Tatiana Larina- the main heroine of the novel in verse by Alexander Pushkin "Eugene Onegin". Sometimes it seems to readers that the author gave the wrong title to his work. The sympathy of everyone who undertakes to read the novel is always on the side of its magic heroine - Tatiana.

But, if we read the novel more attentively, we will see that Pushkin depicts the image of the protagonist as a chronicler or biographer - he unfolds events in time, some separately, examining them in more detail. Tatiana, since she is not the main character, appears in the novel twice - in her family estate and at a ball in St. Petersburg.

First time reader sees Tatiana when Onegin appears at the celebration of her name day. She is the eldest of the two Larin sisters. Sisters are the opposite in everything. One is a beautiful, unreasonable white woman, the other is a dark-haired and romantic girl.

Even her name is common. She is "... the one who is sad And silent, like Svetlana."

While her sister Olga is cheerful, she plays with her girlfriends. Eugene notes:

• “Olga has no life in her features.
• Just like in Vandikova Madona "

Tatiana is lonely, she likes to sit by the window herself, she is fascinated - not by embroidery, like other girls, but by romantic stories about the love of Richardson and Russo, a dream book by Martyn Zadeki. Pushkin emphasized Tatyana's closeness to the people not only by her common name, but also by her tastes. Tatyana, together with the courtyard girls, guesses, listens to the stories of the superstitious nanny, secretly reads the meaning of her dreams from the dream book ... Simple and beautiful girl, with a pure heart and an inquisitive mind, she is looking for her romantic hero and finds him in Onegin. Why didn't she fall in love with Lensky?

He, like Tatyana, is a romantic hero, traveler, student at the University of Götingen. Human gossip immediately "married" Tatiana and Eugene, however, this could not have happened. Pushkin defines this moment as follows:

• And a thought sank into my heart;
• It's time she fell in love

so, why exactly Eugene becomes her chosen one? Here Pushkin says simply:

• Long sincere longing
• Her young breasts were pressed against her;
• The soul was waiting ... for someone

So, Eugene- so far "someone" for Tatiana. She falls in love only with the image, with her dream, which, in the end, acquired some specific features. Onegin for her is the embodiment of the spiritualized heroes of the “lover of Julia Volmar”, Malek-Adel, Linar, Werther and Grandison:

• "Everything for the gentle dreamer
• We put on a single image,
• They merged in Onegin alone ... "

Tatiana herself, “Like Julia, Dolphin,” a lover who did not know how to express her Russian thoughts, simply rewrites the text of a love letter from a French novel and sends it to Onegin as her own. For Onegin, a socialite, the sudden love of a rural girl is just an unpleasant case, he answers her, as an adult man should answer to a teenage girl (even quite politely!

): "I am not made for marriage." He tries not to offend her soul, and equally the first girlish feeling she is discarded.

Several years pass - and Onegin again meets Tatyana - now a magical society lady, the wife of a military general. Onegin is fascinated: for the first time he is seriously in love ... How and when did a wild romantic girl turn into a shining hostess of the capital's balls? The most unexpected unfortunate woman opens up adult feelings for Tatiana the girl. She reads many books from the library of the Onegins' estate, thanks to which the inner world of the lover is revealed to the girl:

• “And starts little by little
• My Tatiana understand
• It's clearer now - thank God -
• The one for whom she sigh
• Condemned by the fate of the imperious:
• A sad and dangerous freak "

Later having arrived in Moscow, she will learn to go out into the world, to behave in society ...

Her soul will grow stronger and grow, she will become an adornment and mistress of living rooms, she will talk on equal terms with secular lionesses(for example, with Nina Vronskaya, "Cleopatra of the Neva"). But having acquired secular experience, Tatyana will still remain that wild and romantic girl who knows how to love, noble society taught her exquisite manners, taste in clothes.

But the most important thing is the ability to clean human feeling... Tatiana Onegin's answer to his feeling sounds like revenge is a bitter reproach for the fact that he did not see and did not appreciate the strength of her feelings:

• Have I heard your lesson?
• Today is my turn.
• "Onegin, then I'm younger,
• I think I was better
• And I loved you; and what?
• What have I found in your heart? "

« Then - isn't it? - in the desert, Far from the vain rumor, you didn’t like me ... ”- says Tatiana. “Are you following me? Why do you have me in mind?

