitive. She loves her son, deeply concerned about his renunciation of the faith.

Anna Sergeevna Odintsova is a wealthy widow who hosts nihilist friends on her estate. He sympathizes with Bazarov, but after his confession does not reciprocate.

Ekaterina Sergeevna Lokteva - sister of Anna Sergeevna Odintsova, a quiet girl, invisible in the shadow of her sister, plays the clavichord. Arkady spends a lot of time with her, languishing in love with Anna. But later he realizes his love for Katya. At the end of the novel, Catherine marries Arkady.

Fenechka is the mother of Nikolai Petrovich's child. Lives with him in the same house. At the end of the work, she marries Nikolai Petrovich.

A source:

Villains, monsters and other fictional creatures from movies, literature, cartoons, myths, legends and comics
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Heroes of the work of fathers and children

I.S. Turgenev "Fathers and Sons": description, characters, analysis of the novel

Turgenev's novel "Fathers and Sons" reveals several problems at once. One reflects the conflict of generations and clearly demonstrates a way to get out of it, preserving the main thing - the value of the family. The second one demonstrates the processes taking place in the society of that time. Through dialogues and skillfully crafted images of heroes, a type of public figure that has barely begun to emerge is presented, denying all the foundations of the existing statehood and ridiculing such moral and ethical values ​​as love feelings and sincere affection.

Ivan Sergeevich himself does not take sides in the work. As an author, he condemns both the nobility and representatives of new social and political movements, clearly showing that the value of life and sincere affection is much higher than rebelliousness and political passions.

Of all the works of Turgenev, the novel "Fathers and Sons" was the only one written in a short time. From the moment the idea was born to the first publication of the manuscript, only two years passed.

The first thoughts about the new story came to the writer in August 1860 during his stay in England on the Isle of Wight. This was facilitated by Turgenev's acquaintance with a provincial young doctor. Fate pushed them in bad weather on the railway and under the pressure of circumstances, they talked with Ivan Sergeevich all night. New acquaintances were shown those ideas that the reader could later observe in Bazarov's speeches. The doctor became the prototype of the main character.

In the autumn of that year, upon his return to Paris, Turgenev worked out the plot of the novel and began writing chapters. Within six months, half of the manuscript was ready, and he finished it after his arrival in Russia, in the middle of the summer of 1861.

Until the spring of 1862, reading his novel to friends and giving the manuscript for reading to the editor of the Russian Messenger, Turgenev made corrections to the work. In March of the same year, the novel was published. This version was slightly different from the edition that was published six months later. In it, Bazarov was presented in a more unsightly light and the image of the main character was a bit repulsive.

The protagonist of the novel, the nihilist Bazarov, together with the young nobleman Arkady Kirsanov, arrives at the Kirsanovs' estate, where the protagonist meets his friend's father and uncle.

Pavel Petrovich is a refined aristocrat who absolutely does not like either Bazarov or the ideas and values ​​​​he shows. Bazarov also does not remain in debt, and no less actively and passionately, he speaks out against the values ​​and morals of the old people.

After that, young people get acquainted with the recently widowed Anna Odintsova. They both fall in love with her, but temporarily hide it not only from the object of adoration, but also from each other. The protagonist is ashamed to admit that he, who spoke vehemently against romanticism and love affection, now suffers from these feelings himself.

The young nobleman begins to be jealous of the lady of the heart for Bazarov, there are omissions between friends and, as a result, Bazarov tells Anna about his feelings. Odintsova prefers him a quiet life and a marriage of convenience.

Gradually, relations between Bazarov and Arkady deteriorate, and Arkady himself is fond of Anna's younger sister Ekaterina.

Relations between the older generation of the Kirsanovs and Bazarov are heating up, it comes to a duel, in which Pavel Petrovich is injured. This puts a bullet between Arkady and Bazarov, and the main character has to return to his father's house. There he becomes infected with a deadly disease and dies in the arms of his own parents.

At the end of the novel, Anna Sergeevna Odintsova marries for convenience, Arkady and Ekaterina, as well as Fenechka and Nikolai Petrovich, marry. They play their weddings on the same day. Uncle Arkady leaves the estate and goes to live abroad.

Bazarov is a medical student, by social status, a simple man, the son of a military doctor. He is seriously interested in the natural sciences, shares the beliefs of nihilists and denies romantic attachments. He is self-confident, proud, ironic and mocking. Bazarov does not like to talk much.

In addition to love, the protagonist does not share admiration for art, has little faith in medicine, regardless of the education he receives. Not referring to himself as a romantic nature, Bazarov loves beautiful women and, at the same time, despises them.

