I do not like Zinaida Serebryakova's paintings. Zinaida Serebryakova: paintings and their description. Postage stamps of the ussr and russia

Zinaida Evgenievna Serebryakova ( maiden name Lancere; November 28, 1884, the village of Neskuchnoye, Kursk province - September 19, 1967, Paris, France) - Russian artist, member of the World of Art association, one of the first Russian women who entered the history of painting. Pupil of Osip Braz.

Zinaida was born on December 10, 1884. In an autobiography written in response to a letter from a senior researcher at the State Tretyakov Gallery O. A. Zhivovoy, Serebryakova indicated the date of birth on December 12, which does not correspond to the documented facts and other autobiographies. She spent her childhood on the Neskuchnoye estate in one of the most famous art families, Benoit-Lanceray. Her grandfather, Nicholas Benois, was a famous architect, father Eugene Lansere - famous sculptor, and his mother Ekaterina Nikolaevna (1850-1933, daughter of the architect Nikolai Benois, sister of the architect Leonty Benois and the artist Alexander Benois) was a graphic artist in her youth. Nadezhda Leontievna Benois (married to Ustinov), cousin Zinaida, was a mother British actor and the writer Peter Ustinov - thus, he was Z. E. Lancera's cousin.

Husband - Boris Anatolyevich Serebryakov, who was Zinaida's cousin. Children:

In 1900, Zinaida graduated from a female gymnasium and entered art school, founded by Princess M.K. Tenisheva. In 1903-1905 she was a student of the portrait painter OE Braz. In 1902-1903 she travels to Italy. In 1905-1906 he studied at the Accademia de la Grand Chaumiere in Paris. In 1905, Zinaida Lansere married a student and her cousin Boris Serebryakov.

As an artist, Serebryakova was formed in St. Petersburg. Researchers emphasized "Pushkin's and Blok's muses, in the genius of Dostoevsky" associated with the artist's work

Since her apprenticeship, Z. Lanceray has tried to express her love for the beauty of the world. Her early works - "Peasant Girl" (1906, Russian Museum) and "Garden in Blossom" (1908, private collection) - tell about the search and the acute sensation of the beauty of the Russian land.

Serebryakova's self-portrait ("Behind the Toilet", 1909, State Tretyakov Gallery), first shown at the large exhibition "World of Art" in 1910, brought wide popularity to Serebryakova. The self-portrait was followed by "The Bather" (1911, Russian Museum), the portrait "E. K. Lancere "(1911, private collection) and the portrait of the artist's mother" Ekaterina Lancere "(1912, Russian Museum) are mature works and solid in composition.
She joined the World of Art society in 1911, but differed from the rest of the group in her love for simple plots, harmony, plasticity and generalizations in their canvases.

In 1914-1917, the work of Zinaida Serebryakova experienced a flourishing period. During these years, she painted a series of paintings on the themes of folk life, peasant work and the Russian countryside, which was so close to her heart: "Peasants" (1914-1915, Russian Museum), "Harvest" (1915, Odessa Art Museum) other.

The most important of these works was The Whitening of the Canvas (1917, State Tretyakov Gallery). The figures of peasant women, captured against the sky, acquire a monumentality, emphasized by the low horizon.

In 1916, Alexander Benois received an order to paint the Kazansky railway station in Moscow, he invites Evgeny Lanceray, Boris Kustodiev, Mstislav Dobuzhinsky and Zinaida Serebryakova to take part in the work. Serebryakova took the theme of the East: India, Japan, Turkey and Siam are allegorically presented in the form of beauties. At the same time, she is working on both unfinished painting on the themes of Slavic mythology.

Zinaida met the October Revolution at her native estate Neskuchny. In 1919 her husband Boris dies of typhus. She is left with four children and a sick mother without a livelihood. Neskuchny's reserves were plundered. For lack of oil paints she has to switch to charcoal and pencil. At this time she draws tragic work- "House of Cards" featuring all four orphaned children.

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Zinaida Evgenievna Serebryakova is a famous Russian artist. She was a prominent representative of the artists' association "". She is also known as one of the first women in Russia who entered the history of Russian painting.