Is it not because in high society Now I must appear; That I am rich and noble ... ". Tatiana reproaches his love: "How can it be with your heart and mind to be a petty slave feeling?" But even now she respects him, and even loves him: “And happiness poured out so close ...” Pushkin almost pushes Tatyana towards his hero-womanizer, and understands: no, Tatyana is not for the Onegins! her clean and beautiful soul not created for one-day love, it is strong and whole, it needs either everything - or nothing. Her common Christian upbringing does not allow Tatyana to commit a sin, even for a loved one. Therefore, her choice is: “But I am given to another; I will be faithful to him forever " Pushkinskaya Tatiana- a wonderful example of high love, one that sacrifices itself - in order not to betray, not to belittle this wonderful feeling.

If Tatyana had not refused Onegin, their love would have turned into something like many stories. At the same time, her refusal raised this story to the level of world literature. Pushkin loves his Tatyana, he is delighted with her liveliness, intelligence - both girlish and female. Tatiana is the embodiment of Pushkin's ideal of a woman.

Whether this ideal is achievable or not, every woman must answer this at least once in her life.

You have read the answer to the question The image of Tatiana Larina in A. Pushkin's novel "Eugene Onegin" and if you like the material, then write it down - "The image of Tatiana Larina in the novel by A. Pushkin" Eugene Onegin "? .

Tatyana's Day is considered by students to be their official holiday, therefore it is traditionally called Student Youth Day. Its official appointment "Tatiana's Day" has received since the eighteenth century, and to this day is celebrated in almost all universities. How did "Tatiana's Day" appear and who was this mysterious Tatiana? Consider in the article. As it turned out, Tatiana, earlier, in ancient times, was read as Tatiana and was translated from the Greek language - the founder or organizer. Directly Tatyana's Day By the lesson, students need to re-read chapters 4 and 8 of the novel and think about the questions: what is the evolution of relations between Tatyana and Onegin? Compare the letters of the characters. How does the behavior in chapter 8 characterize them? Is it typical for each of them? What is compositional role love stories of Tatiana to Onegin and Onegin to Tatiana? The lesson can be taught by studying and comparing chapters 4 and 8 of the novel. The main stages of the lesson: 1. Observing the development of events in Pushkin introduces two heroines into the novel - the sisters Tatiana and Olga. But this elusive image of a thin girl, which appears in the reader's imagination, is like an antipode younger sister Olga, whose features can be found in any novel of that time. The frivolity of the verse, which describes Olga, is suddenly replaced by a serious intonation: Let me, my reader, take care of my older sister. And she appears on the pages of the novel. Neither by the beauty of her sister, Nor by the freshness of her ruddy, Not attracted What is so interesting about the image of the heroine of the novel "Eugene Onegin". First of all, with its deep national roots, its Russian basis, which makes it a perfect phenomenon in Moscow and St. Petersburg society, the attractive brilliance of which leaves Tatyana indifferent. And to me, Onegin, this splendor, Tinsel of hateful life, My successes in a whirlwind of light, My crowded house and evenings, What is in them Now I'm glad to give All this rags of a masquerade, All this shine, and noise, and bastard For The basis of the novel is the love story of Eugene Onegin and Tatiana Larina. Tatiana's image as the main character the novel is the most perfect among the rest female images... Tatiana is Pushkin's favorite heroine, his "dear ideal" ("... I love my dear Tatiana so much"). In the image of Tatyana, Pushkin reflected all those features of a Russian girl, the totality of which represents a perfect ideal for the author. These are those special features character that make Tatiana truly Russian. The formation of these traits in Tatiana

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Pushkin is a poet whose work is extremely accessible to human understanding. The clarity of the images and the harmony of his works are of educational and educational value. His lyre awakens good feelings in people. No matter what he describes, no matter what he talks about, love for people and life is felt in his lines.

"Eugene Onegin" is one of the most iconic works of the poet. The form of this work is unusual and complex. This is a novel in verse, previously there were no works of this kind in Russian literature.

"Eugene Onegin" is a source of ideas about the Russian life of the Pushkin period. One of the central figures in the novel is Tatiana, the daughter of the landowners Larins.

By showing the image of Tatiana, the only whole nature in the novel, Pushkin demonstrates a real phenomenon in Russian life.

“... Thoughtfulness, her friend
From the most lullaby days
Rural leisure flow
Decorated her with dreams ... "

Tatiana lives among ordinary people who are unfamiliar with the hustle and bustle big light... They are naive and sweet in their own way.