The most interesting moment in the novel is when the hero himself begins to experience those feelings, the existence of which he denied and ridiculed. Turgenev clearly demonstrates the intrapersonal conflict, at the moment when the feelings and beliefs of a person diverge.

One of the central characters of Turgenev's novel is a young and educated nobleman. He is only 23 years old and barely graduated from university. Due to his youth and temperament, he is naive and easily falls under the influence of Bazarov. Outwardly, he shares the beliefs of the nihilists, but in his heart, and further in the story it is clear, he appears as a generous, gentle and very sentimental young man. Over time, the hero himself understands this.

Unlike Bazarov, Arkady likes to speak a lot and beautifully, he is emotional, cheerful and values ​​affection. He believes in marriage. Despite the conflict between fathers and children shown at the beginning of the novel, Arkady loves both his uncle and his father.

Odintsova Anna Sergeevna is an early widowed rich person who at one time married not out of love, but out of calculation in order to save herself from poverty. One of the main characters of the novel loves peace and her own independence. She never loved anyone and never became attached to anyone.

For the main characters, she looks beautiful and inaccessible, because she does not reciprocate with anyone. Even after the death of the hero, she remarries, and again by calculation.

The younger sister of the widow Odintsova, Katya, is very young. She is only 20 years old. Catherine is one of the most endearing and pleasant characters in the novel. She is kind, sociable, observant and at the same time demonstrates independence and obstinacy, which only paint a young lady. She comes from a family of poor nobles. Her parents died when she was only 12 years old. Since then, she has been raised by her older sister, Anna. Ekaterina is afraid of her and feels uncomfortable under the gaze of Odintsova.

The girl loves nature, thinks a lot, she is direct and not flirtatious.

Father of Arkady (brother of Pavel Petrovich Kirsanov). Widower. He is 44 years old, he is a completely harmless person and an undemanding owner. He is soft, kind, attached to his son. By nature, he is a romantic, he likes music, nature, poetry. Nikolai Petrovich loves a quiet, calm, measured life in the countryside.

At one time he married for love and lived happily in marriage until his wife died. For many years he could not come to his senses after the death of his beloved, but over the years he found love again and she became Fenechka, a simple and poor girl.

Refined aristocrat, 45 years old, uncle of Arkady. At one time he served as an officer of the guard, but because of Princess R. his life changed. A secular lion in the past, a heartthrob who easily won the love of women. All his life he built in the English style, read newspapers in a foreign language, conducted business and life.

Kirsanov is a clear adherent of liberal views and a man of principles. He is self-confident, proud and mocking. Love at one time knocked him down, and from a lover of noisy companies, he became an ardent misanthrope who in every possible way avoided the company of people. In his heart, the hero is unhappy and at the end of the novel he finds himself far from his loved ones.

The main plot of Turgenev's novel, which has become classic, is Bazarov's conflict with the society in which he found himself by the will of fate. A society that does not support his views and ideals.

The conditional plot of the plot is the appearance of the main character in the Kirsanovs' house. In the course of communication with other characters, conflicts and clashes of views are demonstrated, which test Evgeny's beliefs for stamina. This also happens within the framework of the main love line - in the relationship between Bazarov and Odintsova.

Contradiction is the main technique that the author used when writing the novel. It is reflected not only in its title and is demonstrated in the conflict, but also reflected in the repetition of the protagonist's route. Bazarov ends up twice on the Kirsanovs' estate, visits Odintsova twice, and also returns twice to his parents' house.

The denouement of the plot is the death of the protagonist, with which the writer wanted to demonstrate the collapse of the thoughts expressed by the hero throughout the novel.

In his work, Turgenev clearly showed that in the cycle of all ideologies and political disputes there is a big, complex and diverse life, where traditional values, nature, art, love and sincere, deep affections always win.

A source:
Heroes of the work of fathers and children
Analysis of the novel by I.S. Turgenev "Fathers and Sons" with a description of the main characters and characters
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Summary of "Fathers and Sons"

Turgenev's novel "Fathers and Sons" was written in 1861. He was immediately destined to become a symbol of the era. The author especially clearly expressed the problem of the relationship between two generations.

To understand the plot of the work, we suggest reading "Fathers and Sons" in a summary of the chapters. The retelling was made by a teacher of Russian literature, it reflects all the important points of the work.

Average reading time is 8 minutes.

Evgeny Bazarov- a young man, a medical student, a vivid representative of nihilism, a trend when a person denies everything in the world.

Arkady Kirsanov- a recent student who arrived at the estate of his parents. Under the influence of Bazarov, he is fond of nihilism. At the end of the novel, he realizes that he cannot live like this and refuses the idea.

