Literature lesson dedicated to the work of V. Rasputin (Boeva ​​T.A.). "Lessons of Conscience and Truth". Evening in the literary drawing room dedicated to the anniversary of V.G. Rasputin Introduction to the topic

"Lessons of Morality" (based on the works of V. Rasputin).

teacher Telezhkina Margarita Veniaminovna

Grade 11

Goals and objectives of the lesson:

to reveal the moral problems of literature of the 80s of the 20th century;

continue acquaintance with the work of V. Rasputin;

to give an idea of ​​the timeliness and modernity of the work "Farewell to Matera";

continue the conversation about humanity, about mercy, about love for their small homeland;

to introduce the guys into the spiritual world of Rasputin, into the moral world of his heroes;

to help educate the children of the need to have their own opinion in introspection;

fostering a sense of responsibility for one's words and deeds, love for the Motherland, for the small homeland.

Lesson type: a lesson in the assimilation of new knowledge.

Lesson type: oral journal.

Epigraph:

Four props in a person's life:

home with family, work, people with whom

together to rule holidays and weekdays, and

the land on which your house stands.

(V. Rasputin)

Equipment:

• epigraph on the blackboard;

  portrait of the writer;

  presentation.

Vocabulary work:

Goodbye - parting

Say goodbye -

1) exchange greetings with someone when parting;

2) leave something, break up

Matera - seasoned; mother; mainland.

Seasoned -

1) full of strength, strong, reaching full maturity;

2) experienced, knowledgeable;

3) incorrigible, notorious.

During the classes:

Organizing time.

We write down the date of the lesson, topic, epigraph in a notebook. We define the goals of the lesson.

Teacher's word.

At the beginning of the lesson, we will get acquainted with the biography of the writer (presentation).

Rasputin Valentin Grigorievich was born on March 15, 1937 in the Irkutsk region, the village of Ust-Uda on the banks of the Angara River, 300 km away. From Irkutsk, between Irkutsk and Bratsk. Mother - Rasputin Nina Ivanovna, father - Rasputin Grigory Nikitich.

The future writer entered the 1st grade of the Atalan elementary school in 1944. Here, having learned to read, Rasputin fell in love with the book forever. After graduating from grade 4, Rasputin wanted to continue his studies. But the school, in which there were 5 and subsequent grades, was located 50 km from his native village, so the life of a writer began without parents and family.

In 1959 he graduated from the Faculty of History and Philology of Irkutsk State University. During his student years, he became a freelance correspondent for a youth newspaper. One of his essays attracted the attention of the editor. Later, this essay under the title “I forgot to ask Lyoshka” was published in the anthology “Angara” (1961). In 1958-66 he was engaged in journalism in Irkutsk and Krasnoyarsk: in 1958 he was a correspondent for the newspaper “Soviet Youth” of the Irkutsk Regional Komsomol Committee, since 1959 worked at a television studio in Irkutsk, then, after moving to Krasnoyarsk, collaborated with the newspapers Krasnoyarsk Komsomolets and Krasnoyarsk Rabochy. As a correspondent for "Soviet Youth", and later for "Krasnoyarsk Komsomolets" and "Krasnoyarsk Rabochy", he walked around the interfluve of the Yenisei, Angara and Lena rivers.

The first collection of stories - "I forgot to ask Leshka", was published in 1961. Since 1966, Rasputin is a professional writer. Since 1967, a member of the USSR Writers' Union.

He began to engage in independent social activities in the first floor. 80s, becoming one of the initiators of the campaign to save the lake. Baikal from the effluents of the Baikal Pulp and Paper Mill. He actively opposed the project of turning the northern and Siberian rivers. In 1979 he entered the editorial board of the book series "Literary Monuments of Siberia" of the East Siberian Book Publishing House (Irkutsk). In the 1980s, he was a member of the editorial board of the Roman-Gazeta magazine.

In 1986 he was elected secretary of the board of the Union of Writers of the USSR and secretary of the board of the Union of Writers of the RSFSR.

In March 1990, after M. Gorbachev was elected President of the USSR, Rasputin was appointed a member of the Presidential Council of the USSR by presidential decree. Based on the materials of the All-Russian competition of readers' sympathies "Golden Key - 98", held by the Russian State Children's Library, teenagers name VG Rasputin among the 50 most popular authors.

V.G. Rasputin:

Hero of Socialist Labor (1987),

Two Orders of Lenin (1984, 1987),

Labor Red Banner (1981),

Badge of Honor (1971),

Laureate of the USSR State Prize (1977, 1987),

Laureate of the Irkutsk Komsomol Prize named after I. Joseph Utkin (1968),

Laureate of the L. N. Tolstoy (1992),

Laureate of the Prize of the Foundation for the Development of Culture and Art under the Committee of Culture of the Irkutsk Region (1994),

Laureate of the Innocent of Irkutsk (1995),

Laureate of the prize of the magazine "Siberia" them. A. V. Zvereva,

Winner of the Alexander Solzhenitsyn Prize (2000),

Laureate of the Literary Prize. F.M.Dostoevsky (2001),

Laureate of the Prize of the President of the Russian Federation in the field of literature and art (2003),

Laureate of the Alexander Nevsky "Faithful Sons of Russia" (2004),

Winner of the Best Foreign Novel of the Year award. XXI century "(China, (2005),

Laureate of the All-Russian Literary Prize named after Sergei Aksakov (2005),

Laureate of the Russian Government Prize for Outstanding Services in the Field of Culture (2010),

Laureate of the Prize of the International Foundation for the Unity of Orthodox Peoples (2011).