Zinaida Serebryakova (before marriage - Lancere) was born on December 12, 1884 in the village of Neskuchnoye in the Kharkov province. Since childhood, she has been surrounded by creativity and art. The fact is that Zinaida Evgenievna was born into a family that was glorified by real talents in different types creativity. Her grandfather was famous architect Nicholas Benois (1813-1898). Zinaida's father (1848-1886) was also a famous sculptor. Also, Zinaida had a sister, Alexander Benois, who was engaged in graphics, brother Nikolai was an architect, brother Eugene was a graphic artist and painter. It should be noted that the family of talented sculptors and artists did not end on Zinaida Serebryakova. Daughter Eugene became an architect and restorer, son Alexander became a famous designer and artist, daughter Tatyana became an honored artist of the RSFSR, daughter Ekaterina became an artist.

Zinaida Lansere graduated from the girls' gymnasium and art school. Was a student famous painter Osip Emmanuilovich Braz (1873-1936). She also studied at the Académie de la Grande Chaumiere in Paris. In 1905 she married the railway engineer Boris Serebryakov.

The art of the artist who glorified Russian painting is very soulful and warm. With the help of her creativity, she tried to convey to the viewer the beauty of the Russian land and Russian culture. I also traveled a lot. In 1924 she left for Paris and for a long time could not see the children. The first time after separation, she met her daughter only 36 years later in 1960, when the Khrushchev thaw came. She died in Paris on September 19, 1967. Currently, her paintings are in the collections of such major museums, like: Odessa Art Museum, Russian Museum, State Tretyakov Gallery.

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Zinaida Serebryakova paintings

Self-portrait dressed as Pierrot

Self-portrait of Zinaida Serebryakova in a white blouse

Self-portrait with daughters

Ballerinas in the restroom

Whitening the canvas

Brittany. The town of Pont-l Abbe. Port

Lepik street baker

In the dressing room

Girl with black braids

Girl with a candle

Elena Braslavskaya

At breakfast

Behind the toilet. Self-portrait

The modern generation knows very little or very superficially about Zinaida Serebryakova. Of course, not everyone, but most people know this famous "self-portrait of the artist at the mirror", the real name of which is "Behind the Toilet". It is from him that the artist's work becomes widely known. But there are many, many other masterpieces remaining long years in the shadow of the glory of one of the most famous paintings ... And the self-portraits themselves - so much narcissism in painting can be found only in Zinaida Serebryakova ...

In the history of Russian painting, women became famous only on canvases, and as a rule female images were written by men ... A woman artist in modern world art is a familiar phenomenon, but it was not always so.

Today we will get acquainted with the works of one of the first Russian women who entered the history of painting - Zinaida Evgenievna Serebryakova, whose paintings are currently sold at the world's most prestigious auctions and auctions.

For example, one of last works artist painted in Russia - painting "Sleeping Girl". In 2015, it was sold for 3.85 million pounds ($ 5.9 million). This amount is almost eight times higher than the estimated value of 400-600 thousand pounds ($ 609-914 thousand). Buyers who participated in the auction by telephone were in a tense struggle for the work.

The fate of this picture is remarkable. There is a version that the painting depicts the youngest daughter of the artist Catherine, who also became a famous artist. Ekaterina Serebryakova died relatively recently - in 2014. The painting "Sleeping Girl" was part of the collection former ambassador Of the Provisional Government of Russia in the USA Boris Bakhmetyev (1880-1951), who lived in exile in America after the October Revolution. He acquired it at an exhibition of Russian artists in New York in 1923.

• It is known that with the money received for its sale, the artist left for France, from where she never returned.

Reading the biography of Serebryakova, it is very difficult to imagine a different path for little Zinaida, because in this artistic family everyone was born with pencils in hand. Her grandfather Nicholas Benois was a famous architect, her father Eugene Lansere was a famous sculptor, and her mother Ekaterina Nikolaevna, the daughter of the architect Nicholas Benois, the sister of the architect Leonty Benois and the artist Alexander Benois, was a graphic artist in her youth. Brothers Zinaida Lancere Nikolay, - a talented architect, another, Eugene, played an important role in the history of Russian and Soviet art monumental painting and graphics.