Kirsanov Nikolai Petrovich- landowner, widower, father of Arkady. Lives on the estate with Fenechka, who bore him a son. Adheres to advanced ideas, loves poetry and music.

Kirsanov Pavel Petrovich- Aristocrat, ex-military. Brother of Nikolai Kirsanov and uncle of Arkady. A bright representative of the liberals.

Bazarov Vasily Ivanovich- retired army surgeon, father of Eugene. Lives on his wife's estate, is not rich. Engaged in medical practice.

Bazarova Arina Vlasevna- Eugene's mother, a pious and very superstitious woman. Uneducated.

Odintsova Anna Sergeevna- a rich widow who sympathizes with Bazarov. But he values ​​peace more in his life.

Lokteva Katya- Anna Sergeevna's sister, a modest and quiet girl. Marries Arkady.

bauble- a young woman who has a little son from Nikolai Kirsanov.

Victor Sitnikov- an acquaintance of Arkady and Bazarov.

Evdokia Kukshina- An acquaintance of Sitnikov, who shares the beliefs of nihilists.

Matvey Kolyazin- city official

The action begins in the spring of 1859. At the inn, the small landowner Kirsanov Nikolai Petrovich is waiting for the arrival of his son. He is a widower, lives on a small estate and has 200 souls. In his youth, he was predicted to have a military career, but a small leg injury prevented him. He studied at the university, got married and began to live in the countryside. 10 years after the birth of his son, his wife dies, and Nikolai Petrovich goes headlong into the household and raising his son. When Arkady grew up, his father sent him to St. Petersburg to study. There he lived with him for three years and returned to his village again. He is very worried before the meeting, especially since his son is not traveling alone.

Arkady introduces his father to a friend and asks him not to stand on ceremony. Eugene is a simple person, and you can not be shy about him. Bazarov decides to go in a tarantass, and Nikolai Petrovich and Arkady sit down in a carriage.

During the journey, the father cannot calm down his joy at meeting his son, all the time he tries to hug him, asks about his friend. Arkady is a little shy. He tries to show his indifference and speaks in a cheeky tone. He keeps turning to Bazarov, as if he is afraid that he will hear his reflections on the beauty of nature, that he is interested in the affairs of the estate.

Nikolai Petrovich says that the estate has not changed. Hesitating a little, he informs his son that the girl Fenya lives with him, and immediately hurries to say that she can leave if Arkady wants it. The son replies that it is not necessary. Both feel awkward and change the topic of conversation.

Looking at the desolation that reigned around, Arkady thinks about the benefits of transformations, but he does not understand how to bring them to life. The conversation smoothly flows to the beauty of nature. Kirsanov Sr. is trying to recite Pushkin's poem. He is interrupted by Yevgeny, who asks Arkady to smoke. Nikolai Petrovich falls silent and is silent until the end of the journey.

No one met them at the manor house, only an old servant and a girl who appeared for a moment. Leaving the carriage, the elder Kirsanov leads the guests into the living room, where he asks the servant to serve dinner. At the door they encounter a handsome and very well-groomed elderly man. This is the elder brother of Nikolai Kirsanov, Pavel Petrovich. His impeccable appearance stands out strongly against the background of the untidy-looking Bazarov. An acquaintance took place, after which the young people went to clean themselves up before dinner. Pavel Petrovich, in their absence, begins to ask his brother about Bazarov, whose appearance he did not like.

During the meal, the conversation did not stick. Everyone spoke little, especially Eugene. After eating, everyone immediately went to their rooms. Bazarov told Arkady his impressions of the meeting with his relatives. They quickly fell asleep. The Kirsanov brothers did not sleep for a long time: Nikolai Petrovich kept thinking about his son, Pavel Petrovich looked thoughtfully at the fire, and Fenechka looked at her little sleeping son, whose father was Nikolai Kirsanov. The summary of the novel "Fathers and Sons" does not convey all the feelings that the characters experience.

Waking up before everyone else, Eugene goes for a walk to explore the surroundings. The boys follow him and everyone goes to the swamp to catch frogs.

The Kirsanovs are going to drink tea on the veranda. Arkady goes to the affected sick Fenichka, learns about the existence of a little brother. He rejoices and blames his father for hiding the fact of the birth of another son. Nikolai Kirsanov is touched and doesn't know what to say.

The older Kirsanovs are interested in the absence of Bazarov and Arkady talks about him, says that he is a nihilist, a person who does not take principles on faith. Bazarov returned with the frogs, which he carried to the experiment room.