Honorary Citizen of Irkutsk (1986), Honorary Citizen of the Irkutsk Region (1998). He died on March 14, 2015, 4 hours before his 78th birthday.

Learning new material.

Analysis of the story "Farewell to Mother".

In his works V. Rasputin speaks to readers about universal human values ​​- about conscience. About the homeland, about the meaning of human life, about the soul, about memory.

The writer is worried about the following questions: “Why does a person live? What for? For what use? "

"I wonder where life will go?" - thought the old woman Anna from "The Final Term".

Old Daria from the story "Farewell to Matera" asked herself and could not answer: "Who knows the truth about a person: why does he live?"

What are we convinced of by listening attentively to the questions that worried V. Rasputin? (The fact that every normal person cannot but raise these questions and not think about them).

The work tells us about the island of Matera, which should sink in connection with the construction of a new hydroelectric power station. And together with the island, the life that has developed here for three hundred years will have to disappear, that is, the plot of this situation depicts the death of the old patriarchal life and the accession of a new life.

V. Rasputin touches on many moral issues in his story, but the fate of Matera is the leading theme of this work.

It easily reads the fate of Rasputin's native village, Atalanka, which fell into the flooded zone during the construction of the Bratsk hydroelectric power station.

Matera is both an island and a village of the same name. For three hundred years Russian peasants settled in this place. Leisurely, without haste, life on this island goes on, and over the past three hundred years, it has made many people happy

Matera. She accepted everyone, became a mother to everyone and carefully fed her children, and the children answered her with love. But Matera is leaving, the soul of this world is leaving.

They decided to build a powerful power plant on the river. The island fell into a flood zone. The entire village must be relocated to a new settlement on the banks of the Angara.

The main patriot and philosopher of Matera turns out, as usual with Rasputin, the old woman - Daria.

“Rasputin's old women” are the same cultural and historical concept as “Shukshin's freaks” or (if you look into the nineteenth century) “Turgenev's girls” and “Leskov's righteous men”.

The owner is the beast-guardian of the island, the royal larch is its world tree, Daria is the mother and memory of Matera. This image is not just a character, but a point of view, an ultimate, generalized view of the world, approaching the author's, but not merging with it.

Daria is “the oldest of the old women,” who does not even remember the date of her birth: “None of them knew their exact years, because this accuracy remained during baptism in church records that were taken away somewhere - no end can be found” (Ch. . 2). She is already standing at a turning point, on the edge, on the border between the world of the living and that continuous series of nameless ancestors, which goes deep into the ground. “It would be too time for me to get ready, I’m no longer a nausea… I’m there, of the other world. And for a long time, it seems not in my own way, I live in a different way, I don’t understand anything: where, why? And I live. But the light broke in half: Yevon Cho is coming! And it broke for us, for the old people ... neither here we, nor here. God forbid! " (chap. 4).

How is Daria's moral beauty shown?

(Rasputin shows the moral beauty of Daria through the attitude of people towards her. People come to her for advice, people are drawn to her for understanding, warmth. This is the image of a righteous woman, without whom "the village is not worth it").

Through what the image of Daria is revealed?

(The depth of Daria's image is also revealed in communication with nature. At the heart of the heroine's worldview lies the awareness of the indissoluble, organic connection between man and nature, which is characteristic of a Russian person).

What is a house, a hut for Daria?

(As if from her father and mother, Daria receives the order to conduct the hut, wash it like a dead man, dress up in all the best. The hut connects her with her father, mother, with their fathers and mothers. She does not leave the feeling of this connection with the departed.)

She not only whitewashed, but scrubbed the floors, washed the windows, thinking at the same time: "She feels, oh, she feels where I am dressing her."

A rural illiterate person, she thinks about what should bother everyone in the world: what are we living for? What should a person feel for whom generations have lived? Daria understands that the previous mother's army gave everything for her that "the truth is in memory".)

Lesson summary.

Concluding today's lesson on the story "Farewell to Matera" by V. Rasputin, we will try, each for himself, to highlight the main thing: what did the meeting with Matera give us? Did it make you think about moral issues, about a careful attitude towards your small homeland, homeland?

I want to once again draw your attention to the epigraph

I wish you that these 4 props will support you all your life, so that you will never forget about your home.