Tatyana is drawn to someone whom she has not yet met, but who would be smarter, better, kinder than those around her. She takes a neighbor, the landowner Eugene Onegin, for such a person. Over time, dear Tatiana falls in love with him.

He is indeed smarter than her surroundings, more knowledgeable and judicious. He is capable of good deeds (eased the plight of his serfs):

“First, our Eugene conceived
Establish a new order.
Yarem from corvée old
Replaced the rent with a light one, -
And the slave blessed fate ... "

But Onegin is far from ideal. Tatiana has not yet recognized it. He is an idle gentleman, lazy, spoiled by life, half-educated, not knowing what to do, because he does not have mental strength, but from an empty life he is gnawed by melancholy.

Tatiana writes a letter to him, in which she declares her love. But Onegin cannot cope with his egoism, he does not accept her emotional impulses.

After Onegin's departure from the village, Tatiana has a habit of being at his house, reading books. She learned a lot and understood a lot. Onegin is not what she imagined him to be. He is a selfish, selfish person, not at all the hero to whom her tender soul was eager.

After the lapse of time, Onegin meets Tatyana in St. Petersburg again. She is the wife of an old general. And then Onegin looked at her in a new way. In wealth and nobility, she seems completely different. Love flashed in his soul. This time she herself rejected him, knowing his selfishness, knowing the emptiness of his soul and not wanting to break the word she gave to her husband.

This soul, kind Tatiana, knew how to love deeply. After parting with Onegin and realizing that he was not the hero of her novel, she still continued to love him and suffered from it. Tatiana did not become the general's wife of her own free will, her mother prayed about it. She did not part with her love: in her heart she loved Onegin.

Tatyana's soul is the soul of the best Russian women, no matter how different their fates, thoughts, deeds may be.

Pushkin's genius lies in the fact that he offered society a new look at the fate of a Russian woman. He prescribed a character hitherto unfamiliar to Russian literature. Toughness of nature, strength, simplicity, naturalness, loyalty to her word, decency - these traits determined the integrity and strength of the character of the heroine. Tatiana's firm principles were unshakable throughout the story. She was disgusted with hypocrisy, insincerity, idle talk, everything that she called "masquerade rags."

Since childhood, Tatiana was close to the people, to folk poetry. Her soulmate is a nanny to whom she confided her secrets. Throughout the entire story, Tatiana's inner world does not change. No external circumstances will force her to go astray, will not "break her spiritual makeup." The admiration and love of the poet in the novel are given to Tatiana in full measure.

Conclusion

Pushkin combined two eras: in him there were well-known features of the present and some echoes of the past, in the midst of which his own upbringing took place; on the other hand, with him began completely new period, the period of modern literature.

With his novel Eugene Onegin, Pushkin taught everyone who wrote after him to portray the strength and suffering of a Russian woman just as simply and sincerely. Pushkin raised the importance of the Russian woman in our minds. He created the basis for those high ideals of women, which we see in the subsequent works of other authors.

Tatiana's life is wonderful story education of character in oneself, which was created in the lessons of life ("Eugene Onegin" by A. Pushkin)

Pushkin created a whole gallery female types endowed with excellent character traits: loyalty, devotion, femininity (by the way, femininity is primarily the desire for self-sacrifice - someone gave her such a definition), the ability to deep, strong feelings. Such are Marya Gavrilovna ("Snowstorm"), Marya Mironova (" Captain's daughter"), Marya Troekurova (" Dubrovsky "). Each of these women is charming in its own way, but Tatyana Larina is the brightest of the creations of Pushkin's genius. When they talk about her, first of all, they mention two of Pushkin's definitions: "Tatiana is a sweet ideal" and "Tatiana is a Russian soul." This image, perhaps, causes the least controversy and disagreement (except perhaps between Belinsky and Dostoevsky - I have already mentioned their polemics).

Dostoevsky, undoubtedly fascinated by Pushkin's heroine, noted that the author should have named his novel after Tatyana, and not Onegin: it is she, according to the writer, who is the main one in the novel. His phrase, said about Tatiana: “This is a type who firmly stands on its own ground,” obviously reflects the truth and finds its confirmation in the text of the novel.

Tatiana was "born" in 1803. Tatiana's closeness to her native soil, to Russian culture, the folk type of consciousness is also expressed in the fact that she is close in spirit to the Russians folk customs and traditions:

Tatiana believed in legends

Common folk antiquity,

And dreams, and card fortune-telling,

And the predictions of the moon.