It is not surprising that on December 12, 1884, in one of the most renowned art families, Benoit-Lanceray, a talented girl will be born, whose future was already predetermined. Not by fate, but by family ...

By the way, Zinaida will become world famous at the age of 25, having painted one of the brightest and most cheerful self-portraits of all time - "Self-portrait in front of a mirror" (1909).

It's amazing how cheerful and light canvases could be created by a person who was distinguished by isolation and wildness, and this is against the background of friendly and cheerful brothers and sisters. But it only seemed so, because the real inner world a modest, weak and sickly girl was on canvas. Painting will become the most joyful pursuit and a vocation in the life of little Zinusha (as her relatives called her). And any direction will be portraits, landscapes and nude.

Masterpieces by Zinaida Serebryakova

Bath. 1913, State Russian Museum, St. Petersburg

At breakfast. 1914,

Harvest. 1915

Whitening the canvas. 1917, State Tretyakov Gallery, Moscow

Illuminated by the sun. 1928,

The sleeping model. 1941, Kievsky National Museum Russian art, Ukraine

Zinaida's maiden name - Lansere, and she became Serebryakova when she was married. This story deserves a mention.

With Boris, her cousin, Zina was familiar from childhood, over time, friendship grew into love. The young people decided to get married, but they did not succeed right away. Parents were in favor, but the church opposed because of the kinship of the lovers. However, 300 rubles and an appeal to the third, after two refusals, the priest was allowed to solve the problem. They got married in 1905.

Peasant woman with pots. 1900s

Portrait of Olga Konstantinovna Lanceray. 1910, Private collection

Bather. 1911, State Russian Museum, St. Petersburg

There is an assumption that "The Bather" is another self-portrait of the artist. Direction of gaze, face, hair, lips - the girl in this picture is very similar to "Self-portrait in a Pierrot costume" - she is lower.

Pierrot (Self-portrait dressed as Pierrot). 1911, Odessa Art Museum, Ukraine

Girl with a candle. Self-portrait. 1911, State Russian Museum, St. Petersburg

Zinaida traveled a lot. First, Italy, where she went for treatment, then Paris, where she studies at the prestigious Academy de la Grande Chaumiere. But as an artist, she was formed in St. Petersburg. The first famous works were created here - in the city on the Neva. This was the heyday of the talented artist. Endless exhibitions, parties in the famous society "World of Arts", the first recognition of talent - the famous painting "Behind the Toilet", first shown at a large exhibition, brings wide popularity.

The self-portrait was followed by "Bather" (1911, Russian Museum), "Peasants" (1914-1915, Russian Museum), "Harvest" (1915, Odessa Art Museum) and others ... The most important of these works was "Whitening of Canvas" (1917 , State Tretyakov Gallery).

Nurse with a child. 1912, Nizhny Novgorod State Art Museum

Peasant woman (with a yoke). 1916-1917, State Russian Museum, St. Petersburg

Sleeping peasant woman. 1917, Private collection

Self-portrait in red. 1921, Private collection

In the ballet dressing room (Big Ballerinas). 1922, Ballet C. Puni "Pharaoh's Daughter", Private collection

Ballet dressing room. Snowflakes. 1923, Pyotr Tchaikovsky's ballet "The Nutcracker", State Russian Museum, St. Petersburg

By the way, canvases with ballerinas are a so-called dialogue with another, no less famous artist- by the French painter Edgar Degas, whom she admired all her life. His ballerinas admired and inspired to write “their own”, so unlike everyone else, in a manner peculiar only to her of conveying grace, plasticity, thin lines, grace ...

Pay attention to the following picture - it is very symbolic.

House of cards. 1919, State Russian Museum, St. Petersburg

The picture shows the children of Zinaida and Boris Serebryakov. This period in the artist's life is akin to a house of cards. October Revolution, the death of a spouse from typhus. She is left with four children and a sick mother without a livelihood. Hunger. No oil paints - you have to switch to charcoal and pencil. House of Cards, showing all four orphaned children, is the most tragic piece in all of her work.