“She turned to the left and found a mound in the depths of the fishing line, under which lay her father and mother, those who gave her life. The mound was stained with earth from an inverted cross. On the left, she was laid down first, her mother rested, on the right, her father. Daria bowed to the grave mound and sank down next to the ground. The breeze did not make its way here, it was quiet, only dry and prickly rustling of trynki. She closed her eyes so as not to see neither the smoke nor the ruined graves, and, swaying in sleepy movements back and forth, as if flying away from one state and ruling to another, gaining a relief of nothingness, she quietly announced:

It's me, tyatka. I am this, mother. - The voice was wrong, - Here it came. She became completely ill-tempered, the cow and that Sedny were taken away. You can die. And I will have to die past Matera. I will not lie down with you, nothing will come of it. And I wanted to take you with me, so that I could lie down there together, and it won't work. Do not be angry with me, I am not guilty. I am guilty, guilty, I am guilty because it was me, it fell on me. And I was stupid, I didn't know what to do. You told me, tyatka, that I should live a long time ... I obeyed, lived. And it was our way to live, we ought to come to you, we would be together. Now what? I will not die in peace, that I gave up on you, that it is on my own, in no time will it chop off our family and carry it away.

She buried her face in the grass on the grave mound, her shoulders trembling. And there, in the grass, in the ground, she bitterly complained: - Dy-y-smoky, smoky here. I can't breathe because of the smoke. You can see for yourself. Do you see me? See what I've become? I am yours, yours, I need to see you ... can I go to the living? I’m unfit to go there, I’m in your age. To me to you ... I would take the hut isho to you. Put out the fire, water ... '' She raised her head and straightened her handkerchief. “Our hut, tyatka, don't sit tomorrow too ... also there. And I will look. I’ll go there so it’s not too hot, and I’ll see if it’s burning well. And then I'll come and tell you. What will I do? Well? And suddenly it came to her mind - as if it had conveyed in a guessed whisper from somewhere far away, from afar: “Have you cleaned up our hut? lived. " Startled, Daria hastily agreed: "I'll clean it up, I'll clean it up. And how did I let it out of my memory? I should know myself. "And what is it? - hoping for an answer, she asked. - Isho what should I do? What should I do?" - and strained, strained, listening intently, collecting in one weak passing sounds. But no, nothing affected her. The most important thing did not affect. It was still quiet, the rustle of leaves and grass did not come together in response.

She asked again, now without hope - the graves were silent. And she decided that she had not received forgiveness. Serves her right. For what such merit was she going to receive it? She cannot forgive herself, but wants them to forgive - isn't it a shame? "

Homework.

Read an excerpt from the story and answer the questions:

For what does Daria ask forgiveness from her parents?

Why does she come to the cemetery at a difficult moment?

What moral qualities in Daria's character make us respect her?

6. Reflection.

- Did everyone understand the topic of the lesson?

- Did the lesson reach its goal?

A lesson dedicated to the life and work of V.G. Rasputin

Goals : to deepen the knowledge of students about the work and personality of V.G. Rasputin,

show high citizenship, the originality of his work

Using the example of V.G. Rasputin's creativity to instill in students the desire to take an active life position.

To develop the oral speech of students, the ability to fluently own a word, to feel and convey what worries, worries the author, as well as his own attitude to the problem raised by him, to develop the artistic and artistic abilities of the children.

Registration : exhibition of books by V.G. Rasputin, illustrations of students to his works

Tables can be made up with the letter "P", in the center there are flowers on the table. Space for dramatization is needed.

The course of the evening.

Liszt's music "The Noise of the Forest" is played. Slides on the screen. The presenters come out.

1 presenter:

Stupid fairy tales still go

That Siberia is without sun, without affection,

I still have idle fables

That Siberia is famous only for the cold.

Like snowstorms start songs there,

Yes, bears roam the streets.

Until now, still often when we meet

Asks, ahaya, a resident of the capital:

From Siberia? Yes you? Far away! ...

Is the wilderness really familiar to you?

2 presenter:

Yes, Siberia is far from the capital,

Yes, here the blizzard has been angry for weeks

Yes, our land is still poor in gardens,

Yes, there are, of course, bears in the taiga,

But bearish only by ignoramuses

The Siberian land is considered as before!

3 presenter:

And what wonderful springs there are!

And what ringing pines are there!

Quietly shaggy cedars doze,

Flowers scattered over the ridge.

You look - you won't believe: to the ground

Like a rainbow fell from the sky.

1 presenter:

But our Siberian region is rich, first of all, in people. Many of them made Siberia famous. Among them is Valentin Rasputin.

(Leaders leave)

On the screen is a portrait of Rasputin.

Group 1 tells about the childhood of the writer.

1 student: “I am sure that a person is made a writer by his childhood, his ability to see and feel at an early age everything that gives him the right to take up the pen. Education, books, life experience educate and strengthen this gift in the future, but it should be born in childhood, ”wrote V.G. Rasputin.

2nd student: Let's turn to V.G. Rasputin, who made him a writer. “I was born three hundred kilometers from Irkutsk,” says the writer, “in Ust-Uda, on the Angara. So I am a native Siberian, or, as we say, local. My father was a peasant, worked in the timber industry, served, fought ... In a word, he was like everyone else. Mother worked, was a housewife, barely - barely managed with business and family, she had enough worries, as far as I remember, ”.