During a joint morning tea, a serious dispute flares up in the company between Pavel Petrovich and Evgeny. Both do not try to hide their dislike for each other. Nikolai Kirsanov is trying to turn the conversation in a different direction and asks Bazarov to help him with the choice of fertilizers. He agrees.

In order to somehow change Yevgeny's mockery of Pavel Petrovich, Arkady decides to tell his friend his story.

Pavel Petrovich was a military man. Women adored him, and men envied him. At 28, his career was just beginning and he could go far. But Kirsanov fell in love with one princess. She had no children, but had an old husband. She led the life of a windy coquette, but Pavel fell deeply in love and could not live without her. After parting, he suffered greatly, left the service and traveled all over the world for her for 4 years.

Returning to his homeland, he tried to lead the same way of life as before, but, having learned about the death of his beloved, he left for the village to his brother, who at that time became a widower.

Pavel Petrovich does not know what to do with himself: he is present during the conversation between the manager and Nikolai Kirsanov, he goes to Fenechka to look at little Mitya.

The story of the acquaintance of Nikolai Kirsanov and Fenechka: three years ago he met her in a tavern, where things were going badly for her and her mother. Kirsanov took them to the estate, fell in love with a girl, and after the death of her mother began to live with her.

Bazarov meets Fenechka and the child, says that he is a doctor, and if the need arises, they can contact him without hesitation. Hearing Nikolai Kirsanov playing the cello, Bazarov laughs, which disapproves of Arkady.

In two weeks, everyone got used to Bazarov, but they treated him differently: the courtyards loved him, Pavel Kirsanov hated him, and Nikolai Petrovich doubted his influence on his son. Once, he overheard a conversation between Arkady and Eugene. Bazarov called him a retired man, which offended him very much. Nikolai complained to his brother, who decided to rebuff the young nihilist.

An unpleasant conversation took place during an evening tea party. Calling one landowner "rubbish aristocrat", Bazarov aroused the displeasure of the elder Kirsanov, who began to assert that by following the principles, a person benefits society. Eugene in response accused him of also living meaninglessly, like other aristocrats. Pavel Petrovich objected that the nihilists, by their denial, were only aggravating the situation in Russia.

A serious dispute broke out, which Bazarov called senseless, and the young people left. Nikolai Petrovich suddenly remembered how a long time ago, being just as young, he had quarreled with his mother, who did not understand him. Now the same misunderstanding arose between him and his son. The parallel of fathers and children is the main thing that the author pays attention to.

Before going to bed, all the inhabitants of the estate were occupied with their thoughts. Nikolai Petrovich Kirsanov goes to his favorite gazebo, where he remembers his wife and reflects on life. Pavel Petrovich looks into the night sky and thinks about his own. Bazarov invites Arkady to go to the city and visit an old friend.

Friends left for the city, where they spent time in the company of a friend of the Bazarov family, Matvey Ilyin, visited the governor and received an invitation to the ball. An old acquaintance of Bazarov, Sitnikov, invited them to visit Evdokia Kukshina.

They did not like visiting Kukshina, as the hostess looked untidy, carried on meaningless conversations, asked a bunch of questions, but did not expect answers to them. In conversation, she constantly jumped from subject to subject. During this visit, the name of Anna Sergeevna Odintsova was mentioned for the first time.

Arriving at the ball, friends get acquainted with Odintsova, a sweet and attractive woman. She shows attention to Arkady, asking him about everything. He talks about his friend and Anna Sergeevna invites them to visit.

Odintsova interested Evgeny with her dissimilarity to other women, and he agreed to visit her.

Friends come to visit Odintsova. The meeting made an impression on Bazarov and he suddenly became embarrassed.

The story of Odintsova impresses the reader. The girl's father lost and died in the village, leaving his two daughters a ruined estate. Anna did not lose her head and took up the household. I met my future husband and lived with him for 6 years. Then he died, leaving his young wife his fortune. She did not like urban society and most often lived on the estate.

Bazarov did not behave the way he always did, which surprised his friend very much. He talked a lot, talked about medicine, botany. Anna Sergeevna willingly supported the conversation, as she understood the sciences. She treated Arkady like a younger brother. At the end of the conversation, she invited the young people to her estate.

In Nikolskoye, Arkady and Bazarov met other inhabitants. Anna's sister Katya was shy and played the piano. Anna Sergeevna talked a lot with Yevgeny, walked with him in the garden. Arkady, who liked her, seeing her passion for a friend, was a little jealous. A feeling arose between Bazarov and Odintsova.