Further, everything is very typical for the entire creative intelligentsia - life at the behest, it is impossible to write, it is possible. Advice to switch to a different style, unequivocal hints to paint portraits of commissars, but she refuses to accept the statutes of the "new masters of life."

In December 1920, Zinaida moved to Petrograd to her grandfather's apartment. She was lucky - the artists of the Moscow Art Theater were accommodated in this apartment "for compaction". During this period, she draws on themes from theatrical life.

Self-portrait with daughters. 1921, Rybinsk State Historical, Architectural and Art Museum-Reserve, Yaroslavl Region

Katya with dolls. 1923, Private collection

Bath. 1926, Private collection

In 1923, her works took part in an exhibition of Russian artists held in the USA. She helped out $ 500, but they could not patch the gaps in the family budget. Zinaida decides to leave for Paris to improve her financial situation.

She did not succeed in earning money in a year, as planned. “Nobody understands that it is insanely difficult to start without a penny. And time passes, and I keep fighting in the same place, ”she writes to her mother in despair.

She was going to return to Russia, where her mother and children remained. However, she failed to return, and she finds herself cut off from her homeland and children. All the little money that she manages to earn, she sends back to Russia. She lived at this time on the Nansen passport (passport for refugees) and only in 1947 received French citizenship.

The eldest daughter Tatyana Serebryakova recalled that she was 12 years old when her mother left. She left for a short time, but Tate was very scared. As if she had a presentiment that the next time they would be able to see each other only after 36 years.

On the beach. 1927, Private collection

Once Zinaida Serebryakova received tempting offer- go on a creative journey to depict the naked figures of oriental maidens. But it turned out that it was simply impossible to find models in those places. Zinaida's translator came to the rescue - he brought his sisters and bride to her. No one before and after this was able to capture the closed oriental women naked.

Despite her efforts, the artist did not succeed in realizing herself right away in Paris. The city of changeable moods and romance was in endless fashion trends and the style of the Russian emigrant did not suit this city. The demand for paintings was extremely negligible. On top of that, she simply didn’t know how to “do business”.

The artist, who has repeatedly helped Zinaida Serebryakova in Paris, said: "She is so pitiful, unhappy, inept, everyone offends her."

Lonely and irritated, she becomes more and more closed in herself. Paris was enveloped in new fashion trends and trends in art. The local public, unable to distinguish the beautiful from the bad - in the theater, music, literature, was dearer to everything tasteless and mediocre.

"Life seems to me now a senseless vanity and a lie - now everyone's brains are very clogged, and now there is nothing sacred in the world, everything is ruined, debunked, trampled into the mud"

But with her children in mind, she continues to work hard. Soon it is possible to write out Katya, and a little later her son Alexander comes to her. And then the iron curtain falls.

Serebryakova does not dare to return, because her two children are in Paris, and she does not risk taking them to the USSR, where they can be declared "enemies of the people". In Paris, she cannot fully engage in new life because half of her heart remained there - with Zhenya, Tanya and her mother, whom the government refuses to release abroad.

At the slightest opportunity, Serebryakova sends them money, but this is not always possible. In 1933, her mother died of hunger in the Union.

Girl in pink. 1932, Private collection

With the children left in their homeland, they manage to meet only 36 years later - during the Khrushchev thaw. In 1960, her daughter Tatiana (Tata) visited her, who became theater artist at the Moscow Art Theater. In 1966, large exhibitions of Serebryakova's works were shown in Moscow, Leningrad and Kiev.

Suddenly she becomes popular in Russia, her albums are printed in millions of copies, and her paintings are compared with Botticelli and Renoir.

On September 19, 1967, Zinaida Serebryakova died in Paris at the age of 82. Buried in the Sainte-Genevieve-des-Bois cemetery. Her dream - international fame came to her during her lifetime, but she did not have time to gain financial well-being and independence.

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Zinaida Serebryakova. In front of the mirror (self-portrait). 1910 State Tretyakov Gallery, Moscow. Wikipedia.org

Zinaida Serebryakova (1884 - 1967) was waiting happy life... Beautiful and kind girl... Married by Great love... She gave birth to four healthy children.

Joyful everyday life of a happy mother and wife. Which had the opportunity to be realized. After all, she, like many children in the Lanceray-Benois family, painted with early childhood.