3 student. Rasputin's childhood coincided with the war: the future writer went to the first grade of the Atalanka elementary school in 1944. And although there were no fights here, life was difficult, half-starved. Here, in Atalanka, having learned to read, Rasputin fell in love with books.

4 student. After graduating from four classes in Atalanka, Rasputin wanted to continue his studies. But the school, which included the fifth and subsequent grades, was located only in the regional center of Ust-Uda, which is as much as 50 kilometers from the native village. You can't run over every day - you have to move there to live, alone, without parents, without a family. Moreover, as Valentin Rasputin will write later, “no one from our village had studied in the region before. I was the first. "

Valentin Rasputin tells about how the teenager felt in an unfamiliar city, what he was thinking about, what he was doing, in the story "French Lessons"

Staging an episode from the story "French Lessons"

(After lessons, dying with fear, I waited for Lydia Mikhailovna in the corridor. She left the teacher's room and, nodding, led me into the classroom. As always, she sat down at the table, I wanted to sit at the third desk, away from her, but Lydia Mikhailovna pointed me to the first, right in front of her.

Is it true that you are gambling? she began immediately. She asked too loudly, it seemed to me that at school it was necessary to speak about it only in a whisper, and I was even more frightened. But there was no point in locking myself up, Tishkin managed to sell me with giblets. I mumbled:

Truth.

So how do you win or lose? I hesitated, not knowing which is better.

Let's tell it how it is. Are you losing, probably?

You ... win.

Well, at least so. You win, then. And what do you do with money?

At first at school, I could not get used to the voice of Lydia Mikhailovna for a long time, it confused me. In our village they spoke, wrapping their voice deep in their gut, and therefore it sounded freely, while in Lydia Mikhailovna it was somehow shallow and light, so it was necessary to listen to it, and not from powerlessness at all - she sometimes could speak to her heart's content , but as if from concealment and unnecessary savings. I was ready to blame everything on French: of course, while I was studying, while I was adjusting to someone else's speech, my voice sat down without freedom, weakened, like a bird in a cage, wait now for it to disperse and get stronger again. Even now, Lydia Mikhailovna asked as if at that time she was busy with something else, more important, but it was still impossible to get away from her questions.

So what do you do with the money you win? Do you buy candy? Or books? Or are you saving up for something? After all, you probably have a lot of them now?

No, not much. I only win a ruble.

Don't you play anymore?

And the ruble? Why the ruble? What are you doing with him?

I buy milk.

Milk?

She sat in front of me, neat, all smart and beautiful, beautiful both in clothes, and in her feminine youth, which I vaguely felt, the smell of perfume from her reached me, which I took for the very breath; besides, she was not a teacher of some kind of arithmetic, not of history, but of the mysterious French language, from which something special, fabulous, not subject to anyone, like me, for example. Not daring to look up at her, I did not dare to deceive her. And why, after all, was I to cheat?

She paused, examining me, and with my skin I felt how, at the look of her squinting, attentive eyes, all my troubles and absurdities were swelling and filling with their evil strength. There was, of course, something to look at: a skinny, wild boy with a broken face, unkempt without a mother and lonely, in an old, washed jacket on sagging shoulders, which was just right on his chest, was hovering on a desk with a broken face, unkempt without a mother and alone; in light green trousers, altered from his father's breeches and tucked into teal, with traces of yesterday's fight. I noticed even earlier with what curiosity Lydia Mikhailovna was looking at my shoes. From the whole class in teals went only me. Only the next autumn, when I flatly refused to go to school with them, my mother sold a sewing machine, our only value, and bought me tarpaulin boots.

And yet you don’t need to gamble for money, ”said Lydia Mikhailovna thoughtfully. - You would have managed somehow without it. Can I do it?

Not daring to believe in my salvation, I easily promised:

I spoke sincerely, but what can you do if our sincerity cannot be tied with ropes.)

Music sounds. The presenters come out.

1 presenter.

Native Siberian dialect,

Like a warm, light park

At the lips when the frost is under forty.

Like omul, almost extinct,

No, no, he suddenly flashes on the way

A forgotten splash in conversations.

2 leading.

Native Siberian dialect,

You, hovering, saved me

From all the sleek speeches

Of smooth, even bricks

Where there are no carved platbands

And mischievous dovecotes

As above you, my hut.

As above you, my destiny.

3 leading.

I've been all over the vast world

Not anyone's ambassador - Siberia,

Even though I'm not a diplomat at all.

And to the end - in response to slander -

I'll be a Siberian poet,

And the one who does not believe me in this,

Well - they don't understand anything.

1 presenter.

How did the writer Rasputin begin?

Group 2. Becoming a writer.

1 student.

“I am a journalist by education, I graduated from Irkutsk University. He started with a youth newspaper. In the third year of work, I was sent to prepare an essay on logging in one of the districts of the Irkutsk region. I wrote such an essay. But I was told. That the essay did not work out, the material is closer to the story. This editor's tip was the impetus for taking literature seriously. The story was called “I forgot to ask Lyoshka” and was published in our Irkutsk almanac “Angara” in 1961, ”Rasputin says in an interview.

