Turgenev asya history of creation presentation. Presentation for the work of I.S. Turgenev "Asya". Strong character, ability to sacrifice


"Asya Turgenev" - The story "Asya" (1858) is perhaps one of Turgenev's most beloved works. V.A. Nedzvetsky. The story "Asya" (1858). An important conversation. 2004. V. Panov. Illustration by VM Zeldes for the story "Asya" by Ivan Turgenev. 1982. TURGENEV Ivan Sergeevich (1818-83), Russian writer. Portrait of I.S. Turgenev. 1872.

"I.S.Turgenev Asya" - Ivan Sergeevich Turgenev. Sociologists What attracts you to the story? (The survey involved 24 students, 16 parents.). Sociologists Who is to blame for the separation of the heroes? Sociologists (the number of landscapes in the story). Drawings for the story: (Michukov M., Morozova N.). This is how the plot of the story came about ... ”. Anna - "grace", "cuteness" Anastasia - "born again".

"The Story of Asya" - What is the basis of the story? 1. What is the basis of the story? The hero missed his chance. The story is based on love. What is the love of Mr. N.N.? And so it happened. Turgenev was convinced that love is associated with the highest uplift of feelings. What is love? Information resources: Why, Mr. N.N. is afraid to confess his feelings to Asya?

"The Tale of Asya Turgenev" - I. S. Turgenev embodied in several of his works the image that has forever entered world literature. Each writer creates unique, special images in his works. The images of Pushkin's heroines, female images captured on the pages of the works of Lermontov, Ostrovsky and other writers are unique.

"Turgenev's story Asya" - Then "imposes fasting and repentance on himself" and turns into a Russian provincial girl. Tenderness, ability for sincere strong feelings, lack of artificiality, falsehood, coquetry. The main stages of the life of I.S. Turgenev. Strong character, willingness to sacrifice. Asya does not behave like noble girls.

"Asya Turgenev's lesson" - On whose behalf is the story being told? The story "Asya". I.S. Turgenev (1818-1883). Lesson 1. Mr. N.N. Gagin, Asya are the main characters of the story. I.S. Turgenev. Is Asya beautiful? Did Mr. N.N. new acquaintances? Questions about the text of the story. Do you see a contradiction in the character of the hero? M.E. Saltykov-Shchedrin.




BRIEF PICTURE Written far from Russia, the story tells about the events that took place in a small German town. A certain gentleman meets a girl, falls in love with a dog, dreams of happiness, but does not immediately dare to offer her a hand, but deciding, he finds out that the girl has left, disappearing forever from his life.


Asya is the daughter of a nobleman and a peasant serf. Her mother was a proud woman and did not allow her father to take part in raising her daughter. After the death of her mother, the girl from the peasant hut ended up in her father's manor house. Since childhood, Asya realized the complexity of her situation. Self-love and distrust developed in the girl, the peasant simplicity disappeared, but some bad habits took root. Despite all the vicissitudes of fate, the girl grew up very attractive. She has a swarthy round face with a small thin nose, almost childish cheeks and large black eyes. Asya is very mobile and does not sit still for a minute. There is something incomprehensible, mysterious in Asya's behavior. Often her actions are impudent, defiant.


Mr. NN, a young man of about twenty-five, an attractive and wealthy nobleman, travels around Europe "without any goal without a plan." In almost every town he has a lady of the heart. In one German town, the hero meets Asya and Gagin. Good relations are established between them. A strong feeling gradually arises between Asya and N. The heroine is ready for anything for love, but N. was afraid of responsibility.




The content of "Asi" is not limited to the psychological study of a certain social phenomenon. The story also touches upon problems of a timeless, extra-social nature, and, above all, the problem of true and false values. Even in episodes not directly related to the movement of the plot, Turgenev strove to express his sense of the wealth of the world, the beauty of a person who "is the highest moral value." The limitation of reason, the disharmony of human relations is contrasted in the story with the life of the soul, its ability to reject the false and aspire to the true.