She was worried about the signs ...

and that she "loved the Russian winter." Tatiana did not think

over what this love is connected with. I think, not only with the unique beauty of the Russian winter nature, her calmness and grandeur, fascination and secret expectation of awakening to a new life. The numbness of nature, frozen in anticipation of spring rapid flowering and summer holiday life, could well correspond to the rich soul of Tatiana, which was like a bud that had not yet blossomed. It is also possible that winter for Tatyana is the mysterious time of Christmas and Christmas, this is the only time of the year when it was possible to lift the curtain over the unknown future (and her thoughts were most often directed towards the future).

Generally speaking, this is not surprising, because Tatiana was raised by an old Russian nanny, perhaps the closest person to her, and the influence of the nanny cannot be underestimated. It is interesting to note the author's remark: “She did not know Russian well” (in which he apologizes, as it were, for Tatyana, who wrote a letter in French). Doesn't this contradict the "Russian soul" of the heroine? Firstly, the author means that the heroine did not speak Russian. written speech(naturally, she could not help but own household items). Secondly, one can hardly blame a young noble girl for this, because according to the norms of that time, she had to be fluent in French, be able to dance and keep herself in society, as well as sing and play musical instrument... The education of a noblewoman had the only goal- make her an attractive bride. The strangeness is not that “she knew little Russian”, but that she “knew French, because French she could only be taught by a French governess, whose presence Pushkin does not mention.

Tatiana is a spiritual nature, which means that, despite the external isolation and secrecy, internally, at a subtle, spiritual level, she is open to the world / spirituality, simply put, is openness to the world /. Tied by a million invisible strands with native nature, culture, the Russian people, at the same time it feels like a particle of infinite space. Her genuine, sincere religiosity (“she delighted the melancholy of an agitated soul with prayer”) is a proof of this.

Tatiana's spirituality and romance are closely intertwined.

Because, as Pushkin writes,

She liked novels early

They replaced everything for her.

She fell in love with deceptions

And Richardson and Russo, -

impressionable and naive, with spiritual needs Tatyana Larina could not help but bear literary images into your life. Gray, monotonous country life was too faded. The world of illusions, the world of fictional literary heroes became a second reality for her - bright and interesting. Endowed with a "rebellious imagination" and "a fiery and tender heart", she was expecting her romantic hero, with a presentiment of love that could fill her whole life without a trace. Tatyana fell in love with Onegin, not knowing him at all, but feeling in her heart an unhappy, unsatisfied, suffering person in him. She waited and could love only such a person: a difficult, restless, seeker. She would never have been seduced by the boring, empty, ordinary Petushkovs, Flyanovs, Buyanovs. I think that the beginnings of love for Onegin arose in Tatyana's soul long before the date with him. She was already waiting for him when she heard bad gossip about him. She was already interested in him when she realized that he was extraordinary.

The most important touch to understanding the image of Tatyana Larina is her letter to Onegin (1820). When sending a letter, Tatiana behaves according to the norms of behavior of the heroine of the novel, but for a Russian young lady early XIX v. such an act was simply unthinkable. The fact that she entered into correspondence with an unfamiliar man and was the first to confess her love to him was a violation of all norms of decency. If Onegin had divulged the secret of his receipt of the letter, her reputation would have suffered irreparably. Tatiana's letter is replete with literary clichés. She, "imagining the heroine of her beloved creators", appropriates "someone else's delight, someone else's sadness" and builds her love on the models of "Clarissa, Julia, Dolphin." However, all this does not make her feeling less sincere and immediate.

Building her life according to her usual plot of novels, Tatiana suggests only two possible clues to Onegin's character: "guardian angel" (Grandison) or "insidious tempter" (Lovelace). In the first case, her life was supposed to turn into an idyll, in the second, she was waiting for death ("I will die, Tanya says, but death from him is kind"). (By the way, the romantic Lensky also sees in people only the manifestation of two extremes: the keeper-temptor). However, real life presented Tatyana with an unexpected surprise: Onegin behaved unpredictably, he simply brought her down to earth. From now on, "proud patience" and quiet, selfless love became the meaning and content of her life.