2 student.

As a journalist, Rasputin wrote two books of essays about the people of modern Siberia, its construction sites - the Bratsk, Sayano-Shushenskaya hydroelectric power station, the Abakan-Taishet road.

3 student.

Readers are always interested in looking into the writer's creative laboratory. Here is what Rasputin says about his work: “It’s hard to write — a page and a half a day. More often than not, I don’t know what will happen in the next chapter. Gradually, the material clears up, the ending of the narration dawns ahead, I already imagine how to get to it, and then I write a lot, often not enough for a day. Unfortunately, I write very shallowly with a pencil;

4 student.

Much is now being said about the language of Rasputin's stories. Readers are pleased with its freshness, imagery, uniqueness. Valentin Grigorievich once said: “Do not consider it immodest, but I believe that the language that the“ village ”writers write - Astafiev, Belov - cannot be learned. This language belongs to them and their heroes, with whom they lived for a long time, absorbed it. My Siberisms are my terminology, the language spoken by Siberians "

5 student

Here are some of Rasputin's Siberisms.

Scald - speak quickly, energetically

Toss - to sip

Blather - chatting, talking

Bad weather - bad weather, bad weather

To poke - lightly hit

Hluzda - cheat, deceiver

Filling - what is hidden

Shoe - shoes

To tear - to run away

The presenters come out.

1leading.

Dream almost every now

To become a nobleman is obsessed -

Mud is drowning in the archive,

And I'm proud of the peasants!

And I am proud that our grandfathers

They grew bread, and in the days of war

They walked with a sword until Victory,

Without shaming your home country.

2 leading.

Well, who's like that before it hurts

Did you love your cornflower blue land?

They plow the field first,

Then they will go to paradise.

I would like to catch a firebird

So that life becomes brighter around,

And unless someone goes abroad

Would you replace your father's house ?!

3 leading.

It is not for nothing that anxiety grows in my soul:

Filled the fields of weeds.

There are many nobles in Russia,

But go find the peasants.

Group 3. Eternal and contemporary problems in the writer's work.

1 student.

All Rasputin's books originate from love for a small homeland. It is no coincidence that the story "Farewell to Matera" readily reads the fate of the writer's native village, Atalanka, which fell into the flooded zone during the construction of the Bratsk hydroelectric power station. Rasputin Mater has both an island and a village of the same name. For three hundred years Russian peasants settled in this place. But then they decided to build a powerful hydroelectric power station on the river. The island fell into a flood zone. The entire village had to be relocated to a new settlement on the right bank of the Angara. But this prospect did not please the elderly in any way. The soul, for example, of Daria's grandmother was bleeding. After all, she was not the only one who grew up in Matera. This is the homeland of her ancestors. And Daria herself considers herself the keeper of the traditions of her people.

2 student.

A similar fate befell the village of Atalanka, with which Rasputin's childhood is associated. He was moved to another place. The writer's mother moved to the new Atalanka. But is it possible to transfer the old way of life to a new place? It turned out not. After all, it was not just a move. People had to change their crafts. The man-made seas have deprived them of their usual way of life. There was nowhere to sow grain. Many of the new arable lands were unsuitable: there was mostly clay all around. Fertilizers were thrown into the ground in tons, but they did not help much. That is why morals began to change.

3 student.

After the publication of the story, Rasputin told reporters: “Do not flatter yourself - we will not return many good traditions. Now we are talking about preserving the rest, not abandoning them with the same ease and recklessness as it was until recently. " Almost all of the writer's work and all social activities are devoted to this - the salvation of the Earth, life, useful traditions.

4 student.

For Rasputin, love for the earth is not an abstract concept. It is backed up by concrete deeds: the struggle for Baikal, the desire to preserve the historical appearance of Russian cities, the return of the former names to the ancient centers of the country.

Music sounds. A bright light comes on. The evening ends.

On March 15, 2017 at MKOU "Secondary School No. 10" teacher M. A. Barova in grade 6A conducted an all-Russian lesson on the topic: " LESSONS OF KIND ”(based on the novel“ French Lessons ”by VG Rasputin) as part of the study of the legacy of the Russian writer.

The purpose of the lesson:

1. To reveal the complex inner world of the hero.

2. Show the teacher's sincere generosity, note her role in the boy's life.

3. In the process of analysis, identify the moral issues raised by the writer in the story.

4. Help the children discover in themselves inexhaustible reserves of kindness and real beauty.

Students of grade 5A, administration and school teachers were invited to the lesson

Lesson form - lesson - reflection.

To achieve the goals of the lesson, technologies of problem learning, ICT technologies were used. In search of non-standard ways of solving the problem, a versatile analysis of the actions of the heroes was applied, the method of discussion was used in order to provide students with opportunities to find and consolidate positive standards of life: only following the laws of KINDNESS can you defeat evil.

At all stages of the lesson, an atmosphere of psychological comfort was formed - such conditions influenced the greater activity of the students.

The emotional center of the lesson was comprehension of V. G. Rasputin's thoughts about lessons of moral kindness.