After reading the story, I see that Turgenev is very fond of his heroine. I also like Asya. But I think it will be difficult for her to find her place in life. She seemed to have sailed from one shore, but did not stick to the other ... This duality of her position will prevent Asya from communicating with people and building her family. This can be seen in her attitude towards N.N. Asya fell in love deeply, strongly and recklessly. But such a girl needs either all or nothing. And not finding N.N. the same reciprocal feeling Asya leaves forever without saying goodbye.

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Presentation based on the novel by I.S. Turgenev "Asya"
Compiled by TV Ishkova, teacher of Russian language and literature, Ozerskaya secondary school

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His story "Asya" I.S. Turgenev wrote "with enthusiasm, inspiration, very ardently, almost with tears." The childhood story of the heroine, the illegitimate daughter of a nobleman, recalls the fate of Polina, the daughter of Turgenev himself, who was brought up first on the estate of his mother, then in the family of Pauline Viardot.

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«
Hello to you, a modest corner of the German land, with everywhere traces of diligent hands, patient, although unhurried work ... Hello to you and the world!

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“Asya was sitting exactly on the ledge ... Her slender appearance was clearly and beautifully drawn against the clear sky ...“ She wants to surprise us, ”I thought,“ what is it for? What a childish trick? " She suddenly threw a quick and piercing look at me and laughed again. Her movements were very nice, but I was annoyed with her ... "

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A lighted window on the third floor banged and opened, and we saw Asya's dark head. - I'm here, - said Asya, coquettishly leaning her elbows on the window, - I feel good here. On you, take it, - she added, tossing a geranium branch to Gagin, - Imagine that I am the lady of your heart.

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“I looked into this soul: secret oppression pressed it constantly, inexperienced pride was anxiously confused and beating, but her whole being was striving for the truth. This strange girl attracted me not only by her half-wild charm spread all over her delicate body - I liked her soul ”.

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"... Let's go - let's go ... I will ask my brother to play us a waltz ... We will imagine that we are flying, that we have grown wings ...". Moments later, we were whirling in the cramped room to the sweet sounds of Lanner. Asya waltzed beautifully, with enthusiasm.

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“What I felt was not that vague, recently experienced feeling of all-embracing desires, when the soul expands, sounds when it seems to her that she understands everything and loves everything ... No! A thirst for happiness was kindled in me. "

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... I looked at her: there was something touchingly helpless in her timid immobility. My heart melted ... -Asya, - I said barely audibly ... She slowly raised her eyes to me. Oh, the look of a woman who has fallen in love - who will describe you? They prayed, these eyes, they trusted, asked ... I could not resist their charm and clung to her hand ...

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I quickly descended from the vineyard and rushed into the city ..., walked around all the streets, returned to the Rhine and ran along the bank. I felt more than one fear ... no, I felt remorse, regret is the most burning, love - yes! The most tender love. I wrung my hands, I called Asya in the middle of the approaching night; I repeated a hundred times that I love her, I vowed never to part with her; I would give everything in the world to hold her cold hand again, to hear her quiet voice ...

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One word ... Oh, I'm crazy! I didn’t tell her, I didn’t tell her that I love her ... I didn’t see them again. I did not see Asya ... None of the eyes replaced those eyes that once looked at me with love, and my heart, which fell to my chest, responded with such a joyful and sweet fading ... I keep it as a shrine, dried up a geranium flower, the same flower that she once threw at me from the window.

What is hidden under the term "Turgenev girl". Asya reads a lot. Asya's illegitimacy. A soul that is impossible not to love. The hero needed determination. Turgenev girl. An integral view of Asya's character. Images of the heroines of Turgenev. Asya's image is infinitely expanding. Evil rock. Reading a poem by Goethe. In Asya's imagination, sublime human aspirations. Assessment of the image by critics.