Young, inexperienced Tatyana, of course, could not even think that she was too much forcing events. It would be wiser to wait for Onegin's next visit, read in his look (which, as you know, is more eloquent than any words) indifference or interest and act depending on this. Confessing your love for a person who is indifferent to you is absolutely pointless! But this is from the point of view of reason, Tatiana, as we know, was entirely under the influence of feelings, and feelings did not leave her with the possibility of another choice: it is unbearable to keep a boiling passion in herself.

Tatiana's life is a wonderful story of developing a character in herself, which was created in the lessons of life.

The first was the lesson learned from Onegin. He was like an ice shower for a pampered warmth, like a powerful blow from real life, smashing romantic illusions to smithereens. With him somehow it was necessary to "cope". And the main thing that Tatyana heard and learned later was “learn to rule yourself”.

Tatiana of the first part of the novel is sensitive, impressionable and impulsive ("Thoughtfulness, her friend ...", "She fell in love with deceits and Richardson and Russo", "The secret was charm and she found in the very horror ...").

One of striking examples, showing her impressionability and complete inability to control herself - the scene of the birthday dinner. Unexpectedly for herself, finding herself at the table directly opposite Onegin, she simply "gave herself away":

There is a passionate heat in her; she is stuffy, ill;

.... tears from the eyes

They really want to drip; already ready

Poor thing to faint ...

All this Eugene classified as "tragic-nervous phenomena, girlish fainting, tears", which was the reason for his intention to take revenge on Lensky.

The second heavy life lesson there was the death of Lensky by the hand of the same Onegin, when for the first time in front of Tatiana the harsh word "duty" loomed:

She will not see him;

She must hate in him

The murderer of his brother ...

By the way, for Olga nothing "due" from the death of Lensky did not follow: she calmly married the first uhlan she met. Tatyana, on the other hand, is a stranger to Lensky, in his death she saw a certain duty for herself.

The third lesson was the knowledge of Onegin, which occurred in separation from him (for her consciousness - in separation "forever") through the study of his things, his books, notes on them, the whole environment of his life. So the titanic image of the romantic hero was replaced by the image of a secular egoist. Moreover, Tatyana, herself in many ways imitating her favorite heroines, and Onegin took for a parody of Western sufferers, victims of spleen: "Is he really a parody?" However, Eugene's landing did not help the girl stop loving him. It could not have been otherwise! After all, she fell in love with him as he is, without delving into his merits and demerits. I fell in love with my heart, not my mind. She fell in love not because Onegin is good and handsome, but because her soul entered a state of love.

The fourth lesson was the way out of the lonely life in the countryside into the crowded life of Moscow, the "study" of people ("Tatiana wants to listen to conversations, general conversation") and finding ways and means of adapting to them.

This was followed by the first test, a vital act: getting married without love, but out of duty. What she had prepared herself for in her girlish dreams failed. The place of love was taken over by the duty to the mother: "Mother prayed to me with tears of spells." It is possible that from that moment Tatiana began to "have character."

But back to the definition of "Tatiana is a sweet ideal." Integrity, harmony of nature, moral purity, loyalty to duty, this word, readiness for self-sacrifice, the ability to deep, sincere feeling, naturalness, simplicity, etc. - features that most of all appeal to Pushkin in Tatyana Larina and which allowed him to call her a "sweet ideal". The ideal for the author is not only "poor girl Tanya", but also Tatiana the princess, a married woman. The appearance of the genuine society ladies Pushkin reflected in his heroine (he was looking for him in real life and found in his wife):

She was leisurely

Not cold, not talkative,

Without an insolent gaze for all,

No claim to success

Without these little antics

Without imitative undertakings ...

Everything is quiet, it was just in her,

She seemed a sure shot

De come il faut.

Tatiana, modest, taciturn, has turned into "the majestic and careless legislator of the hall." She transformed the “soulless world”; she brought her simplicity and naturalness to the “masquerade” of St. Petersburg.

A reasonable question arises: why is the upper world, which we are accustomed to consider a false and hypocritical world, and there are good reasons for this, is far from disgusted with Tatiana? Why did she fit so organically into him? Is there a contradiction here? Pushkin's heroine reflects him own view to the upper world, and he, like everything in Pushkin, is multidimensional. On the one hand, this is really the kingdom of masks and mannequins, on the other hand, this is the sphere in which Russian culture develops, and its bearers are primarily representatives of the educated stratum, the nobles, this environment from which the Decembrists emerged.

Second life test- meeting with Onegin - found Tatiana already a person with a fully developed character.

Tatiana Chapter VIII is the embodiment of restraint, poise, calmness, the ability to control oneself.