The objectives and planned learning outcomes in the lesson have been achieved.

Anniversary events report,dedicated to the 80th anniversary of the writer V.G. Rasputinaccording to MKOU SOSH No. 10

On March 15, 2017, the Russian public celebrates the anniversary of the outstanding Russian playwright, publicist and public figure V.G. Rasputin.

In connection with the anniversary of V.G.Rasputin in MKOU secondary school No. 10 from 6 to 15 March, events dedicated to his life and work were held.

Literary room "Lessons of Rasputin",

dedicated to the 80th birthday of V.G. Rasputin

I. L. Korneichuk

Additional education teacher

boarding school No. 26 of JSC Russian Railways,

Nizhneudinsk, Irkutsk region.

Liszt's music "The Noise of the Forest" is played. Slides on the screen. The presenters come out.

1 reader:

Stupid fairy tales still go

That Siberia is without sun, without affection,

I still have idle fables

That Siberia is famous only for the cold.

Like snowstorms start songs there,

Yes, bears roam the streets.

Until now, still often when we meet

Asks, ahaya, a resident of the capital:

From Siberia? Yes you? Far away! ...

Is the wilderness really familiar to you?

2 reader:

Yes, Siberia is far from the capital,

Yes, here the blizzard has been angry for weeks

Yes, our land is still poor in gardens,

Yes, there are, of course, bears in the taiga,

But bearish only by ignoramuses

The Siberian land is considered as before!

3 reader:

And what wonderful springs there are!

And what ringing pines are there!

Quietly shaggy cedars doze,

Flowers scattered over the ridge.

You look - you won't believe: to the ground

Like a rainbow fell from the sky.

1 presenter:

But our Siberian region is rich not only in amazing nature, but, first of all, in people. Many of them made Siberia famous. Among them is the outstanding contemporary writer Valentin Rasputin.

(Leaders leave)

On the screen is a portrait of Rasputin.

1 student:“I am sure that a person is made a writer by his childhood, his ability to see and feel at an early age everything that then gives him the right to take up the pen. Education, books, life experience educate and strengthen this gift in the future, but it should be born in childhood, ”wrote V.G. Rasputin.

2 student: Let us turn to V.G. Rasputin, who made him a writer.

“I was born three hundred kilometers from Irkutsk,” says the writer, “in Ust-Uda, on the Angara. So I am a native Siberian, or, as we say, local. My father was a peasant, worked in the timber industry, served, fought ... In a word, he was like everyone else. Mother worked, was a housewife, barely - barely managed with business and family, she had enough worries, as far as I remember, ”.

1 student. Rasputin's childhood coincided with the war: the future writer went to the first grade of the Atalanka elementary school in 1944. And although there were no fights here, life was difficult, half-starved. Here, in Atalanka, having learned to read, Rasputin fell in love with books.

2 student. After graduating from four classes in Atalanka, Rasputin wanted to continue his studies. But the school, which included the fifth and subsequent grades, was located only in the regional center of Ust-Uda, which is as much as 50 kilometers from the native village. You can't run over every day - you have to move there to live, alone, without parents, without a family. Moreover, as Valentin Rasputin will write later, “no one from our village had studied in the region before. I was the first. "

Valentin Rasputin tells about how the teenager felt in an unfamiliar city, how he lived, what he was thinking about in his story "French Lessons"

(Fragment of the film "French Lessons")

Music sounds. The presenters come out.

1 presenter: How did the writer Rasputin begin?

2 student:“I am a journalist by education, I graduated from Irkutsk University. He started with a youth newspaper. In the third year of work, I was sent to prepare an essay on logging in one of the districts of the Irkutsk region. I wrote such an essay. But I was told that the essay did not work out, the material is closer to the story. This editor's tip was the impetus for taking literature seriously. The story was called “I forgot to ask Lyoshka” and was published in our Irkutsk almanac “Angara” in 1961, ”Rasputin says in an interview.

1 student: Working as a special correspondent for Krasnoyarsk Komsomolets, Rasputin wrote articles about the construction of the Abakan-Taishet railway, about the Bratsk and Krasnoyarsk hydroelectric power stations.

In 1967, the story “Money for Maria » ... By this time, Rasputin was admitted to the Union of Writers of the USSR and published 3 books of essays and stories. However, the critic connects the appearance of a great original writer in literature with the story “Money for Mary”, and the author himself considers this story to be the beginning of a new stage in his work. The story brought Rasputin all-Union and worldwide fame: it was reprinted more than once, a play was created based on it, staged in Moscow, and then in Germany, the book was published in Sofia, Prague, Barcelona, ​​Bratislava, Helsinki, Tokyo.

2 student: The heroine of his first story "Money for Maria" is the saleswoman of the only shop in the village. The auditor discovered that she had a shortage of 1,000 rubles. It would seem that Rasputin should have burst into indignation over the plundering of public property. But the writer did exactly the opposite. Made a heroine out of Mary with a capital letter. Maria's husband Kuzma decides to raise money from the world along a string, to borrow from whoever it is possible. And at the same time the writer looks inside the human soul, talks about who we are, ponders where egoism, callousness, and soullessness came from in people.