But it all began to crumble in 1917. She was 33 years old. Wonderful world turned into a series of hardships and suffering.

Why Serebryakova did not fit into new era? What made her leave for Paris for good? Why would she be separated from her children for 36 years? And recognition will come to her only a year before her death in 1966?

Here are 7 paintings by the artist that will tell us about her life.

1. Behind the toilet. 1909 g.

Zinaida Serebryakova. Behind the toilet (self-portrait). 1909 State Tretyakov Gallery, Moscow. Wikipedia.org

Unusual self-portrait. The girl is reflected in the mirror. We understand this by the double candle. Snow-white underwear. White color in the interior. Women's trinkets in front of the mirror. Pink blush. Big eyes and a spontaneous smile.

Everything is so charming and fresh. It's like an allegory of a carefree youth. When the mood is good even in the morning. When a day full of pleasant worries lies ahead. And there is so much beauty and health in stock that it will last for many more years.

Zinaida Serebryakova was a sickly and withdrawn child as a child. But her childish thinness has turned into a graceful figure. And isolation - in a modest and benevolent character.

Her acquaintances noted that she always looked younger than her years. And at 40, and at 50 years old, she almost did not change externally.

Self-portraits of Z. Serebryakova (aged 39 and 53).

Self-portrait "Before the Mirror" was written in the happy years of his life. She married her cousin, with whom she was deeply in love. She has already given birth to two boys. Life went on as usual in their family estate Neskuchnoye.

2. At breakfast. 1914 g.

Zinaida Serebryakova. At breakfast. 1914 State Tretyakov Gallery, Moscow. Art-catalog.ru

There are three children of Serebryakova in the picture. Zhenya buried his nose in the glass. Sasha turned around. Tanya also looks attentively, putting the pen on the plate. The fourth child, Katya is still in the arms of a wet nurse. She's too small to sit behind common table.

Why is the painting called "At Breakfast"? After all, we see a tureen on the table.

Before the revolution, it was customary to have two breakfasts. One was light. The second is more satisfying. Which later became known as dinner.

The plot of the picture is very simple. As if a photograph was taken. Hand of grandmother pouring soup. The view of the table is slightly above, from the height of an adult. Immediate reactions of children.

The husband is not at the table. He is a track engineer. And at that time I was on a business trip in Siberia. On construction railroad.

3. Whitening of the canvas. 1917 g.

Zinaida Serebryakova. Whitening the canvas. 1917 g. Artchive.ru

In the 1910s, Serebryakova created a series of works with peasants. Who worked on her estate. She got up very early and ran with paints in the field. To make sketches from nature.

Serebryakova was an esthete. Common women she's all beautiful. Passing the images through themselves, they came out from her purified and clear. Even the most ordinary person became special. The ugliest thing is amazing.

Her paintings were in stark contrast to the works of other artists. At that time, they admired the luxurious Vrubel and the extraordinary Chagall.

Left:. 1890 State Tretyakov Gallery. On right: . Birthday. 1915 Museum contemporary art, New York

Among these bright, expressive images, the unassuming peasant women of Serebryakova stood apart. But she was still appreciated. And he was even awarded the title of academician at the beginning of 1917.

But a life full of recognition and prosperity will soon collapse. Like a house of cards.

4. House of Cards. 1919 g.

Serebryakova Zinaida. House of cards. 1919, St. Petersburg. Artchive.ru

This is one of the saddest paintings by Serebryakova. There is no extravaganza of light colors on it. Only sad children. A fragile house of cards. And even a lying doll takes on an ominous meaning. A tragedy happened in the life of Serebryakova ...

The year is 1919. The peasants came in a crowd to the owners' house. They decided to warn Zinaida that things were really bad. Nearly all the estates were looted around. And if something happens, they will not be able to protect the hostess with the children.

Serebryakova put the children and mother on the cart. They left for good. In a few days, the estate will be set on fire.

There was no news about her husband whole year... He was in jail. On the way home he gets typhoid fever. And it will quickly fade away in the arms of his wife.

Serebryakova was monogamous. Even then, she realized that her happy life was over forever. She will never marry.