The first meeting with Onegin after separation is presented by Pushkin as a contrast to the last meeting before separation:

The princess looks at him ...

Nothing embarrassed her soul,

No matter how strong she is

Surprised, amazed

But nothing changed her ...

Really that same Tatiana ...

So indifferent, so daring?

Next date: Onegin is embarrassed, "awkward", and she "sits calm and free." Further meetings:

She doesn't notice him

No matter how he fight, even die,

Free at home accepts

On a visit with him, he says three words,

Sometimes he will meet with one bow,

Sometimes he will not notice at all ...

And finally, after Onegin's letters:

Uh! how surrounded now

Epiphany cold she! ..

Where, where is confusion, compassion?

Where are the stains of tears? .. They are not, they are not!

Only when last meeting with Onegin, Pushkin shows the inner world of this new Tatiana and makes it clear what that "Epiphany cold" cost her, that inaccessibility, that ease of treatment, which so amazed Onegin.

Oh, who would dumb her misery

I didn’t read it in this quick moment!

Who is the former Tanya, poor Tanya

Now I wouldn't recognize the princess!

She loves Onegin, but she should not love him, and this “should not” determines all of her behavior, everything to the smallest shades of look and appeal, determines irrevocably and forever.

I love you (why dissemble?),

But I am given to another;

I will be faithful to him forever.

"I will be faithful to him forever" - an act also done "out of duty" - duty to her husband, but rather, even to the principle of marital duty.

But if Tatiana's sacrifice and her loyalty to her marital duty are quite obvious here, then something else is not at all obvious. Final explanation Tatyana and Onegin puts an ellipsis in dramatic story love of the main characters. And since this is an ellipsis, probably any reader asks himself the question: “What would have happened if Tatyana had not refused Onegin? What happens next? etc." Dostoevsky argued: “If Tatyana even became free, if her old husband died and she became a widow, then even then she would not have married Onegin. This is the essence of her character! " At first glance, this statement is strange: who refuses marital happiness with mutual love? But I think Dostoevsky's point of view has many grounds. Tatiana, having fallen in love with a seeker, could not marry a person who did not find. Indeed, stability and constancy are important in marriage, and Onegin is an “eternal wanderer” who “was not created for bliss”. Tatyana, of course, could not bring herself to stop loving Onegin, but she could well have ordered herself not to marry him, knowing that such a marriage would bring her disappointment.

As practice shows, dreams of family happiness too often turn out to be much more beautiful than reality. We draw dreams for ourselves, draw with bright, extraordinary colors - real life fate is preparing for us, and it has mostly gray and black paints in stock. Maybe that state when there is still something to dream about is much better than that, when everything is there and there is nothing to dream about?

So the novel's dramatic ending was predetermined. But still, is Tatiana unhappy? At first glance, yes. She is married to an unloved person, and happiness with a loved one is not available to her in principle. But this is only partly true.

Tatiana does not refuse love, but, as we see, avoiding the temptation to surrender to her feelings, she prefers to crucify love on the tree of duty. Mature Tatiana ceases to be impulsive, her feeling is more calm, restrained, reasonable. She deliberately makes her choice and, most importantly, remains in harmony with herself. Being married, she no longer wants, as before, for “love to fall on her life like a tombstone” (paraphrasing A. Akhmatova). So is this a misfortune? But “is it to do what you have a heart for, to live the way you want to live, and not to know the inner discord - means to distort your life?” (W. Somerset Maugham). Would Tatyana have become happier if the fate of Katerina from "The Groza" awaited her? Doubtful.

Yes, she undoubtedly prefers rural peace to secular bustle, but Tatyana's peculiarity is that she manages to live in harmony with everything that surrounds her, and this harmony is woven from chaos by her heart. The world with which she comes in contact ceases to be dirty and disgusting, she ennobles it, bringing purity and calm greatness into it. So perhaps her sister, who never knew true love?