While living on the estate, Bazarov began to change. He fell in love, despite the fact that he considered this feeling a romantic bilebird. He could not turn away from her and imagined her in his arms. The feeling was mutual, but they did not want to open up to each other.

Bazarov meets his father's manager, who says that his parents are waiting for him, they are worried. Eugene announces the departure. In the evening, a conversation takes place between Bazar and Anna Sergeevna, where they try to understand what each of them wants to get from life.

Bazarov confesses his love to Odintsova. In response, he hears: “You did not understand me,” and feels extremely embarrassed. Anna Sergeevna believes that without Yevgeny she will be calmer and does not accept his confession. Bazarov decides to leave.

There was a not entirely pleasant conversation between Odintsova and Bazarov. He told her that he was leaving, he could stay only on one condition, but it was unrealizable and Anna Sergeevna would never love him.

The next day, Arkady and Bazarov leave for Evgeny's parents. Saying goodbye, Odintsova expresses hope for a meeting. Arkady notices that his friend has changed a lot.

They were received well in the house of the elder Bazarovs. The parents were very happy, but knowing that their son did not approve of such a manifestation of feelings, they tried to be more restrained. During dinner, the father told how he runs the household, and the mother only looked at her son.

After dinner, Eugene refused to talk to his father, citing fatigue. However, he did not fall asleep until morning. In the novel "Fathers and Sons" the description of the relationship between generations is shown better than in other works.

Bazarov spent very little time at his parents' house, as he was bored. He believed that their attention they interfere with his work. There was a dispute between friends, which almost turned into a quarrel. Arkady tried to prove that it was impossible to live like this, Bazarov did not agree with his opinion.

Parents, having learned about Yevgeny's decision to leave, were very upset, but tried not to show their feelings, especially his father. He reassured his son that if he had to leave, then he had to do it. After leaving, the parents were left alone and were very worried that their son had abandoned them.

On the way, Arkady decided to turn into Nikolskoye. Friends were greeted very coldly. Anna Sergeevna did not go down for a long time, and when she appeared, she had a displeased expression on her face and from her speech it was clear that they were not welcome.

In the estate of the Kirsans, the elders were delighted with them. Bazarov began to engage in wholesales and his own frogs. Arkady helped his father in managing the estate, but he constantly thought about the Odintsovs. Finally, having found correspondence between his mothers, his own and Odintsova, he finds an excuse to go to visit them. Arkady is afraid that he will not be welcome, but he alone was greeted warmly and cordially.

Bazarov understands the reason for Arkady's departure and devotes himself completely to work. He retires and no longer argues with the inhabitants of the house. He treats everyone badly, making an exception only for Fenechka.

Once in the gazebo they talked a lot, and, deciding to check their thoughts, Bazarov kissed her on the lips. This was seen by Pavel Petrovich, who silently went into the house. Bazarov felt uncomfortable, his conscience woke up.

Pavel Petrovich Kirsanov is offended by Bazarov's behavior and challenges him to a duel. They do not want to admit to their family the true reasons and say that they shot themselves because of political differences. Yevgeny wounds Kirsanov in the leg.

Having completely ruined his relationship with the Kirsanov seniors, Bazarov leaves for his parents, but on the way he turns into Nikolskoye.

Arkady is more and more interested in Anna Sergeevna's sister, Katya.

Katya talks to Arkady and convinces him that without the influence of a friend, he is completely different, sweet and kind. They try to declare their love to each other, but Arkady gets scared and hurriedly leaves. In his room, he finds Bazarov who has arrived, who told him about what happened in Maryino in his absence. Having met with Odintsova, Bazarov admits his mistakes. They tell each other that they just want to be friends.

Arkady confesses his love to Katya, asks for her hand and she agrees to become his wife. Bazarov says goodbye to his friend, viciously accusing him of being unsuited for decisive matters. Eugene leaves for his parents in the estate.

Living in the parental home, Bazarov does not know what to do. Then he begins to help his father, treats the sick. Opening a peasant who died of typhus, he accidentally wounds himself and becomes infected with typhus. A fever begins, he asks to send for Odintsova. Anna Sergeevna arrives and sees a completely different person. Before dying, Eugene tells her about his real feelings, and then dies.

Six months have passed. Two weddings took place on the same day, Arkady with Katya and Nikolai Petrovich with Fenya. Pavel Petrovich went abroad. Anna Sergeevna also got married, becoming a companion not out of love, but out of conviction.

Life went on and only two old people constantly spent time at the grave of their son, where two Christmas trees grew.

This brief retelling of “Fathers and Sons” will help you understand the main idea and essence of the work; for deeper knowledge, we recommend that you familiarize yourself with the full version.

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