(Fragment of the film "Money for Maria")

1 student: The most intimate corners of human characters, the deepest experiences of the heroes, the feelings of people are shown by Rasputin in his other works. What could be more beautiful than love? Only love itself. But love can also bring suffering, love can change a person, make him better, make him more mature and wiser. This is what Rudolfio's story says.

(Excerpt from the film "Rudolfio")

1 presenter: Readers are always interested in looking into the writer's creative laboratory.

1 student: Here is what Rasputin said about his work: “It’s hard to write — a page and a half a day. More often than not, I don’t know what will happen in the next chapter. Gradually, the material clears up, the ending of the narration dawns ahead, I already imagine how to get to it, and then I write a lot, often not enough for a day. Unfortunately, I write very shallowly with a pencil; later I have to retype what I have written.

2 student: Much is now being said about the language of Rasputin's stories. Readers are pleased with its freshness, imagery, uniqueness. Valentin Grigorievich once said: “Do not consider it immodest, but I believe that the language that the“ village ”writers write - Astafiev, Belov - cannot be learned. This language belongs to them and their heroes, with whom they lived for a long time, absorbed it. My Siberisms are my terminology, the language spoken by Siberians ”.

1 presenter.

Native Siberian dialect,

Like a warm, light park

At the lips when the frost is under forty.

Like omul, almost extinct,

No, no, he suddenly flashes on the way

A forgotten splash in conversations.

2 leading.

Native Siberian dialect,

You, hovering, saved me

From all the sleek speeches

Of smooth, even bricks

Where there are no carved platbands

And mischievous dovecotes

As above you, my hut.

As above you, my destiny.

3 leading.

I've been all over the vast world

Not anyone's ambassador - Siberia,

Even though I'm not a diplomat at all.

And to the end - in response to slander -

I'll be a Siberian poet,

And the one who does not believe me in this,

Well - they don't understand anything.

1 student.

All of Rasputin's books originate from love for a small homeland. It is no coincidence that the story "Farewell to Matera" readily reads the fate of the writer's native village, Atalanka, which fell into the flooded zone during the construction of the Bratsk hydroelectric power station. Rasputin Mater has both an island and a village of the same name. For three hundred years Russian peasants settled in this place. But then they decided to build a powerful hydroelectric power station on the river. The island fell into a flood zone. The entire village had to be relocated to a new settlement on the right bank of the Angara. But this prospect did not please the elderly in any way. The soul, for example, of Daria's grandmother was bleeding. After all, she was not the only one who grew up in Matera. This is the homeland of her ancestors. And Daria herself considers herself the keeper of the traditions of her people.

(Booktrailer "Farewell to Matera")

2 student.

A similar fate befell the village of Atalanka, with which Rasputin's childhood is associated. He was moved to another place. The writer's mother moved to the new Atalanka. But is it possible to transfer the old way of life to a new place? It turned out not. After all, it was not just a move. People had to change their crafts. The man-made seas have deprived them of their usual way of life. There was nowhere to sow grain. Many of the new arable lands were unsuitable: there was mostly clay all around. Fertilizers were thrown into the ground in tons, but they did not help much. That is why morals began to change.

1 student: After the publication of the story, Rasputin told reporters: “Do not flatter yourself - we will not return many good traditions. Now we are talking about how to preserve the rest, not to abandon them with the same ease and recklessness as it was until recently ”. This - the salvation of the Earth, life, useful traditions - is devoted to almost all the work and all social activities of the writer.

2 student: The story "Fire". V.G. Rasputin considered it "essentially a direct continuation" of the story "Farewell to Matera." People moved to a new village. The hero of the story by I.P. Egorov - a neighbor of the writer in the village I.E. Slobodchikov. It did not change with the relocation of the village and with the change in its way of life. It is impossible to live without conscience, without love for the land in any way.

1 student: The author speaks of an invisible internal fire in the soul of the hero, who is more terrible than the one that destroyed the warehouses. Ivan Petrovich thought frantically that “the light did not turn over immediately, but this is how it was with us: it was not supposed, it was not accepted - it became necessary and accepted, it was impossible - it became possible, it was considered a shame, a mortal sin - is revered for dexterity and valor. "

1 student: The fire highlighted such human vices as cowardice, theft,

permissiveness, drunkenness, indifference, violation of elementary justice. But he

also showed that real Russian characters were not extinct on our land, which

live according to their conscience, work honestly and love their land.

2 student: Rasputin always had a special relationship with a woman, mother, old woman. All his inconspicuous, quiet heroines have a restless and conscientious soul, they are worried that conscience is "thinning" in people. His bashful, uncomplaining and pure old women, all these Anna, Daria, Nastya, Alena, stood on the path of Evil and Fearlessness. The Patriarch once said: "... the white handkerchiefs of the grandmothers saved the Orthodox Church from destruction." Old women Valentina Rasputin, our mothers and women of Russia saved the conscience of the people, warmed their souls, breathed in strength.