Now to the question of Tatiana's prototype. Pushkin's phrase "And the one with which Tatyana was formed a sweet ideal ...", for decades misled both Pushkin's acquaintances and researchers of his work. It was considered undoubted that the prototype of Tatiana exists, it only needs to be found. One of the most authoritative researchers of Pushkin, Yu. Lotman, believed that the image of Tatiana is collective, i.e. it contains the features of many women familiar to Pushkin: Elizaveta Ksavelyevna Vorontsova, Natalia Dmitrievna Fonvizina, and others. The latter, the wife of the Decembrist, shared with her husband all the hardships of Siberian exile and, another interesting detail, after the death of her husband and after the amnesty she became the wife of Pushkin’s “first friend, invaluable friend "Ivan Ivanovich Pushchin. The fact that, after reading the novel, Natalya Dmitrievna began to call herself Tanya, indicates, rather, not that she is the only prototype of Tatyana, but that the image and fate of the heroine are typical, that her features are inherent in many wonderful Russian women. A. Raevsky, in his correspondence with Pushkin, called Princess E. Vorontsova Tatyana, and Pushkin understood who in question... Most likely, the allusion to the real and only prototype of Tatiana is the author's mistification, associated with the desire to cause the reader the illusion of the authenticity of the events.

When you talk about Tatiana, I want to draw an analogy with antique myth: Pushkin, like Pygmalion, who sculpted the beautiful Galatea, created the image of Tatiana, capturing in her the eternal, enduring standard of beauty ...

One of the problems associated with the novel in verse "Eugene Onegin" is the problem of incompleteness of the novel, but it would be more accurate to say - the suddenness, unexpectedness of its end. But death is just as unexpected at a young age, in the midst of a feast of life, and the author, considering it bliss ("Blessed is he who left the holiday of life early ..."), apparently even panickyly afraid of death, prefers an untimely death to a pitiful, decrepit old age ...

Pushkin parted with his beloved brainchild, saying goodbye to sometimes youth, to the "holiday of life":

Oh my light youth! Thank you for the delights

For sadness, for sweet torment,

For noise, for storms, for feasts,

For everything, for all your gifts.

In 1830, in the life of Pushkin, his spiritual path, his creative destiny there was a radical change. He made it nearly impossible to return to the novel. Pushkin became different.

Others, cold dreams

Other, strict worries And in the noise of the light, and in the silence

Disturbing the sleep of my soul.

What does the poet mean here? Premonition and expectation of death, "a sense of the passing time", global philosophical problems- these are his creative priorities in the last years of his life, called "apocalyptic" by one of the researchers of his work. Interesting vision of Pushkin recent years his life: "Village, love, religion, death."

In conclusion, I will quote the words of the censor Nikitenko, uttered during Pushkin's funeral: "The Russians mourn the man who honored them with his existence."

VG Belinsky called "Eugene Onegin" "an encyclopedia of Russian life", as it reflected, as in a mirror, the whole life of the Russian nobility of that era. The poet's attention is focused on life, everyday life, customs, deeds young man Eugene Onegin. Eugene Onegin is the first literary hero opening a gallery of the so-called " extra people". He is educated, smart, noble, honest, but the high life in St. Petersburg killed all feelings, aspirations, desires in him. He" matured for a time ", became a young old man. blues. "Onegin is really seriously ill with the social illness of his time. Even a sincere feeling, love is not able to revive his soul.

The image of Tatiana Larina is a counterbalance to the image of Onegin. For the first time in Russian literature female character opposed to the masculine, moreover, the feminine character is stronger and more sublime than the masculine. Pushkin with great warmth draws the image of Tatiana, embodying in her best features Russian woman. Pushkin in his novel wanted to show an ordinary Russian girl. The author emphasizes the absence of extraordinary, out of the ordinary features in Tatiana. But the heroine is at the same time surprisingly poetic and attractive. It is no coincidence that Pushkin gives his heroine the common name Tatiana. With this, he emphasizes the simplicity of the girl, her closeness to the people.

Tatiana is brought up on a manor house in the Larin family, faithful to the "habits of dear old times", Tatiana's character is formed under the influence of a nanny, whose prototype was the wonderful Arina Rodionovna. Tatiana grew up as a lonely, unkind girl. She did not like to play with her friends, she was immersed in her feelings and experiences. She tried to understand early the world, but the elders did not find the answers to my questions. And then she turned to books, which she believed completely: She liked novels early, They replaced everything for her: She fell in love with deceptions And Rtardson and Russo. Life around did little to satisfy her demanding soul. In the books she saw interesting people whom I dreamed of meeting in my life. Communicating with the courtyard girls and listening to the nanny's stories, Tatyana meets folk poetry, imbued with love for her.