"Bazarov and Kirsanov" - Education. The main lines of the dispute. Ideological differences between Bazarov and the Kirsanov elders. Collecting material on heroes. Peasantry. Attitude towards others. Fathers and Sons. Disputes of the heroes of the novel "Fathers and Sons". Test based on the novel by I.S. Turgenev. Nihilism. The relationship between Bazarov and N.P. and P.P. Kirsanov. Text assignment. Ideological conflict. P.P. Kirsanov. The life story of Pavel Petrovich. Bazarov. Education. Quarrel between P.P. Kirsanov and E. Bazarov.

"Themes of Turgenev's" Poems in Prose "- Ivan Sergeevich Turgenev. Illustration for the poem "Threshold". To literature lesson. Poems. Bougival. Pauline Viardot. A cycle united by a common key. Illustration for the poem "The Old Man". Poems in prose. Themes of poems. Thoughts and feelings. The works of I.S. Turgenev. Ivan Sergeevich Turgenev "Poems in Prose". Laconicism and freedom.

"The work" Fathers and Sons "" - spoil the harness. Meeting N.P. Kirsanov with his son. Low porch. A crowd of courtyards. Fussing with employees. AlexanderI. Forest. Terms. Poor land. Stages of development of the economic history of Russia. Fathers and Sons. Concepts. Troubles. Tiny ponds with. Man and time. The process of decomposition of the feudal-serf system. Human.

"Gerasim and the heroes of the story" - Kapiton. Tatiana. Moral superiority of Gerasim over other heroes of the story. Physical handicap. Gerasim. Descendant's opinion. Lady. Russian prose writer. Moral superiority. Creation of the story "Mumu". Creativity of the writer. Gavrila. Turgenev's childhood.

"The work" Bezhin Meadow "" - Slender boy. Bezhin meadow. Author. Events in the story. What did the boys do at night in the meadow. What history was not in the boys' stories. Oxotnik. What amazed the author in children. The face is small. White hair. The hair is disheveled. The boy was only seven years old. Ilyusha. Descriptions of the heroes of the story.

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OBJECTIVES OF THE WORK To find out what heroines literary critics call "Turgenev girls". What character traits does the heroine of IS Turgenev's story "Asya" have?

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OBJECTIVES To study the main stages of the life and work of I.S. Turgenev. Understand what is hidden under the term "Turgenev girl". Understand what character traits the heroine of the story "Asya" by IS Turgenev possesses and why she belongs to the images of "Turgenev girls". How the critics evaluated this image.

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The main stages of the life of I.S. Turgenev. All of Turgenev's prose is permeated by Pushkin's motives, since Pushkin was for Turgenev the most important landmark in Russian literature. No less important for Turgenev was the German literary and philosophical tradition, primarily in the person of J.V. Goethe; it is no coincidence that Asi takes place in Germany. The main features of a love story are a small circle of characters. Love stories, they are also often called "elegiac" not only for the poetry of feeling and the beauty of landscape sketches, but also for the characteristic motifs that turn from lyrical to plot. With purely romantic idealism, Turgenev's heroes demand everything or nothing from life.

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"Asya" Turgenev began in the summer of 1857 in Zinzig-am-Rhein, where the story takes place, and finished in November in Rome.

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What is hidden under this term? "Turgenev Girl". This term carries all the most tender and wonderful female character traits. If the author makes the image of Gagin completely understandable for the reader, then his sister appears as a riddle, the solution of which is N.N. he is carried away at first with curiosity, and then selflessly, but he cannot fully comprehend. Her extraordinary liveliness is bizarrely combined with the timid shyness caused by her illegitimacy and long life in the village. From here comes her unsociability and pensive dreaminess (remember how she loves to be alone, constantly runs away from her brother and N.N., and on the first evening of acquaintance she goes to her place.

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It is very difficult to form a complete idea of ​​Asya's character: this is embodied uncertainty and variability. ("What a chameleon this girl is!" me, she burst out laughing for no reason and, according to her habit, ran away at once. "Then she climbs the ruins and sings songs loudly, which is completely indecent for a secular young lady, then she begins to portray a well-bred person, prim in maintaining decency.