5. Snowflakes. 1923 g.

Zinaida Serebryakova. Ballet dressing room. Snowflakes (ballet "Nutcracker"). 1923 State Russian Museum, St. Petersburg. Artchive.ru

Serebryakova had four children and an aging mother in her arms. I had to feed my family. And she decided to move to Petersburg. Hoping to earn money there.

She often drew ballerinas at the Mariinsky. In a theater that her great-grandfather had once designed.

The ballerinas are not depicted on stage. And behind the scenes. Hair straighteners or pointe shoes. Again the effect of a photograph. A moment in the life of beautiful, elegant girls.

But in St. Petersburg, work brought her mere pennies. Her paintings did not fit into the new era in any way.

The artists were required to retrain as posters and designers of Soviet life. The leaders of Stepanova and Rodchenko willingly obeyed the call "Artist for production."

Left: Varvara Stepanova. Sportswear project. 1923 Right: Alexander Rodchenko. The poster "The best nipples have never been and are not." 1923 g.

Poverty persecuted the family. Serebryakova decided to go to Paris to work. I thought for a couple of months. But it turned out forever.

6. Illuminated by the sun. 1928 g.

Serebryakova Zinaida. Illuminated by the sun. 1928 Kaluga state museum... Avangardism.ru

In Paris, things went well at first. She painted portraits to order.

However, Serebryakova lacked the ability to defend her interests. She gave portraits or sold for a penny, just to win the sympathy of wealthy clients. Many took advantage of this generosity. As a result, she worked almost at a loss. Twisted. Made homemade paints. To keep working.

One day - good luck. Baron Brower ordered Serebryakova's panel for his mansion. He liked the work of the artist so much that he even sponsored her trip to Marrakech. Where she got incredible impressions.

There, her masterpiece "Illuminated by the Sun" was written. An incredible feeling from the picture. Heat, from which the air “melts” and aches the eyes. In contrast to the dark skin of a smiling Moroccan woman.

It is amazing that the picture was completed in 30 minutes! The Koran forbids people to pose. Therefore, Serebryakova worked with phenomenal speed to complete the drawing in half an hour. For more, her Moroccan models did not agree.

But vivid impressions only temporarily muffled heartache. Soviet authority allowed only two of her children to leave the country, Sasha and Katya (the youngest son and youngest daughter).

The two remaining children, the eldest Zhenya and Tatiana, were never released for unknown reasons. She will see them only 36 years later.

7. The sleeping model. 1941 g.

Zinaida Serebryakova. The sleeping model. 1941 Kiev Museum of Russian Art. Gallerix.ru

In Paris, Zinaida created a lot of nudes. They are written in a neoclassical style. Like the old masters. Her nudes are similar to or Giorgione. Beautiful. Delicate. Pink-skinned.

There was not a drop of Russian blood in Serebryakova. She was French by birth (nee Lancer). But in France she felt herself Russian. She was not friends with anyone. She worked around the clock.

In addition, she was again out of fashion. The ball was ruled by the Art Deco style.

After visiting the long-awaited exhibition of Zinaida Serebryakova in the Engineering Castle of the Tretyakov Gallery, I am sharing my impressions. More than two hundred works by the artist from Russian and French collections are presented here, some of which have come to Russia for the first time. For the most part, these are paintings painted in exile after separation from children and in awe of the upcoming unknown. Her works surprisingly combined modernity and subtle adherence to classical traditions; art critic Dmitry Sarabyanov wrote about Zinaida Serebryakova as a sublime and dreamy artist, calm, detached from the anxieties of time, turned to the beautiful past.

Tata with vegetables, 1923

In the studio of Osip Emmanuilovich Braz, 1905-1906

In a studio. Paris, 1905-1906

The subjects of the paintings at the exhibition are very diverse: landscapes (Russian, Moroccan, European), original scenes from peasant life, charming and touching portraits of children, which are exhibited both in the main collection and in in a separate room, so called Children's; portraits of loved ones, acquaintances, genre scenes and so on. Bearing in mind that I have many non-Muscovite friends, I tried to choose not the most famous canvases.