Closeness to the people, to nature develops her in Tatyana moral qualities: spiritual simplicity, sincerity, artlessness. Tatiana is smart, unique. original. By nature, she is gifted: With a rebellious imagination, With a living mind and will, And a wayward head, And a fiery and necessary heart. Intelligence, uniqueness of nature, she stands out among the landlord environment and secular society... She understands the vulgarity, idleness, emptiness of the life of village society. She dreams of a person who would bring high content into her life, would be like the heroes of her favorite novels. Onegin seemed to her like that - a secular young man who came from St. Petersburg, intelligent and noble. Tatyana with all sincerity and simplicity falls in love with Onegin: "... Everything is full of them; magic power repeats about him. "She decides to write a love confession to Onegin. Eugene's abrupt refusal is a complete surprise for the girl. Tatyana ceases to understand Onegin and his actions. Tatyana is in a hopeless position: she cannot stop loving Onegin and at the same time is convinced that he does not worthy of her love. Onegin did not understand all the strength of her feelings, did not unravel her nature, since he valued "freedom and peace" above all, was an egoist and self-lover. Love brings Tatiana only suffering, her moral rules firm and constant.

In Petersburg she becomes a princess; gains universal respect and admiration in the "high society". During this time, it changes a lot. "An indifferent princess, an unapproachable goddess of the luxurious, regal Neva", Pushkin draws her in last chapter... But she’s lovely all the same. Obviously, this charm was not in her external beauty, but in her spiritual nobility, simplicity, intelligence, wealth of spiritual content. But even in the "high society" she is alone. And here she does not find what she was striving for with an exalted soul. She expresses her attitude to social life in words addressed to Onegin, who returned to the capital after wandering around Russia: ... Now I am glad to give away, All this rags of masquerade. All this splendor and noise, and fumes For the shelf of books, for the wild garden, For our poor dwelling ...

In the scene of Tatiana's last date with Onegin, her mental qualities: moral impeccability, fidelity to duty, decisiveness, truthfulness. She rejects Onegin's love, remembering that his feelings for her are based on selfishness, selfishness. The main character traits of Tatyana are a highly developed sense of duty, which takes precedence over other feelings, and spiritual nobility. This is what makes her soulfulness so attractive. Tatiana Larina opens a gallery of beautiful images of a Russian woman, morally flawless, seeking deep content in life. The poet himself considered the image of Tatiana "ideal" in a positive way Russian woman.

Tatyana Larina symbolizes the image of a Russian girl. It is difficult to understand the soul of a Russian without being a Russian. It is Tatiana who appears before us as a symbol of the mysterious Russian soul.

From the very childhood, she was distinguished by her dissimilarity from others. Her originality, sometimes wildness, seems to some to be pride and arrogance. But this is not the case. A meek disposition, but strength of character manifests itself and is even more emphasized against the background of Olga's sister. It would seem that a young girl in a noble family can worry. Are deep thoughts, the ability to reason and analyze inherent in such a greenhouse environment? Ease, carelessness should have become her companions, but everything turned out differently. The desire to study, self-development was made by girls strong character, deeply thinking, empathic. Frequent retreats contributed to deep immersion in oneself and self-discovery.

The first feeling that washed over Tatiana, engulfed her completely. She was ready to meet love. Reading novels contributed to this. And now, the image of a person who corresponded to her fictional hero, appeared in reality.

Tatiana, clean and open person, went to meet the feeling. She accepted it and decided on a difficult one, but necessary step- recognition.

Overcame girlish pride, dared to take the first step. What did she get in return? Condescension on the part of the brilliant Onegin to a provincial girl, a humane act of refusal. First love often breaks youthful hearts. But this defeat made Tatyana stronger. The feeling did not fade away, but only lurked somewhere in the depths of the soul. Nothing could prevent her from loving Eugene, neither his indifference, nor cruelty, nor cynicism, nor the murder of Lensky. You cannot love for something, you can love in spite of it. Only then is it love.

Tatiana is sensual, but proud nature. She did not humiliate herself and ask for Onegin's love. She tried to pull back and forget. Only she herself knows what was happening in her soul, what a struggle between mind and heart raged. Reason allowed the provincial savage girl to turn into a sedate lady, the mistress of the salon. Unloved husband even for a second he cannot doubt the tenderness and loyalty of his wife.

The power of love, its beauty is most colorfully revealed in tragedy. Tatiana is not destined to be with Onegin. Love is alive in her heart, and, perhaps, over time, it only intensified. But alas. A sacrifice of love for the sake of honor and the promised oath at the altar.