1 student: The story "The Last Term", which V. Rasputin himself called the main of his books, touched upon many moral problems. In this work, V. Rasputin showed the relationship within the family, raised the problem of respect for parents, which is very relevant in our time, raised the question of conscience and honor, which affected each hero of the story.

2 student.“My grandmother Marya Gerasimovna did not just help me,” says the writer, “but gave all of herself, along with her talk, character, destiny, thinking, so that I could write to my old women - Anna in The Last Deadline and Daria in Farewell to Mother ", Vasilisa in" Vasily and Vasilisa ". I've never spoken to anyone in my life

with such interest and with such benefit as with her, especially when he grew up, and she fell ill, and she had nowhere to rush. "

1 student: Valentin Rasputin is sure that modern youth do not know their old people well, do not appreciate them. And he wants to emphasize that “alone with nature and work, they all their lives with truth and God, did not spray and crumble their lives into crooked errands for empty scales, teachings and passions. I will refer again to my Daria, to her words addressed to her grandson: “I have seen little, but lived a lot. What I happened to look at, do-o-olgo looked at him, and not casually, like you. "

2 student:"The soul does not demand from anyone so severely as from a Russian person" ... The story "Live and Remember" was written in 1974 and was born from the writer's experience in childhood and reflections on the village of the war years. The writer simply and casually tells about the price of betrayal. Betrayal that grew out of small concessions

conscience, duty, honor. Having ruined himself, Andrey Guskov destroys the most dear and beloved people.

1 student: After being seriously wounded, Guskov desperately wanted to return to his homeland at least for a short while, just to look at his Atamanovka, to press Nastena to his chest, to talk to the old people. But there was a war: it established its own cruel laws. He met neither patrols, nor checks, there were no picky inquiries. But having escaped the tribunal, Guskov still did not leave the court, the court of conscience. He himself turned himself into an outcast who does not appear either in the living or in the dead. He wanders around his native district, gradually losing his human appearance.

2 student: Having betrayed the soldier's duty, Guskov betrayed not only himself, but also his wife, whom he excommunicated from the village and from the people. Desperate to find a way out of the created impasse, Nastena rushes into the icy waters of the Angara. For Valentin Rasputin, the philosophy of forgiveness is unacceptable. This is the tragic and lofty moral lesson for present and future generations.

1 student: One of the last stories of Rasputin "Ivan's Daughter, Ivan's Mother" is based on real events that happened to his acquaintances in Irkutsk, and tells how the heroine of the story has become across the usual flow of life, in which a rapist, having given a bribe, can go unpunished. She herself inflicts retribution - she kills her daughter's rapist from her own hand-made sawn-off shotgun. But, according to V. Rasputin: "She did not know yet or did not want to say that she could not escape this life-long hard labor under the demand of conscience even now." The writer manages to use this terribly simple material to give a picture of the life of modern Russia, to identify all the painful points of today's people's tragedy.

2 student: V. Rasputin is known not only as the author of fiction, but also as a brilliant publicist. He well understood his duty to the Motherland and accomplished his moral feat - he began to write articles in defense of Lake Baikal, personally addressed the President of Russia V.V. Putin with a request to protect Baikal, proving that “Baikal was created as the crown of nature not for production needs, but so that we could drink water from it, its main and priceless wealth, admire its sovereign beauty and breathe its reserved air. And this, first of all, is necessary for us. "

The result of the conversation with the President was that the branch of the oil pipeline does not pass along the bottom of Lake Baikal, but is moved away from the great lake by several kilometers.

(To the sound of a song about Baikal, slides about Baikal with quotes by V. G. Rasputin from the essay "Baikal in front of me".)

1 presenter: In the article "Questions, questions ..." V. G. Rasputin reflects on conscience, the village, the youth, patriotism, language, Russianness and much more. Read his thoughts. You will not regret! And this article ends with these words:

2nd presenter: I believe in the final bright meaning of our existence on earth, in the fact that with our life we ​​will fertilize some great goals.

3rd presenter: I believe in good, conquering evil, in the gradual accumulation and unification of good, in the fact that it will be freely chosen by all ...

(Video "V. Rasputin. The Soul Preserves" (to the words about the hero of our time))

1 student: The writer Valentin Rasputin passed away 2 years ago. His departure was a real loss for Russia. Vladimir Krupin calls him "a man of tragic forebodings" who called upon his compatriots not to renounce themselves, to remember and preserve their shrines.

2 student: The work of Valentin Rasputin is a prophecy that came true during the writer's lifetime. This appeal to humanity, which has become more relevant today than ever. This is a call to preserve humanity in ourselves and remain human, so that we have “a good heart and a right soul”!

Russian spring will sell
Dam of the enemy circle.
Russia will be saved -
And this is your merit.

Combat unprecedented intensity
Cleans the homeland from smog.
The Volga and Baikal will breathe -
And this is your help.

Reader 3: The Russian soul will heal
The people from bitterness and oppression
From an Orthodox ladle -
And this is your concern.

1 reader: Lord Great somehow
They will lead us away from the grave.
The sun will shine on the Russian Way
And this is your effort.