Country girl, 1906

This is how Binka fell asleep, 1907

Boris Serebryakov, 1908

Portrait of a nanny, 1908-1909

Orchard, 1908

Portrait of a student, 1909

Portrait of Zhenya Serebryakov, 1909

View from the window. Neskuchnoe, 1910

Portrait of Olga Konstantinovna Lanceray, 1910

Green apples on branches, 1910. Donetsk Regional Art Museum

Portrait of Mikhail Nikolaevich Benois, 1910, State Russian Museum
One of my favorite portraits of Zinaida Evgenievna)

Portrait of Catherine Lanceray with a child. Early 1910s

Winter landscape, 1910

Portrait of Lola Braz, 1910 Nikolaev Art Museum. V.V. Vereshchagin, Nikolaev

Bather, 1911, Private collection

Nurse with a child, 1912

Portrait of a wet nurse, circa 1912

Boris Serebryakov, 1913

Photo from the exhibition of Sergei Mikheev

Peasants, lunch, 1914-1915

Peasant woman wearing shoes, 1915

Two peasant girls

Portrait of E.E. Lancer wearing a fur hat, 1915. ChS, Moscow

Sketches of the murals for the restaurant of the Kazan railway station, 1916

Persia Siam

Turkey (Odalisque) India

Two odalisques, 1916
In 1915-1916 Serebryakova together with others worldists worked on the decoration of the restaurant at the Kazansky railway station and made several sketches for the panel, representing the allegories of the countries of the East.

Bathers, 1917

Tata and Katya (At the mirror), 1917

On the terrace in Kharkov, 1919
Happy last days ...

House of Cards, 1919

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Portrait of Sergei Rostislavovich Ernst, 1921 and 1922

Portrait of E.I. Zolotarevsky as a child, 1922. National Art Museum of the Republic of Belarus, Minsk

Boys in sailor vests, 1919 Girls at the piano, 1922

Portrait of the artist Dmitry Bushen, 1922

Still life with attributes of art, 1922

Portrait of Anna Akhmatova, 1922

On the kitchen. Portrait of Katya, 1923

Portrait of Olga Iosifovna Rybakova as a child, 1923

Tata ballerina, 1924

Self-portrait, 1920s

The revolution brought only misfortune: first, their house was burned down along with the library, many drawings and canvases, and two years later, Boris Serebryakov's husband died of typhus. Having spent a lot of time in the country of the Soviets, in search of work, Zinaida Aleksandrovna was forced to leave for Paris in 1924, becoming an emigrant of the first wave with a difficult, but at the same time wonderful fate. Younger son and the daughter left with her mother, she was able to meet with the elders only forty years later.

Versailles. Roofs of the city, 1924

Portrait of the architect A.Ya. Beloborodov, 1925

Portraits of Princess Irina Yusupova and Prince Felix Yusupov, 1925

Sandra Loris-Melikova, 1925

Portrait of Sergei Prokofiev's son Svyatoslav, 1927, pastel

Portrait of Felizna Kakana, 1928. Private collection

Marrakesh. View from the terrace to the Atlas Mountains, 1928

Sunlit, 1928

Castellane. Valley, 1929

Luxembourg Gardens, 1930

Luxembourg Gardens, 1930

Collioure. Katya is on the terrace. 1930 year

Menton. Beach with umbrellas, 1930

Basket with grapes on the window. Menton, 1931

Maria Butakova, nee Evreinova, 1931

Portrait of Marianne de Brouwer, 1931. Private collection

Nude from the back, 1932

Nude with a red scarf, 1932. Private collection

Reclining Moroccan woman, Marrakech, 1932

Moroccan in Green, 1932

Young Moroccan, 1932 Private collection

Moroccan motives occupy a significant place in the work of Serebryakova. She has visited this country twice. Morocco fascinated the artist, its extraordinary color inspired her. A whole series of works was written here, mostly portraits. To present these works at least superficially, even my, rather capacious posts will not be enough) The exhibition of paintings in Paris was a resounding success, only Zinaida Evgenievna did not manage to sell a single work. She was an excellent artist but a bad manager.

Study of a woman, 1932. Private collection

Moroccan in pink dress, 1932

England, 1933

Woman in Blue, 1934