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What is hidden under this term? After listening to the reading of Goethe's poem "Hermann and Dorothea", she wants to seem homely and sedate, like Dorothea. Then he "imposes on himself fasting and repentance" and turns into a Russian provincial girl. It is impossible to say at what moment she is more herself. Her image shimmers, shimmering with different colors, strokes, intonations. The rapid change in her moods is aggravated by the fact that Asya often acts incongruous with her own feelings and desires.

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The image of Asya is infinitely expanding, because in her a spontaneous, natural principle manifests itself. Asya's striking versatility and liveliness, irresistible charm, freshness and passion stem from this. Her shy "wildness" that characterizes her as a "natural person", far from society. When Asya is sad, "shadows" run across her face like clouds across the sky, and her love is compared to a thunderstorm, as if guessing NN's thoughts, and the heroine shows her "Russianness".

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Understand what character traits the heroine of the story "Asya" by IS Turgenev possesses and why she belongs to the images of "Turgenev girls". Asya reads a lot indiscriminately (NN catches her reading a bad French novel and, according to literary stereotypes, composes a hero for Asya, "not a single feeling can be half"). Her feeling is much deeper than that of the hero. For all its elevation, it is selfish in its orientation, then Asya's striving for a "difficult feat", an ambitious desire to "leave a trace" presupposes life with others and for others.

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In Asya's imagination, lofty human aspirations, lofty moral ideals do not contradict the hope for the realization of personal happiness, on the contrary, they presuppose each other. She is demanding of herself and needs help to fulfill her aspirations. Asya's "wildness" is especially vivid when she climbs alone over the ruins of a knight's castle overgrown with bushes. When she, laughing, jumps over them, "like a goat." it fully reveals its proximity to the natural world. Even her appearance at this moment speaks of the wild unbridledness of a natural creature: “as if guessing my thoughts, she suddenly threw a quick and piercing glance at me, laughed again, jumped off the wall in two leaps. A strange smile slightly twitched her eyebrows, nostrils and lips; dark eyes squinted.

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Asya's illegitimacy looks like an inferiority and makes it impossible to bear the refusal of Mr. N.N., and on the other hand, gives her genuine originality and mystery. Asya does not behave like noble girls. Asya dreams of being like Pushkin's Tatiana, the heroine of the novel "Eugene Onegin". She has in common with Tatyana sincerity, artlessness of feeling. Like Tatyana, she will be the first to write to her beloved, make an appointment, express feelings.

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Assessment of the image by critics. In the article "Russian people on rendez vous", dedicated to the story of I.S. Turgenev's "Asya", a contemporary of the writer, critic Chernyshevsky, showed how a significant part of the public reacted to the first publication of the story, assessing the character and actions of the main character. The critic condemns those readers who took the side of N.N., not wanting to notice either Asya's self-sacrifice or nobility in her actions. Why is Chernyshevsky talking not about wine, but about the misfortune of the protagonist of the story? The character of the hero is socially motivated. He is the son of his era. And this is not his fault.

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Observations and conclusions about the character and actions of Asya will allow us to approach the concept of the literary type (generalized image) of the “Turgenev girl”. What is typical for him? A soul that is impossible not to love. Tenderness, ability for sincere strong feelings, lack of artificiality, falsehood, coquetry. Striving for the future. Strong character, willingness to sacrifice. Activity and independence in deciding one's destiny.

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The images of the heroines of Turgenev, with all the unique originality of each of them, formed a single image of the "Turgenev girl" characteristic of Russia. For the first time, the main features of this image appeared in the heroine of the novel by IS Turgenev "Rudin" - Natalia. “The writer's contemporaries were surprised and attracted by the desire for a different life and the expectation of a figure who would be able to show the way to it,” wrote G.A. Vyaly, a Russian critic and literary critic about Turgenev's heroines.

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And at the same time, Turgenev's heroines seem to be dominated by "evil fate": all of them are united by "a strict attitude to life and a premonition of the inevitability of retribution for the pursuit of personal happiness."

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